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=== Volume 1 ===
=== Volume 1 ===
<gallery mode="packed" heights=175px>
<gallery mode="packed" heights="175px">
File:AL-1-1-front.jpg|link=Art-Language#Vol._1_No._1|150px|'''[[Art-Language#Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-1-front.jpg|link=Art-Language#Vol._1_No._1|150px|'''[[Art-Language#Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
Line 15: Line 15:


=== Volume 2 ===
=== Volume 2 ===
<gallery mode="packed" heights=150px>
<gallery mode="packed" heights="150px">
File:AL-2-1-front.jpg|link=Art-Language#Vol._2_No._1|150px|'''[[Art-Language#Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:AL-2-1-front.jpg|link=Art-Language#Vol._2_No._1|150px|'''[[Art-Language#Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Art-Language#Analytical_Art_No._2|150px|'''[[Art-Language#Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
File:Analytical-Art-1-2-front.jpg|link=Art-Language#Analytical_Art_No._2|150px|'''[[Art-Language#Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
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=== Volume 3 / The Fox ===
=== Volume 3 / The Fox ===
<gallery mode="packed" heights=150px>
<gallery mode="packed" heights="150px">
File:AL-3-1-front.jpg|link=Art-Language#Vol._3_No._1|150px|'''[[Art-Language#Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:AL-3-1-front.jpg|link=Art-Language#Vol._3_No._1|150px|'''[[Art-Language#Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_1|The Fox<br>No. 1]]'''<br>March 1975
File:Fox-1-1-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_1|The Fox<br>No. 1]]'''<br>March 1975
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=== Volume 4 ===
=== Volume 4 ===
<gallery mode="packed" heights=175px>
<gallery mode="packed" heights="175px">
File:AL-4-1-front.jpg|link=Art-Language#Vol._4_No._1|150px|'''[[Art-Language#Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-1-front.jpg|link=Art-Language#Vol._4_No._1|150px|'''[[Art-Language#Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language#Vol._4_No._2|150px|'''[[Art-Language#Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
File:AL-4-2-front.jpg|link=Art-Language#Vol._4_No._2|150px|'''[[Art-Language#Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
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=== Volume 5 ===
=== Volume 5 ===
<gallery mode="packed" heights=175px>
<gallery mode="packed" heights="175px">
File:AL-5-1-front.jpg|link=Art-Language#Vol._5_No._1|150px|'''[[Art-Language#Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-1-front.jpg|link=Art-Language#Vol._5_No._1|150px|'''[[Art-Language#Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language#Vol._5_No._2|150px|'''[[Art-Language#Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-2-front.jpg|link=Art-Language#Vol._5_No._2|150px|'''[[Art-Language#Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
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!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
|Terry Atkinson (uncredited)
|Terry Atkinson (uncredited)
|Introduction
|Introduction
|1
|1-10
|[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
|[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
|-
|-
Line 74: Line 74:
|Sol LeWitt
|Sol LeWitt
|Sentences on conceptual art
|Sentences on conceptual art
|11
|11-13
|[http://radicalart.info/concept/LeWitt/sentences.html Link]
|[http://radicalart.info/concept/LeWitt/sentences.html Link]
