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== Contents ==
== Contents ==
{| class="wikitable"
{| class="wikitable"
!Author
!Title
!Title
!Author
!pg.
!pg.
!Notes
|-
|-
|
|Editorial
|Editorial
|
|2-3  
|2-3  
|
|-
|-
|H. R. Felton
|The Artists' Union, N.Y. (1934-1938)
|The Artists' Union, N.Y. (1934-1938)
|H. R. Felton
|4-6
|4-6
|
|-
|-
|Ron Stevens
|Meeting (story)
|Meeting (story)
|Ron Stevens
|7-25
|7-25
|
|-
|-
|J. Byron
|'Down with Shah': courageous Iranian students lead nationwide protest against the Shah's fascist regime
|'Down with Shah': courageous Iranian students lead nationwide protest against the Shah's fascist regime
|J. Byron
|25-35
|25-35
|
|-
|-
|Langston Hughes
|To Negro writers: given at the American Writer's Congress, 1935
|To Negro writers: given at the American Writer's Congress, 1935
|Langston Hughes
|36
|36
|
|-
|-
|Langston Hughes
|White Man
|White Man
|Langston Hughes
|36
|36
|
|-
|-
|Fred Lonidier
|Art and unions in the U.S.
|Art and unions in the U.S.
|Fred Lonidier
|37-45
|37-45
|
|-
|-
|C.K. Conridge
|Two roads
|Two roads
|C.K. Conridge
|46-61
|46-61
|
|-
|-
|Steven V. Roberts
|Social mobility found key to U.S. views on class
|Social mobility found key to U.S. views on class
|Steven V. Roberts
|62
|62
|
|-
|-
|L. Lucha
|The free world thesis
|The free world thesis
|L. Lucha
|63-67
|63-67
|
|-
|-
|Helen R.
|Listen close
|Listen close
|Helen R.
|64
|64
|
|}
|}


{{Navbox-Art-Language}}
== Retrospectives ==
Michael Corris, 2017<ref>https://www.academia.edu/40746503/Art_and_Language_New_York_Project_Interview_with_Michael_Corris</ref><blockquote>[...] the second issue of ''Red-Herring'' had already been published and it­ was ­radically­ different ­than ­the ­first number. [...] I wasn’t [involved in its making]. And Heller and I felt that the new emphasis on social realism in art was, to say the least, mistaken. We had no interest to wallow in nostalgia for the 1930s. [...] it was a mix of mediocre social realist short stories, bad activist graphics, and pedestrian historical summaries of the 1930s. It was really promoting the worst kind of visual cultural propaganda. So this marked the end of the line for me in terms of working across art and politics. [...]</blockquote>


== References ==
== References ==
{{Navbox-Art-Language}}

Latest revision as of 08:55, 5 November 2023

Red-Herring No. 2
Publication Red-Herring
Date 1978
Volume 1
Number 2
Publisher
Editor

Download from Dark Matter Archives

Contents

Author Title pg.
Editorial 2-3
H. R. Felton The Artists' Union, N.Y. (1934-1938) 4-6
Ron Stevens Meeting (story) 7-25
J. Byron 'Down with Shah': courageous Iranian students lead nationwide protest against the Shah's fascist regime 25-35
Langston Hughes To Negro writers: given at the American Writer's Congress, 1935 36
Langston Hughes White Man 36
Fred Lonidier Art and unions in the U.S. 37-45
C.K. Conridge Two roads 46-61
Steven V. Roberts Social mobility found key to U.S. views on class 62
L. Lucha The free world thesis 63-67
Helen R. Listen close 64

Retrospectives

Michael Corris, 2017[1]

[...] the second issue of Red-Herring had already been published and it­ was ­radically­ different ­than ­the ­first number. [...] I wasn’t [involved in its making]. And Heller and I felt that the new emphasis on social realism in art was, to say the least, mistaken. We had no interest to wallow in nostalgia for the 1930s. [...] it was a mix of mediocre social realist short stories, bad activist graphics, and pedestrian historical summaries of the 1930s. It was really promoting the worst kind of visual cultural propaganda. So this marked the end of the line for me in terms of working across art and politics. [...]

References

  1. ↑ https://www.academia.edu/40746503/Art_and_Language_New_York_Project_Interview_with_Michael_Corris
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