Art-Language Vol. 4 No. 2: Difference between revisions
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imported>Dotclub Created page with "{{PeriodicalInfo |Publication=Art-Language |Image1=AL-4-2-front.jpg |Date=October 1977 |Volume=4 |Number=2 |Publisher= |Editor=Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson }} == Contents == {| class="wikitable" ! !Title !pg. !Notes |- |1. |A note on the cover |3-5 | |- |2. |Preamble |6 | |- |3. |Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Part..." |
imported>Dotclub Created page with "{{PeriodicalInfo |Publication=Art-Language |Image1=AL-4-2-front.jpg |Date=October 1977 |Volume=4 |Number=2 |Publisher= |Editor=Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson }} == Contents == {| class="wikitable" ! !Title !pg. !Notes |- |1. |A note on the cover |3-5 | |- |2. |Preamble |6 | |- |3. |Method 1: On the Material Necessity that the Editors of ''October'', its Contributors, Supporters and Relatives, and Part..." |
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Revision as of 00:39, 28 February 2023
Art-Language Vol. 4 No. 2 | |
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Publication | Art-Language |
Date | October 1977 |
Volume | 4 |
Number | 2 |
Publisher | |
Editor | Michael Baldwin, Charles Harrison, Philip Pilkington, Mel Ramsden, Mayo Thompson |
Contents
Title | pg. | Notes | |
---|---|---|---|
1. | A note on the cover | 3-5 | |
2. | Preamble | 6 | |
3. | Method 1: On the Material Necessity that the Editors of October, its Contributors, Supporters and Relatives, and Particularly, the Arch Fool, the Illiterate Liar Jeremy G. Rolfe, be Sought Out, Their Hands Smashed, Their Eyes Put Out, Their Offices, Ateliers Destroyed, Burned and Portions of the Bloodstained Ashes Sent to the Towering Wretches of French Structuralism | 7-9 | |
4. | Method 2: A discussion on the theme that the locutions of the avant-garde artist-intellectual cannot be considered as direct discourse | 10-18 | Full text |
5. | Method 3: To examine or attempt criticism of the vagrant, sub-analysable half-truth the social and professional currency of ideological opportunism... | 19-41 | |
6. | Method 4: The quasi-utilitarian straining of international-style pink contemporary art is a mindless but concerted effort to destroy history; with an illustration given | 42-54 | |
7. | Method 5: A Crisis of Liberality for the Decaying Macaroni... | 55-61 | |
8. | Method 6: Random complaints | 62-65 | |
9. | Method 7: ‘Artists Meeting for Cultural Change’ and ‘Anti-Imperialist Cultural Union’: a history of two cultural organisations, as illustration | 66-81 |