|-
|-
Line 80: Line 80:
|Dan Graham
|Dan Graham
|Poem-schema
|Poem-schema
|14
|14-15
|
|
|-
|-
Line 86: Line 86:
|Lawrence Weiner
|Lawrence Weiner
|Statements
|Statements
|17
|17-18
|[http://radicalart.info/concept/weiner/ Link]
|
|-
|-
|5.
|5.
|David Bainbridge
|David Bainbridge
|Notes on M1 (1)
|Notes on M1 (1)
|19
|19-22
|[https://www.ubu.com/papers/bainbridge_m1.html Link]
|[https://www.ubu.com/papers/bainbridge_m1.html Link]
|-
|-
Line 98: Line 98:
|[[Michael Baldwin]]
|[[Michael Baldwin]]
|Notes on M1
|Notes on M1
|23
|23-30
|
|
|-
|-
Line 104: Line 104:
|David Bainbridge
|David Bainbridge
|Notes on M1 (2)
|Notes on M1 (2)
|30
|30-32
|
|
|}
|}
Line 118: Line 118:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
|Joseph Kosuth
|Joseph Kosuth
|Introductory note by the American Editor
|Introductory note by the American Editor
|1
|1-4
|
|
|-
|-
|2.
|2.
|David Bainbridge
|David Bainbridge
|(untitled)
|‘The Sculpture...’ (untitled)
|5
|5-7
|
|
|-
|-
Line 135: Line 135:
|[[Frederick Barthelme|Frederic Barthelme]]
|[[Frederick Barthelme|Frederic Barthelme]]
|Three from May 23rd, 1969
|Three from May 23rd, 1969
|8
|8-10
|
|
|-
|-
Line 141: Line 141:
|Stephen McKenna
|Stephen McKenna
|Notes on Marat
|Notes on Marat
|11
|11-13
|
|
|-
|-
Line 147: Line 147:
|[[Michael Baldwin]]
|[[Michael Baldwin]]
|Plans and Procedures
|Plans and Procedures
|14
|14-21
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
|-
|-
Line 159: Line 159:
|Robert Brown-David Hirons
|Robert Brown-David Hirons
|Moto-Spiritale
|Moto-Spiritale
|23
|23-24
|
|
|-
|-
Line 165: Line 165:
|Terry Atkinson
|Terry Atkinson
|From an Art & Language Point of View
|From an Art & Language Point of View
|25
|25-60
|
|
|-
|-
|9.
|9.
|Terry Atkinson
|Terry Atkinson
|Concerning Interpretations of the Bainbridge/Hurrell Models
|Concerning Interpretation of the Bainbridge/Hurrell Models
|61
|61-71
|
|
|-
|-
|10.
|10.
|Harold Hurrell
|Harold Hurrell
|Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models
|Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’
|72
|72-73
|
|
|-
|-
Line 183: Line 183:
|Harold Hurrell
|Harold Hurrell
|Sculptures and Devices
|Sculptures and Devices
|74
|74-76
|
|
|-
|-
Line 189: Line 189:
|Michael Thompson
|Michael Thompson
|Conceptual Art: Category & Action
|Conceptual Art: Category & Action
|77
|77-83
|
|
|-
|-
Line 195: Line 195:
|[[Mel Ramsden]]
|[[Mel Ramsden]]
|Notes on Genealogies
|Notes on Genealogies
|84
|84-88
|
|
|}
|}
Line 209: Line 209:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
|Ian Burn
|Ian Burn
Roger Cutforth
[[Mel Ramsden]]
[[Mel Ramsden]]
Roger Cutforth
|Proceedings: Society for Theoretical Art and Analyses
|Proceedings: Society for Theoretical Art and Analyses
|1
|1-3
|
|
|-
|-
Line 223: Line 222:
|[[Mel Ramsden]]
|[[Mel Ramsden]]
|Art Enquiry (2)
|Art Enquiry (2)
|4
|4-6
|
|
|-
|-
Line 229: Line 228:
|Graham J. Howard
|Graham J. Howard
|(i) Concerning Some Theories and their Worlds
|(i) Concerning Some Theories and their Worlds
|7
|7-8
|
|
|-
|-
Line 235: Line 234:
|Graham J. Howard
|Graham J. Howard
|(ii) Mona Lisas
|(ii) Mona Lisas
|9
|9-10
|
|
|-
|-
|5.
|5.
|Bernard Bihari
|Bernard Bihari
|Marshal McLuhan and the Behavioral Sciences
|Marshall McLuhan and the Behavioral Sciences
|11
|11-28
|
|
|-
|-
Line 252: Line 251:
|7.
|7.
|[[Michael Baldwin]]
|[[Michael Baldwin]]
|General Note:
|General Note
(i) Atkinson and Meaninglessness
(i) Atkinson and Meaninglessness


