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Art & Language 1966-1975: Difference between revisions

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== Contents ==
== Contents ==
{| class="wikitable"
{| class="wikitable"
!
!Title
!Title
!pg.
!pg.
|-
|-
|1.
|Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)
|Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)
|1-3
|1-3
|-
|-
|2.
|'We have some non-utilitarian problems (of notation) in the face of...'
|'We have some non-utilitarian problems (of notation) in the face of...'
|4-6
|4-6
|-
|-
|3.
|This Connects with the Given Political Moment, etc....
|This Connects with the Given Political Moment, etc....
|7-9
|7-9
|-
|-
|4.
|To Boring Professors...Transitional Demands
|To Boring Professors...Transitional Demands
|10-11
|10-11
|-
|-
|5.
|'A point of reference...or what? Individual (distributed) ideo-prac-...'
|'A point of reference...or what? Individual (distributed) ideo-prac-...'
|12-14
|12-14
|-
|-
|6.
|Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict
|Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict
|15-17
|15-17
|-
|-
|7.
|Notes...More Worry about Going-On
|Notes...More Worry about Going-On
|18-20
|18-20
|-
|-
|8.
|The Preservation of the Species: Direct Speech
|The Preservation of the Species: Direct Speech
|21-22
|21-22
|-
|-
|9.
|The Preservation of the Species: Counter Course
|The Preservation of the Species: Counter Course
|23-24
|23-24
|-
|-
|10.
|'Putative art practice in Britain is focussed on the art schools. Most...'
|'Putative art practice in Britain is focussed on the art schools. Most...'
|25-27
|25-27
|-
|-
|11.
|Self-Superseding Strategy...or the Given Political Moment
|Self-Superseding Strategy...or the Given Political Moment
|28-32
|28-32
|-
|-
|12.
|Good Evening...It's Modern Amusements Time Again
|Good Evening...It's Modern Amusements Time Again
|33-36
|33-36
|-
|-
|13.
|For the B.B.C.: A Visual Description of...
|For the B.B.C.: A Visual Description of...
|37-39
|37-39
|-
|-
|14.
|'The requirement that one should see his 'work' as 'in' the dialectic of...'
|'The requirement that one should see his 'work' as 'in' the dialectic of...'
|40
|40
|-
|-
|15.
|Good Morning - Old-Fashioned Amusements
|Good Morning - Old-Fashioned Amusements
|41-42
|41-42
|-
|-
|16.
|'We might want to walk into over-complex iterations, just like a lot of...'
|'We might want to walk into over-complex iterations, just like a lot of...'
|43
|43
|-
|-
|17.
|Historically Proper Names
|Historically Proper Names
|44-45
|44-45
|-
|-
|18.
|Alphabet of Lenin - Intermediate Para-Structures
|Alphabet of Lenin - Intermediate Para-Structures
|46-48
|46-48
|-
|-
|19.
|Dear Stefan...
|Dear Stefan...
|49-51
|49-51
Line 65: Line 85:


== Background ==
== Background ==
<blockquote>Oxford: Museum of Modern Art, 1975
<blockquote>Oxford: Museum of Modern Art, 1975. Exhibition catalogue which is written in parody of the [[Art-Language]] Journals.<ref>https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/</ref></blockquote>{{Navbox-Art-Language}}
 
21 x 14.7cm, 52pp plus card covers. Exhibition catalogue which is written in parody of the [[Art-Language]] Journals. Reproduced texts by the conceptual art group and no illustrations.<ref>https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/</ref></blockquote>{{Navbox-Art-Language}}


== References ==
== References ==


[[Category:Art-Language]]
[[Category:Art-Language]]

Revision as of 20:32, 28 July 2023

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Contents

Title pg.
1. Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia) 1-3
2. 'We have some non-utilitarian problems (of notation) in the face of...' 4-6
3. This Connects with the Given Political Moment, etc.... 7-9
4. To Boring Professors...Transitional Demands 10-11
5. 'A point of reference...or what? Individual (distributed) ideo-prac-...' 12-14
6. Dialectic and Unsightly Drinking: Art Galleries as the Putative Sites of Non-Trivial Conflict 15-17
7. Notes...More Worry about Going-On 18-20
8. The Preservation of the Species: Direct Speech 21-22
9. The Preservation of the Species: Counter Course 23-24
10. 'Putative art practice in Britain is focussed on the art schools. Most...' 25-27
11. Self-Superseding Strategy...or the Given Political Moment 28-32
12. Good Evening...It's Modern Amusements Time Again 33-36
13. For the B.B.C.: A Visual Description of... 37-39
14. 'The requirement that one should see his 'work' as 'in' the dialectic of...' 40
15. Good Morning - Old-Fashioned Amusements 41-42
16. 'We might want to walk into over-complex iterations, just like a lot of...' 43
17. Historically Proper Names 44-45
18. Alphabet of Lenin - Intermediate Para-Structures 46-48
19. Dear Stefan... 49-51

Background

Oxford: Museum of Modern Art, 1975. Exhibition catalogue which is written in parody of the Art-Language Journals.[1]

References

  1. ↑ https://unoriginalsins.co.uk/product/art-language-1966-1975-1975/
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