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Periodical by [[Art & Language]]
'''Art-Language''' was a periodical first published by [[Art & Language]] in 1969.


== Issues ==
== Art-Language and related periodicals ==
__NOTOC__
__NOTOC__


=== Volume 1 ===
<gallery mode="packed" heights="175px">
<gallery mode="packed" heights="175px">
File:AL-1-1-front.jpg|link=Art-Language#Vol._1_No._1|150px|'''[[Art-Language#Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-1-front.jpg|link=Art-Language Vol._1_No._1|150px|'''[[Art-Language Vol._1_No._1|Art-Language<br>Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
Vol. 1 No. 1]]'''<br>May 1969
File:AL-1-2-front.jpg|link=Art-Language#Vol._1_No._2|150px|'''[[Art-Language#Vol._1_No._2|Art-Language<br>Vol. 1 No. 2]]'''<br>February 1970
File:AL-1-2-front.jpg|link=Art-Language Vol._1_No._2|150px|'''[[Art-Language Vol._1_No._2|Art-Language<br>Vol. 1 No. 2]]'''<br>February 1970
File:AL-1-3-front.jpg|link=Art-Language#Vol._1_No._3|150px|'''[[Art-Language#Vol._1_No._3|Art-Language<br>Vol. 1 No. 3]]'''<br>June 1970
File:AL-1-3-front.jpg|link=Art-Language Vol._1_No._3|150px|'''[[Art-Language Vol._1_No._3|Art-Language<br>Vol. 1 No. 3]]'''<br>June 1970
File:Analytical-Art-1-1-front.jpg|link=Art-Language#Analytical_Art_No._1|150px|'''[[Art-Language#Analytical_Art_No._1|Analytical Art<br>No. 1]]'''<br>July 1971
File:Analytical-Art-1-1-front.jpg|link=Analytical_Art_No._1|150px|'''[[Analytical_Art_No._1|Analytical Art<br>No. 1]]'''<br>July 1971
File:AL-1-4-front.jpg|link=Art-Language#Vol._1_No._4|150px|'''[[Art-Language#Vol._1_No._4|Art-Language<br>Vol. 1 No. 4]]'''<br>November 1971
File:AL-1-4-front.jpg|link=Art-Language Vol._1_No._4|150px|'''[[Art-Language Vol._1_No._4|Art-Language<br>Vol. 1 No. 4]]'''<br>November 1971
File:AL-2-1-front.jpg|link=Art-Language Vol._2_No._1|150px|'''[[Art-Language Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Analytical_Art_No._2|150px|'''[[Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
File:AL-2-2-front.jpg|link=Art-Language Vol._2_No._2|150px|'''[[Art-Language Vol._2_No._2|Art-Language<br>Vol. 2 No. 2]]'''<br>Summer 1972
File:AL-2-3-front.jpg|link=Art-Language Vol._2_No._3|150px|'''[[Art-Language Vol._2_No._3|Art-Language<br>Vol. 2 No. 3]]'''<br>September 1973
File:AL-2-4-front.jpg|link=Art-Language Vol._2_No._4|150px|'''[[Art-Language Vol._2_No._4|Art-Language<br>Vol. 2 No. 4]]'''<br>June 1974
File:AL-3-1-front.jpg|link=Art-Language Vol._3_No._1|150px|'''[[Art-Language Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=The_Fox_No._1|150px|'''[[The_Fox_No._1|The Fox<br>No. 1]]'''<br>March 1975
File:AL-3-2-front.jpg|link=Art-Language Vol._3_No._2|150px|'''[[Art-Language Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975
File:AL-1966-1975-front.png|link=Art_&_Language_1966-1975|150px|'''[[Art_&_Language_1966-1975|Art & Language<br>1966-1975]]'''<br>September 1975
File:Fox-1-2-front.jpg|link=The Fox No. 2|150px|'''[[The Fox No. 2|The Fox<br>No. 2]]'''<br>Fall 1975
File:Fox-1-3-front.jpg|link=The Fox No. 3|150px|'''[[The Fox No. 3|The Fox<br>No. 3]]'''<br>May 1976
File:AL-3-3-front.jpg|link=Art-Language Vol._3_No._3|150px|'''[[Art-Language Vol._3_No._3|Art-Language<br>Vol. 3 No. 3]]'''<br>June 1976
File:AL-3-4-front.jpg|link=Art-Language Vol._3_No._4|150px|'''[[Art-Language Vol._3_No._4|Art-Language<br>Vol. 3 No. 4]]'''<br>October 1976
File:Red-Herring-1-1-front.jpg|link=Red-Herring No. 1|150px|'''[[Red-Herring No. 1|Red-Herring<br>No. 1]]'''<br>January 1977
File:AL-4-1-front.jpg|link=Art-Language Vol._4_No._1|150px|'''[[Art-Language Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language Vol._4_No._2|150px|'''[[Art-Language Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
File:Red-Herring-1-2-front.jpg|link=Red-Herring No. 2|150px|'''[[Red-Herring No. 2|Red-Herring<br>No. 2]]'''<br>1978
File:AL-4-3-front.jpg|link=Art-Language Vol._4_No._3|150px|'''[[Art-Language Vol._4_No._3|Art-Language<br>Vol. 4 No. 3]]'''<br>October 1978
File:AL-4-4-front.jpg|link=Art-Language Vol._4_No._4|150px|'''[[Art-Language Vol._4_No._4|Art-Language<br>Vol. 4 No. 4]]'''<br>June 1980
File:AL-5-1-front.jpg|link=Art-Language Vol._5_No._1|150px|'''[[Art-Language Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language Vol._5_No._2|150px|'''[[Art-Language Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-3-front.jpg|link=Art-Language Vol._5_No._3|150px|'''[[Art-Language Vol._5_No._3|Art-Language<br>Vol. 5 No. 3]]'''<br>March 1985
File:AL-NS-1-front.jpg|link=Art-Language New_Series_No._1|'''[[Art-Language New_Series_No._1|Art-Language<br>New Series No. 1]]'''<br>June 1994
File:AL-NS-2-front.jpg|link=Art-Language New_Series_No._2|'''[[Art-Language New_Series_No._2|Art-Language<br>New Series No. 2]]'''<br>June 1997
File:AL-NS-3-front.jpg|link=Art-Language New_Series_No._3|'''[[Art-Language New_Series_No._3|Art-Language<br>New Series No. 3]]'''<br>September 1999
</gallery>
</gallery>


