The Fox No. 1: Difference between revisions
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== Contents == | == Contents == | ||
{| class="wikitable" | {| class="wikitable" | ||
!Author | |||
!Title | !Title | ||
!pg. | !pg. | ||
!Notes | !Notes | ||
!Reprinted in | |||
|- | |- | ||
|Sarah Charlesworth | |Sarah Charlesworth | ||
|''A Declaration of Dependence'' | |||
|1- | |1- | ||
| | |||
| | | | ||
|- | |- | ||
|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
Philip Pilkington | Philip Pilkington | ||
|''For Thomas Hobbes'' | |||
|8- | |8- | ||
|<ref>Also published in [[Art-Language Vol. 3 No. 2]]</ref> | |<ref>Also published in [[Art-Language Vol. 3 No. 2]]</ref> | ||
| | |||
|- | |- | ||
|Joseph Kosuth | |Joseph Kosuth | ||
|''The Artist as Anthropologist'' | |||
|18- | |18- | ||
| | |||
| | | | ||
|- | |- | ||
|Andrew Menard | |Andrew Menard | ||
|''Are You Not Doing What You're Doing While You're Doing What You Are'' | |||
|31- | |31- | ||
| | |||
| | | | ||
|- | |- | ||
|Zoran Popović | |Zoran Popović | ||
Jasna Tijardović | Jasna Tijardović | ||
|''A Note on Art in Yugoslavia'' | |||
|49- | |49- | ||
| | |||
| | | | ||
|- | |- | ||
|Ian Burn | |Ian Burn | ||
|''Pricing Works of Art'' | |||
|53- | |53- | ||
| | |||
| | | | ||
|- | |- | ||
|Adrian Piper | |Adrian Piper | ||
|''To Art (Reg. Intrans. V.)'' | |||
|60- | |60- | ||
| | |||
| | | | ||
|- | |- | ||
|[[Mel Ramsden]] | |[[Mel Ramsden]] | ||
|''On Practice'' | |||
|66- | |66- | ||
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| | | | ||
|- | |- | ||
|Michael Corris | |Michael Corris | ||
|''Historical Discourse'' | |||
|84- | |84- | ||
| | |||
| | | | ||
|- | |- | ||
|David Rushton | |David Rushton | ||
Paul Wood | Paul Wood | ||
|''Educational Bankrupts'' | |||
|96- | |96- | ||
| | |||
| | | | ||
|- | |- | ||
|Preston Heller | |Preston Heller | ||
|''Counterfeit Interview'' | |||
|102- | |102- | ||
| | |||
| | | | ||
|- | |- | ||
|Lynn Lemaster | |Lynn Lemaster | ||
|''Optimistic Handbook'' | |||
|110- | |110- | ||
| | |||
| | | | ||
|- | |- | ||
|Terry Atkinson | |Terry Atkinson | ||
|''Looking Back, Going On'' | |||
|122 | |122 | ||
| | |||
| | | | ||
|- | |- | ||
! colspan=" | ! colspan="5" |Commentary & Reviews | ||
|- | |- | ||
|Mel Ramsden | |Mel Ramsden | ||
|''Perimeters of Protest'' | |||
|133- | |133- | ||
| | |||
| | | | ||
|- | |- | ||
|Ian Burn | |Ian Burn | ||
|''Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections'' | |||
| | |||
| | | | ||
| | | | ||
|- | |- | ||
|Karl Beveridge | |Karl Beveridge | ||
|''A Forum on Artforum'' | |||
| | |||
| | | | ||
| | | | ||
|- | |- | ||
|Ian Burn | |Ian Burn | ||
|''Thinking About Tim Clark and Linda Nochlin'' | |||
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| | | | ||
| | | |
Revision as of 19:16, 8 October 2023
The Fox No. 1 | |
---|---|
![]() | |
Publication | The Fox |
Date | March 1975 |
Volume | 1 |
Number | 1 |
Publisher | Art & Language Foundation |
Editor | Sarah Charlesworth, Michael Corris, Preston Heller, Joseph Kosuth, Andrew Menard, Mel Ramsden |
Contents
Author | Title | pg. | Notes | Reprinted in |
---|---|---|---|---|
Sarah Charlesworth | A Declaration of Dependence | 1- | ||
Michael Baldwin
Philip Pilkington |
For Thomas Hobbes | 8- | [1] | |
Joseph Kosuth | The Artist as Anthropologist | 18- | ||
Andrew Menard | Are You Not Doing What You're Doing While You're Doing What You Are | 31- | ||
Zoran Popović
Jasna Tijardović |
A Note on Art in Yugoslavia | 49- | ||
Ian Burn | Pricing Works of Art | 53- | ||
Adrian Piper | To Art (Reg. Intrans. V.) | 60- | ||
Mel Ramsden | On Practice | 66- | ||
Michael Corris | Historical Discourse | 84- | ||
David Rushton
Paul Wood |
Educational Bankrupts | 96- | ||
Preston Heller | Counterfeit Interview | 102- | ||
Lynn Lemaster | Optimistic Handbook | 110- | ||
Terry Atkinson | Looking Back, Going On | 122 | ||
Commentary & Reviews | ||||
Mel Ramsden | Perimeters of Protest | 133- | ||
Ian Burn | Buying Cultural Dependency: A Note on the Crazed Thinking Behind Several Australian Collections | |||
Karl Beveridge | A Forum on Artforum | |||
Ian Burn | Thinking About Tim Clark and Linda Nochlin |
Ephemera
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Poster[2]