| I. The Legacy of Symbolism
|
|
|
|
Introduction
|
|
13
|
|
|
|
Ia. Classicism and Originality
|
| 1.
|
Téodor de Wyzewa
|
'Wagnerian Painting'
|
1895
|
17
|
|
| 2.
|
Paul Signac
|
from Eugene Delacroix to Neo- Impressionism
|
1899
|
20
|
|
| 3.
|
Paul Gauguin
|
Letter to Fontainas
|
1899
|
23
|
|
| 4.
|
Sigmund Freud
|
from 'On Dreams'
|
1901
|
26
|
|
| 5.
|
Otto Weininger
|
from Sex and Character
|
1903
|
34
|
|
| 6.
|
Paul Cézanne
|
Letters to Emile Bernard
|
1904-6
|
37
|
|
| 7.
|
Maurice Denis (intro. Roger Fry)
|
'Cézanne'
|
1907
|
40
|
|
| 8.
|
Maurice Denis
|
'From Gauguin and van Gogh to Neo-Classicism'
|
1909
|
47
|
|
| 9.
|
Julius Meier-Graefe
|
'The Mediums of Art, Past and Present'
|
1904
|
53
|
|
| 10.
|
Giorgio de Chirico
|
'Mystery and Creation'
|
1913
|
60
|
|
|
|
Ib. Expression and the Primitive
|
| 1.
|
August Endell
|
'The Beauty of Form and Decorative Art'
|
1897-8
|
62
|
|
| 2.
|
André Derain
|
Letters to Vlaminck
|
c. 1905-9
|
65
|
|
| 3.
|
Ernst Ludwig Kirchner
|
Programme of the Brücke
|
1906
|
67
|
|
| 4.
|
Wilhelm Worringer
|
from Abstraction and Empathy
|
1908
|
68
|
|
| 5.
|
Henri Matisse
|
'Notes of a Painter'
|
1908
|
72
|
|
| 6.
|
Roger Fry
|
'An Essay in Aesthetics'
|
1909
|
78
|
|
| 7.
|
Wassily Kandinsky
|
from Concerning the Spiritual in Art
|
1911
|
86
|
|
| 8.
|
Wassily Kandinsky
|
The Cologne Lecture
|
1914
|
94
|
|
| 9.
|
Franz Marc
|
The "Savages" of Germany' and 'Two Pictures'
|
1912
|
98
|
|
| 10.
|
August Macke
|
'Masks'
|
1912
|
100
|
|
| 11.
|
Emil Nolde
|
'On Primitive Art'
|
1912
|
101
|
|
| 12.
|
Oskar Kokoschka
|
'On the Nature of Visions'
|
1912
|
102
|
|
| 13.
|
Alexander Shevchenko
|
'Neo-Primitivism'
|
1913
|
104
|
|
| 14.
|
Benedetto Croce
|
'What Is Art?'
|
1913
|
108
|
|
| 15.
|
Give Bell
|
'The Aesthetic Hypothesis'
|
1914
|
113
|
|
| 16.
|
Hermann Bahr
|
from Expressionism
|
1916
|
116
|
|
| II. The Idea of the Modern World
|
|
|
|
Introduction
|
|
125
|
|
|
|
IIa. Modernity
|
| 1.
|
Georg Simmel
|
'The Metropolis and Mental Life'
|
1902-3
|
130
|
|
| 2.
|
Max Weber
|
'Asceticism and the Spirit of Capitalism'
|
1904-5
|
135
|
|
| 3.
|
Vladimir Ilyich Lenin
|
'Party Organization and Party Literature'
|
1905
|
136
|
|
| 4.
|
Henri Bergson
|
from Creative Evolution
|
1907
|
140
|
|
| 5.
|
Alexander Blok
|
'Nature and Culture'
|
1908
|
143
|
|
| 6.
|
Filippo Tommaso Marinetti
|
'The Foundation and Manifesto of Futurism'
|
1909
|
145
|
|
| 7.
|
Umberto Boccioni et al.
|
'Futurist Painting: Technical Manifesto'
|
1910
|
149
|
|
| 8.
|
Robert Delaunay
|
'On the Construction of Reality in Pure Painting'
|
1912
|
152
|
|
| 9.
|
Percy Wyndham Lewis
|
'Our Vortex'
|
1914
|
154
|
|
| 10.
|
Franz Marc
|
'Foreword'
|
1914
|
156
|
|
| 11.
|
Fernand Leger
|
'Contemporary Achievements in Painting'
|
1914
|
157
|
|
| 12.
|
Henri Gaudier-Brzeska
|
'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska'
|
1915
|
160
|
|
| 13.
|
Karl Kraus
|
from 'In These Great Times'
|
1914
|
163
|
|
| 14.
|
Kasimir Malevich
|
From Cubism and Futurism to Suprematism: The New Realism in Painting
|
1915-16
|
166
|
|
|
|
IIb. Cubism
|
| 1.
|
|
|
|
|
|
| 2.
|
|
|
|
|
|
| 3.
|
|
|
|
|
|
| 4.
|
|
|
|
|
|
| 5.
|
|
|
|
|
|
| 6.
|
|
|
|
|
|
| 7.
|
|
|
|
|
|
| 8.
|
|
|
|
|
|
| 9.
|
|
|
|
|
|
| 10.
