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Soldier-Talk

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Revision as of 05:16, 27 May 2023 by imported>Dotclub
Soldier-Talk
Studio album by The Red Crayola
Released March 1979
Recorded
Studio


Label Radar
/

Track list

Side A
No.TitleLength
1."March No. 12"2:01
2."On the Brink"2:55
3."Letter-Bomb"2:03
4."Conspirators' Oath"2:41
5."March No. 14"1:22
6."Soldier-Talk"7:06
Side B
No.TitleLength
1."Discipline"3:25
2."X"3:13
3."An Opposition Spokesman"5:02
4."Uh, Knowledge Dance"2:57
5."Wonderland"3:00

Background

Poster
Store display poster

Personnel

The Red Crayola

Additional musicians

Pere Ubu

  • Tony Maimone - bass
  • Allen Ravenstine - synthesizer
  • David Thomas - additional vocals
  • Tom Herman - guitar
  • Scott Krauss - drums

Retrospectives

Mayo Thompson, 1986[1]

Jesse [Chamberlain] – there wasn't much for him to do, in a way, I think he wanted to say what he felt about the record, and he wanted it closer in the direction of pop, because Jesse, that's always been one of his gifts, and I was determined to make the record work, and thought that it could, and should, and working with Geoff Travis, using his insights into the way music works, there was no other way it could be… because those songs, they're all very schematic, not all of them, but... they don't have choruses all the way, maybe a motif is repeated but it's not repeated in exactly the same way... it's changed in terms of the time signatures, it's a complicated work.

Mayo Thompson, 2015[2]

[...] Jesse Chamberlain, who drummed and sang some on Corrected Slogans, joined me when Radar gave us a deal. I reformed the band because Christine [Kozlov] and I fell out with Art & Language. I had to get something going, so got back in the music business. Radar was rereleasing the International Artists’ stuff, so it was a natural for all concerned. It made sense to restart the group rather than pursue a solo music career.

[...] Punk qua form wasn’t about making interesting music, rather about music as self-realization. Even poor punk was interesting, though, particularly if it sold. That’s what made the Crayola viable. Sales made it interesting in a broader sense. [...]

Reviews

Melody Maker

April 28, 1979[3]

Jon Savage

Slash

August 1979[4]

Scaruffi

Piero Scaruffi[5]

Pitchfork

April 2, 2007[6]

Douglas Wolk

Dusted

April 10, 2007[7]

Jon Dale

AllMusic

[8]

Thom Jurek

Coffee-Table Notes

March 16, 2019[9]

Neil Cooper

References