Micro-Chips & Fish (single): Difference between revisions
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* [[Micro-Chips & Fish]] | * [[Micro-Chips & Fish]] | ||
* [[The Story so Far]] | * [[The Story so Far]] | ||
== Background == | |||
== Personnel == | |||
== Reviews == | == Reviews == | ||
== | === John Peel === | ||
=== Slash === | |||
October 1979<ref>https://archive.org/details/slash_circulation_zero/page/n827/mode/1up?q=%22Red+crayola%22</ref> | |||
Kick<blockquote>I keep playing this rather regularly. It doesn't hurt one bit, convincing structure, nice sound, modern feel, all that. But I'm waiting to feel something, anything in me once it's over. There is a lot of that sax/funk bass combination that is usually so lethal, but here it is more toyed with than slung across (as with the Contortions) and all you end up is a few minutes of sophisticated hip doodlings. These people have decided that in the future the form will be the content and act accordingly. And the couple of abrupt changes in style and tempo that are scattered about don’t seem to erupt from necessity but from restless impatience with their own approach. The front and back cover of the record are rather obsessed with tourism for some unclear reason: a bunch of postcards are used for the lettering on the front, and the back is a picture of typical tourists aimlessly wandering amidst some antique ruins. Does that mean Mayo Thompson feels like a tourist in today’s music world? Looking for artifacts and clues that will enable him to relate to his surroundings??</blockquote> | |||
=== Smash Hits === | |||
November 10, 1979<ref>https://archive.org/details/smash-hits-1979-11-01/page/n10/mode/1up?q=%22Red+crayola%22</ref><blockquote>Better things from the special one-off line up of Red Crayola and their intense experimental 12 incher "Micro Chips and Fish"/"The Story So Far"--well worth checking out.</blockquote> | |||
== References == | |||
[[Category:Singles]] | [[Category:Singles]] | ||
[[Category:Rough Trade]] | [[Category:Rough Trade]] | ||
Revision as of 13:37, 17 January 2023
Track listing
Background
Personnel
Reviews
John Peel
Slash
October 1979[1]
Kick
I keep playing this rather regularly. It doesn't hurt one bit, convincing structure, nice sound, modern feel, all that. But I'm waiting to feel something, anything in me once it's over. There is a lot of that sax/funk bass combination that is usually so lethal, but here it is more toyed with than slung across (as with the Contortions) and all you end up is a few minutes of sophisticated hip doodlings. These people have decided that in the future the form will be the content and act accordingly. And the couple of abrupt changes in style and tempo that are scattered about don’t seem to erupt from necessity but from restless impatience with their own approach. The front and back cover of the record are rather obsessed with tourism for some unclear reason: a bunch of postcards are used for the lettering on the front, and the back is a picture of typical tourists aimlessly wandering amidst some antique ruins. Does that mean Mayo Thompson feels like a tourist in today’s music world? Looking for artifacts and clues that will enable him to relate to his surroundings??
Smash Hits
November 10, 1979[2]
Better things from the special one-off line up of Red Crayola and their intense experimental 12 incher "Micro Chips and Fish"/"The Story So Far"--well worth checking out.