The Fox No. 3: Difference between revisions
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imported>Dotclub Created page with "{{PeriodicalInfo |Publication=The Fox |Image1=Fox-1-3-front.jpg |Date=May 1976 |Volume=1 |Number=3 |Publisher=Art & Language Foundation |Editor= }} == Contents == == Background == {{Navbox-Art-Language}} == References ==" |
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== Contents == | == Contents == | ||
{| class="wikitable" | |||
!Author | |||
!Title | |||
!pg. | |||
!Notes | |||
|- | |||
! colspan="4" |Discussions | |||
|- | |||
|Peter Benchley | |||
|The Lumpen-Headache | |||
| | |||
| | |||
|- | |||
|[[Kathryn Bigelow]] | |||
|Review: Not on the Development of Contradiction | |||
| | |||
| | |||
|- | |||
|Sarah Charlesworth | |||
|For Artists Meeting | |||
| | |||
| | |||
|- | |||
|Martha Rosler | |||
|Review: Under the Rug | |||
| | |||
| | |||
|- | |||
|[[Mel Ramsden]] | |||
|Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year? | |||
| | |||
| | |||
|- | |||
|[[Art & Language|Art & Language, UK]] | |||
|Having-Your-Heart-In-The-Right-Place Is Not Making History | |||
| | |||
| | |||
|- | |||
|Carole Condé | |||
Karl Beveridge | |||
|The Edge of Edge | |||
| | |||
| | |||
|- | |||
|Steve Lockhard | |||
|Review: The Incredible Rocky | |||
| | |||
| | |||
|- | |||
|[[Christine Kozlov]] | |||
[[Mayo Thompson]] | |||
|Autopaptripassionata | |||
| | |||
| | |||
|- | |||
|Sharlene Spingler | |||
|Review: Chic Kicking Muse | |||
| | |||
| | |||
|- | |||
|[[Art & Language|Art & Language, UK]] | |||
|Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends | |||
| | |||
| | |||
|- | |||
|Ian Burn | |||
|For Your Reference | |||
| | |||
| | |||
|- | |||
|[[Mayo Thompson]] | |||
|Review: Convoy | |||
| | |||
| | |||
|- | |||
|Jasna Tijardović | |||
|The 'Liquidation' of Art: Self-Management or Self-Protection | |||
| | |||
| | |||
|- | |||
! colspan="4" |Articles | |||
|- | |||
|Ross Neher | |||
|Bathysiderodromophobia | |||
| | |||
| | |||
|- | |||
|Nigel Lendon | |||
|Has Your License Expired? | |||
| | |||
| | |||
|- | |||
|Joseph Kosuth | |||
|Work | |||
| | |||
| | |||
|- | |||
|Fern Tiger | |||
Edward Robbins | |||
|Method or Mouthtalk? | |||
| | |||
| | |||
|- | |||
|Michael Corris | |||
Preston Heller | |||
Andrew Menard | |||
|The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman | |||
| | |||
| | |||
|- | |||
|David Rushton | |||
Paul Wood | |||
|History | |||
| | |||
| | |||
|- | |||
|Goran Djordjevic | |||
|On the Class Character of Art | |||
| | |||
| | |||
|- | |||
|Hervé Fischer | |||
|Sociological Art as Utopian Strategy | |||
| | |||
| | |||
|- | |||
|David Rushton | |||
Paul Wood | |||
|Art-Learning | |||
| | |||
| | |||
|- | |||
! colspan="4" |Correspondence & Notes | |||
|- | |||
| | |||
|Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others | |||
| | |||
| | |||
|- | |||
|May Stevens | |||
|Art & Class | |||
| | |||
| | |||
|- | |||
|Jane Klion | |||
Julie Wolf | |||
|Students Fighting Faculty at WU | |||
| | |||
| | |||
|- | |||
|[[Mayo Thompson]] | |||
|Natural Alliances | |||
| | |||
| | |||
|- | |||
|[[Mayo Thompson]] | |||
|For the Sensitive | |||
| | |||
| | |||
|- | |||
|Stefan Morawski | |||
|Theses on Aesthetics | |||
| | |||
| | |||
|} | |||
== Background == | == Background == |
Revision as of 01:49, 28 February 2023
The Fox No. 3 | |
---|---|
![]() | |
Publication | The Fox |
Date | May 1976 |
Volume | 1 |
Number | 3 |
Publisher | Art & Language Foundation |
Editor |
Contents
Author | Title | pg. | Notes |
---|---|---|---|
Discussions | |||
Peter Benchley | The Lumpen-Headache | ||
Kathryn Bigelow | Review: Not on the Development of Contradiction | ||
Sarah Charlesworth | For Artists Meeting | ||
Martha Rosler | Review: Under the Rug | ||
Mel Ramsden | Review: Framing & Being Framed — Or, Are We Going to Let Barbara Rose Get Away With "Dialectics" This Year? | ||
Art & Language, UK | Having-Your-Heart-In-The-Right-Place Is Not Making History | ||
Carole Condé
Karl Beveridge |
The Edge of Edge | ||
Steve Lockhard | Review: The Incredible Rocky | ||
Christine Kozlov | Autopaptripassionata | ||
Sharlene Spingler | Review: Chic Kicking Muse | ||
Art & Language, UK | Chris Smith Confronts Norman Trotsky and Dame Flora Luxemburg, Many of Their Colleagues, Furry and Feathered Friends | ||
Ian Burn | For Your Reference | ||
Mayo Thompson | Review: Convoy | ||
Jasna Tijardović | The 'Liquidation' of Art: Self-Management or Self-Protection | ||
Articles | |||
Ross Neher | Bathysiderodromophobia | ||
Nigel Lendon | Has Your License Expired? | ||
Joseph Kosuth | Work | ||
Fern Tiger
Edward Robbins |
Method or Mouthtalk? | ||
Michael Corris
Preston Heller Andrew Menard |
The Organization of Culture Under Monopoly Capitalism, Part I: "How Do You Feel About The Arts and Artifacts Indemnity Act?", Part II: Culture Ain't No Headless Horseman | ||
David Rushton
Paul Wood |
History | ||
Goran Djordjevic | On the Class Character of Art | ||
Hervé Fischer | Sociological Art as Utopian Strategy | ||
David Rushton
Paul Wood |
Art-Learning | ||
Correspondence & Notes | |||
Letters from Robert Witz, Joshua Neustein, Guerrilla Art Action Group, J. Byron Kearns and others | |||
May Stevens | Art & Class | ||
Jane Klion
Julie Wolf |
Students Fighting Faculty at WU | ||
Mayo Thompson | Natural Alliances | ||
Mayo Thompson | For the Sensitive | ||
Stefan Morawski | Theses on Aesthetics |