Charles Harrison: Difference between revisions
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{| class="wikitable" | {| class="wikitable" | ||
!Year | !Year | ||
! | |||
!Title | !Title | ||
!pp. | !pp. | ||
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|- | |- | ||
|1969 | |1969 | ||
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|''Ben Nicholson'' | |''Ben Nicholson'' | ||
|77 | |77 | ||
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|- | |- | ||
|1981 | |1981 | ||
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|''English Art and Modernism 1900-1939'' | |''English Art and Modernism 1900-1939'' | ||
|416 | |416 | ||
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|- | |- | ||
|1982 | |1982 | ||
|[[File:AL-Provisional-History-front.jpg|center|frameless|41x41px]] | |||
|[[A Provisional History of Art & Language|''A Provisional History of Art & Language'']] (with Fred Orton) | |[[A Provisional History of Art & Language|''A Provisional History of Art & Language'']] (with Fred Orton) | ||
|89 | |89 | ||
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|- | |- | ||
|1985 | |1985 | ||
|[[File:AL-5-3-front.jpg|center|frameless|51x51px]] | |||
|''[[Art-Language Vol. 5 No. 3|Blue Poles: Some Strictures on the Deletion of the Project 'Art and Society'<nowiki/>]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |''[[Art-Language Vol. 5 No. 3|Blue Poles: Some Strictures on the Deletion of the Project 'Art and Society'<nowiki/>]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | ||
|88 | |88 | ||
| Line 39: | Line 44: | ||
|- | |- | ||
|1991 | |1991 | ||
|[[File:Essays-on-AL-front.jpg|center|frameless|55x55px]] | |||
|''[[Essays on Art & Language]]'' | |''[[Essays on Art & Language]]'' | ||
|302 | |302 | ||
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|- | |- | ||
|1992 | |1992 | ||
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|''[[Art in Theory 1900-1990|Art in Theory 1900-1990: An Anthology of Changing Ideas]]'' (with Paul Wood) | |''[[Art in Theory 1900-1990|Art in Theory 1900-1990: An Anthology of Changing Ideas]]'' (with Paul Wood) | ||
|1190 | |1190 | ||
| Line 49: | Line 56: | ||
|- | |- | ||
|1993 | |1993 | ||
| | |||
|''Modernity and Modernism: French Painting in the Nineteenth Century'' (with F. Frascina, N. Blake, B. Fer, and T. Garb) | |''Modernity and Modernism: French Painting in the Nineteenth Century'' (with F. Frascina, N. Blake, B. Fer, and T. Garb) | ||
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| Line 54: | Line 62: | ||
|- | |- | ||
|1993 | |1993 | ||
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|''Primitivism, Cubism, Abstraction: The Early Twentieth Century'' (with F. Frascina and G. Perry) | |''Primitivism, Cubism, Abstraction: The Early Twentieth Century'' (with F. Frascina and G. Perry) | ||
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| Line 59: | Line 68: | ||
|- | |- | ||
|1993 | |1993 | ||
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|''Modernism in Dispute: Art Since the Forties'' (with Paul Wood, F. Frascina and J. Harris) | |''Modernism in Dispute: Art Since the Forties'' (with Paul Wood, F. Frascina and J. Harris) | ||
| | | | ||
| Line 64: | Line 74: | ||
|- | |- | ||
|1997 | |1997 | ||
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|''Modernism'' | |''Modernism'' | ||
|80 | |80 | ||
| Line 69: | Line 80: | ||
|- | |- | ||
|1998 | |1998 | ||
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|''Art in Theory 1815-1900'' (with Paul Wood and Jason Gaiger) | |''Art in Theory 1815-1900'' (with Paul Wood and Jason Gaiger) | ||
|1098 | |1098 | ||
| Line 74: | Line 86: | ||
|- | |- | ||
|1999 | |1999 | ||
|[[File:AL-in-Practice-Vol-1-front.jpg|center|frameless|50x50px]] | |||
|''[[Art & Language in Practice Vol. 1|Art & Language in Practice: Vol I Illustrated Handbook]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |''[[Art & Language in Practice Vol. 1|Art & Language in Practice: Vol I Illustrated Handbook]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | ||
|300 | |300 | ||
| Line 79: | Line 92: | ||
|- | |- | ||
|2000 | |2000 | ||
| | |||
|''Art in Theory 1648-1815'' (with Paul Wood and Jason Gaiger) | |''Art in Theory 1648-1815'' (with Paul Wood and Jason Gaiger) | ||
|1220 | |1220 | ||
| Line 84: | Line 98: | ||
|- | |- | ||
|2001 | |2001 | ||
| | |||
|''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' | |''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' | ||
