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{| class="wikitable"
{| class="wikitable"
|+
|+
!Vol.
!No.
!Year
!Month
!Cover
!Cover
!pp.
!Contents
!Contents
|-
|-
| rowspan="4" |1
|[[File:Art-Language-1-1.jpg|center|150px]]May 1969
|1
 
|1969
Vol. 1 No. 1
|May
|
|[[File:Art-Language-1-1.jpg|center|150px]]
|32
|The Journal of conceptual art
{| class="wikitable"
{| class="wikitable"
|+
|+The Journal of conceptual art
|1
|1.
|Terry Atkinson
|Terry Atkinson
|Introduction
|Introduction
|1
|[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
|[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
|-
|-
|11
|2.
|Sol LeWitt
|Sol LeWitt
|Sentences on conceptual art
|Sentences on conceptual art
|11
|[http://radicalart.info/concept/LeWitt/sentences.html Link]
|[http://radicalart.info/concept/LeWitt/sentences.html Link]
|-
|-
|14
|3.
|Dan Graham
|Dan Graham
|Poem-schema
|Poem-schema
|14
|
|
|-
|-
|17
|4.
|Lawrence Weiner
|Lawrence Weiner
|Statements
|Statements
|17
|[http://radicalart.info/concept/weiner/ Link]
|[http://radicalart.info/concept/weiner/ Link]
|-
|-
|19
|5.
|David Bainbridge
|David Bainbridge
|Notes on M1 (1)
|Notes on M1 (1)
|19
|[https://www.ubu.com/papers/bainbridge_m1.html Link]
|[https://www.ubu.com/papers/bainbridge_m1.html Link]
|-
|-
|23
|6.
|[[Michael Baldwin]]
|[[Michael Baldwin]]
|Notes on M1
|Notes on M1
|23
|
|
|-
|-
|30
|7.
|David Bainbridge
|David Bainbridge
|Notes on M1 (2)
|Notes on M1 (2)
|30
|
|
|}
|}
|-
|-
|2
|[[File:AL-1-2-front.jpg|center|150px]]February 1970
| rowspan="2" |1970
 
|February
Vol. 1 No. 2
|[[File:AL-1-2-front.jpg|center|150px]]
|88
|
|
{| class="wikitable"
{| class="wikitable"
|1
|1.
|Joseph Kosuth
|Joseph Kosuth
|Introductory note by the American Editor
|Introductory note by the American Editor
|1
|
|
|-
|-
|5
|2.
|David Bainbridge
|David Bainbridge
|
|
|5
|
|
|-
|-
|8
|3.
|[[Frederick Barthelme|Frederic Barthelme]]
|[[Frederick Barthelme|Frederic Barthelme]]
|Three from May 23rd, 1969
|Three from May 23rd, 1969
|8
|
|
|-
|-
|11
|4.
|Stephen McKenna
|Stephen McKenna
|Notes on Marat
|Notes on Marat
|11
|
|
|-
|-
|14
|5.
|[[Michael Baldwin]]
|[[Michael Baldwin]]
|Plans and Procedures
|Plans and Procedures
|14
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
|-
|-
|22
|6.
|Ian Burn
|Ian Burn
|Dialogue
|Dialogue
|22
|
|
|-
|-
|23
|7.
|Robert Brown-David Hirons
|Robert Brown-David Hirons
|Moto-Spiritale
|Moto-Spiritale
|23
|
|
|-
|-
|25
|8.
| rowspan="2" |Terry Atkinson
| rowspan="2" |Terry Atkinson
|From an Art & Language Point of View
|From an Art & Language Point of View
|25
|
|
|-
|-
|9.
|Concerning Interpretations of the Bainbridge/Hurrell Models
|61
|61
|Concerning Interpretations of the Bainbridge/Hurrell Models
|
|
|-
|-
|72
|10.
| rowspan="2" |Harold Hurrell
| rowspan="2" |Harold Hurrell
|Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models
|Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models
|72
|
|
|-
|-
|11.
|Sculptures and Devices
|74
|74
|Sculptures and Devices
|
|
|-
|-
|77
|12.
|Michael Thompson
|Michael Thompson
|Conceptual Art: Category & Action
|Conceptual Art: Category & Action
|77
|
|
|-
|-
|84
|13.
|[[Mel Ramsden]]
|[[Mel Ramsden]]
|Notes on Genealogies
|Notes on Genealogies
|84
|
|
|}
|}
|-
|-
|3
|[[File:AL-1-3-front.jpg|center|150px]]June 1970
|June
 
