Digital Man in a Digital House: Difference between revisions
imported>Dotclub No edit summary |
imported>Dotclub No edit summary |
||
| Line 6: | Line 6: | ||
In a digital bed in a digital maternity ward | In a digital bed in a digital maternity ward | ||
He left through a digital doorway to a digital car | He left through a digital doorway to a digital car | ||
To a digital neighborhood it was a digital garden | |||
He saw in a digital home | He saw in a digital home | ||
Was a picture of a digital wife | |||
? | And ? incredibly ? about ? | ||
Digital has no end | Digital has no end | ||
? picture ? | |||
? if you can, oh | ? if you can, oh | ||
Revision as of 23:38, 2 April 2023
Lyrics
Digital man in his digital t-shirt And a digital woman in a digital dress Had a digital baby of a digital gender In a digital bed in a digital maternity ward
He left through a digital doorway to a digital car To a digital neighborhood it was a digital garden
He saw in a digital home Was a picture of a digital wife
And ? incredibly ? about ?
Digital has no end ? picture ?
? if you can, oh If you can, oh Digitze my ass Digitze my ass If you can, oh Digitze my ass If you can, oh Digitze my ass If you can, oh
Lyrics: Mitchell Kane
Music: Mayo Thompson
Chronology
Interpretations
- "A short pop song about the digital everyday. Written in 1998 for the Hirsch Farm Project Retrospective at the Museum of Contemporary Art in Chicago."[1]
- The tune was recycled from the then-unreleased 1984 Red Crayola song Why We Need Idealistic Children