| I. The Legacy of Symbolism
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Introduction
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13
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IA. Classicism and Originality
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| 1.
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Téodor de Wyzewa
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'Wagnerian Painting'
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1895
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17
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| 2.
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Paul Signac
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from Eugene Delacroix to Neo- Impressionism
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1899
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20
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| 3.
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Paul Gauguin
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Letter to Fontainas
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1899
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23
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| 4.
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Sigmund Freud
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from 'On Dreams'
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1901
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26
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| 5.
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Otto Weininger
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from Sex and Character
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1903
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34
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| 6.
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Paul Cézanne
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Letters to Emile Bernard
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1904-6
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37
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| 7.
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Maurice Denis (intro. Roger Fry)
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'Cézanne'
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1907
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40
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| 8.
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Maurice Denis
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'From Gauguin and van Gogh to Neo-Classicism'
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1909
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47
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| 9.
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Julius Meier-Graefe
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'The Mediums of Art, Past and Present'
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1904
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53
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| 10.
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Giorgio de Chirico
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'Mystery and Creation'
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1913
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60
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IB. Expression and the Primitive
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| 1.
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August Endell
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'The Beauty of Form and Decorative Art'
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1897-8
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62
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| 2.
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André Derain
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Letters to Vlaminck
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c. 1905-9
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65
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| 3.
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Ernst Ludwig Kirchner
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Programme of the Brücke
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1906
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67
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| 4.
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Wilhelm Worringer
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from Abstraction and Empathy
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1908
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68
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| 5.
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Henri Matisse
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'Notes of a Painter'
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1908
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72
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| 6.
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Roger Fry
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'An Essay in Aesthetics'
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1909
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78
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| 7.
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Wassily Kandinsky
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from Concerning the Spiritual in Art
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1911
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86
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| 8.
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Wassily Kandinsky
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The Cologne Lecture
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1914
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94
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| 9.
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Franz Marc
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The "Savages" of Germany' and 'Two Pictures'
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1912
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98
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| 10.
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August Macke
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'Masks'
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1912
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100
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| 11.
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Emil Nolde
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'On Primitive Art'
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1912
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101
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| 12.
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Oskar Kokoschka
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'On the Nature of Visions'
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1912
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102
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| 13.
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Alexander Shevchenko
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'Neo-Primitivism'
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1913
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104
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| 14.
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Benedetto Croce
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'What Is Art?'
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1913
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108
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| 15.
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Give Bell
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'The Aesthetic Hypothesis'
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1914
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113
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| 16.
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Hermann Bahr
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from Expressionism
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1916
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116
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| II. The Idea of the Modern World
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Introduction
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125
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IIA. Modernity
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| 1.
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Georg Simmel
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'The Metropolis and Mental Life'
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1902-3
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130
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| 2.
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Max Weber
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'Asceticism and the Spirit of Capitalism'
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1904-5
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135
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| 3.
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Vladimir Ilyich Lenin
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'Party Organization and Party Literature'
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1905
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136
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| 4.
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Henri Bergson
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from Creative Evolution
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1907
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140
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| 5.
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Alexander Blok
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'Nature and Culture'
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1908
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143
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| 6.
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Filippo Tommaso Marinetti
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'The Foundation and Manifesto of Futurism'
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1909
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145
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| 7.
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Umberto Boccioni et al.
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'Futurist Painting: Technical Manifesto'
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1910
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149
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| 8.
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Robert Delaunay
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'On the Construction of Reality in Pure Painting'
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1912
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152
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| 9.
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Percy Wyndham Lewis
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'Our Vortex'
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1914
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154
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| 10.
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Franz Marc
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'Foreword'
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1914
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156
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| 11.
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Fernand Leger
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'Contemporary Achievements in Painting'
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1914
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157
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| 12.
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Henri Gaudier-Brzeska
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'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska'
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1915
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160
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| 13.
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Karl Kraus
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from 'In These Great Times'
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1914
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163
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| 14.
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Kasimir Malevich
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From Cubism and Futurism to Suprematism: The New Realism in Painting
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1915-16
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166
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IIB. Cubism
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| III. Rationalization and Transformation
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Introduction
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217
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IIIA. Neo-Classicism and the Call to Order
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IIIB. Dissent and Disorder
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IIIC. Abstraction and Form
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IIID. Utility and Construction
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| 1.
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KOMFUT
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'Programme Declaration'
|
1919
|
308
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| 2.
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Vladimir Tatlin
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'The Initiative Individual in the Collective'
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1919
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309
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