|[[File:AL-1-3-front.jpg|center|150px]]
Vol. 1 No. 3
|36
|
|
{| class="wikitable"
{| class="wikitable"
|1
|1.
|Ian Burn, [[Mel Ramsden]], Roger Cutforth
|Ian Burn, [[Mel Ramsden]], Roger Cutforth
|Proceedings: Society for Theoretical Art and Analyses
|Proceedings: Society for Theoretical Art and Analyses
|1
|-
|-
|4
|2.
|[[Mel Ramsden]]
|[[Mel Ramsden]]
|Art Enquiry (2)
|Art Enquiry (2)
|4
|-
|-
|7
|3.
| rowspan="2" |Graham J. Howard
| rowspan="2" |Graham J. Howard
|(i) Concerning Some Theories and their Worlds
|(i) Concerning Some Theories and their Worlds
|7
|-
|-
|4.
|(ii) Mona Lisas
|9
|9
|(ii) Mona Lisas
|-
|-
|11
|5.
|Bernard Bihari
|Bernard Bihari
|Marshal McLuhan and the Behavioral Sciences
|Marshal McLuhan and the Behavioral Sciences
|11
|-
|-
|29
|6.
|[[Mel Ramsden]]
|[[Mel Ramsden]]
|A Preliminary Proposal for the Directing of Perception
|A Preliminary Proposal for the Directing of Perception
|29
|-
|-
|30
| rowspan="2" |7.
| rowspan="2" |[[Michael Baldwin]]
| rowspan="2" |[[Michael Baldwin]]
|General Note:
|General Note:
(i) Atkinson and Meaninglessness
(i) Atkinson and Meaninglessness
(ii) Preface
(ii) Preface
|30
|-
|-
|(iii) Dead Issues
|31
|31
|(iii) Dead Issues
|}
|}
|-
|-
|4
|[[File:AL-1-4-front.jpg|center|150px]]November 1971
|1971
 
|November
Vol. 1 No. 4
|[[File:AL-1-4-front.jpg|center|150px]]
|69
|
|
{| class="wikitable"
{| class="wikitable"
|1
|1.
|Stuart Knight
|Stuart Knight
|Theory, Knowledge and Hermeneutics
|Theory, Knowledge and Hermeneutics
|1
|
|
|-
|-
|6
|2.
| rowspan="3" |Graham Howard
| rowspan="3" |Graham Howard
|Revelation and Art
|Revelation and Art
|6
|
|
|-
|-
|3.
|Actuality and Potentiality
|15
|15
|Actuality and Potentiality
|
|
|-
|-
|4.
|Accessibility and Conceivability
|23
|23
|Accessibility and Conceivability
|
|
|-
|-
|25
|5.
| rowspan="2" |Terry Atkinson and [[Michael Baldwin]]
| rowspan="2" |Terry Atkinson and [[Michael Baldwin]]
|Art Teaching
|Art Teaching
|25
|
|
|-
|-
|6.
|La Pensée Avec Images
|51
|51
|La Pensée Avec Images
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
|}
|}
|-
|-
| rowspan="4" |2
|[[File:AL-2-1-front.jpg|center|150px]]February 1972
|1
 
