Gross and Conspicuous Error No. 4: Difference between revisions
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== Lyrics == | == Lyrics == | ||
{{Lyrics| | |||
Reductionist empiricist without specificity | Reductionist empiricist without specificity | ||
Or ? of a junior executive, | Or ? of a junior executive, | ||
Line 29: | Line 29: | ||
Not the G&CE of aggrandizing and individuating self, | Not the G&CE of aggrandizing and individuating self, | ||
But on developing significant organizational forms. | But on developing significant organizational forms. | ||
}} | |||
== Chronology == | == Chronology == | ||
* | * {{RLink|Nine}} | ||
== Interpretations == | == Interpretations == | ||
* At the end is an early instrumental version of [[Born to Win (Transactional Analysis With Gestalt Experiments)]] | * At the end is an early instrumental version of [[Born to Win (Transactional Analysis With Gestalt Experiments)]] | ||
== | == References == | ||
[[Category:Songs]] | [[Category:Songs]] | ||
[[Category:Lyrics by Art & Language]] | [[Category:Lyrics by Art & Language]] |
Revision as of 08:41, 7 January 2023
Lyrics
Reductionist empiricist without specificity Or ? of a junior executive, Tough wunderkind, Version of Juddian specificity Establishes certain particularly but mystifies it.
Since it denies particularity and totality, Thus it plays into the hands of cultural mandarins. Rationally self-interested reductionist empiricists, Like artists, Have minor detail adjustment free will.
Insofar as they remain self-interested, alone, And without a class, for itself, struggle. Capitalist cognition must be denied For the dialectical form of particular in totality.
Deadly and monodic, Fragmented minds transfixed By the law of contradiction P or not P You or me, not you and me, Can be struggled against By first seeing myself as a social institution An historic process component of historical reality. Again, assurance is based on Not the G&CE of aggrandizing and individuating self, But on developing significant organizational forms.
Chronology
Interpretations
- At the end is an early instrumental version of Born to Win (Transactional Analysis With Gestalt Experiments)