=== Volume 2 ===
{{Navbox-Art-Language}}
<gallery mode="packed" heights="150px">
File:AL-2-1-front.jpg|link=Art-Language#Vol._2_No._1|150px|'''[[Art-Language#Vol._2_No._1|Art-Language<br>Vol. 2 No. 1]]'''<br>February 1972
File:Analytical-Art-1-2-front.jpg|link=Art-Language#Analytical_Art_No._2|150px|'''[[Art-Language#Analytical_Art_No._2|Analytical Art<br>No. 2]]'''<br>June 1972
File:AL-2-2-front.jpg|link=Art-Language#Vol._2_No._2|150px|'''[[Art-Language#Vol._2_No._2|Art-Language<br>Vol. 2 No. 2]]'''<br>Summer 1972
File:AL-2-3-front.jpg|link=Art-Language#Vol._2_No._3|150px|'''[[Art-Language#Vol._2_No._3|Art-Language<br>Vol. 2 No. 3]]'''<br>September 1973
File:AL-2-4-front.jpg|link=Art-Language#Vol._2_No._4|150px|'''[[Art-Language#Vol._2_No._4|Art-Language<br>Vol. 2 No. 4]]'''<br>June 1974
</gallery>
 
=== Volume 3 / The Fox ===
<gallery mode="packed" heights="150px">
File:AL-3-1-front.jpg|link=Art-Language#Vol._3_No._1|150px|'''[[Art-Language#Vol._3_No._1|Art-Language<br>Vol. 3 No. 1]]'''<br>September 1974
File:Fox-1-1-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_1|The Fox<br>No. 1]]'''<br>March 1975
File:AL-3-2-front.jpg|link=Art-Language#Vol._3_No._2|150px|'''[[Art-Language#Vol._3_No._2|Art-Language<br>Vol. 3 No. 2]]'''<br>May 1975
File:Fox-1-2-front.jpg|link=Art-Language#The_Fox_1|150px|'''[[Art-Language#The_Fox_2|The Fox<br>No. 2]]'''<br>Fall 1975
File:Fox-1-3-front.jpg|link=Art-Language#The_Fox_3|150px|'''[[Art-Language#The_Fox_3|The Fox<br>No. 3]]'''<br>May 1976
File:AL-3-3-front.jpg|link=Art-Language#Vol._3_No._3|150px|'''[[Art-Language#Vol._3_No._3|Art-Language<br>Vol. 3 No. 3]]'''<br>June 1976
File:AL-3-4-front.jpg|link=Art-Language#Vol._3_No._4|150px|'''[[Art-Language#Vol._3_No._4|Art-Language<br>Vol. 3 No. 4]]'''<br>October 1976
</gallery>
 