| rowspan="2" |1972
Vol. 2 No. 1
|February
|[[File:AL-2-1-front.jpg|center|150px]]
|57
|
|
{| class="wikitable"
{| class="wikitable"
|1
|1.
|Terry Atkinson and [[Michael Baldwin]]
|Terry Atkinson and [[Michael Baldwin]]
|Unnatural Rules and Excuses
|Unnatural Rules and Excuses
|1
|
|
|-
|-
|28
|2.
|Ian Burn and [[Mel Ramsden]]
|Ian Burn and [[Mel Ramsden]]
|Four Wages of Sense
|Four Wages of Sense
|28
|
|
|-
|-
|38
|3.
|Philip Pilkington, David Rushton, and Kevin Lole
|Philip Pilkington, David Rushton, and Kevin Lole
|Aspect of Authorities
|Aspect of Authorities
|38
|
|
|-
|-
|51
|4.
|Terry Atkinson and [[Michael Baldwin]]
|Terry Atkinson and [[Michael Baldwin]]
|On Material-Character / Physical-Object Paradigm of Art
|On Material-Character / Physical-Object Paradigm of Art
|51
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
|-
|-
|56
|5.
|Graham Howard
|Graham Howard
|Ontological Relativity: A Note
|Ontological Relativity: A Note
|56
|
|
|}
|}
|-
|-
|2
|[[File:AL-2-2-front.jpg|center|150px]]Summer 1972
|Summer
 
|[[File:AL-2-2-front.jpg|center|150px]]
Vol. 2 No. 2
|34
|
|
{| class="wikitable"
{| class="wikitable"
|1
|1.
|Ian Burn and [[Mel Ramsden]]
|Ian Burn and [[Mel Ramsden]]
|Some Questions on the Characterization of Questions
|Some Questions on the Characterization of Questions
|1
|
|
|-
|-
|11
|2.
|Terry Atkinson and [[Michael Baldwin]]
|Terry Atkinson and [[Michael Baldwin]]
|Information
|Information
|11
|
|
|-
|-
|21
|3.
|Ian Burn and [[Mel Ramsden]]
|Ian Burn and [[Mel Ramsden]]
|Art Language and Art-Language
|Art Language and Art-Language
|21
|[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
|[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
|-
|-
|29
|4.
|Harold Hurrell
|Harold Hurrell
|Interim Remarks
|Interim Remarks
|29
|
|
|-
|-
|31
|5.
|David Bainbridge
|David Bainbridge
|Lupus in Fabula
|Lupus in Fabula
|31
|
|
|-
|-
|32
|6.
|Victor Burgin
|Victor Burgin
|In Reply
|In Reply
|32
|
|
|}
|}
|-
|-
|3
|[[File:AL-2-3-front.jpg|center|150px]]September 1973
|1973
 
|September
Vol. 2 No. 3
|[[File:AL-2-3-front.jpg|center|150px]]
|78
|
|
{| class="wikitable"
{| class="wikitable"
|1
|1.
| rowspan="3" |Graham Howard
| rowspan="3" |Graham Howard
|Some Formalities of Technic Relationships
|Some Formalities of Technic Relationships
|1
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|-
|-
|2.
|Interest Relationships, etc.
|8
|8
|Interest Relationships, etc.
|
|
|-
|-
|3.
|Disinterest Relationships, etc.
|10
|10
|Disinterest Relationships, etc.
|
|
|-
|-
|12
|4.
| rowspan="2" |Philip Pilkington and David Rushton
| rowspan="2" |Philip Pilkington and David Rushton
|Models and Indexes: Fringe Benefits
|Models and Indexes: Fringe Benefits
|12
|
|
|-
|-
|5.
|Bibliotherapy
|18
|18
|Bibliotherapy
|
|
|-
|-
|34
|6.
|Michael Corris
|Michael Corris
|The Fine Structure of Collaboration
|The Fine Structure of Collaboration
|34
|
|
|-
|-
|38
|7.
|Michael Corris and [[Mel Ramsden]]
|Michael Corris and [[Mel Ramsden]]
|Frameworks and Phantoms
|Frameworks and Phantoms
|38
|
|
|-
|-
|53
|8.
|Ian Burn and [[Mel Ramsden]]
|Ian Burn and [[Mel Ramsden]]
|Problems of Art & Language Space
|Problems of Art & Language Space
|53
|
|
|-
|-
|73
|9.
|John F. Hemmings
|John F. Hemmings
|Note on Reading 1969 - 1972
|Note on Reading 1969 - 1972
|73
|
|
|-
|-
|78
|10.
|David Bainbridge
|David Bainbridge
|'Praxisectomy' and 'Theoryorraphy'
|'Praxisectomy' and 'Theoryorraphy'
|78
|
|
|}
|}
|-
|-
|4
|[[File:AL-2-4-front.jpg|center|150px]]June 1974
| rowspan="2" |1974
 