Line 258: Line 257:


(iii) Dead Issues
(iii) Dead Issues
|30
|30-35
|
|
|}
|}
Line 273: Line 272:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
|Stuart Knight
|Stuart Knight
|Theory, Knowledge and Hermeneutics
|Theory, Knowledge and Hermeneutics
|1
|1-5
|
|
|-
|-
Line 284: Line 283:
|Graham Howard
|Graham Howard
|Revelation and Art
|Revelation and Art
|6
|6-15
|
|
|-
|-
Line 290: Line 289:
|Graham Howard
|Graham Howard
|Actuality and Potentiality
|Actuality and Potentiality
|15
|16-22
|
|
|-
|-
Line 296: Line 295:
|Graham Howard
|Graham Howard
|Accessibility and Conceivability
|Accessibility and Conceivability
|23
|23-24
|
|
|-
|-
Line 303: Line 302:
[[Michael Baldwin]]
[[Michael Baldwin]]
|Art Teaching
|Art Teaching
|25
|25-50
|
|
|-
|-
Line 309: Line 308:
|Terry Atkinson
|Terry Atkinson
[[Michael Baldwin]]
[[Michael Baldwin]]
|La Pensée Avec Images
|La Pensée avec images
|51
|51-69
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
|}
|}
Line 326: Line 325:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
Line 332: Line 331:
[[Michael Baldwin]]
[[Michael Baldwin]]
|Unnatural Rules and Excuses
|Unnatural Rules and Excuses
|1
|1-27
|
|
|-
|-
Line 339: Line 338:
[[Mel Ramsden]]
[[Mel Ramsden]]
|Four Wages of Sense
|Four Wages of Sense
|28
|28-37
|
|
|-
|-
Line 345: Line 344:
|Philip Pilkington
|Philip Pilkington
David Rushton
David Rushton
Kevin Lole
Kevin Lole
|Aspect of Authorities
|Aspects of Authorities
|38
|38-50
|
|
|-
|-
Line 353: Line 353:
|Terry Atkinson
|Terry Atkinson
[[Michael Baldwin]]
[[Michael Baldwin]]
|On Material-Character / Physical-Object Paradigm of Art
|On the Material-Character/Physical-Object Paradigm of Art
|51
|51-55
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
|-
|-
Line 360: Line 360:
|Graham Howard
|Graham Howard
|Ontological Relativity: A Note
|Ontological Relativity: A Note
|56
|56-57
|
|
|}
|}
Line 374: Line 374:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
Line 380: Line 380:
[[Mel Ramsden]]
[[Mel Ramsden]]
|Some Questions on the Characterization of Questions
|Some Questions on the Characterization of Questions
|1
|1-10
|
|
|-
|-
Line 387: Line 387:
[[Michael Baldwin]]
[[Michael Baldwin]]
|Information
|Information
|11
|11-20
|
|
|-
|-
Line 394: Line 394:
[[Mel Ramsden]]
[[Mel Ramsden]]
|Art Language and Art-Language
|Art Language and Art-Language
|21
|21-28
|[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
|[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
|-
|-
Line 400: Line 400:
|Harold Hurrell
|Harold Hurrell
|Interim Remarks
|Interim Remarks
|29
|29-30
|
|
|-
|-
Line 412: Line 412:
|Victor Burgin
|Victor Burgin
|In Reply
|In Reply
|32
|32-34
|
|<ref>Reprinted in Victor Burgin's Parallel Texts (2011)</ref>
|}
|}