|
|
|
|
|
|
| 11.
|
|
|
|
|
|
| 12.
|
|
|
|
|
|
| III. Rationalization and Transformation
|
|
|
|
Introduction
|
|
217
|
|
|
|
IIIa. Neo-Classicism and the Call to Order
|
| 1.
|
|
|
|
|
|
| 2.
|
|
|
|
|
|
| 3.
|
|
|
|
|
|
| 4.
|
|
|
|
|
|
| 5.
|
|
|
|
|
|
| 6.
|
|
|
|
|
|
| 7.
|
|
|
|
|
|
| 8.
|
|
|
|
|
|
| 9.
|
|
|
|
|
|
| 10.
|
|
|
|
|
|
| 11.
|
|
|
|
|
|
|
|
IIIb. Dissent and Disorder
|
| 1.
|
|
|
|
|
|
| 2.
|
|
|
|
|
|
| 3.
|
|
|
|
|
|
| 4.
|
|
|
|
|
|
| 5.
|
|
|
|
|
|
| 6.
|
|
|
|
|
|
| 7.
|
|
|
|
|
|
| 8.
|
|
|
|
|
|
| 9.
|
|
|
|
|
|
| 10.
|
|
|
|
|
|
| 11.
|
|
|
|
|
|
| 12.
|
|
|
|
|
|
| 13.
|
|
|
|
|
|
| 14.
|
|
|
|
|
|
|
|
IIIc. Abstraction and Form
|
| 1.
|
|
|
|
|
|
| 2.
|
|
|
|
|
|
| 3.
|
|
|
|
|
|
| 4.
|
|
|
|
|
|
| 5.
|
|
|
|
|
|
| 6.
|
|
|
|
|
|
| 7.
|
|
|
|
|
|
| 8.
|
|
|
|
|
|
| 9.
|
|
|
|
|
|
| 10.
|
|
|
|
|
|
| 11.
|
|
|
|
|
|
| 12.
|
|
|
|
|
|
|
|
IIId. Utility and Construction
|
| 1.
|
KOMFUT
|
'Programme Declaration'
|
1919
|
308
|
|
| 2.
|
Vladimir Tatlin
|
'The Initiative Individual in the Collective'
|
1919
|
309
|
|
| 3.
|
Lyubov Popova
|
Catalogue Statement
|
1919
|
310
|
|
| 4.
|
Nikolai Punin
|
'The Monument to the Third International'
|
1920
|
311
|
|
| 5.
|
Alexander Rodchenko
|
'Slogans' and 'Organizational Programme'
|
1920-21
|
315
|
|
| 6.
|
Alexander Rodchenko and Varvara Stepanova
|
'Programme of the First Working Group of Constructivists'
|
1922
|
317
|
|
| 7.
|
Alexei Gan
|
from Constructivism
|
1922
|
318
|
|
| 8.
|
El Lissitsky and Ilya Ehrenberg
|
Statement by the Editors of Veshch
|
1922
|
320
|
|
| 9.
|
LEF editorial
|
Whom is LEF Alerting? 1
|
1923
|
321
|
|
| 10.
|
Osip Brik
|
'The So-called "Formal Method"'
|
1923
|
323
|
|
| 11.
|
Osip Brik
|
'From Picture to Calico-Print'
|
1924
|
324
|
|
| 12.
|
Vladimir Tatlin
|
'Report of the Section for Material Culture's Research Work'
|
1924
|
328
|
|
| IV. Freedom, Responsibility and Power
|
|
|
|
Introduction
|
|
333
|
|
|
|
IVa. The Modern as Ideal
|
| 1.
|
Walter Gropius
|
'The Theory and Organization of the Bauhaus'
|
1923
|
338
|
|
| 2.
|
|
|
|
|
|
| 3.
|
|
|
|
|
|
| 4.
|
|
|
|
|
|
| 5.
|
|
|
|
|
|
| 6.
|
|
|
|
|
|
| 7.
|
|
|
|
|
|
| 8.
|
|
|
|
|
|
| 9.
|
|
|
|
|
|
| 10.
|
|
|
|
|
|
| 11.
|
|
|
|
|
|
| 12.
|
|
|
|
|
|
| 13.
|
|
|
|
|
|
| 14.
|
|
|
|
|
|
| 15.
|
|
|
|
|
|
|
|
IVb. Realism as Figuration
|
| 1.
|
Vladimir Ilyich Lenin
|
'On Proletarian Culture'
|
1920
|
383
|
|
| 2.
|
|
|
|
|
|
| 3.
|
|
|
|
|
|
| 4.
|
|
|
|
|
|
| 5.
|
|
|
|
|
|
| 6.
|
|
|
|
|
|
| 7.
|
|
|
|
|
|
| 8.
|
|
|
|
|
|
| 9.
|
|
|
|
|
|
| 10.
|
|
|
|
|
|
| 11.
|
|
|
|
|
|
| 12.
|
|
|
|
|
|
| 13.
|
|
|
|
|
|
| 14.
|
|
|
|
|
|
| 15.
|
|
|
|
|
|
| 16.
|
|
|
|
|
|
| 17.
|
|
|
|
|
|
| 18.
|
|
|
|
|
|
| 19.
|
|
|
|
|
|
| 20.
|
|
|
|
|
|