|June
Vol. 2 No. 4
|[[File:AL-2-4-front.jpg|center|150px]]
|125
|Handbook(s) to Going-On
|Handbook(s) to Going-On
[[Michael Baldwin]], Philip Pilkington
[[Michael Baldwin]], Philip Pilkington
{| class="wikitable"
{| class="wikitable"
|1.
|Violins and Cows
|1
|1
|Violins and Cows
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
|-
|-
|2.
|Redemption not Adaptation
|7
|7
|Redemption not Adaptation
|
|
|-
|-
|3.
|Data Blank, December 1973
|15
|15
|Data Blank, December 1973
|
|
|-
|-
|4.
|Brainstorm Proposal
|16
|16
|Brainstorm Proposal
|
|
|-
|-
|5.
|A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...
|26
|26
|A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...
|
|
|-
|-
|6.
|Vector and Magnitude
|34
|34
|Vector and Magnitude
|
|
|-
|-
|7.
|Uplifting Public Utterance
|35
|35
|Uplifting Public Utterance
|
|
|-
|-
|8.
|Whether there exists, or has existed an 'ideological' person...
|36
|36
|Whether there exists, or has existed an 'ideological' person...
|
|
|-
|-
|9.
|Fragment from Contemporanea Index
|37
|37
|Fragment from Contemporanea Index
|
|
|-
|-
|10.
|Dear...
|38
|38
|Dear...
|
|
|-
|-
|11.
|Points of Reference, the Hope of Ideology
|40
|40
|Points of Reference, the Hope of Ideology
|
|
|-
|-
|12.
|Art & Language
|45
|45
|Art & Language
|
|
|-
|-
|13.
|Why J. Kosuth Won't Work for Us & Other Trivia
|51
|51
|Why J. Kosuth Won't Work for Us & Other Trivia
|
|
|-
|-
|14.
|The Old Gourmet (Transcript)
|62
|62
|The Old Gourmet (Transcript)
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
|-
|-
|15.
|Proceedings M2
|71
|71
|Proceedings M2
|
|
|-
|-
|16.
|Instruction Index a x
|73
|73
|Instruction Index a x
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
|-
|-
|17.
|Instruction Index b x
|100
|100
|Instruction Index b x
|-
|-
|18.
|'The statement that there is a body of dialectical discourse...'
|124
|124
|'The statement that there is a body of dialectical discourse...'
|-
|-
|19.
|Further Points of Reference
|126
|126
|Further Points of Reference
|
|
|}
|}
|-
|-
| rowspan="4" |3
|[[File:AL-3-1-front.jpg|center|150px]]September 1974
|1
 
|September
Vol. 3 No. 1
|[[File:AL-3-1-front.jpg|center|150px]]
|110
|Draft for an Anti-Textbook
|Draft for an Anti-Textbook
Ian Burn, [[Mel Ramsden]], Terry Smith
Ian Burn, [[Mel Ramsden]], Terry Smith
Line 537: Line 588:
|}
|}
|-
|-
|2
|[[File:AL-3-2-front.jpg|center|150px]]May 1975
|1975
 
|May
Vol. 3 No. 2
|[[File:AL-3-2-front.jpg|center|150px]]
|95
|
|
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
|3
|[[File:AL-3-3-front.jpg|center|150px]]June 1976
| rowspan="2" |1976
 