Line 426: Line 426:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
|Graham Howard
|Graham Howard
|Some Formalities of Technic Relationships
|Some Formalities of Technic Relationships
|1
|1-7
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|-
|-
Line 437: Line 437:
|Graham Howard
|Graham Howard
|Interest Relationships, etc.
|Interest Relationships, etc.
|8
|8-9
|
|
|-
|-
Line 443: Line 443:
|Graham Howard
|Graham Howard
|Disinterest Relationships, etc.
|Disinterest Relationships, etc.
|10
|10-11
|
|
|-
|-
Line 450: Line 450:
David Rushton
David Rushton
|Models and Indexes: Fringe Benefits
|Models and Indexes: Fringe Benefits
|12
|12-17
|
|
|-
|-
Line 457: Line 457:
David Rushton
David Rushton
|Bibliotherapy
|Bibliotherapy
|18
|18-33
|
|
|-
|-
Line 463: Line 463:
|Michael Corris
|Michael Corris
|The Fine Structure of Collaboration
|The Fine Structure of Collaboration
|34
|34-37
|
|
|-
|-
Line 470: Line 470:
[[Mel Ramsden]]
[[Mel Ramsden]]
|Frameworks and Phantoms
|Frameworks and Phantoms
|38
|38-52
|
|
|-
|-
Line 477: Line 477:
[[Mel Ramsden]]
[[Mel Ramsden]]
|Problems of Art & Language Space
|Problems of Art & Language Space
|53
|53-72
|
|
|-
|-
|9.
|9.
|John F. Hemmings
|John F. Hemmings
|Note on Reading 1969 - 1972
|Note on Reading 1969-1972
|73
|73-77
|
|
|-
|-
Line 503: Line 503:
!Title
!Title
!pg.
!pg.
!Links
!Notes
|-
|-
|1.
|1.
|Violins and Cows
|Violins and Cows
|1
|1-6
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
|-
|-
|2.
|2.
|Redemption not Adaptation
|Redemption not Adaptation
|7
|7-14
|
|
|-
|-
Line 522: Line 522:
|4.
|4.
|Brainstorm Proposal
|Brainstorm Proposal
|16
|16-25
|
|
|-
|-
|5.
|5.
|A-L and me...
|A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...
What I know, care about...
|26-33
Going-on as Grammar. No money, no prospects...
Fear...
Starvation...
|26
|
|
|-
|-
Line 556: Line 552:
|10.
|10.
|Dear...
|Dear...
|38
|38-39
|
|
|-
|-
|11.
|11.
|Points of Reference, the Hope of Ideology
|Points of Reference, the Hope of Ideology
|40
|40-44
|
|
|-
|-
|12.
|12.
|Art & Language
|Art and Language
|45
|45-50
|
|
|-
|-
|13.
|13.
|Why J. Kosuth Won't Work for Us & Other Trivia
|Why J. Kosuth Won't Work for Us & Other Trivia
|51
|51-61
|
|
|-
|-
|14.
|14.
|The Old Gourmet (Transcript)
|The Old Gourmet (Transcript)
|62
|62-70
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
|-
|-
|15.
|15.
|Proceedings M2
|Proceedings M2
|71
|71-72
|
|
|-
|-
|16.
|16.
|Instruction Index a x
|Instruction Index a x
|73
|73-99
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
|-
|-
|17.
|17.
|Instruction Index b x
|Instruction Index b x
|100
|100-123
|-
|-
|18.
|18.
Line 599: Line 595:
|19.
|19.
|Further Points of Reference
|Further Points of Reference
|126
|126-130
|
|
|}
|}


=== Volume 3 ===
=== Volume 3 ===
{| class="wikitable"
|+
!Cover
!Contents
|-
|[[File:AL-3-1-front.jpg|center|150px]]September 1974


Vol. 3 No. 1
==== Vol. 3 No. 1 ====
|Draft for an Anti-Textbook
September 1974
Ian Burn, [[Mel Ramsden]], Terry Smith
{| class="wikitable"
|1
|Caution
|-
|2
|Somewhere to Begin
|-
|5
|Language has a Hold on us
|-
|8
|Market Relations
|-
|10
|Apodictic Tableaux
|-
|13
|Ideal Speakers...
|-
|15
|Annotations... Selective Memory (Histrionics?)...
|-
|18
|Cacophonous...
|-
|20
|Bureaucracy...
|-
|21
|Points of Order?
|-
|23
|No Refuge in 'Audience'...
|-
|27
|'Sometimes I feel like an Artist...'
|-
|32
|Institutional Serenity
|-
|36
|A 'Logic' of Going-On?
|-
|37
|Do We Have Anything like 'Assertion'?
|-
|42
|What are we doing in Language?
|-
|44
|'Consistency' is an Ideological Postulate
|-
|48
|Dead Horse...
|-
|50
|Iteration
|-
|51
|More Exhortations?
|-
|54
|Joseph Kosuth says that the group is a Cultural Ghetto
|-
|57
|...Overboard about Kierkegaard
|-
|60
|Fur Teacups
|-
|62
|Straight Talk?
|-
|64
|Equivocating...
|-
|68
|Routine...
|-
|69
|...Corpse of Official Language
|-
|71
|We Wish they had a Dictionary
|-
|74
|...Concatenation...
|-
|76
|Bxal-ing
|-
|80
|Endless Revisability...
|-
|83
|Striving in the Uproar
|-
|87
|Art-Career Components
|-
|90
|The Unreality of this Culture
|-
|98
|Modeish about Cultural Indeterminacy
|-
|101
|Exploitation... Education...
|-
|104
|Shop-Floorish?
|-
|108
|Leftish Critique
|-
|109
|Sporadic Encounter
|}
|-
|[[File:AL-3-2-front.jpg|center|150px]]May 1975


