Art-Language New Series No. 2: Difference between revisions
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| | |<ref>Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," ''Art Press'', hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in ''Art Press'', hors-série, no. 17, 1996, pp.174-178. (''[[Conceptual Art and Painting: Further Essays on Art & Language]]'')</ref> | ||
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Revision as of 12:24, 11 September 2023
| Art-Language New Series No. 2 | |
|---|---|
 | |
| Publication | Art-Language |
| Date | June 1997 |
| Volume | New Series |
| Number | 2 |
| Publisher | |
| Editor | |
Contents
| Title | Author | pg. | Notes |
|---|---|---|---|
| Some Darwinian Conditions of the Art & Language Indexes | Philip Pilkington | 3-11 | Full article |
| Postscript Contra Atkinson | Philip Pilkington | 12-19 | |
| Refusing to Die | Paul Wood | 20-31 | |
| Memories of the Medicine Show
1. Recollecting Conceptual Art |
Michael Baldwin | 32-39 | Full article |
| 2. We Aimed to be Amateurs | Michael Baldwin | 40-49 | Full article[1] |
| Northanger Abbey | Michael Baldwin
Paul Wood |
50- | [2] |
Background
| Art-Language |
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| Related publications |
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References
- ↑ Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro & Stimson)
- ↑ Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," Art Press, hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in Art Press, hors-série, no. 17, 1996, pp.174-178. (Conceptual Art and Painting: Further Essays on Art & Language)