Art & Language
Appearance
With the Red Crayola
1970s
1980s
- Born in Flames
- Kangaroo?
- An Old Man's Dream
- Black Snakes
- Victorine
- Baby and Child Care
2000s
- Karaoke Bar
- Sighs Trapped by Liars
- Five American Portraits
2010s
- Letters to the Jackson Pollock Bar in the Style of the Red Krayola
Art-Language journal
Main article: Art-Language
Pre-Art & Language
These early pieces are often (retroactively) considered and displayed with works of Art & Language.
Year | Title | Artist | Materials | Dimensions | Link |
---|---|---|---|---|---|
1965 | Untitled Painting | Michael Baldwin | Mirror mounted on canvas, two parts | 119.3 × 58.3 × 10.9 cm | A-L |
1965 | Untitled Painting | Michael Baldwin | Mirrors mounted on canvas, two parts | 101.5 × 61 × 7.5 cm | A-L |
1965 | Untitled Painting | Michael Baldwin | A-L | ||
1965 | Untitled Paintings | Michael Baldwin | 4 mirrors mounted on 4 canvas | 61 × 30 cm | A-L |
1965 | Four Suprematist Squares | Installation of four 12 inch black squares painted on the wall | 30.5 × 167.6 cm | A-L | |
1965 | Black Painting | Enamel on canvas | 8 × 244 cm | A-L | |
1966 | Painting I, No.2 | Inkjet on paper mounted on wooden panel | 157 × 150 cm | Artsy | |
1966 | Painting I, No.7 | Inkjet on paper mounted on wooden panel | 77 × 150 cm | Artsy | |
1966 | Painting I, No.8 | Inkjet on paper mounted on wooden panel | 93 × 150 cm | Artsy | |
1966 | Painting I, No.9 | Inkjet on paper mounted on wooden panel | 108 × 150 cm | Artsy | |
1966 | Entropy | ||||
1966-1967 | Air Conditioning Show | Terry Atkinson | Wikipedia | ||
1967 | Potato Print Model 1 | Lithography on paper | 52 × 67.5 cm | Artsy | |
1967 | Potato Print Model 1 | Lithography on paper | 52 × 67.5 cm | Artsy | |
1967 | Map Not to Indicate | ||||
1967 | Studies for a Secret Painting | ||||
1967-1968 | Secret Painting | ||||
1967-1968 | Geology | ||||
1967-1968 | Guaranteed Painting | ||||
1968 | 100% Abstract |
Art & Language
Exhibitions
Year | Title | Location | Notes | |
---|---|---|---|---|
Works
Year | Title | Materials | Dimensions | Link | |
---|---|---|---|---|---|
1968 | M 1:2 | Lithography on paper | 50.6 × 62.2 cm | Artsy | |
1971-1972 | Poster for Air-Conditioning Show | ||||
1972 | Alternate Map for Documenta / Documenta Memorandum | Offset lithograph newsprint | 72.2 × 50.6 cm | Artsy | |
1974 | Index 02 (Bxal): Indexical Fragments 6 | ||||
1975 | Shouting Men | Artsy | |||
1975 | Dialectical Materialism (Dark Green) | ||||
1973-1976 | Music-Language: Corrected Slogans | (P) A&L | Vinyl record | ||
1976 | Music-Language: Nine Gross and Conspicuous Errors | (P) A&L | Video. 23min | ||
1977 | Ten Postcards | Lithograph on paper | 20.3 × 76.5 cm | Tate | |
1977 | Ten Posters: Illustrations for Art-Language | ||||
1977 | Study for 'Ils donnent leur sang donnez votre travail' | Gouache and pencil on paper | 53.4 × 106.5 cm | Artsy |
Art & Language as a duo
Michael Baldwin and Mel Ramsden
Solo exhibitions
Start date | End date | Title | Gallery | Notes | ||
---|---|---|---|---|---|---|
1991 | Rome | Hostages | The British School at Rome | |||
1991 | Paris | Hostages | Galerie de Paris | |||
1991 | Bristol | Hostage Paintings 1987–1991 | Arnolfini Gallery | |||
1991 | Southampton | Hostage Paintings 1987–1991 | John Hansard Gallery | |||
1991 | London | Hostage Paintings 1987–1991 | Institute of Contemporary Arts | |||
1991 | London | Hostage Paintings: The Dark Series | Lisson Gallery | |||
1992 | Vienna | Early Work 1965–1976; Recent Work 1991–1994 | Galerie Grita Insam | |||
