Art-Language New Series No. 2: Difference between revisions
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|Philip Pilkington | |Philip Pilkington | ||
|Some Darwinian Conditions of the Art & Language Indexes | |''Some Darwinian Conditions of the Art & Language Indexes'' | ||
|3-11 | |3-11 | ||
|[https://www.art-language.org/texte/b/TII61h.htm#anglais Full article] | |[https://www.art-language.org/texte/b/TII61h.htm#anglais Full article] | ||
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|Philip Pilkington | |Philip Pilkington | ||
|Postscript Contra Atkinson | |''Postscript Contra Atkinson'' | ||
|12-19 | |12-19 | ||
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|Paul Wood | |Paul Wood | ||
|Refusing to Die | |''Refusing to Die'' | ||
|20-31 | |20-31 | ||
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[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|Memories of the Medicine Show | |''Memories of the Medicine Show'' | ||
1. Recollecting Conceptual Art | ''1. Recollecting Conceptual Art'' | ||
|32-39 | |32-39 | ||
|[https://www.art-language.org/texte/b/TII04.htm#anglais Full article] | |[https://www.art-language.org/texte/b/TII04.htm#anglais Full article] | ||
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|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
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[[Mel Ramsden]] | [[Mel Ramsden]] | ||
|2. We Aimed to be Amateurs | |''2. We Aimed to be Amateurs'' | ||
|40-49 | |40-49 | ||
|[https://www.art-language.org/texte/b/TII08.htm#anglais Full article] | |[https://www.art-language.org/texte/b/TII08.htm#anglais Full article] | ||
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* ''[[Conceptual Art: A Critical Anthology]]'' (ed. Alberro & Stimson, 1999) | |||
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|[[Michael Baldwin]] | |[[Michael Baldwin]] | ||
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Paul Wood | Paul Wood | ||
|Northanger Abbey | |''Northanger Abbey'' | ||
|50-64 | |50-64 | ||
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|<ref>Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," ''Art Press'', hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in ''Art Press'', hors-série, no. 17, 1996, pp.174-178. (''[[Conceptual Art and Painting: Further Essays on Art & Language]]''). Krauss's article also appears in ''[[Sighs Trapped by Liars]]'' (1997)</ref> | |<ref>Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," ''Art Press'', hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in ''Art Press'', hors-série, no. 17, 1996, pp.174-178. (''[[Conceptual Art and Painting: Further Essays on Art & Language]]''). Krauss's article also appears in ''[[Sighs Trapped by Liars]]'' (1997)</ref> | ||
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Latest revision as of 20:44, 8 October 2023
| Art-Language New Series No. 2 | |
|---|---|
 | |
| Publication | Art-Language |
| Date | June 1997 |
| Volume | New Series |
| Number | 2 |
| Publisher | |
| Editor | |
Contents
| Author | Title | pg. | Notes | Reprinted in |
|---|---|---|---|---|
| Philip Pilkington | Some Darwinian Conditions of the Art & Language Indexes | 3-11 | Full article | |
| Philip Pilkington | Postscript Contra Atkinson | 12-19 | ||
| Paul Wood | Refusing to Die | 20-31 | ||
| Michael Baldwin | Memories of the Medicine Show
1. Recollecting Conceptual Art |
32-39 | Full article | |
| Michael Baldwin | 2. We Aimed to be Amateurs | 40-49 | Full article |
|
| Michael Baldwin
Paul Wood |
Northanger Abbey | 50-64 | [1] |
References
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| Related publications |
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- ↑ Response to Rosalind Krauss's "Art & Language Turns to Painting, A Strange Quirk in the Fate of Conceptual Art," published as "Art & Language se met à la peinture; étrange aléa de l'art conceptuel," Art Press, hors-série, no. 16, 1995, pp. 54-58. Published in abbreviated form as "Rosalind Krauss: un pétard mouillé," in Art Press, hors-série, no. 17, 1996, pp.174-178. (Conceptual Art and Painting: Further Essays on Art & Language). Krauss's article also appears in Sighs Trapped by Liars (1997)