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And Now for Something Completely Different: Difference between revisions

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[[File:Something-Completely-Different-photo-2.jpg|thumb]]
[[File:Something-Completely-Different-photo-2.jpg|thumb|Behind the scenes photo]]


[[And Now for Something Completely Different]] is the [[Art & Language]] segment of Zoran Popović's 1977 film {{RLink|Struggle}}.  
[[And Now for Something Completely Different]] is the [[Art & Language]] segment of Zoran Popović's 1977 film [[Struggle in New York]].  


==Track list==
==Track list==
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==Background==
==Background==
The segment was filmed in October or November 1976. It features members of the New York [[(Provisional) Art & Language]] group in a semi-improvised performance similar to {{RLink|Nine}}. It was filmed in sculptor [https://en.wikipedia.org/wiki/John_Chamberlain_(sculptor) John Chamberlain]'s studio on 76 Vestry Street in New York ([[Jesse Chamberlain]]'s father).
 
* The segment was filmed in October or November 1976
* It features members of the New York Provisional Art & Language group in a semi-improvised performance similar to [[Nine Gross and Conspicuous Errors]] from earlier that year
* It was filmed in sculptor [https://en.wikipedia.org/wiki/John_Chamberlain_(sculptor) John Chamberlain]'s New York studio on 76 Vestry Street


'''Further reading:''' the chapter "Keep All Your Friends" in Robert Bailey's book "Art & Language International: Conceptual Art Between Art Worlds"
'''Further reading:''' the chapter "Keep All Your Friends" in Robert Bailey's book "Art & Language International: Conceptual Art Between Art Worlds"

Revision as of 09:33, 17 April 2023

Behind the scenes photo

And Now for Something Completely Different is the Art & Language segment of Zoran Popović's 1977 film Struggle in New York.

Track list

  1. A Lot of Sad Feelings...Fan Mail
  2. Harangue
  3. Plekhanov

Background

  • The segment was filmed in October or November 1976
  • It features members of the New York Provisional Art & Language group in a semi-improvised performance similar to Nine Gross and Conspicuous Errors from earlier that year
  • It was filmed in sculptor John Chamberlain's New York studio on 76 Vestry Street

Further reading: the chapter "Keep All Your Friends" in Robert Bailey's book "Art & Language International: Conceptual Art Between Art Worlds"

Interpretations

Posters and copies of Art-Language Vol. 3 No. 4 are a prominent visual

References

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