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[[File:Index-web.jpg|upright|thumb|Index - web version]]
[[File:Index-pg1.jpg|upright|thumb|Index pg.1]]
[[File:Index-pg2.jpg|upright|thumb|Index pg.2]]
== Background ==
== Background ==
Published in the [[Whitney Biennial 2012]] catalog.<ref>https://web.archive.org/web/20150320222616/http://theredkrayola.org/Index-1</ref>
* "In the Museum’s Lower Gallery, visitors can view and supplement a wiki-style digital index (originally published in the Biennial exhibition catalogue) that traces the band’s numerous, intricately interconnected networks."
* "Their Biennial project includes an index of more than four hundred entries covering their diverse membership, affiliations, and concerns (on view in the Lower Gallery)."


== Index ==
== Index ==


=== A ===
=== A ===
<blockquote>Abel, Charlie
<blockquote>[[Charlie Abel|Abel, Charlie]]


absolute music
Absolute Music


accessibility
accessibility


accomodation
accommodation


AC-DC
AC/DC


acid rock
Acid Rock


Adorno Theodor
Adorno, Theodor W.


Afghanistan the war
Afghanistan, the war in


aggression
aggression


ambience
ambience; —''ambiance''


ambiguity
ambiguity; —types of


ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art
ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art


american music rolls, masters of the
American Music Rolls, masters of the


amor&language;
[[Amor and Language|''Amor & Language'']]


Anderson luana
Anderson, Luana


Andrus Walt
Andrus, Walt


Annesley Ben
[[Ben Annesley|Annesley, Ben]]


aor
AOR


aprexart; —Tim Griffin; —Bennett Simpson
apexart; —Tim Griffin; —Bennett Simpson


Armstrong Louis
Armstrong, Louis


arrangement
arrangement
Line 48: Line 56:
art —the very idea; —the work of
art —the very idea; —the work of


art & language; —collaboration; —A&L; (UK); A&L; (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L; (Provisional); —The Fox 4
[[Art & Language]]; —collaboration; —A&L (UK); A&L (NY); [[Art-Language]]; —[[The Fox|The Fox 1–3]]; —[[Red Herring]]; —[[(Provisional) Art & Language|A&L (Provisional)]]; —[[Art-Language Vol. 3 No. 4|The Fox 4]]


Art & Language paints a picture
''[[Art & Language Paints a Picture]]''


Art & Language sings a song
''[[Art & Language Sings a Song]]''


art rock
Art Rock


Artforum
''Artforum''


artworld
"artworld, the"


audience
audience
Line 73: Line 81:


=== B ===
=== B ===
<blockquote>Baby & Child Care
<blockquote>''[[Baby and Child Care|Baby & Child Care]]''


Banks, George
Banks, George
Line 81: Line 89:
Barker, Dave
Barker, Dave


Barthelme, Frederick; —the Barthelme Family
[[Frederick Barthelme|Barthelme, Frederick]]; —the Barthelme Family


Beatles, The
Beatles, The


Beatniks
beatniks


Bennie & Smith
Bennie & Smith


Berkeley Folk Festival
[[Berkeley Folk Festival]]


Berry, Chuck
Berry, Chuck


Birch, Gina
[[Gina Birch|Birch, Gina]]


Black Snakes
[[Black Snakes|''Black Snakes'']]


Blank, Les
[[Les Blank photoshoot|Blank, Les]]


Blondet, Jose-Luis
Blondet, Jose-Luis


Blues, Hollers, & Hellos
''[[Blues, Hollers and Hellos|Blues, Hollers, & Hellos]]''


Blum, Tim
Blum, Tim


Bomb Records
[[Bomb Records]]


von Bonin, Cosima
von Bonin, Cosima
Line 113: Line 121:
Borden, Lizzie
Borden, Lizzie


Born in Flames
''[[Born in Flames (film)|Born in Flames]]''


“Born in Flames”/“The Sword of God” (I, II)
[[Born in Flames (single)|“Born in Flames”/“The Sword of God” (I, II)]]


Bowie, David
Bowie, David


Bowman, Bill
[[Bill Bowman|Bowman, Bill]]


Brown, Glenn
Brown, Glenn
Line 127: Line 135:
Buchholz Gallery Cologne
Buchholz Gallery Cologne


