Shows/1994-10-07: Difference between revisions
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|Event =Symposium on music and art | |Event =Symposium on music and art | ||
Revision as of 01:39, 7 August 2024
| October 7, 1994 | |
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| P3 Art and Environment | |
| City |  Tokyo
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| Tour | |
| Event | Symposium on music and art |
| Billing | |
Recording
Filmed for 
The Red Krayola in Tokyo
Retrospectives
David Grubbs, 2013[1]
DG: We had performed part of [Victorine] in Tokyo in ’94 at P3 art and environment, a crazy performance space that was in the basement of a Zen temple. When we were doing the sound check a monk came down to ask us to proofread something he was translating into English.
CSY: He didn’t tell you to turn it down?
DG: No, he was really nice. It was an amazing show. Keiji Haino did a solo percussion performance.
CSY: Not like at brain-melting volume?
DG: No. It was the first time I’d seen him without a guitar. Otomo Yoshihide played and did a turntable performance with Red Krayola records and there was this performance group that Masami Akita [of Merzbow] did the sound for. It was like a bondage performance with lots of fake blood and meat. I remember this kind of highfalutin Japanese art critic, whom we had met before the show, storming out of there and saying, “This is an outrage!” Afterward there was a panel discussion, and at some point Keiji Haino, who was in the audience, jumped up and said, “This is an outrage!” He waved his cane and stormed out of there. I think his point was basically that it was utterly pointless to be talking about this music—just do it, you know? (laughter)
John McEntire, 2021
References
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