Vol. 3 No. 2
Draft for an Anti-Textbook
|
{| class="wikitable"
|
|
|
|
|-
|
|
|
|
|-
|
|
|
|
|-
|
|
|
|
|-
|
|
|
|
|-
|
|
|
|
|-
|
|
|
|
|}
|-
|[[File:AL-3-3-front.jpg|center|150px]]June 1976


Vol. 3 No. 3
Ian Burn, [[Mel Ramsden]], Terry Smith
|
{| class="wikitable"
{| class="wikitable"
|
!
|
!Title
|
!pg.
|
!Notes
|-
|-
|
|1.
|
|Caution
|
|1
|
|
|-
|-
|
|2.
|
|Somewhere to Begin
|
|2-4
|
|
|-
|-
|
|3.
|
|Language has a Hold on us
|
|5-7
|
|
|-
|-
|
|4.
|
|Market Relations
|
|8-9
|
|
|-
|-
|
|5.
|
|Apodictic Tableaux
|
|10-12
|
|
|-
|-
|6.
|Ideal Speakers...
|13-14
|
|
|
|
|
|}
|-
|-
|[[File:AL-3-4-front.jpg|center|150px]]
|7.
|Fox 4
|Annotations... Selective Memory (Histrionics?)...
{| class="wikitable"
|15-17
|
|
|
|
|
|-
|-
|
|8.
|
|Cacophonous...
|
|18-19
|
|
|-
|-
|
|9.
|
|Bureaucracy...
|
|20
|
|
|-
|-
|
|10.
|
|Points of Order?
|
|21-22
|
|
|-
|-
|
|11.
|
|No Refuge in 'Audience'...
|
|23-26
|
|
|-
|-
|
|12.
|
|'Sometimes I feel like an Artist...'
|
|27-31
|
|
|-
|-
|13.
|Institutional Serenity
|32-35
|
|
|
|
|
|}
|-
|-
|[[File:AL-4-1-front.jpg|center|150px]]
|14.
|
|A 'Logic' of Going-On?
{| class="wikitable"
|36
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|15.
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|Do We Have Anything like 'Assertion'?
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|37-41
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|16.
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|What are we doing in Language?
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|42-43
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|17.
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|'Consistency' is an Ideological Postulate
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|44-47
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|18.
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|Dead Horse...
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|48-49
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|19.
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|Iteration
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|50
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|20.
|More Exhortations?
|51-53
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|-
|[[File:AL-4-2-front.jpg|center|150px]]
|21.
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|Joseph Kosuth says that the group is a Cultural Ghetto
{| class="wikitable"
|54-55
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|22.
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|...Overboard about Kierkegaard
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|57-59
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|23.
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|Fur Teacups
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|60-61
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|24.
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|Straight Talk?
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|62-63
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|25.
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|Equivocating...
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|64-67
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|26.
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|Routine...
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|68
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|-
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|27.
|...Corpse of Official Language
|69-70
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|}
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|[[File:AL-4-3-front.jpg|center|150px]]
|28.
|Ways of Seeing
|We Wish they had a Dictionary
{| class="wikitable"
|71-73
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|29.
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|...Concatenation...
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|74-75
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|30.
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|Bxal-ing
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|76-79
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|31.
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|Endless Revisability...
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|80-82
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|-
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|32.
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|Striving in the Uproar
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|83-86
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|33.
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|Art-Career Components
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|87-89
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|34.
|The Unreality of this Culture
|90-97
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|}
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|[[File:AL-4-4-front.jpg|center|150px]]
|35.
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|Modeish about Cultural Indeterminacy
{| class="wikitable"
|98-100
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|36.
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|Exploitation... Education...
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|101-103
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|37.
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|Shop-Floorish?
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|104-105
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|38.
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|Leftish Critique
|
|106-108
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|39.
|Sporadic Encounter
|109-110
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|[[File:AL-5-1-front.jpg|center|150px]]
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|[[File:A-L-Victorine-front.jpg|center|150px]]
|Victorine
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|[[File:AL-5-3-front.jpg|center|150px]]
|Blue Poles
{| class="wikitable"
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[[Category:Art & Language]]
[[Category:Art & Language]]