1992 | Brussels | Early Work 1965–1976; Recent Work 1991–1994 | Galerie Isy Brachot | |||
1993 | Paris | Early Work 1965–1976; Recent Work 1991–1994 | Galerie nationale du Jeu de Paume | |||
1994 | Madrid | Early Work 1965–1976; Recent Work 1991–1994 | Galería Juana de Aizpuru | |||
1994 | London | Early Work 1965–1976; Recent Work 1991–1994 | Lisson Gallery | |||
1995 | Vienna | Art & Language and Luhmann | Kunstraum | |||
1996 | Paris | Sighs Trapped by Liars | Galerie de Paris | |||
1996 | Seville | Conceptual Art from 1966 to 1996 | Galería Juana de Aizpuru | |||
1996 | St Gallen | Conceptual Art from 1966 to 1996 | Kunsthalle St Gallen | |||
1997 | Knokke | Conceptual Art from 1966 to 1996 | Mulier Mulier Gallery | |||
1998 | London | Sighs Trapped by Liars | Galerie Poo Poo | |||
1998 | Knokke | Sighs Trapped by Liars | Mulier Mulier Gallery | |||
1999 | Karlsruhe | Art & Language & Luhmann Nr. 2 | Zentrum für Kunst und Medientechnologie | |||
1999 | Vienna | Three Essays | Galerie Grita Insam | |||
1999 | New York City | The Artist Out of Work: Art & Language 1972–1981 | P.S.1 Contemporary Art Center | |||
1999 | Madrid | Cinco Ensayos | Galería Juana de Aizpuru | |||
1999 | Barcelona | Art & Language in Practice | Fundació Antoni Tàpies | |||
2001 | Knokke | 15 Essays | Mulier Mulier Gallery | [1] | ||
2002 | London | Mother, Father, Monday | Lisson Gallery | [1] | ||
2002 | Villeneuve-d’ascq | Too Dark to Read: Motifs Rétrospectifs | Lille Métropole Musée d’art modern d’art contemporain et d’art brut | [1] | ||
2003 | London | What Work Does the Artwork Do? | London Metropolitan University | [1] | ||
2003 | Zürich | Now They Are Surrounded | Migros Museum | [1] | ||
2004 | Malaga | Now They Are Surrounded | Centro de Arte Contemporáneo | [1] | ||
2004 | Knokke | Now They Are Surrounded | Mulier Mulier Gallery | [1] | ||
2004 | PT | Lisbon | Now They Are Surrounded | Galeria Filomena Soares | [1] | |
2005 | Vienna | Now They Are Surrounded | Galerie Grita Insam | [1] | ||
2005 | London | Now They Are Surrounded | Guildhall Art Gallery | [1] | ||
2005 | Karlsruhe | Now They Are Surrounded | Zentrum für Kunst und Medientechnologie | [1] | ||
2005 | London | Hard to Say When | Lisson Gallery | [1] | ||
2006 | Tiercé | Il ne reste qu’à chanter | Château de la Bainerie | [1] | ||
2006 | Nantes | Il ne reste qu’à chanter | Galerie de l’Erban | [1] | ||
2007 | London | Now They Are Surrounded: Reconfigured | London Metropolitan University | [1] | ||
2007 | Madrid | Works 1965–1978, 2007–2008 | Distrito Cu4tro, Galeria de Arte | [1] | ||
2008 | Knokke | Works 1965–1978, 2007–2008 | Mulier Mulier Gallery | [1] | ||
2008 | Paris | Brouillages/Blurrings: Works on Paper | Galerie Thaddaeus Ropac | [1] | ||
2009 | Salzburg | Works on Paper | Galerie Thaddaeus Ropac | [1] | ||
2009 | Madrid | Recent Works | Espacio Distrito Cu4tro | [1] | ||
2009 | Espoo | Portraits and a Dream | Espoo Museum of Modern Art | [1] | ||
2010 | Chicago | Portraits and a Dream | Rhona Hoffman Gallery | [1] | ||
2010-02-27 | London | Portraits and a Dream | Lisson Gallery | [2] | ||
2011 | Knokke | Badges | Mulier Mulier Gallery | [1] | ||
2011 | Canterbury | Portraits and a Dream | University of Kent | [1] | ||
2011 | Vienna | Official Squares Again | Galerie Grita Insam | [1] | ||
2012 | Zürich | The Hut Project Painting with Art & Language | Migros Museum für Gegenwartskunst | [1] | ||
2013 | Leeds | The Hut Project Painting with Art & Language | blip blip blip | [1] | ||
