Analytical Art No. 2: Difference between revisions
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{| class="wikitable" | {| class="wikitable" | ||
!Title | |||
!Author | !Author | ||
!Notes | !Notes | ||
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|The Private Language Argument | |||
|Terry Atkinson | |Terry Atkinson | ||
Kevin Lole | Kevin Lole | ||
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Christopher Willmore | Christopher Willmore | ||
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|- | |- | ||
|Understanding, Meaning & Intention | |||
|Philip Pilkington | |Philip Pilkington | ||
David Rushton | David Rushton | ||
| | | | ||
|- | |- | ||
|Pragmatics and Performatives | |||
|Philip Pilkington | |Philip Pilkington | ||
| | | | ||
|- | |- | ||
|Alienation and Theories of Art and Science | |||
|Ian Johnson | |Ian Johnson | ||
Paul Tate | Paul Tate | ||
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|} | |} |
Revision as of 07:05, 28 February 2023
Analytical Art No. 2 | |
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Publication | Analytical Art |
Date | June 1972 |
Volume | 1 |
Number | 2 |
Publisher | |
Editor |
Contents
Incomplete contents:
Title | Author | Notes |
---|---|---|
The Private Language Argument | Terry Atkinson
Kevin Lole Philip Pilkington David Rushton Peter Smith Christopher Willmore |
|
Understanding, Meaning & Intention | Philip Pilkington
David Rushton |
|
Pragmatics and Performatives | Philip Pilkington | |
Alienation and Theories of Art and Science | Ian Johnson
Paul Tate |