Revision as of 07:48, 13 November 2022

Periodical by Art & Language

Issues

Volume 1

Volume 2

Volume 3 / The Fox

Volume 4

Volume 5

Issue details

Volume 1

Vol. 1 No. 1

Vol. 1 No. 1
May 1969

May 1969

Author Title pg. Notes
1. Terry Atkinson (uncredited) Introduction 1-10 Excerpts
2. Sol LeWitt Sentences on conceptual art 11-13 Link
3. Dan Graham Poem-schema 14-15
4. Lawrence Weiner Statements 17-18
5. David Bainbridge Notes on M1 (1) 19-22 Link
6. Michael Baldwin Notes on M1 23-30
7. David Bainbridge Notes on M1 (2) 30-32

Vol. 1 No. 2

Vol. 1 No. 2
February 1970

February 1970

Author Title pg. Notes
1. Joseph Kosuth Introductory note by the American Editor 1-4
2. David Bainbridge ‘The Sculpture...’ (untitled) 5-7
3. Frederic Barthelme Three from May 23rd, 1969 8-10
4. Stephen McKenna Notes on Marat 11-13
5. Michael Baldwin Plans and Procedures 14-21 Excerpt
6. Ian Burn Dialogue 22
7. Robert Brown-David Hirons Moto-Spiritale 23-24
8. Terry Atkinson From an Art & Language Point of View 25-60
9. Terry Atkinson Concerning Interpretation of the Bainbridge/Hurrell Models 61-71
10. Harold Hurrell Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’ 72-73
11. Harold Hurrell Sculptures and Devices 74-76
12. Michael Thompson Conceptual Art: Category & Action 77-83
13. Mel Ramsden Notes on Genealogies 84-88

Vol. 1 No. 3

Vol. 1 No. 3
June 1970

June 1970

Author Title pg. Notes
1. Ian Burn

Roger Cutforth Mel Ramsden

Proceedings: Society for Theoretical Art and Analyses 1-3
2. Mel Ramsden Art Enquiry (2) 4-6
3. Graham J. Howard (i) Concerning Some Theories and their Worlds 7-8
4. Graham J. Howard (ii) Mona Lisas 9-10
5. Bernard Bihari Marshall McLuhan and the Behavioral Sciences 11-28
6. Mel Ramsden A Preliminary Proposal for the Directing of Perception 29
7. Michael Baldwin General Note

(i) Atkinson and Meaninglessness

(ii) Preface

(iii) Dead Issues

30-35

Vol. 1 No. 4

November 1971

Vol. 1 No. 4
November 1971
Author Title pg. Notes
1. Stuart Knight Theory, Knowledge and Hermeneutics 1-5
2. Graham Howard Revelation and Art 6-15
3. Graham Howard Actuality and Potentiality 16-22
4. Graham Howard Accessibility and Conceivability 23-24
5. Terry Atkinson

Michael Baldwin

Art Teaching 25-50
6. Terry Atkinson

Michael Baldwin

La Pensée avec images 51-69 Link

Volume 2

Vol. 2 No. 1

Vol. 2 No. 1
February 1972

February 1972

Author Title pg. Notes
1. Terry Atkinson

Michael Baldwin

Unnatural Rules and Excuses 1-27
2. Ian Burn

Mel Ramsden

Four Wages of Sense 28-37
3. Philip Pilkington

David Rushton

Kevin Lole

Aspects of Authorities 38-50
4. Terry Atkinson

Michael Baldwin

On the Material-Character/Physical-Object Paradigm of Art 51-55 Link
5. Graham Howard Ontological Relativity: A Note 56-57