|June
Vol. 3 No. 3
|[[File:AL-3-3-front.jpg|center|150px]]
|125
|
|
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
|4
|October
|[[File:AL-3-4-front.jpg|center|150px]]
|[[File:AL-3-4-front.jpg|center|150px]]
|71
|Fox 4
|Fox 4
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
| rowspan="4" |4
|1
| rowspan="2" |1977
|May
|[[File:AL-4-1-front.jpg|center|150px]]
|[[File:AL-4-1-front.jpg|center|150px]]
|67
|
|
{| class="wikitable"
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|}
|}
|-
|-
|2
|October
|[[File:AL-4-2-front.jpg|center|150px]]
|[[File:AL-4-2-front.jpg|center|150px]]
|87
|
|
{| class="wikitable"
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|}
|}
|-
|-
|3
|1978
|November
|[[File:AL-4-3-front.jpg|center|150px]]
|[[File:AL-4-3-front.jpg|center|150px]]
|
|Ways of Seeing
|Ways of Seeing
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
|4
|1980
|June
|[[File:AL-4-4-front.jpg|center|150px]]
|[[File:AL-4-4-front.jpg|center|150px]]
|
|
|
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
| rowspan="3" |5
|1
|1982
|October
|[[File:AL-5-1-front.jpg|center|150px]]
|[[File:AL-5-1-front.jpg|center|150px]]
|
|
|
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
|2
|1984
|March
|[[File:A-L-Victorine-front.jpg|center|150px]]
|[[File:A-L-Victorine-front.jpg|center|150px]]
|
|Victorine
|Victorine
{| class="wikitable"
{| class="wikitable"
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|}
|}
|-
|-
|3
|1985
|March
|[[File:AL-5-3-front.jpg|center|150px]]
|[[File:AL-5-3-front.jpg|center|150px]]
|
|Blue Poles
|Blue Poles
{| class="wikitable"
{| class="wikitable"

Revision as of 02:35, 13 November 2022

Periodical by Art & Language

Issues

Cover Contents
File:Art-Language-1-1.jpg
May 1969

Vol. 1 No. 1

The Journal of conceptual art
1. Terry Atkinson Introduction 1 Excerpts
2. Sol LeWitt Sentences on conceptual art 11 Link
3. Dan Graham Poem-schema 14
4. Lawrence Weiner Statements 17 Link
5. David Bainbridge Notes on M1 (1) 19 Link
6. Michael Baldwin Notes on M1 23
7. David Bainbridge Notes on M1 (2) 30
February 1970

Vol. 1 No. 2

1. Joseph Kosuth Introductory note by the American Editor 1
2. David Bainbridge 5
3. Frederic Barthelme Three from May 23rd, 1969 8
4. Stephen McKenna Notes on Marat 11
5. Michael Baldwin Plans and Procedures 14 Excerpt
6. Ian Burn Dialogue 22
7. Robert Brown-David Hirons Moto-Spiritale 23
8. Terry Atkinson From an Art & Language Point of View 25
9. Concerning Interpretations of the Bainbridge/Hurrell Models 61
10. Harold Hurrell Notes on Atkinson's 'Concening Interpretation of the Bainbridge/ Hurrell Models 72
11. Sculptures and Devices 74
12. Michael Thompson Conceptual Art: Category & Action 77
13. Mel Ramsden Notes on Genealogies 84
June 1970

Vol. 1 No. 3

1. Ian Burn, Mel Ramsden, Roger Cutforth Proceedings: Society for Theoretical Art and Analyses 1
2. Mel Ramsden Art Enquiry (2) 4
3. Graham J. Howard (i) Concerning Some Theories and their Worlds 7
4. (ii) Mona Lisas 9
5. Bernard Bihari Marshal McLuhan and the Behavioral Sciences 11
6. Mel Ramsden A Preliminary Proposal for the Directing of Perception 29
7. Michael Baldwin General Note:

(i) Atkinson and Meaninglessness

(ii) Preface

30
(iii) Dead Issues 31
November 1971

Vol. 1 No. 4

1. Stuart Knight Theory, Knowledge and Hermeneutics 1
2. Graham Howard Revelation and Art 6
3. Actuality and Potentiality 15
4. Accessibility and Conceivability 23
5. Terry Atkinson and Michael Baldwin Art Teaching 25
6. La Pensée Avec Images 51 Link
February 1972

