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Art-Language was a periodical first published by Art & Language in 1969.

Issues

Art-Language

Volume 1

Vol. 1 No. 1

May 1969

	Author	Title	pg.	Notes
1.	Terry Atkinson (uncredited)	Introduction	1-10	Excerpt
2.	Sol LeWitt	Sentences on conceptual art	11-13	Full text
3.	Dan Graham	Poem-schema	14-15
4.	Lawrence Weiner	Statements	17-18
5.	David Bainbridge	Notes on M1 (1)	19-22	Full text
6.	Michael Baldwin	Notes on M1	23-30
7.	David Bainbridge	Notes on M1 (2)	30-32	Full text

Vol. 1 No. 2

February 1970

	Author	Title	pg.	Notes
1.	Joseph Kosuth	Introductory note by the American Editor	1-4
2.	David Bainbridge	‘The Sculpture...’ (untitled)	5-7
3.	Frederic Barthelme	Three from May 23rd, 1969	8-10
4.	Stephen McKenna	Notes on Marat	11-13
5.	Michael Baldwin	Plans and Procedures	14-21	Excerpt (17)
6.	Ian Burn	Dialogue	22
7.	Robert Brown-David Hirons	Moto-Spiritale	23-24
8.	Terry Atkinson	From an Art & Language Point of View	25-60
9.	Terry Atkinson	Concerning Interpretation of the Bainbridge/Hurrell Models	61-71
10.	Harold Hurrell	Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’	72-73
11.	Harold Hurrell	Sculptures and Devices	74-76
12.	Michael Thompson	Conceptual Art: Category & Action	77-83
13.	Mel Ramsden	Notes on Genealogies	84-88

Vol. 1 No. 3

June 1970

	Author	Title	pg.
1.	Ian Burn Roger Cutforth Mel Ramsden	Proceedings: Society for Theoretical Art and Analyses	1-3
2.	Mel Ramsden	Art Enquiry (2)	4-6
3.	Graham J. Howard	(i) Concerning Some Theories and their Worlds	7-8
4.	Graham J. Howard	(ii) Mona Lisas	9-10
5.	Bernard Bihari	Marshall McLuhan and the Behavioral Sciences	11-28
6.	Mel Ramsden	A Preliminary Proposal for the Directing of Perception	29
7.	Michael Baldwin	General Note (i) Atkinson and Meaninglessness (ii) Preface (iii) Dead Issues	30-35

Vol. 1 No. 4

November 1971

	Author	Title	pg.	Notes
1.	Stuart Knight	Theory, Knowledge and Hermeneutics	1-5
2.	Graham Howard	Revelation and Art	6-15
3.	Graham Howard	Actuality and Potentiality	16-22
4.	Graham Howard	Accessibility and Conceivability	23-24
5.	Terry Atkinson Michael Baldwin	Art Teaching	25-50
6.	Terry Atkinson Michael Baldwin	La Pensée avec images	51-69	Full text

Volume 2

Vol. 2 No. 1

February 1972

	Author	Title	pg.	Notes
1.	Terry Atkinson Michael Baldwin	Unnatural Rules and Excuses	1-27
2.	Ian Burn Mel Ramsden	Four Wages of Sense	28-37
3.	Philip Pilkington David Rushton Kevin Lole	Aspects of Authorities	38-50
4.	Terry Atkinson Michael Baldwin	On the Material-Character/Physical-Object Paradigm of Art	51-55	Full text
5.	Graham Howard	Ontological Relativity: A Note	56-57

Vol. 2 No. 2

Summer 1972

	Author	Title	pg.	Notes
1.	Ian Burn Mel Ramsden	Some Questions on the Characterization of Questions	1-10
2.	Terry Atkinson Michael Baldwin	Information	11-20
3.	Ian Burn Mel Ramsden	Art Language and Art-Language	21-28	Full text
4.	Harold Hurrell	Interim Remarks	29-30
5.	David Bainbridge	Lupus in Fabula	31
6.	Victor Burgin	In Reply	32-34	^[1]

Vol. 2 No. 3

September 1973

	Author	Title	pg.	Notes
1.	Graham Howard	Some Formalities of Technic Relationships	1-7	Excerpt
2.	Graham Howard	Interest Relationships, etc.	8-9
3.	Graham Howard	Disinterest Relationships, etc.	10-11
4.	Philip Pilkington David Rushton	Models and Indexes: Fringe Benefits	12-17
5.	Philip Pilkington David Rushton	Bibliotherapy	18-33
6.	Michael Corris	The Fine Structure of Collaboration	34-37
7.	Michael Corris Mel Ramsden	Frameworks and Phantoms	38-52
8.	Ian Burn Mel Ramsden	Problems of Art & Language Space	53-72
9.	John F. Hemmings	Note on Reading 1969-1972	73-77
10.	David Bainbridge	'Praxisectomy' and 'Theoryorraphy'	78