=== Volume 4 ===
<gallery mode="packed" heights="175px">
File:AL-4-1-front.jpg|link=Art-Language#Vol._4_No._1|150px|'''[[Art-Language#Vol._4_No._1|Art-Language<br>Vol. 4 No. 1]]'''<br>May 1977
File:AL-4-2-front.jpg|link=Art-Language#Vol._4_No._2|150px|'''[[Art-Language#Vol._4_No._2|Art-Language<br>Vol. 4 No. 2]]'''<br>October 1977
File:AL-4-3-front.jpg|link=Art-Language#Vol._4_No._3|150px|'''[[Art-Language#Vol._4_No._3|Art-Language<br>Vol. 4 No. 3]]'''<br>October 1978
File:AL-4-4-front.jpg|link=Art-Language#Vol._4_No._4|150px|'''[[Art-Language#Vol._4_No._4|Art-Language<br>Vol. 4 No. 4]]'''<br>June 1980
</gallery>
 
=== Volume 5 ===
<gallery mode="packed" heights="175px">
File:AL-5-1-front.jpg|link=Art-Language#Vol._5_No._1|150px|'''[[Art-Language#Vol._5_No._1|Art-Language<br>Vol. 5 No. 1]]'''<br>October 1982
File:AL-5-2-front.jpg|link=Art-Language#Vol._5_No._2|150px|'''[[Art-Language#Vol._5_No._2|Art-Language<br>Vol. 5 No. 2]]'''<br>March 1984
File:AL-5-3-front.jpg|link=Art-Language#Vol._5_No._3|150px|'''[[Art-Language#Vol._5_No._3|Art-Language<br>Vol. 5 No. 3]]'''<br>March 1985
</gallery>
 
== Issue details ==
 
=== Volume 1 ===
 
==== Vol. 1 No. 1 ====
[[File:AL-1-1-front.jpg|thumb|150px|Vol. 1 No. 1<br>May 1969]]
 
May 1969
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Terry Atkinson (uncredited)
|Introduction
|1-10
|[https://archive.org/details/ost-art-artintheory1900-1990/page/n448/mode/1up Excerpts]
|-
|2.
|Sol LeWitt
|Sentences on conceptual art
|11-13
|[http://radicalart.info/concept/LeWitt/sentences.html Link]
|-
|3.
|Dan Graham
|Poem-schema
|14-15
|
|-
|4.
|Lawrence Weiner
|Statements
|17-18
|
|-
|5.
|David Bainbridge
|Notes on M1 (1)
|19-22
|[https://www.ubu.com/papers/bainbridge_m1.html Link]
|-
|6.
|[[Michael Baldwin]]
|Notes on M1
|23-30
|
|-
|7.
|David Bainbridge
|Notes on M1 (2)
|30-32
|
|}
 
==== Vol. 1 No. 2  ====
[[File:AL-1-2-front.jpg|thumb|150px|Vol. 1 No. 2<br>February 1970]]
 
February 1970
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Joseph Kosuth
|Introductory note by the American Editor
|1-4
|
|-
|2.
|David Bainbridge
|‘The Sculpture...’ (untitled)
|5-7
|
|-
|3.
|[[Frederick Barthelme|Frederic Barthelme]]
|Three from May 23rd, 1969
|8-10
|
|-
|4.
|Stephen McKenna
|Notes on Marat
|11-13
|
|-
|5.
|[[Michael Baldwin]]
|Plans and Procedures
|14-21
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt]
|-
|6.
|Ian Burn
|Dialogue
|22
|
|-
|7.
|Robert Brown-David Hirons
|Moto-Spiritale
|23-24
|
|-
|8.
|Terry Atkinson
|From an Art & Language Point of View
|25-60
|
|-
|9.
|Terry Atkinson
|Concerning Interpretation of the Bainbridge/Hurrell Models
|61-71
|
|-
|10.
|Harold Hurrell
|Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’
|72-73
|
|-
|11.
|Harold Hurrell
|Sculptures and Devices
|74-76
|
|-
|12.
|Michael Thompson
|Conceptual Art: Category & Action
|77-83
|
|-
|13.
|[[Mel Ramsden]]
|Notes on Genealogies
|84-88
|
|}
 
==== Vol. 1 No. 3  ====
[[File:AL-1-3-front.jpg|thumb|150px|Vol. 1 No. 3<br>June 1970]]
 
