Shows/1978-11-18: Difference between revisions
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== Reviews == | == Reviews == | ||
=== Slash === | |||
March 1979<ref>https://archive.org/details/slash_circulation_zero/page/n530/mode/1up?q=%22Red+crayola%22</ref><blockquote>[...] A couple of weeks later Prag VEC were headlining (or playing last) at the Acklam Hall, a run down type of youth hall under an elevated freeway section off Porto-bello Road (right under where the Notting Hill riots started and the Clash discovered the white riot concept.) Also playing that night were a few underground heavies like Cabaret Voltaire, Scritti Politti and England's latest resurrection from american prehistoric days, the Red Crayola (or what's left of them). | |||
Cabaret Voltaire gloomily toyed with their electronic machinery, somberly sang and mumbled of mysterious matters and stubbornly kepy the same position on stage throughout the entire less than cheerful set. It was interesting and at times quite compeling, and about as uplifting and cheerful as early Nico crawling thru those mental cathedrals of hers. | |||
Later Scritti Politti reluctantly occupied the stage and played a short intriguing collection of songs with Beefheart (Trout Mask Replica period) type of structural shiftiness and elusive hesitant vocals. It was the very first public performance of this odd trio, and there was an overall impression of music carefully pulling itself out of the void, creating itself element by element before a strangely attentive audience. They have recently put out on their own label a single (see review this issue) that deserves a lot of attention but is not exactly what potential hits are made of. | |||
For a duo (that Thompson character on vocals and guitar and a hyperactive drumming maniac behind him) Red Crayola made a lot of noise but simply failed to interest me after 3 minutes. Everyone else appeared to really enjoy what was going on, so I just stood there feeling left out and stupid until Prag VEC brought me back self-confidence. | |||
They sounded even tighter than at the Nashville, coming almost close to perfection without losing any of their music's fire and massion. Only towards the end did Sue's voice start showing strain after some especially intense singing. They didn't quite reach that peak they seemed to be heading for, and I had to wait two weeks or so before my suspicions were confirmed and I could honestly say to anyone who would listen that this was one of the greates new bands this tired decade has been graced with. [...]</blockquote> | |||
=== NME === | === NME === | ||
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The Crayola duo slipped on discreetly after an interval about as long as Politti's 15 minute set. [...] | The Crayola duo slipped on discreetly after an interval about as long as Politti's 15 minute set. [...] | ||
</blockquote> | </blockquote> | ||
== Recording == | |||
=== Scritti Politti === | |||
* [https://www.youtube.com/watch?v=nnzuwsCW0dM Art Forever] | |||
== Photos == | == Photos == | ||
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File:Shows-1978-11-18-Cabaret-Voltaire.jpg|Cabaret Voltaire by the show poster<ref>https://www.facebook.com/LDNMoorgate/photos/a.1401226749969427/3687727384652674/</ref> | File:Shows-1978-11-18-Cabaret-Voltaire.jpg|Cabaret Voltaire by the show poster<ref>https://www.facebook.com/LDNMoorgate/photos/a.1401226749969427/3687727384652674/</ref> | ||
</gallery> | </gallery> | ||
== Ephemera == | == Ephemera == |
Revision as of 13:18, 17 January 2023
November 18, 1978 | |
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Reviews
Slash
March 1979[1]
[...] A couple of weeks later Prag VEC were headlining (or playing last) at the Acklam Hall, a run down type of youth hall under an elevated freeway section off Porto-bello Road (right under where the Notting Hill riots started and the Clash discovered the white riot concept.) Also playing that night were a few underground heavies like Cabaret Voltaire, Scritti Politti and England's latest resurrection from american prehistoric days, the Red Crayola (or what's left of them).
Cabaret Voltaire gloomily toyed with their electronic machinery, somberly sang and mumbled of mysterious matters and stubbornly kepy the same position on stage throughout the entire less than cheerful set. It was interesting and at times quite compeling, and about as uplifting and cheerful as early Nico crawling thru those mental cathedrals of hers.
Later Scritti Politti reluctantly occupied the stage and played a short intriguing collection of songs with Beefheart (Trout Mask Replica period) type of structural shiftiness and elusive hesitant vocals. It was the very first public performance of this odd trio, and there was an overall impression of music carefully pulling itself out of the void, creating itself element by element before a strangely attentive audience. They have recently put out on their own label a single (see review this issue) that deserves a lot of attention but is not exactly what potential hits are made of.
For a duo (that Thompson character on vocals and guitar and a hyperactive drumming maniac behind him) Red Crayola made a lot of noise but simply failed to interest me after 3 minutes. Everyone else appeared to really enjoy what was going on, so I just stood there feeling left out and stupid until Prag VEC brought me back self-confidence.
They sounded even tighter than at the Nashville, coming almost close to perfection without losing any of their music's fire and massion. Only towards the end did Sue's voice start showing strain after some especially intense singing. They didn't quite reach that peak they seemed to be heading for, and I had to wait two weeks or so before my suspicions were confirmed and I could honestly say to anyone who would listen that this was one of the greates new bands this tired decade has been graced with. [...]
NME
Ian Penman[2]
Excerpt:
Scritti Politti played out their first gig in a maze of nervousness without a proper set.
Not properly consulted (they claim) over their billing and not properly prepared themselves, they asked the audience to regard their appearance as an "open rehearsal". They won sympathetic respect and three offers of support slots on projected national tours.
Highly strung but low-key is an appropriate description of both Scritti Politti and Red Crayola.
The Crayola duo slipped on discreetly after an interval about as long as Politti's 15 minute set. [...]
Recording
Scritti Politti
Photos
Photos by Shirley O'Loughlin
Cabaret Voltaire
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Cabaret Voltaire by the show poster[3]
Ephemera
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Print ad
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Poster