Shows/1994-10-07: Difference between revisions
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DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—''just do it'', you know? (''laughter'')</blockquote>[[John McEntire]], 2021<blockquote>[https://www.instagram.com/p/CWq_WzWBdME/ Photo with Keiji Haino]</blockquote> | DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—''just do it'', you know? (''laughter'')</blockquote>[[John McEntire]], 2021<blockquote>[https://www.instagram.com/p/CWq_WzWBdME/ Photo with Keiji Haino]</blockquote> | ||
== Recording == | |||
Filmed for {{RLink|Tokyo}} | |||
== References == | == References == | ||
{{Shows|1994}} | {{Shows|1994}} | ||
Revision as of 03:44, 7 August 2024
| October 7, 1994 | |
|---|---|
 | |
| [[File:|center|frameless|]] | |
| P3 Art and Environment | |
| City |  Tokyo
|
| Tour | |
| Event | Symposium on music and art |
| Billing | |
Retrospectives
David Grubbs, 2013[1]
DG: We had performed part of [Victorine] in Tokyo in ’94 at P3 art and environment, a crazy performance space that was in the basement of a Zen temple. When we were doing the sound check a monk came down to ask us to proofread something he was translating into English.
CSY: He didn’t tell you to turn it down?
DG: No, he was really nice. It was an amazing show. Keiji Haino did a solo percussion performance.
CSY: Not like at brain-melting volume?
DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—just do it, you know? (laughter)
John McEntire, 2021
Recording
Filmed for 
The Red Krayola in Tokyo
References
| The Red Krayola Shows | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| 1966, 1967, 1968 | 1969 | 1970 | 1971 | 1972 | 1973 | 1974 | 1975 | ||
| 1976 | 1977 | 1978 | 1979 | 1980 | 1981 | 1982 | 1983 | 1984 | 1985 |
| 1986 | 1987 | 1988 | 1989 | 1990 | 1991 | 1992 | 1993 | 1994 | 1995 |
| 1996 | 1997 | 1998 | 1999 | 2000 | 2001 | 2002 | 2003 | 2004 | 2005 |
| 2006 | 2007 | 2008 | 2009 | 2010 | 2011 | 2012 | 2013 | 2014 | 2015 |
| 2016 | 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023 | 2024 | |
| Live recordings | |||||||||