Vol. 2 No. 4

June 1974

Michael Baldwin, Philip Pilkington

	Title	pg.	Notes
1.	Violins and Cows	1-6	Full text
2.	Redemption not Adaptation	7-14
3.	Data Blank, December 1973	15
4.	Brainstorm Proposal	16-25
5.	A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...	26-33
6.	Vector and Magnitude	34
7.	Uplifting Public Utterance	35
8.	Whether there exists, or has existed an 'ideological' person...	36
9.	Fragment from Contemporanea Index	37
10.	Dear...	38-39
11.	Points of Reference, the Hope of Ideology	40-44
12.	Art and Language	45-50
13.	Why J. Kosuth Won't Work for Us & Other Trivia	51-61
14.	The Old Gourmet (Transcript)	62-70	Excerpt (62-63) Excerpt (68)
15.	Proceedings M2	71-72
16.	Instruction Index a x	73-99	Excerpt (87-125)
17.	Instruction Index b x	100-123
18.	'The statement that there is a body of dialectical discourse...'	124
19.	Further Points of Reference	126-130

Volume 3

Vol. 3 No. 1

September 1974

Draft for an Anti-Textbook

Ian Burn, Mel Ramsden, Terry Smith

	Title	pg.
1.	Caution	1
2.	Somewhere to Begin	2-4
3.	Language has a Hold on us	5-7
4.	Market Relations	8-9
5.	Apodictic Tableaux	10-12
6.	Ideal Speakers...	13-14
7.	Annotations... Selective Memory (Histrionics?)...	15-17
8.	Cacophonous...	18-19
9.	Bureaucracy...	20
10.	Points of Order?	21-22
11.	No Refuge in 'Audience'...	23-26
12.	'Sometimes I feel like an Artist...'	27-31
13.	Institutional Serenity	32-35
14.	A 'Logic' of Going-On?	36
15.	Do We Have Anything like 'Assertion'?	37-41
16.	What are we doing in Language?	42-43
17.	'Consistency' is an Ideological Postulate	44-47
18.	Dead Horse...	48-49
19.	Iteration	50
20.	More Exhortations?	51-53
21.	Joseph Kosuth says that the group is a Cultural Ghetto	54-55
22.	...Overboard about Kierkegaard	57-59
23.	Fur Teacups	60-61
24.	Straight Talk?	62-63
25.	Equivocating...	64-67
26.	Routine...	68
27.	...Corpse of Official Language	69-70
28.	We Wish they had a Dictionary	71-73
29.	...Concatenation...	74-75
30.	Bxal-ing	76-79
31.	Endless Revisability...	80-82
32.	Striving in the Uproar	83-86
33.	Art-Career Components	87-89
34.	The Unreality of this Culture	90-97
35.	Modeish about Cultural Indeterminacy	98-100
36.	Exploitation... Education...	101-103
37.	Shop-Floorish?	104-105
38.	Leftish Critique	106-108
39.	Sporadic Encounter	109-110

Vol. 3 No. 2

May 1975

Michael Baldwin, Ian Burn, Charles Harrison, Sandra Harrison, Philip Pilkington, Mel Ramsden

	Title	pg.	Notes
1.	For Thomas Hobbes	1-6
2.	A Review of Styles	7-12
3.	‘To Begin With, While I am Clearly a Marxist Sympathizer...’	13-19
4.	Pedagogical Sketchbook (AL)	20-30	Excerpt(22)
5.	Brainstorming – New York	31-40	Excerpt
6.	Art and Language	41
7.	Community Work	44-45
8.	Rambling: To Partial Correspondents	46-51
9.	Vulgar and Popular Opinions	52-58
10.	Little Grey Rabbit Goes to the Sea	59-62
11.	Overview – The Paradox of the Heap of Stones	63-64
12.	Slogan Adaptation	65-67
13.	‘Mr. Lin Yutang Refers to “Fair Play”...?’	68-80
14.	Strategy is Political: Dear M...	81-86
15.	My Amazed Admiration (...of the Subtle Complexity Reached by Western Capitalism)	87-88
16.	Utopian Prayers and Infantile Marxism	89-92
17.	Accidental Synopsis	93-94
18.	On the Embarrassing Dangers of Banishing 12-Tone Music	95