Vol. 2 No. 1

1. Terry Atkinson and Michael Baldwin Unnatural Rules and Excuses 1
2. Ian Burn and Mel Ramsden Four Wages of Sense 28
3. Philip Pilkington, David Rushton, and Kevin Lole Aspect of Authorities 38
4. Terry Atkinson and Michael Baldwin On Material-Character / Physical-Object Paradigm of Art 51 Link
5. Graham Howard Ontological Relativity: A Note 56
Summer 1972

Vol. 2 No. 2

1. Ian Burn and Mel Ramsden Some Questions on the Characterization of Questions 1
2. Terry Atkinson and Michael Baldwin Information 11
3. Ian Burn and Mel Ramsden Art Language and Art-Language 21 Link
4. Harold Hurrell Interim Remarks 29
5. David Bainbridge Lupus in Fabula 31
6. Victor Burgin In Reply 32
September 1973

Vol. 2 No. 3

1. Graham Howard Some Formalities of Technic Relationships 1 Excerpt
2. Interest Relationships, etc. 8
3. Disinterest Relationships, etc. 10
4. Philip Pilkington and David Rushton Models and Indexes: Fringe Benefits 12
5. Bibliotherapy 18
6. Michael Corris The Fine Structure of Collaboration 34
7. Michael Corris and Mel Ramsden Frameworks and Phantoms 38
8. Ian Burn and Mel Ramsden Problems of Art & Language Space 53
9. John F. Hemmings Note on Reading 1969 - 1972 73
10. David Bainbridge 'Praxisectomy' and 'Theoryorraphy' 78
June 1974

Vol. 2 No. 4

Handbook(s) to Going-On

Michael Baldwin, Philip Pilkington

1. Violins and Cows 1 Link
2. Redemption not Adaptation 7
3. Data Blank, December 1973 15
4. Brainstorm Proposal 16
5. A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation... 26
6. Vector and Magnitude 34
7. Uplifting Public Utterance 35
8. Whether there exists, or has existed an 'ideological' person... 36
9. Fragment from Contemporanea Index 37
10. Dear... 38
11. Points of Reference, the Hope of Ideology 40
12. Art & Language 45
13. Why J. Kosuth Won't Work for Us & Other Trivia 51
14. The Old Gourmet (Transcript) 62 ExcerptExcerpt
15. Proceedings M2 71
16. Instruction Index a x 73 Excerpts
17. Instruction Index b x 100
18. 'The statement that there is a body of dialectical discourse...' 124
19. Further Points of Reference 126
September 1974

Vol. 3 No. 1

Draft for an Anti-Textbook

Ian Burn, Mel Ramsden, Terry Smith

1 Caution
2 Somewhere to Begin
5 Language has a Hold on us
8 Market Relations
10 Apodictic Tableaux
13 Ideal Speakers...
15 Annotations... Selective Memory (Histrionics?)...
18 Cacophonous...
20 Bureaucracy...
21 Points of Order?
23 No Refuge in 'Audience'...
27 'Sometimes I feel like an Artist...'
32 Institutional Serenity
36 A 'Logic' of Going-On?
37 Do We Have Anything like 'Assertion'?
42 What are we doing in Language?
44 'Consistency' is an Ideological Postulate
48 Dead Horse...
50 Iteration
51 More Exhortations?
54 Joseph Kosuth says that the group is a Cultural Ghetto
57 ...Overboard about Kierkegaard
60 Fur Teacups
62 Straight Talk?
64 Equivocating...
68 Routine...
69 ...Corpse of Official Language
71 We Wish they had a Dictionary
74 ...Concatenation...
76 Bxal-ing
80 Endless Revisability...
83 Striving in the Uproar
87 Art-Career Components
90 The Unreality of this Culture
98 Modeish about Cultural Indeterminacy
101 Exploitation... Education...
104 Shop-Floorish?
108 Leftish Critique
109 Sporadic Encounter
May 1975

Vol. 3 No. 2

June 1976

Vol. 3 No. 3

Fox 4
Ways of Seeing
File:A-L-Victorine-front.jpg
 Victorine
Blue Poles
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