|234 | |234 | ||
| Line 89: | Line 104: | ||
|- | |- | ||
|2005 | |2005 | ||
|[[File:AL-Writings-2005-front.jpg|center|frameless|51x51px]] | |||
|''[[Art & Language: Writings]]'' | |''[[Art & Language: Writings]]'' | ||
|300 | |300 | ||
| Line 94: | Line 110: | ||
|- | |- | ||
|2005 | |2005 | ||
| | |||
|''Painting the Difference: Sex and Spectator in Modern Art'' | |''Painting the Difference: Sex and Spectator in Modern Art'' | ||
|300 | |300 | ||
| Line 99: | Line 116: | ||
|- | |- | ||
|2006 | |2006 | ||
| | |||
|''Homes from Home II'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |''Homes from Home II'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | ||
|272 | |272 | ||
| Line 104: | Line 122: | ||
|- | |- | ||
|2007 | |2007 | ||
|[[File:AL-Albert-Joan-Sinbad.jpg|center|frameless|50x50px]] | |||
|''[[Albert, Joan and Sinbad]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | |''[[Albert, Joan and Sinbad]]'' (with [[Michael Baldwin]] and [[Mel Ramsden]]) | ||
|45 | |45 | ||
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|- | |- | ||
|2009 | |2009 | ||
| | |||
|''Since 1950: Art and its Criticisms'' | |''Since 1950: Art and its Criticisms'' | ||
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| Line 114: | Line 134: | ||
|- | |- | ||
|2009 | |2009 | ||
| | |||
|''[[Art & Language: Writings|Art & Language Writings]]'' | |''[[Art & Language: Writings|Art & Language Writings]]'' | ||
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| Line 119: | Line 140: | ||
|- | |- | ||
|2009 | |2009 | ||
| | |||
|''Introduction to Art'' | |''Introduction to Art'' | ||
|300 | |300 | ||
| Line 124: | Line 146: | ||
|- | |- | ||
|2011 | |2011 | ||
| | |||
|''Charles Harrison, Looking Back'' | |''Charles Harrison, Looking Back'' | ||
| | | | ||
Revision as of 14:00, 28 August 2023
| Charles Harrison | |
|---|---|
| [[File:{{{Image1}}}|upright|center|frameless]] | |
| [[File:{{{Image2}}}|upright|center|frameless]] | |
| Born | 1942 |
| Country | 
|
Charles Harrison was an art historian that worked with Art & Language since the early 1970s.
Bibliography
Books
| Year | Title | pp. | Publisher | |
|---|---|---|---|---|
| 1969 | Ben Nicholson | 77 | Tate Gallery Publications, London | |
| 1981 | English Art and Modernism 1900-1939 | 416 | Allen Lane and Indiana University Press, London and Bloomington | |
| 1982 |  |
A Provisional History of Art & Language (with Fred Orton) | 89 | Editions Fabre, Paris |
| 1985 |  |
Blue Poles: Some Strictures on the Deletion of the Project 'Art and Society' (with Michael Baldwin and Mel Ramsden) | 88 | Art-Language |
| 1991 |  |
Essays on Art & Language | 302 | Basil Blackwell, Oxford |
| 1992 | Art in Theory 1900-1990: An Anthology of Changing Ideas (with Paul Wood) | 1190 | Basil Blackwell, Oxford | |
| 1993 | Modernity and Modernism: French Painting in the Nineteenth Century (with F. Frascina, N. Blake, B. Fer, and T. Garb) | Yale University Press, New Haven and London | ||
| 1993 | Primitivism, Cubism, Abstraction: The Early Twentieth Century (with F. Frascina and G. Perry) | Yale University Press, New Haven and London | ||
| 1993 | Modernism in Dispute: Art Since the Forties (with Paul Wood, F. Frascina and J. Harris) | Yale University Press, New Haven and London | ||
| 1997 | Modernism | 80 | Tate Gallery Publishing, London and Cambridge University Press | |
| 1998 | Art in Theory 1815-1900 (with Paul Wood and Jason Gaiger) | 1098 | Blackwells, Oxford and Cambridge, MA | |
| 1999 |  |
Art & Language in Practice: Vol I Illustrated Handbook (with Michael Baldwin and Mel Ramsden) | 300 | Fundació Antoni Tàpies, Barcelona |
| 2000 | Art in Theory 1648-1815 (with Paul Wood and Jason Gaiger) | 1220 | Blackwells, Oxford | |
| 2001 | Conceptual Art and Painting: Further Essays on Art & Language | 234 | MIT Press, Cambridge, MA, and London | |
| 2005 |  |
Art & Language: Writings | 300 | Lisson Gallery |
| 2005 | Painting the Difference: Sex and Spectator in Modern Art | 300 | Chicago University Press, Chicago and London | |
| 2006 | Homes from Home II (with Michael Baldwin and Mel Ramsden) | 272 | ||
| 2007 |  |
Albert, Joan and Sinbad (with Michael Baldwin and Mel Ramsden) | 45 | |
| 2009 | Since 1950: Art and its Criticisms | Yale University Press | ||
| 2009 | Art & Language Writings | EMMA - Espoo Museum of Modern Art | ||
| 2009 | Introduction to Art | 300 | Yale University Press | |
| 2011 | Charles Harrison, Looking Back | Ridinghouse, London |