Art-Language New Series No. 1: Difference between revisions
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== Contents == | == Contents == | ||
{| class="wikitable" | {| class="wikitable" | ||
! | !Title | ||
!Author | !Author | ||
!pg. | !pg. | ||
!Notes | !Notes | ||
|- | |- | ||
| | |Mistaken Identities | ||
|Paul Wood | |Paul Wood | ||
|3-29 | |3-29 | ||
| | | | ||
|- | |- | ||
| | |On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts | ||
1. The End(s) of End-Game Art | |||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
Charles Harrison | Charles Harrison | ||
[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|30-42 | |30-42 | ||
| | | | ||
|- | |- | ||
| | |2. The Utterance of Painting | ||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
Charles Harrison | Charles Harrison | ||
[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|43-62 | |43-62 | ||
|[https://www.art-language.org/texte/a/TI45h.htm#anglais Excerpt] (47) | |[https://www.art-language.org/texte/a/TI45h.htm#anglais Excerpt] (47) | ||
[https://www.art-language.org/texte/a/TI16h.htm#anglais Excerpt] (53) | [https://www.art-language.org/texte/a/TI16h.htm#anglais Excerpt] (53) | ||
|- | |- | ||
| | |3. Seeing Paintings and Painting's Seeing | ||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
Charles Harrison | Charles Harrison | ||
[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|63-69 | |63-69 | ||
|[https://www.art-language.org/texte/a/TI01h.htm#anglais Excerpt] (63) | |[https://www.art-language.org/texte/a/TI01h.htm#anglais Excerpt] (63) |
Revision as of 07:04, 28 February 2023
Art-Language New Series No. 1 | |
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Publication | Art-Language |
Date | June 1994 |
Volume | New Series |
Number | 1 |
Publisher | |
Editor |
Contents
Title | Author | pg. | Notes |
---|---|---|---|
Mistaken Identities | Paul Wood | 3-29 | |
On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts
1. The End(s) of End-Game Art |
Michael Baldwin
Charles Harrison |
30-42 | |
2. The Utterance of Painting | Michael Baldwin
Charles Harrison |
43-62 | Excerpt (47)
Excerpt (53) |
3. Seeing Paintings and Painting's Seeing | Michael Baldwin
Charles Harrison |
63-69 | Excerpt (63) |