2013 | Düsseldorf | Letters to the Red Krayola | Galerie Kadel Willborn | [1] | ||
2013 | Deurle | Letters to the Red Krayola | Museum Dhondt-Dhaenens | [1] | ||
2013 | Brussels | Letters to the Red Krayola | Garage Cosmos | [1] | ||
2014 | Zürich | Made in Zurich: Art & Language Editions 1966–71 | Bernard Jordan Gallery | [1] | ||
2014 | Barcelona | Uncompleted | Museu d'Art Contemporani de Barcelona | [1] | ||
2014-11-14 | 2015-01-17 | London | Nobody Spoke | Lisson Gallery | [2][1] | |
2016 | Knokke | Not that is is needed now | Mulier Mulier Gallery | [1] | ||
2017 | Düsseldorf | Nobody Spoke | Kadel Willborn | [1] | ||
2017 | Berlin | Nobody Spoke | Kunstsaele | [1] | ||
2017-09-16 | 2018-02-24 | Tours | Ten Posters: Illustrations for Art & Language | Centre de Création contemporaine Olivier Debré | [3] | |
2019 | Berlin | Devinera qui pourra (Figure it out who can) | Galerie Michael Janssen | [1] | ||
2021 | Cambridge | Now They Are | Jesus College | [1] | ||
2022-03-03 | 2022-04-16 | NYC | Hostage | Lisson Gallery | [4] |
Works
Year | Title | Materials | Dimensions | Link |
---|---|---|---|---|
1978 | The Key of Dreams | Acrylic on paper | 140 × 100 cm | A-L |
1978 | Ten Illustrations for 'Radical Philosophy' | |||
1980 | Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III | 242.4 × 213.4 cm | Tate | |
1980 | Portrait of V.I. Lenin in the Style of Jackson Pollock V | Enamel on canvas | 239 × 210 cm | Artsy |
1980 | Portrait of V.I. Lenin in the Style of Jackson Pollock VII | Enamel on canvas mounted on board | 105 × 100 cm | Artsy |
1980 | Portrait of V.I Lenin in the Style of Jackson Pollock VIII | Ink on paper | Artsy | |
1980 | Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III | Enamel paint on canvas mounted on wooden panel | 105 × 100 cm | Philips |
1981 | Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling | Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric | 324 × 699 × 5 cm | Tate |
1981-1982 | Index: The Studio at 3 Wesley Place | Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam | 76.2 × 162.3 cm | Tate |
1982 | Index: The Studio at 3 Wesley Place, Executed by Mouth (II) | Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam | 97.5 × 210 cm | Tate |
1982 | Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI) | Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam | 78.4 × 162.7 cm | Tate |
1982 | Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby | Photograph mounted on sandwich of paper and plastic foam | 106.7 × 160.3 cm | Tate |
1982 | Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV) | Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam | 79.7 × 168 cm | Tate |
1984 | Study for Impressionism Returning Sometime in the Future | Pencil and acrylic on paper | 107 × 168 cm | A-L |
1983 | Study for Impressionism Returning Sometime in the Future III | Pencil and acrylic on paper | 99.1 × 139.7 cm | Artsy |
1985-1986 | Index: Incident in a Museum II | Oil and acrylic painting on canvas | 174 × 271 cm | |
1985 | Index: Incident in a Museum III | Alogram and oil on canvas on plywood | 174 × 271 cm | |
1985 | Index: Incident in a Museum IV | Alogram and oil on canvas | 174 × 271 cm | |
1985 | Index: Incident in a Museum V | Alogram and oil on canvas | 174 × 271 cm | |
1986 | Index: Incident in a Museum VI | Oil on canvas on plywood | 174 × 271 cm | |
1986 | Index: Incident in a Museum VII | Alogram and oil on canvas | 174 × 271 cm | |
1986 | Index: Incident in a Museum VIII | Alogram and oil on canvas | 174 × 271 cm | |