Vol. 3 No. 3

June 1976

Michael Baldwin, Charles Harrison, Harold Hurrell

	Title	pg.
1.	‘...The Timeless Lumpenness of a Radical Cultural Life...’	cover-1
2.	Transcript 3.1.76 Plus and Minus	5-11
3.	Bourgeois Revisionism, What?	12-23
4.	Conversation: Opacity?	24-26
5.	Ideology does not penetrate class barriers as a transparent substance	27-28
6.	Now, naughty revisionism or no	29-33
7.	Denizens of class struggle	34-38
8.	How to avoid assumptions that your good heart gets you there	39-42
9.	Jobless and Gaga	43-47
10.	Community Arts	48-52
11.	Abstract Art	53-65
12.	International: England 1 (o.g.) USA 1 (o.g.)	66-72
13.	Pastels in Prose – if not a Vignette in Verse...	73-75
14.	The problems of displaying base explicit directive ‘assumptions’	76-84
15.	Shoot the Sodding Ref.	85-92
16.	Provisions and Rules Again	93-98
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Vol. 3 No. 4

October 1976

Michael Baldwin, Kathryn Bigelow, Mel Ramsden, Mayo Thompson

	Title	pg.
1.	Us, Us and Away	1-5
2.	The Rediscovery of Hazlitt: To Our Knowledgeable Friends, Surrounded by False Homage, Estranged From Real Work	6-9
3.	In Contradiction	10-22
4.	The French Disease	23-34
5.	Semiotique, Hardcore	35-36
6.	Interdisciplinary Studies: Urology, Arachno-didactics	37-48
7.	Doge City	49-62
8.	Above Us the Waves (A Fascist Index)	63-71

Volume 4

Vol. 4 No. 1

May 1977

Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden

	Title	pg.	Notes
1.	Go through the gatehouse...	cover-2
2.	Return Journey	5-10	Link
3.	Simplicissimus	11-37
4.	Bad Men Have Some Songs	38-41
5.	The Building Blocks of the University	42-45
6.	The Long March from 23rd Street to Highgate Cemetery and Back	46-50
7.	Commentary	51-55
8.	‘In Conscience-stricken Wissenschaft...’	56-67

Vol. 4 No. 2

October 1977

Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson

	Title	pg.	Notes
1.	A note on the cover	3-5
2.	Preamble	6
3.	Method 1: On the Material Necessity that the Editors of October, its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism	7-9
4.	Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse	10-18	Full text
5.	Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism...	19-41
6.	Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given	42-54
7.	Method 5: A Crisis of Liberality for the Decaying Macaroni...	55-61
8.	Method 6: Random complaints	62-65
9.	Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration	66-81

Vol. 4 No. 3

October 1978

Michael Baldwin, Charles Harrison, Sandra Harrison, Lynn Lemaster, Philip Pilkington, Mel Ramsden

	Title	pg.	Notes
1.	A Note to the Reader	1-2
2.	Ways of Seeing	3-123	Excerpt (73)

Vol. 4 No. 4

June 1980

Michael Baldwin, Charles Harrison, Mel Ramsden

	Title	pg.	Notes
1.	Art for Society?	1-25	Full text
2.	Portrait of V. I. Lenin	26-61	Excerpt (26)

Volume 5

Vol. 5 No. 1

October 1982

Michael Baldwin, Charles Harrison, Mel Ramsden

	Title	pg.	Notes
1.	Abstract Expression	1-21
2.	Author and Producer Revisited	22-31
3.	A Letter to a Canadian Curator	32-35	Excerpt
4.	Three Poems after Friedrich Nietzsche	36-44
5.	Painting by Mouth	45-55
6.	A Souvenir of 1979	56-68

Vol. 5 No. 2

March 1984

Michael Baldwin, Charles Harrison, Mel Ramsden, Mayo Thompson

	Title	pg.	Notes
1.	Victorine	1-59	Main article Excerpt (47)

Vol. 5 No. 3

March 1985

Michael Baldwin, Charles Harrison, Mel Ramsden

	Title	pg.
1.	Blue Poles: Introduction	3-22
2.	Blue Poles: Modernism	23-41
3.	Blue Poles: Representation and Class: A Conjecture	42-70
4.	Blue Poles: Implications and Alternatives	71-88

New Series

New Series No. 1

June 1994

	Author	Title	pg.	Notes
1.	Paul Wood	Mistaken Identities	3-29
2.	Michael Baldwin Charles Harrison Mel Ramsden	On Conceptual Art and Painting and Speaking and Seeing: Three Corrected Transcripts 1. The End(s) of End-Game Art	30-42
3.	Michael Baldwin Charles Harrison Mel Ramsden	2. The Utterance of Painting	43-62	Excerpt (47) Excerpt (53)
4.	Michael Baldwin Charles Harrison Mel Ramsden	3. Seeing Paintings and Painting's Seeing	63-69	Excerpt (63)