Vol. 2 No. 2

Vol. 2 No. 2
Summer 1972

Summer 1972

Author Title pg. Notes
1. Ian Burn

Mel Ramsden

Some Questions on the Characterization of Questions 1-10
2. Terry Atkinson

Michael Baldwin

Information 11-20
3. Ian Burn

Mel Ramsden

Art Language and Art-Language 21-28 Link
4. Harold Hurrell Interim Remarks 29-30
5. David Bainbridge Lupus in Fabula 31
6. Victor Burgin In Reply 32-34 [1]

Vol. 2 No. 3

Vol. 2 No. 3
September 1973

September 1973

Author Title pg. Notes
1. Graham Howard Some Formalities of Technic Relationships 1-7 Excerpt
2. Graham Howard Interest Relationships, etc. 8-9
3. Graham Howard Disinterest Relationships, etc. 10-11
4. Philip Pilkington

David Rushton

Models and Indexes: Fringe Benefits 12-17
5. Philip Pilkington

David Rushton

Bibliotherapy 18-33
6. Michael Corris The Fine Structure of Collaboration 34-37
7. Michael Corris

Mel Ramsden

Frameworks and Phantoms 38-52
8. Ian Burn

Mel Ramsden

Problems of Art & Language Space 53-72
9. John F. Hemmings Note on Reading 1969-1972 73-77
10. David Bainbridge 'Praxisectomy' and 'Theoryorraphy' 78

Vol. 2 No. 4

Vol. 2 No. 4
June 1974

June 1974

Michael Baldwin, Philip Pilkington

Title pg. Notes
1. Violins and Cows 1-6 Link
2. Redemption not Adaptation 7-14
3. Data Blank, December 1973 15
4. Brainstorm Proposal 16-25
5. A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation... 26-33
6. Vector and Magnitude 34
7. Uplifting Public Utterance 35
8. Whether there exists, or has existed an 'ideological' person... 36
9. Fragment from Contemporanea Index 37
10. Dear... 38-39
11. Points of Reference, the Hope of Ideology 40-44
12. Art and Language 45-50
13. Why J. Kosuth Won't Work for Us & Other Trivia 51-61
14. The Old Gourmet (Transcript) 62-70 ExcerptExcerpt
15. Proceedings M2 71-72
16. Instruction Index a x 73-99 Excerpts
17. Instruction Index b x 100-123
18. 'The statement that there is a body of dialectical discourse...' 124
19. Further Points of Reference 126-130

Volume 3

Vol. 3 No. 1

September 1974

Draft for an Anti-Textbook

Ian Burn, Mel Ramsden, Terry Smith

Title pg. Notes
1. Caution 1
2. Somewhere to Begin 2-4
3. Language has a Hold on us 5-7
4. Market Relations 8-9
5. Apodictic Tableaux 10-12
6. Ideal Speakers... 13-14
7. Annotations... Selective Memory (Histrionics?)... 15-17
8. Cacophonous... 18-19
9. Bureaucracy... 20
10. Points of Order? 21-22
11. No Refuge in 'Audience'... 23-26
12. 'Sometimes I feel like an Artist...' 27-31
13. Institutional Serenity 32-35
14. A 'Logic' of Going-On? 36
15. Do We Have Anything like 'Assertion'? 37-41
16. What are we doing in Language? 42-43
17. 'Consistency' is an Ideological Postulate 44-47
18. Dead Horse... 48-49
19. Iteration 50
20. More Exhortations? 51-53
21. Joseph Kosuth says that the group is a Cultural Ghetto 54-55
22. ...Overboard about Kierkegaard 57-59
23. Fur Teacups 60-61
24. Straight Talk? 62-63
25. Equivocating... 64-67
26. Routine... 68
27. ...Corpse of Official Language 69-70
28. We Wish they had a Dictionary 71-73
29. ...Concatenation... 74-75
30. Bxal-ing 76-79
31. Endless Revisability... 80-82
32. Striving in the Uproar 83-86
33. Art-Career Components 87-89
34. The Unreality of this Culture 90-97
35. Modeish about Cultural Indeterminacy 98-100
36. Exploitation... Education... 101-103
37. Shop-Floorish? 104-105
38. Leftish Critique 106-108
39. Sporadic Encounter 109-110
  1. ↑ Reprinted in Victor Burgin's Parallel Texts (2011)
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