June 1970
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Ian Burn
Roger Cutforth
[[Mel Ramsden]]
|Proceedings: Society for Theoretical Art and Analyses
|1-3
|
|-
|2.
|[[Mel Ramsden]]
|Art Enquiry (2)
|4-6
|
|-
|3.
|Graham J. Howard
|(i) Concerning Some Theories and their Worlds
|7-8
|
|-
|4.
|Graham J. Howard
|(ii) Mona Lisas
|9-10
|
|-
|5.
|Bernard Bihari
|Marshall McLuhan and the Behavioral Sciences
|11-28
|
|-
|6.
|[[Mel Ramsden]]
|A Preliminary Proposal for the Directing of Perception
|29
|
|-
|7.
|[[Michael Baldwin]]
|General Note
(i) Atkinson and Meaninglessness
 
(ii) Preface
 
(iii) Dead Issues
|30-35
|
|}
 
==== Vol. 1 No. 4 ====
 
November 1971
 
[[File:AL-1-4-front.jpg|thumb|150px|Vol. 1 No. 4<br>November 1971]]
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Stuart Knight
|Theory, Knowledge and Hermeneutics
|1-5
|
|-
|2.
|Graham Howard
|Revelation and Art
|6-15
|
|-
|3.
|Graham Howard
|Actuality and Potentiality
|16-22
|
|-
|4.
|Graham Howard
|Accessibility and Conceivability
|23-24
|
|-
|5.
|Terry Atkinson
[[Michael Baldwin]]
|Art Teaching
|25-50
|
|-
|6.
|Terry Atkinson
[[Michael Baldwin]]
|La Pensée avec images
|51-69
|[https://www.art-language.org/texte/b/TII50h.htm#anglais Link]
|}
 
=== Volume 2 ===
 
==== Vol. 2 No. 1 ====
[[File:AL-2-1-front.jpg|thumb|150px|Vol. 2 No. 1<br>February 1972]]
 
February 1972
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Terry Atkinson
[[Michael Baldwin]]
|Unnatural Rules and Excuses
|1-27
|
|-
|2.
|Ian Burn
[[Mel Ramsden]]
|Four Wages of Sense
|28-37
|
|-
|3.
|Philip Pilkington
David Rushton
 
Kevin Lole
|Aspects of Authorities
|38-50
|
|-
|4.
|Terry Atkinson
[[Michael Baldwin]]
|On the Material-Character/Physical-Object Paradigm of Art
|51-55
|[https://www.art-language.org/texte/b/TII69h.htm#anglais Link]
|-
|5.
|Graham Howard
|Ontological Relativity: A Note
|56-57
|
|}
 
==== Vol. 2 No. 2 ====
[[File:AL-2-2-front.jpg|thumb|150px|Vol. 2 No. 2<br>Summer 1972]]
 
Summer 1972
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Ian Burn
[[Mel Ramsden]]
|Some Questions on the Characterization of Questions
|1-10
|
|-
|2.
|Terry Atkinson
[[Michael Baldwin]]
|Information
|11-20
|
|-
|3.
|Ian Burn
[[Mel Ramsden]]
|Art Language and Art-Language
|21-28
|[https://www.art-language.org/texte/b/TII63h.htm#francais Link]
|-
|4.
|Harold Hurrell
|Interim Remarks
|29-30
|
|-
|5.
|David Bainbridge
|Lupus in Fabula
|31
|
|-
|6.
|Victor Burgin
|In Reply
|32-34
|<ref>Reprinted in Victor Burgin's Parallel Texts (2011)</ref>
|}
 
==== Vol. 2 No. 3 ====
[[File:AL-2-3-front.jpg|thumb|150px|Vol. 2 No. 3<br>September 1973]]
 
September 1973
 
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
|-
|1.
|Graham Howard
|Some Formalities of Technic Relationships
|1-7
|[https://unoriginalsins.co.uk/product/some-formalities-of-technic-relationships-unpublished-essay-circulated-within-art-language/ Excerpt]
|-
|2.
|Graham Howard
|Interest Relationships, etc.
|8-9
|
|-
|3.
|Graham Howard
|Disinterest Relationships, etc.
|10-11
|
|-
|4.
|Philip Pilkington
David Rushton
|Models and Indexes: Fringe Benefits
|12-17
|
|-
|5.
|Philip Pilkington
David Rushton
|Bibliotherapy
|18-33
|
|-
|6.
|Michael Corris
|The Fine Structure of Collaboration
|34-37
|
|-
|7.
|Michael Corris
[[Mel Ramsden]]
|Frameworks and Phantoms
|38-52
|
|-
|8.
|Ian Burn
[[Mel Ramsden]]
|Problems of Art & Language Space
|53-72
|
|-
|9.
|John F. Hemmings
|Note on Reading 1969-1972
|73-77
|
|-
|10.
|David Bainbridge
|'Praxisectomy' and 'Theoryorraphy'
|78
|
|}
 