New Series No. 2

June 1997

	Author	Title	pg.	Notes
1.	Philip Pilkington	Some Darwinian Conditions of the Art & Language Indexes	3-11	Full text
2.	Philip Pilkington	Postscript Contra Atkinson	12-19
3.	Paul Wood	Refusing to Die	20-31
4.	Michael Baldwin Charles Harrison Mel Ramsden	Memories of the Medicine Show 1. Recollecting Conceptual Art	32-39	Full text
5.	Michael Baldwin Charles Harrison Mel Ramsden	2. We Aimed to be Amateurs	40-49	Full text
6.	Michael Baldwin Charles Harrison Mel Ramsden Paul Wood	Northanger Abbey	50-

New Series No. 3

September 1999

	Author	Title	pg.	Notes
1.	Charles Harrison	Editorial Note	1-2
2.	Michael Corris Neil Powell	An Attempt at a Textual Analogue of a Possible Art & Language Exhibition	3-9
3.	Philip Pilkington	Fake Experience and Talking	10-14	Full text
4.	Charles Harrison	Artists' Writing	15-34	Full text
5.	Mel Ramsden	Artist's Language 1	35-45	Excerpt (32) Excerpt (39)
6.	Michael Baldwin	Artist's Langauge 2	47-61	Link (47-56)
7.	Terry Atkinson	If We are Historical and Logical Monsters then so much the better...v2	62-75

The Fox

The Fox Vol. 1 No. 1

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The Fox 2

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The Fox 3

	Author	Title	pg.	Notes
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Analytical Art

Analytical Art No. 1

Edited by Kevin Lole, Philip Pilkington, and David Rushton

	Author	Title	Notes
1.	Philip Pilkington David Rushton	Don Judd's Dictum and Its Emptiness
2.	David Rushton	On Asserting
3.	Philip Pilkington	Duchampian Delinquency and the Constitutive Cure
4.	Kevin Lole	Progress in Art and in Science
5.	Terry Atkinson Michael Baldwin	Obligations
6.	Kevin Lole	Control Intention and Responsibility
7.	Ian Burn Mel Ramsden	The Grammarian	Excerpts
8.	Graham Howard	Hierarchies: A Note
9.	Peter Smith	Phenomenology as an Hermeneutic of Art
10.	Christopher Willsmore	The Myth of the Aesthetic Attitude

Analytical Art No. 2

Incomplete contents:

Author	Title	Notes
Terry Atkinson Kevin Lole Philip Pilkington David Rushton Peter Smith Christopher Willmore	The Private Language Argument
Philip Pilkington David Rushton	Understanding, Meaning & Intention
Philip Pilkington	Pragmatics and Performatives
Ian Johnson Paul Tate	Alienation and Theories of Art and Science

↑ Reprinted in Victor Burgin's Parallel Texts (2011)

[1] Reprinted in Victor Burgin's Parallel Texts (2011)

[1]

@@ Line 28: / Line 28: @@
 File:Fox-1-1-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_1|The Fox<br>No. 1]]'''<br>March 1975
 File:AL-3-2-front.jpg|link=Art-Language#Vol._3_No._2|150px|'''[[Art-Language#Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975
+File:AL-1966-1975-front.jpg|link=Art-Language#Art_&_Language_1966-1975|150px|'''[[Art-Language#Art_&_Language_1966-1975|Art & Language<br>1966-1975]]'''<br>September 1975
 File:Fox-1-2-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_2|The Fox<br>No. 2]]'''<br>Fall 1975
 File:Fox-1-3-front.jpg|link=Art-Language#The_Fox_3|150px|'''[[Art-Language#The_Fox_3|The Fox<br>No. 3]]'''<br>May 1976

Revision as of 12:45, 15 November 2022

Issues

Volume 1

Volume 2

Volume 3 / The Fox

Volume 4

Volume 5

New Series

Art-Language

Volume 1

Vol. 1 No. 1

Vol. 1 No. 2

Vol. 1 No. 3

Vol. 1 No. 4

Volume 2

Vol. 2 No. 1

Vol. 2 No. 2

Vol. 2 No. 3

Vol. 2 No. 4

Volume 3

Vol. 3 No. 1

Vol. 3 No. 2

Vol. 3 No. 3

Vol. 3 No. 4

Volume 4

Vol. 4 No. 1

Vol. 4 No. 2

Vol. 4 No. 3

Vol. 4 No. 4

Volume 5

Vol. 5 No. 1

Vol. 5 No. 2

Vol. 5 No. 3

New Series

New Series No. 1

New Series No. 2

New Series No. 3

The Fox

The Fox Vol. 1 No. 1

The Fox 2

The Fox 3

Analytical Art

Analytical Art No. 1

Analytical Art No. 2