1986 | Index: Incident in a Museum IX | Alogram and oil on canvas | 174 × 271 cm | |
1986 | Index: Incident in a Museum X | Alogram and oil on canvas | 174 × 271 cm | |
1986 | Index: Incident in a Museum XI | Alogram and oil on canvas | 174 × 271 cm | |
1986 | Index: Incident in a Museum XII | Alogram and oil on canvas | 243 × 379 cm | |
1986 | Index: Incident in a Museum XIII | Alogram and oil on canvas on plywood | 174 × 271 cm | |
1986 | Index: Incident in a Museum (Madison Avenue) XIV | Alogram and oil on canvas on plywood | 174 × 271 cm | |
1986 | Index: Incident in a Museum XV | Alogram and oil on canvas | 243 × 379 cm | |
1986 | Index: Incident in a Museum XVI | Alogram and oil on canvas on plywood | 243 × 379 cm | |
1987 | Index: Incident in a Museum XVII | Alogram and oil on canvas | 271 × 379 cm | |
1987 | Index: Incident in a Museum XVIII | Oil on canvas | 174 × 271 cm | |
1987 | Index: Incident in a Museum XIX | Alogram and oil on canvas on plywood | 174 × 271 cm | Tate |
1987 | Index: Incident in a Museum XX | Alogram and oil on canvas | 174 × 271 cm | |
1987 | Index: Incident in a Museum XXI | Photography and oil on canvas on plywood | 234 × 379 cm | |
1986 | Index: Incident in a Museum XXII (The decade, 2003 -2013) | Alogram and oil on canvas on plywood | ||
1987 | Index: Incident in a Museum XXV | 174 × 271 cm | ||
1987 | Unit Cure, Unit Ground X | Acrylic on paper | 101.3 × 137 cm | Artsy |
1989 | Hostage XIII (3) | Oil on canvas | 147 × 152.3 cm | Artsy |
1990 | Surf 76 | |||
1990 | Hostage LXXIII | Glass, oil on canvas on wood | 214 × 142.5 cm | Artsy |
1990 | Study for Hostage 48 | Acrylic, ink and pencil on paper | 127 × 88.9 cm | Artsy |
1990 | Study for Hostage 60 | Acrylic, ink and pencil on paper | 130 × 90 cm | Artsy |
1990 | Hostage LX | Oil on canvas on wood with glass | 214 × 142.5 | Lisson Gallery |
1990 | Study for Hostage 65 | Acrylic, ink and pencil on paper | 127.5 × 88 cm | Artsy |
1991 | Study for Hostage 79 | Acrylic, ink and pencil on paper | 130 × 90 cm | Artsy |
1991 | Hostage LXXIX | Glass, oil on canvas on wood | 214 × 142.5 | Lisson Gallery |
1992 | Hello, How Are You? | |||
1992 | Art & Language Paints a Picture | text | ||
1992 | Exit (Now They Are) 2 | Oil pastel on tracing paper and paper | 136 × 100.5 cm | Phillips |
1992 | 3 Maps | Set of 3 boxed jigsaws | 5 × 24.5 × 32.5 cm | Artsy |
1995 | Portrait of an Artist | |||
1995 | Study for Background, Incident, Foreground II | Acrylic on paper | 128 × 92 cm | Phillips |
1998-1999 | Index: Wrongs Healed in Official Hope | |||
1999 | Lovely Slang V | Glass over oil and mixed media on canvas laid on wood | 59.5 × 42.5 cm | Phillips |
1999 | Art & Language Paints a Picture: A Picture Painted by Actors | Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media | Tate | |
There were sighs trapped by liars (XXIV) | Acrylic on color photograph | 87 × 119 cm | Artsy | |
2000 | Down to the Stone | |||
2001 | Framed unit No. # of Index (Landscape with St. George) | |||
2002 | Homes from Homes, Virus I | Oil and enamel on canvas and mixed media | 98 × 175 cm | Lisson Gallery |
2004 | Thirty Studies for a Luhmann Memorial | 30 works: collage, gouache on paper, passe-partout | 30 × 26 cm | Phillips |
2004 | Lovely Slang XXI | Glass over oil and mixed media on canvas on wood | 82.9 × 70 cm | Lisson Gallery |
2004 | Lovely Slang XXII | Glass over oil and mixed media on canvas on wood | 69 × 60.8 cm | Lisson Gallery |
2004 | Lovely Slang XXVIII | Glass over oil and mixed media on canvas on wood | 72 × 65 cm | Artsy |
