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!pg.
!pg.
!Notes
!Notes
!Reprinted in
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|A note on the cover
|A note on the cover
|3-5
|3-5
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|Preamble
|Preamble
|6
|6
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|Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism
|Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism
|7-9
|7-9
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|10-18
|10-18
|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full article]
|[https://www.art-language.org/texte/b/TII32h.htm#anglais Full article]
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|Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism...
|Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism...
|19-41
|19-41
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|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
|Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given
|42-54
|42-54
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|Method 5: A Crisis of Liberality for the Decaying Macaroni...
|Method 5: A Crisis of Liberality for the Decaying Macaroni...
|55-61
|55-61
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|Method 6: Random complaints
|Method 6: Random complaints
|62-65
|62-65
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|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration
|Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration
|66-81
|66-81
|<ref>Republished in ''[[Art & Language 1975-78]]'' (1978)</ref>
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* ''[[Art & Language 1975-78]]'' (1978)
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
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Revision as of 20:30, 8 October 2023

Art-Language Vol. 4 No. 2
Publication Art-Language
Date October 1977
Volume 4
Number 2
Publisher
Editor Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson

Contents

Title pg. Notes Reprinted in
A note on the cover 3-5
Preamble 6
Method 1: On the Material Necessity that the Editors of October, its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism 7-9
Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse 10-18 Full article
Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism... 19-41
Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given 42-54
Method 5: A Crisis of Liberality for the Decaying Macaroni... 55-61
Method 6: Random complaints 62-65
Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration 66-81

References

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