==== Vol. 2 No. 4 ====
[[File:AL-2-4-front.jpg|thumb|150px|Vol. 2 No. 4<br>June 1974]]
 
June 1974
 
[[Michael Baldwin]], Philip Pilkington
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Violins and Cows
|1-6
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Link]
|-
|2.
|Redemption not Adaptation
|7-14
|
|-
|3.
|Data Blank, December 1973
|15
|
|-
|4.
|Brainstorm Proposal
|16-25
|
|-
|5.
|A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...
|26-33
|
|-
|6.
|Vector and Magnitude
|34
|
|-
|7.
|Uplifting Public Utterance
|35
|
|-
|8.
|Whether there exists, or has existed an 'ideological' person...
|36
|
|-
|9.
|Fragment from Contemporanea Index
|37
|
|-
|10.
|Dear...
|38-39
|
|-
|11.
|Points of Reference, the Hope of Ideology
|40-44
|
|-
|12.
|Art and Language
|45-50
|
|-
|13.
|Why J. Kosuth Won't Work for Us & Other Trivia
|51-61
|
|-
|14.
|The Old Gourmet (Transcript)
|62-70
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt][https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt]
|-
|15.
|Proceedings M2
|71-72
|
|-
|16.
|Instruction Index a x
|73-99
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpts]
|-
|17.
|Instruction Index b x
|100-123
|-
|18.
|'The statement that there is a body of dialectical discourse...'
|124
|-
|19.
|Further Points of Reference
|126-130
|
|}
 
=== Volume 3 ===
 
==== Vol. 3 No. 1 ====
[[File:AL-3-1-front.jpg|thumb|150px|Vol. 3 No. 1<br>September 1974]]
 
September 1974
 
Draft for an Anti-Textbook


Ian Burn, [[Mel Ramsden]], Terry Smith
== References ==
{| class="wikitable"
!
!Title
!pg.
!Notes
|-
|1.
|Caution
|1
|
|-
|2.
|Somewhere to Begin
|2-4
|
|-
|3.
|Language has a Hold on us
|5-7
|
|-
|4.
|Market Relations
|8-9
|
|-
|5.
|Apodictic Tableaux
|10-12
|
|-
|6.
|Ideal Speakers...
|13-14
|
|-
|7.
|Annotations... Selective Memory (Histrionics?)...
|15-17
|
|-
|8.
|Cacophonous...
|18-19
|
|-
|9.
|Bureaucracy...
|20
|
|-
|10.
|Points of Order?
|21-22
|
|-
|11.
|No Refuge in 'Audience'...
|23-26
|
|-
|12.
|'Sometimes I feel like an Artist...'
|27-31
|
|-
|13.
|Institutional Serenity
|32-35
|
|-
|14.
|A 'Logic' of Going-On?
|36
|
|-
|15.
|Do We Have Anything like 'Assertion'?
|37-41
|
|-
|16.
|What are we doing in Language?
|42-43
|
|-
|17.
|'Consistency' is an Ideological Postulate
|44-47
|
|-
|18.
|Dead Horse...
|48-49
|
|-
|19.
|Iteration
|50
|
|-
|20.
|More Exhortations?
|51-53
|
|-
|21.
|Joseph Kosuth says that the group is a Cultural Ghetto
|54-55
|
|-
|22.
|...Overboard about Kierkegaard
|57-59
|
|-
|23.
|Fur Teacups
|60-61
|
|-
|24.
|Straight Talk?
|62-63
|
|-
|25.
|Equivocating...
|64-67
|
|-
|26.
|Routine...
|68
|
|-
|27.
|...Corpse of Official Language
|69-70
|
|-
|28.
|We Wish they had a Dictionary
|71-73
|
|-
|29.
|...Concatenation...
|74-75
|
|-
|30.
|Bxal-ing
|76-79
|
|-
|31.
|Endless Revisability...
|80-82
|
|-
|32.
|Striving in the Uproar
|83-86
|
|-
|33.
|Art-Career Components
|87-89
|
|-
|34.
|The Unreality of this Culture
|90-97
|
|-
|35.
|Modeish about Cultural Indeterminacy
|98-100
|
|-
|36.
|Exploitation... Education...
|101-103
|
|-
|37.
|Shop-Floorish?
|104-105
|
|-
|38.
|Leftish Critique
|106-108
|
|-
|39.
|Sporadic Encounter
|109-110
|
|}
[[Category:Art & Language]]
[[Category:Art & Language]]

Latest revision as of 09:10, 17 April 2023

Art-Language was a periodical first published by Art & Language in 1969.

Art-Language and related periodicals

References

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