Büttner, Werner</blockquote>
[[Werner Büttner|Büttner, Werner]]</blockquote>


=== C ===
=== C ===
Line 142: Line 150:
Carpenter, Merlin
Carpenter, Merlin


Catacombs, The
[[Shows|Catacombs, The]]


Chamberlain, Jesse
[[Jesse Chamberlain|Chamberlain, Jesse]]


Channelview High School
[[Shows|Channelview High School]]


Charly Records
[[Charly Records]]


“Chemistry”/“Farewell to Arms”
[[Chemistry (single)|“Chemistry”/“Farewell to Arms”]]


Clark, Anne
Clark, Anne
Line 162: Line 170:
Cockettes, The
Cockettes, The


Coconut Hotel
''[[Coconut Hotel]]''


Coleman, Ornette; —harmolodics
Coleman, Ornette; —harmolodics


Collectables Records
[[Collectables Records]]


“Columbia”
[[Columbia|“Columbia”]]


Communism
Communism
Line 178: Line 186:
content
content


Corrected Slogans; —Lp/CD; —the musical comedy
''[[Corrected Slogans]]''; —Lp/CD; —the musical comedy


Country & Western: —Outlaw Country
Country & Western: —Outlaw Country
Line 184: Line 192:
cover
cover


Crawdaddy
''Crawdaddy''


Crayola, The Red
[[The Red Crayola|Crayola, The Red]]


Crayola Crayons
Crayola Crayons
Line 194: Line 202:
Cream
Cream


Creem
''Creem''


Cunningham, Steve; —the Cunningham Family
[[Steve Cunningham|Cunningham, Steve]]; —the Cunningham Family


Cuthell, Dick</blockquote>
Cuthell, Dick</blockquote>


=== D ===
=== D ===
<blockquote>“Dairymaid’s Lament”/“Free Piece”
<blockquote>[[Dairymaid's Lament (single)|“Dairymaid’s Lament”/“Free Piece”]]


Dance; —dance and music
Dance; —dance and music


Davis, Frank
[[Frank Davis|Davis, Frank]]


Davis, Miles
Davis, Miles
Line 211: Line 219:
Del Vikings, The
Del Vikings, The


Deliverance
''[[Deliverance]]''


Denson, Ed
Denson, Ed
Line 217: Line 225:
Description, Theory of
Description, Theory of


Diederichsen, Diedrich
[[Diedrich Diederichsen|Diederichsen, Diedrich]]


Disco; —dance floor
Disco; —dance floor
Line 231: Line 239:
Dower, Alex
Dower, Alex


Drag City Records
[[Drag City|Drag City Records]]


Draper, Simon
Draper, Simon
Line 248: Line 256:
<blockquote>Electro
<blockquote>Electro


Emerson, Bonnie
[[Bonnie Emerson|Emerson, Bonnie]]


Emo
Emo
Line 267: Line 275:


=== F ===
=== F ===
<blockquote>Fahey, John
<blockquote>[[John Fahey|Fahey, John]]


failure; —the concept; —the facts
failure; —the concept; —the facts
Line 273: Line 281:
fame; —notoriety
fame; —notoriety


Familiar Ugly, The
[[The Familiar Ugly|Familiar Ugly, The]]


Farrar, “Red” George
Farrar, “Red” George
Line 285: Line 293:
fidelity
fidelity


Fingerpainting
''[[Fingerpainting]]''


Fingerpointing
''[[Fingerpointing]]''


Five American Portraits
[[Five American Portraits|''Five American Portraits'']]


FM radio
FM radio
Line 295: Line 303:
Folk-rock
Folk-rock


form; —the formal; —the informal; —formalism; see also Modernist Formalism
form; —the formal; —the informal; —formalism; ''see also'' Modernist Formalism


Foucault, Michel
Foucault, Michel


“4teen”/“Stink Program”
[[14 (single)|“4teen”/“Stink Program”]]


Frame, Pete
Frame, Pete
Line 305: Line 313:
Francis, Sam
Francis, Sam


F.R.E.D.
[[F.R.E.D.]]


freedom
freedom


Free-form freakout
[[Free Form Freak-Out|Free-form freakout]]


free improvisation
free improvisation
Line 321: Line 329:
funk; —funky; —Funk
funk; —funky; —Funk


“Future Pilots”/“Ratman: the Weightwatcher” (I, II)</blockquote>
[[Rattenmensch/Gewichtswächter (single)|“Future Pilots”/“Ratman: the Weightwatcher”]] (I, II)</blockquote>