2005 | Karaoke | Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets | 41 min. 10 sec | Tate |
2007 | No Secret Painting XI | Painting and text | Lisson Gallery | |
2007 | Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote | Acrylic, crayon and mixed media, 4 parts | 90.3 × 39.7 × 38.5 cm | Artsy |
2007 | Studies and Conversations: Qui Pourra | Collage and mixed media on photograph | 45 × 80 cm | Artsy |
2008 | Qui Pourra | HD Video | 15 min. 36 sec. | Lisson Gallery |
2009 | French Painting by Mouth | Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes | 88 × 76 × 70 cm | Artsy |
2009 | The Impression of Liars' Voices | Acrylic on canvas and mixed media, framed picture | Lisson Gallery
Phillips | |
2009 | The Background of a Hostage Incident | Acrylic on canvas and mixed media | 89.6 × 42.3 × 35 cm | Artsy |
2009 | An Interview with Mayo Thompson | Acrylics on canvas and mixed media | 101.3 × 47.5 cm | Artsy |
2009 | Now They Are Again No Secret | Acrylic on canvas and mixed media, framed picture | Lisson Gallery | |
2009 | Who Can Return? | Acrylic on canvas, photograph and mixed media | 98 × 48.5 × 36 cm | Artsy |
2009 | Portraits and a Dream | 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls | Lisson Gallery | |
2009 | Portrait of Vladimir Putin in the Style of Jackson Pollock | Oil and enamel on canvas; pencil on paper | Lisson Gallery | |
2009-2010 | Five American Background Songs | Acrylic on canvas and mixed media, plexiglas top | 105.2 × 58.5 × 41 cm | Artsy |
2011 | Portrait and a Dream VII (1981) | Ink and crayon on paper and mixed media | Lisson Gallery | |
2011 | Portrait and a Dream IX (1966) | Ink and acrylic on paper and mixed media | Lisson Gallery | |
2011 | Portrait and a Dream XI (1968) | Ink on photostat and mixed media, 2 parts | Artsy | |
2012 | Art & Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art & Language Paints a Picture (Directions for the Actors) | Oil on canvas trimmed in chains, mixed media, framed | 200 × 350 cm | Artsy |
2012 | Letters to The Red Crayola I (1968) | Ink, acrylic, collage and mixed media on paper | 35 × 75.6 cm | Artsy |
2012 | Letters to The Red Crayola II (1972) | Ink, acrylic, collage and mixed media on paper | 41.4 × 61.2 cm | Artsy |
2012 | Letters to The Red Crayola III (1990) | Ink, acrylic, collage and mixed media on paper | 41.4 × 41.4 cm | Artsy |
2012 | Letters to The Red Crayola IV (1976) | Ink, acrylic, collage and mixed media on paper | 41.4 × 41.4 cm | Artsy |
2012 | Letters to The Red Crayola V (2000) | Ink, acrylic, collage and mixed media on paper | 79.2 × 83.5 cm | Artsy |
2012 | Letters to The Red Crayola VI (1997) | Ink, acrylic, collage and mixed media on paper | 42.5 × 62.7 cm | Artsy |
2012 | Letters to The Red Crayola VII (1973) | Ink, acrylic, collage and mixed media on paper | 51.8 × 71 cm | Artsy |
2012 | Letters to The Red Crayola VIII (1973) | Ink, acrylic, collage and mixed media on paper | 51.8 × 71 cm | Artsy |
2012 | Letters to The Red Crayola IX (2009) | Ink, acrylic, collage and mixed media on paper | Artsy | |
2012 | Letters to The Red Crayola X | Ink, acrylic, collage and mixed media on paper | 73.4 × 75.2 cm | Artsy |
2012 | Letters to The Red Crayola XI (1982) | Ink, acrylic, collage and mixed media on paper | 52.3 × 102.8 cm | Artsy |
2012 | Letters to The Red Crayola XII | Artsy | ||
2012 | Letters to The Red Crayola XIII (1968) | Ink, acrylic, collage and mixed media on paper | 71.2 × 71.4 cm | Artsy |
