Art & Language (Van Abbemuseum, 1980)
Art & Language is a catalog for Art & Language's 1980 exhibition at the Van Abbemuseum in Eindhoven, Netherlands.
Contents
Incomplete contents
"Texts largely in English, with a few in Dutch. 133 illustrations"[1]
| Author | Title | pg. | Year | Original publication |
|---|---|---|---|---|
| Art & Language | Frameworks | 1-14 | 1967 | |
| Art & Language | Soft Tape | 17 | 1966 | |
| Terry Atkinson | Introduction to Art-Language Vol. 1 No. 1 | 1969 | Art-Language Vol. 1 No. 1 | |
| Michael Baldwin | Plans and Procedures | 1970 | Art-Language Vol. 1 No. 2 | |
| David Bainbridge
Harold Hurrell |
Lecher System | 1969 | ||
| Philip Pilkington
Dave Rushton |
Don Judd’s Dictim and Its Emptiness | 44-47 | 1971 | Analytical Art No. 1 |
| Kevin Lole | Progress in Art and in Science | 1971 | Analytical Art No. 1 | |
| Art & Language | Comparative Models | 51-62 | 1972 | |
| Charles Harrison | Mapping and Filing | 1972 | The New Art[2] | |
| Terry Atkinson | The Index | 1972 | The New Art[3] | |
| Art & Language | Points of Reference, the Hope of Ideology | 72-75 | 1974 | Art-Language Vol. 2 No. 4 |
| Art & Language | The Old Gourmet | 76-83 | 1974 | Art-Language Vol. 2 No. 4 |
| Art & Language | 'Sometimes I feel like an Artist...' | 1974 | Art-Language Vol. 3 No. 1 | |
| Art & Language | 'Consistency' is an Ideological Postulate | 1974 | Art-Language Vol. 3 No. 1 | |
| Art & Language | Pedagogical Sketchbook (AL) | 92 | 1975 | Art-Language Vol. 3 No. 2 |
| Art & Language | A Review of Styles | 1975 | Art-Language Vol. 3 No. 2 | |
| There are those People who only succeed in Remaining Revolutionaries by Keeping their Eyes Shut: A Conversation between Professor Norman Trotsky and Petrichenko | ||||
| Mel Ramsden | Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get 'Brice Marden's Painting' | 1975 | The Fox No. 2 | |
| Art & Language | Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia) | 1975 | Art & Language 1966-1975 | |
| Art & Language | Dear Stefan... | 1975 | Art & Language 1966-1975 | |
| Art & Language | Bourgeois Revisionism, What? | 1976 | Art-Language Vol. 3 No. 3 | |
| Art & Language | Ideology Does Not Penetrate Class Barriers as a Transparent Substance | 1976 | Art-Language Vol. 3 No. 3 | |
| It's Your Line to Dumb | ||||
| Christopher Isherwood and Those Who Think They're Cameras | ||||
| Art & Language | Simplicissimus | 1977 | Art-Language Vol. 4 No. 1 | |
| Art & Language | The Long March from 23rd Street to Highgate Cemetery and Back | 1977 | Art-Language Vol. 4 No. 1 | |
| Art & Language | Method ? | 1977 | Art-Language Vol. 4 No. 2 | |
| Art & Language | Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration | 1977 | Art-Language Vol. 4 No. 2 | |
| The Sinking of the Good Ship Liberalism | 1977 | Issue | ||
| Art & Language | Art for Society? | 1980 | Art-Language Vol. 4 No. 4 | |
| Art & Language | Ways of Seeing | 1978 | Art-Language Vol. 4 No. 3 | |
| Art & Language | Leeds University, February 1979 | 240 | 1979 | |
| Charles Harrison | The Ratification of Abstract Art | 1980 | Towards a New Art: Essays on the Background to Abstract Painting 1910-20 | |
| Art & Language | Portrait of V. I. Lenin in the Style of Jackson Pollock | 1980 | Artforum February 1980 |
References
- ↑ https://www.detritus.com/catalog/catalog.cgi?action=search&keyword=Art
- ↑ Charles Harrison “Mapping and Filing”, from The New Art, Hayward Gallery, London, 1972, pp. 14-16
- ↑ Terry Atkinson, Michael Baldwin, “The Index“, from The New Art, Hayward Gallery, London, 1972, p. 17-