Black Snakes: Difference between revisions
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1983 album | 1983 album | ||
* Rejected by [[Rough Trade]] | * Rejected by [[Rough Trade]] | ||
* Released 1983 | |||
== Track listing == | == Track listing == | ||
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# [[Gynaecology in Ancient Greece]] | # [[Gynaecology in Ancient Greece]] | ||
== Reviews == | |||
=== Sounds === | |||
September 17, 1983<ref>https://worldradiohistory.com/UK/Sounds/80s/83/Sounds-1983-09-17-S-OCR.pdf</ref> | |||
Dave Henderson<blockquote>'Black Snakes' is by far the Red Crayola's most cohesive and accessible outing. Mainman Mayo Thompson's time with Pere Ubu seems to have added yet another ingredient to this strange musical melting pot and the resulting mixture is much more tantalising. | |||
Mayo seems to cram together all those best bits that have transpired in the name of rock, throw in a bit of soul and a layer of traditional knowledge. To him it probably comes naturally, it's all part of his make up. The enjoyment then, of this latest Crayola cut, is twice as good; not only can you take it as an album but you can study the ingenuity of the man. | |||
This is a great place to start with Crayola, too. It's their simplest album inasmuch as there aren't too many cross references and difficult structures to wrestle with. Once you've passed this test, the others — and there are quite a few — must be easier to comprehend.</blockquote> | |||
=== Cut === | |||
November 1983<ref>http://subkultur-ost.de/Cut%20(Magazin%20fuer%20Wohlklang)%2011-83%20Schweiz%20%6083OCR.pdf</ref> | |||
[[Category:Studio albums]] | [[Category:Studio albums]] | ||
[[Category:Collaborations with Art & Language]] | [[Category:Collaborations with Art & Language]] | ||
Revision as of 19:23, 17 January 2023
1983 album
- Rejected by Rough Trade
- Released 1983
Track listing
Side A
Side B
- Portrait of V. I. Lenin in the Style of Jackson Pollock, Part I
- Future Pilots
- Portrait of You
- Words of Love
- Café Twenty-One
- Gynaecology in Ancient Greece
Reviews
Sounds
September 17, 1983[1]
Dave Henderson
'Black Snakes' is by far the Red Crayola's most cohesive and accessible outing. Mainman Mayo Thompson's time with Pere Ubu seems to have added yet another ingredient to this strange musical melting pot and the resulting mixture is much more tantalising.
Mayo seems to cram together all those best bits that have transpired in the name of rock, throw in a bit of soul and a layer of traditional knowledge. To him it probably comes naturally, it's all part of his make up. The enjoyment then, of this latest Crayola cut, is twice as good; not only can you take it as an album but you can study the ingenuity of the man.
This is a great place to start with Crayola, too. It's their simplest album inasmuch as there aren't too many cross references and difficult structures to wrestle with. Once you've passed this test, the others — and there are quite a few — must be easier to comprehend.
Cut
November 1983[2]