=== G ===
=== G ===
Line 334: Line 342:
Glam Rock
Glam Rock


glamour; see also aura
glamour; ''see also'' aura


Glass Records
[[Glass Records]]


Glennie, Ian
Glennie, Ian
Line 344: Line 352:
Go-Ahead Booking
Go-Ahead Booking


God Bless The Red Krayola and All Who Sail With It
''[[God Bless the Red Krayola and All Who Sail With It|God Bless The Red Krayola and All Who Sail With It]]''


Goodman, Marian
Goodman, Marian
Line 350: Line 358:
Goodman, Nelson
Goodman, Nelson


“Greasy Street”
[[Greasy Street (single)|“Greasy Street”]]


“Green Door”
“Green Door”
Line 358: Line 366:
groups and groupies
groups and groupies


Grubbs, David
[[David Grubbs|Grubbs, David]]


Gulf War, The
Gulf War, The


Gulfgate</blockquote>
[[Shows|Gulfgate]]</blockquote>


=== H ===
=== H ===
Line 371: Line 379:
“Hard Rock Café”
“Hard Rock Café”


Hazel
''[[Hazel]]''


Heavy Metal
Heavy Metal
Line 377: Line 385:
Hendrix, Jimi; —Trio, The
Hendrix, Jimi; —Trio, The


Henschen, Bobby
[[Bobby Henschen|Henschen, Bobby]]


Hermann, Tom
Hermann, Tom
Line 403: Line 411:
Hunter, Fredericka
Hunter, Fredericka


Hurley, George
[[George Hurley|Hurley, George]]


“Hurricane Fighter Plane”</blockquote>
“[[Hurricane Fighter Plane]]”</blockquote>


=== I ===
=== I ===
Line 428: Line 436:
Intelligent Life in the Universe
Intelligent Life in the Universe


International Artists
[[International Artists]]


interpretation; —open texts;
interpretation; —open texts;
Line 436: Line 444:
—transcendence
—transcendence


Introduction
[[Introduction]]


Iraq, the war in
Iraq, the war in
Line 445: Line 453:


=== J ===
=== J ===
<blockquote>Jackson Pollock Bar, The
<blockquote>[[The Jackson Pollock Bar|Jackson Pollock Bar, The]]


Japan in Paris in LA
[[Japan in Paris in L.A.|Japan in Paris in LA]]


Japan Records
Japan Records
Line 460: Line 468:


=== K ===
=== K ===
<blockquote>Kangaroo?
<blockquote>[[Kangaroo?]]


karaoke
karaoke
Line 476: Line 484:
Knoebel, Carmen and Imi
Knoebel, Carmen and Imi


KNUZ “Battle of the Bands”
[[Shows/KNUZ Battle of the Bands|KNUZ “Battle of the Bands”]]


König, Kasper; see Portikus
König, Kasper; see Portikus


Kozlov, Christine
[[Christine Kozlov|Kozlov, Christine]]


Krauss, Scott
Krauss, Scott
Line 490: Line 498:
Kunstverein Graz
Kunstverein Graz


Kupersmith, Noel</blockquote>
[[Noel Kupersmith|Kupersmith, Noel]]</blockquote>


=== L ===
=== L ===
Line 503: Line 511:
Little Richard
Little Richard


Live 1967
[[Live 1967]]


Live in Paris 1978
[[Shows/1978-12-13|Live in Paris 1978]]


logic
logic


Logic, Lora
[[Lora Logic|Logic, Lora]]


Louisiana Gallery, The
Louisiana Gallery, The
Line 520: Line 528:
<blockquote>Maimone, Tony
<blockquote>Maimone, Tony


Malefactor, Ade
[[Malefactor, Ade]]


Mathieu, Konrad
Mathieu, Konrad
Line 528: Line 536:
MC5
MC5


McEntire, John
[[John McEntire|McEntire, John]]


media
media
Line 542: Line 550:
Metyko, Mike and Barbara
Metyko, Mike and Barbara


“Microchips & Fish”/“The Story So Far”
[[Micro-Chips & Fish (single)|“Microchips & Fish”/“The Story So Far”]]


Minimalism
Minimalism
Line 556: Line 564:
MOR Radio
MOR Radio


“Mother”
“[[Mother]]”


