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Contents

I. The Legacy of Symbolism
Introduction 13
IA. Classicism and Originality
1. Téodor de Wyzewa 'Wagnerian Painting' 1895 17
2. Paul Signac from Eugene Delacroix to Neo- Impressionism 1899 20
3. Paul Gauguin Letter to Fontainas 1899 23
4. Sigmund Freud from 'On Dreams' 1901 26
5. Otto Weininger from Sex and Character 1903 34
6. Paul Cézanne Letters to Emile Bernard 1904-6 37
7. Maurice Denis (intro. Roger Fry) 'Cézanne' 1907 40
8. Maurice Denis 'From Gauguin and van Gogh to Neo-Classicism' 1909 47
9. Julius Meier-Graefe 'The Mediums of Art, Past and Present' 1904 53
10. Giorgio de Chirico 'Mystery and Creation' 1913 60
IB. Expression and the Primitive
1. August Endell 'The Beauty of Form and Decorative Art' 1897-8 62
2. André Derain Letters to Vlaminck c. 1905-9 65
3. Ernst Ludwig Kirchner Programme of the Brücke 1906 67
4. Wilhelm Worringer from Abstraction and Empathy 1908 68
5. Henri Matisse 'Notes of a Painter' 1908 72
6. Roger Fry 'An Essay in Aesthetics' 1909 78
7. Wassily Kandinsky from Concerning the Spiritual in Art 1911 86
8. Wassily Kandinsky The Cologne Lecture 1914 94
9. Franz Marc The "Savages" of Germany' and 'Two Pictures' 1912 98
10. August Macke 'Masks' 1912 100
11. Emil Nolde 'On Primitive Art' 1912 101
12. Oskar Kokoschka 'On the Nature of Visions' 1912 102
13. Alexander Shevchenko 'Neo-Primitivism' 1913 104
14. Benedetto Croce 'What Is Art?' 1913 108
15. Give Bell 'The Aesthetic Hypothesis' 1914 113
16. Hermann Bahr from Expressionism 1916 116
II. The Idea of the Modern World
Introduction 125
IIA. Modernity
1. Georg Simmel 'The Metropolis and Mental Life' 1902-3 130
2. Max Weber 'Asceticism and the Spirit of Capitalism' 1904-5 135
3. Vladimir Ilyich Lenin 'Party Organization and Party Literature' 1905 136
4. Henri Bergson from Creative Evolution 1907 140
5. Alexander Blok 'Nature and Culture' 1908 143
6. Filippo Tommaso Marinetti 'The Foundation and Manifesto of Futurism' 1909 145
7. Umberto Boccioni et al. 'Futurist Painting: Technical Manifesto' 1910 149
8. Robert Delaunay 'On the Construction of Reality in Pure Painting' 1912 152
9. Percy Wyndham Lewis 'Our Vortex' 1914 154
10. Franz Marc 'Foreword' 1914 156
11. Fernand Leger 'Contemporary Achievements in Painting' 1914 157
12. Henri Gaudier-Brzeska 'Gaudier-Brzeska Vortex' 1914, and 'Vortex Gaudier-Brzeska' 1915 160
13. Karl Kraus from 'In These Great Times' 1914 163
14. Kasimir Malevich From Cubism and Futurism to Suprematism: The New Realism in Painting 1915-16 166
IIB. Cubism
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III. Rationalization and Transformation
Introduction 217
IIIA. Neo-Classicism and the Call to Order
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IIIB. Dissent and Disorder
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IIIC. Abstraction and Form
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IIID. Utility and Construction
1. KOMFUT 'Programme Declaration' 1919 308
2. Vladimir Tatlin 'The Initiative Individual in the Collective' 1919 309
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References