2012 | Letters to The Red Crayola XIV (1976) | Ink, acrylic, collage and mixed media on paper | 78.4 × 64.3 cm | Artsy |
2012-2013 | Drawings from the Winter | |||
2013 | Part of an American Portrait | Perforated offset print | 19.1 × 19.1 cm | Artsy |
2013 | Portraits and a Dream III | Paper and canvas | Artsy | |
2013 | Portrait of President Barack Obama in the Style of Jackson Pollock | Phillips | ||
2013-2014 | Nobody Spoke | Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media | Lisson Gallery | |
2014 | Sea Ghost III | Acrylic with ink and mixed media on canvas | 176 × 149.5 cm | Artsy |
2014 | Sea Ghost IV | Acrylic with ink and mixed media on canvas | 176 × 149.5 cm | Artsy |
2014 | Sea Ghost V | Acrylic with ink and mixed media on canvas | 176 × 149.5 × 4 cm | Lisson Gallery |
2014 | Tell Me, Have You Ever Seen Me? II, Xi Jinping | Printed text on paper, ink, pencil and mixed media on paper, vitrine | 120 × 50 × 50 cm | Lisson Gallery |
2015 | Now They Are I | 144 parts, ink and paint on paper | 42 × 29.7 cm | Artsy |
2015 | Not That it is Needed Now (Oak) VIII | Oil on paper mounted on aluminum | 34 × 34 cm | Lisson Gallery |
2015 | Not That it is Needed Now (Archive) XX | Oil and mixed medium on canvas | 61 × 61 cm | Lisson Gallery |
2016 | Now They Are II | Indian Ink on laser printed text on Teslin 144 SRA3 sheets | 45 × 31.7 cm | Lisson Gallery |
2016 | Lovely Hostage IV | Glass, oil on canvas | 73 × 65 cm | Artsy |
2016 | Lovely Hostage V | Glass, oil on canvas | 73 × 65 cm | Artsy |
2016 | Lovely Hostage VI | Glass, oil on canvas | 73 × 65 cm | Artsy |
2016 | These Scenes | 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper | 80 × 120 cm | Artsy |
2016 | Have You Ever Seen Me? I | Acrylic, collage and mixed media on paper | 76 × 76 cm | Lisson Gallery |
2014-2017 | Nobody Spoke Again | Alogram with acrylic on canvas and mixed media | 110 × 200 × 200 cm | Artsy |
2017 | not to be seen | Wood, electric wire, bulbs | 160 × 60 × 60 cm | Artsy |
2017 | Almost a Home for Homeless Stuff | Screenprint | 64 × 45 cm | Artsy |
2017-2018 | Flags for Organisations II | Gouache on Teslin with laser printed text | 29.7 × 42 cm | Artsy |
2018 | Studies and Conversations: Qui Pourra | Ink and pencil on paper | 40.1 × 94.7 cm | Artsy |
2018 | Studies and Conversations: Qui Pourra | Ink and acrylic on paper | 40.1 × 94.7 cm | Artsy |
2018 | Platons Hölle | Oil on canvas | 160 × 120 cm | Artsy |
2018 | A Bad Place | Indian ink on laser printed text on Teslin | 252 × 710 cm | Artsy |
2019 | Drawing from the Winter of 2013-2014 (107.4% Abstract) | HP Indigo Print, Metapaper extrarough white 270g/qm | 42 × 29.7 cm | Artsy |
2019 | 10 Posters | Hand Silkscreen | 120 × 80 cm | Artsy |
2019 | A Shadow on the Tongue IV | Indian ink over text on Teslin | 168 × 148 cm | Lisson Gallery |
2019 | A Shadow on the Tongue XIII | Acrylic over text on Teslin | 168 × 148 cm | Lisson Gallery |
2019 | French Painting by Mouth (Chair in Bright Colours) | Lasertran, acrylic and mixed media with 36 pages of bound text | 88 × 38.4 × 35.5 cm | Artsy |
2021 | FLAG | Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth | 200 × 120 cm | Artsy |
References
- ↑ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 1.19 1.20 1.21 1.22 1.23 1.24 1.25 1.26 1.27 1.28 1.29 1.30 1.31 1.32 1.33 1.34 1.35 1.36 1.37 https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf
- ↑ 2.0 2.1 https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf
- ↑ https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf
- ↑ https://www.galleriesnow.net/shows/art-language/