Mother
Mother
Line 577: Line 585:
<blockquote>Nakahara, Masaya
<blockquote>Nakahara, Masaya


Napalm Death
[[Listen to This|Napalm Death]]


necessity
necessity
Line 589: Line 597:
New Wave; —“no wave”
New Wave; —“no wave”


Nine Gross & Conspicuous Errors
[[Nine Gross and Conspicuous Errors|Nine Gross & Conspicuous Errors]]
 
 


Nono, Luigi</blockquote>
Nono, Luigi</blockquote>
Line 596: Line 606:
<blockquote>Oban, George
<blockquote>Oban, George


Oehlen, Albert
[[Albert Oehlen|Oehlen, Albert]]


“Oh-bla-di”
“Oh-bla-di”
Line 602: Line 612:
Ohio
Ohio


“Old Man’s Dream”/“The Milkmaid”
[[An Old Man's Dream (single)|“Old Man’s Dream”/“The Milkmaid”]]


Ono, Yoko
Ono, Yoko


O’Rourke, Jim
[[Jim O'Rourke|O’Rourke, Jim]]


Otomo, Yoshihide
Otomo, Yoshihide
Line 613: Line 623:


=== P ===
=== P ===
<blockquote>P-Vine Records
<blockquote>[[P-Vine Records]]


Panama, the invasion of
Panama, the invasion of


Parable of Arable Land, The
[[The Parable of Arable Land|Parable of Arable Land, The]]


Parsons, Tony
Parsons, Tony
Line 633: Line 643:
Piering, Scott
Piering, Scott


Plank, Conny
[[Ludwig's Law|Plank, Conny]]


Portikus
Portikus
Line 643: Line 653:
pretense
pretense


Prina, Stephen
[[Stephen Prina|Prina, Stephen]]


Prinzhorn, Martin
Prinzhorn, Martin
Line 657: Line 667:
punk
punk


Pure Freude Records</blockquote>
[[Pure Freude Records]]</blockquote>


=== Q ===
=== Q ===
Line 668: Line 678:
quiddity
quiddity


Quiet Album, The</blockquote>
[[The Quiet Album|Quiet Album, The]]</blockquote>


=== R ===
=== R ===
<blockquote>Ra, Sun
<blockquote>Ra, Sun


Radar Records
[[Radar Records]]


radio; —Top 40; —Pacifica; —radio play; —“payola”
radio; —Top 40; —Pacifica; —radio play; —“payola”


Randazzo, Elisa
[[Elisa Randazzo|Randazzo, Elisa]]


Rap
Rap


Rauschenberg, Robert
[[Robert Rauschenberg|Rauschenberg, Robert]]


rave
rave


Ravenstine, Allen
[[Allen Ravenstine|Ravenstine, Allen]]


“Rebellation Generation”
“Rebellation Generation”
Line 691: Line 701:
recidivism
recidivism


Rec Rec Records
[[Rec Rec Records]]


record
record


Red Gold
[[Red Gold]]


Red Krayola, The
[[The Red Krayola (album)|Red Krayola, The]]


reference; —referentiality; —types of; —modal aspect in
reference; —referentiality; —types of; —modal aspect in
Line 717: Line 727:
Rock ’n’ Boll
Rock ’n’ Boll


Rogers, Lelan; —Kenny
[[Lelan Rogers|Rogers, Lelan]]; —Kenny


Rogerson, Tom
Rogerson, Tom
Line 727: Line 737:
Rolling Stones, The
Rolling Stones, The


Rough Trade; —Music/Records
[[Rough Trade]]; —Music/Records


Rush, Ray</blockquote>
Rush, Ray</blockquote>


=== S ===
=== S ===
<blockquote>S-A Johannsson Quintet
<blockquote>[[Shotgun Wedding|S-A Johannsson Quintet]]


Savage, Jon
Savage, Jon


Schact, Danny
[[Danny Schacht|Schact, Danny]]


Schlick, Jörg
[[Jörg Schlick|Schlick, Jörg]]


Schöneberger, Jürgen
Schöneberger, Jürgen
Line 750: Line 760:
Shawyer, Ivor
Shawyer, Ivor


Shotgun Wedding
[[Shotgun Wedding]]


Sighs Trapped By Liars
[[Sighs Trapped by Liars|Sighs Trapped By Liars]]


singer/song
singer/song


Singles
[[Singles (compilation)|Singles]]


Slayer
Slayer
Line 766: Line 776:
Smith, Mike; —Portal Excursion
Smith, Mike; —Portal Excursion


Smith, Tommy
[[Tommy Smith|Smith, Tommy]]


Socialism
Socialism


Soldier Talk
[[Soldier-Talk|Soldier Talk]]


solidarity; —individual, family, community, neighborhood, national, international
solidarity; —individual, family, community, neighborhood, national, international


Sordide Sentimental
[[Shows/1978-12-13|Sordide Sentimental]]


Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference
Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference
Line 782: Line 792:
soundtrack music for screen/stage
soundtrack music for screen/stage


Soundtracks, Epic
[[Epic Soundtracks|Soundtracks, Epic]]


sponsorship; —‘this burning man indicates…’
sponsorship; —‘this burning man indicates…’
Line 794: Line 804:
Stockhausen, Karlheinz
Stockhausen, Karlheinz


Struggle in New York: “…and now for something completely different”
[[Struggle in New York]]: “[[And Now for Something Completely Different|…and now for something completely different]]”


substitutes: —stand-ins; —specters
substitutes: —stand-ins; —specters
Line 815: Line 825:
theatre
theatre


Thomas, David
[[Pere Ubu|Thomas, David]]


Thompson, Hazel Muhl
Thompson, Hazel Muhl
Line 821: Line 831:
Thompson, Marilyn
Thompson, Marilyn


Thompson, Mayo; —Mayo J., Sr.
[[Mayo Thompson|Thompson, Mayo]]; —Mayo J., Sr.


Three Songs on a Trip to the United States/Bismarckstr. 50
[[Three Songs on a Trip to the United States / Bismarckstr. 50|Three Songs on a Trip to the United States/Bismarckstr. 50]]


Top of the Pops
Top of the Pops
Line 833: Line 843:
transformation
transformation


“Transparent Radiation”
“[[Transparent Radiation]]”


Travis, Geoff
[[Geoff Travis|Travis, Geoff]]


trend
trend
Line 847: Line 857:
<blockquote>Varèse, Edgard
<blockquote>Varèse, Edgard


Victorine
[[Victorine]]


“Victory Garden”
“[[Victory Garden]]”


Vietnam War, The
Vietnam War, The
Line 862: Line 872:
“War Pigs”
“War Pigs”


“War Sucks”
“[[War Sucks]]”


Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground
Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground


Watson, Tom
[[Tom Watson|Watson, Tom]]


“We Built This City”
“We Built This City”
Line 878: Line 888:
Who, The
Who, The


Williams, Christopher
[[Christopher Williams|Williams, Christopher]]


Williams, Rachel
[[Amor and Language|Williams, Rachel]]


Wire, The
Wire, The


“Wives in Orbit”/“Yik-Yak”
[[Wives in Orbit (single)|“Wives in Orbit”/“Yik-Yak”]]


Wood, Rosemary
Wood, Rosemary
Line 891: Line 901:


=== Y ===
=== Y ===
<blockquote>Yang, Sandy
<blockquote>[[Sandy Yang|Yang, Sandy]]


Yonemoto; —Bruce; —Norman
Yonemoto; —Bruce; —Norman
Line 899: Line 909:
Young, Neil
Young, Neil


“Your Body is Hot”/”Crayolas on 45”</blockquote>
[[The Red Crayola on Forty-Five (single)|“Your Body is Hot”/”Crayolas on 45”]]</blockquote>


=== Z ===
=== Z ===
<blockquote>Zappa, Frank; see also van Vliet</blockquote>
<blockquote>Zappa, Frank; see also van Vliet</blockquote>
== References ==

Latest revision as of 15:53, 13 June 2023

Index - web version
Index pg.1
Index pg.2

Background

Published in the Whitney Biennial 2012 catalog.[1]

  • "In the Museum’s Lower Gallery, visitors can view and supplement a wiki-style digital index (originally published in the Biennial exhibition catalogue) that traces the band’s numerous, intricately interconnected networks."
  • "Their Biennial project includes an index of more than four hundred entries covering their diverse membership, affiliations, and concerns (on view in the Lower Gallery)."

Index

A

Abel, Charlie

Absolute Music

accessibility

accommodation

AC/DC

Acid Rock

Adorno, Theodor W.

Afghanistan, the war in

aggression

ambience; —ambiance

ambiguity; —types of

ambiguity —universal; —understandable; —too much/too little; worthy; —blind; —deluded; —gouging; —in a work of art

American Music Rolls, masters of the

Amor & Language

Anderson, Luana

Andrus, Walt

Annesley, Ben

AOR

apexart; —Tim Griffin; —Bennett Simpson

Armstrong, Louis

arrangement

art —the very idea; —the work of

Art & Language; —collaboration; —A&L (UK); A&L (NY); Art-Language; —The Fox 1–3; —Red Herring; —A&L (Provisional); —The Fox 4

Art & Language Paints a Picture

Art & Language Sings a Song

Art Rock

Artforum

"artworld, the"

audience

aura; —patina

authenticity

autonomy

avant-garde; —substitutes, cognates

Ayler, Albert and Donald

B

Baby & Child Care

Banks, George

Barker, Danny

Barker, Dave

Barthelme, Frederick; —the Barthelme Family

Beatles, The

beatniks

Bennie & Smith

Berkeley Folk Festival

Berry, Chuck

Birch, Gina

Black Snakes

Blank, Les

Blondet, Jose-Luis

Blues, Hollers, & Hellos

Blum, Tim

Bomb Records

von Bonin, Cosima

bootleg recording; —records

Borden, Lizzie

Born in Flames

“Born in Flames”/“The Sword of God” (I, II)

Bowie, David

Bowman, Bill

Brown, Glenn

Bubblegum

Buchholz Gallery Cologne

Büttner, Werner

C

Cage, John

camp

Capitalism

Caracos, Jean

Carl, Rüdiger

Carpenter, Merlin

Catacombs, The

Chamberlain, Jesse

Channelview High School

Charly Records

“Chemistry”/“Farewell to Arms”

Clark, Anne

Clark, Guy

class

“classic, the”

Cockettes, The

Coconut Hotel

Coleman, Ornette; —harmolodics

Collectables Records

“Columbia”

Communism

concepts; —possession; —capacity; —extension

Conceptual Art

content

Corrected Slogans; —Lp/CD; —the musical comedy

Country & Western: —Outlaw Country

cover

Crawdaddy

Crayola, The Red

Crayola Crayons

crayon

Cream

Creem

Cunningham, Steve; —the Cunningham Family

Cuthell, Dick

D

“Dairymaid’s Lament”/“Free Piece”

Dance; —dance and music

Davis, Frank

Davis, Miles

Del Vikings, The

Deliverance

Denson, Ed

Description, Theory of

Diederichsen, Diedrich

Disco; —dance floor

djs

Domino, Antoine “Fats”

Doors, The

Dorau, Andreas

Dower, Alex

Drag City Records

Draper, Simon

Dreher, Christoph

Driscoll, Mike

Drummond, Paul

Duchamp, Marcel

Dylan, Bob

E

Electro

Emerson, Bonnie

Emo

emotions

empire

Eno, Brian

epistemology

Erickson, Roky

“Eve of Destruction”

expression

F

Fahey, John

failure; —the concept; —the facts

fame; —notoriety

Familiar Ugly, The

Farrar, “Red” George

Fascism

fashion

Ferrari, Luc

fidelity

Fingerpainting

Fingerpointing

Five American Portraits

FM radio

Folk-rock

form; —the formal; —the informal; —formalism; see also Modernist Formalism

Foucault, Michel

“4teen”/“Stink Program”

Frame, Pete

Francis, Sam

F.R.E.D.

freedom

Free-form freakout

free improvisation

Froman, Mark

function; —design; —default

Fugs, The

funk; —funky; —Funk

“Future Pilots”/“Ratman: the Weightwatcher” (I, II)

G

Gaye, Angus

Gerson, Skipper

Getty, The

Gilbert, Chris

Glam Rock

glamour; see also aura

Glass Records

Glennie, Ian

Gnam, Manuel

Go-Ahead Booking

God Bless The Red Krayola and All Who Sail With It

Goodman, Marian

Goodman, Nelson

“Greasy Street”

“Green Door”

Grenada, the invasion of

groups and groupies

Grubbs, David

Gulf War, The

Gulfgate

H

hack

Haino, Keiji

“Hard Rock Café”

Hazel

Heavy Metal

Hendrix, Jimi; —Trio, The

Henschen, Bobby

Hermann, Tom

Hertz, Richard

Hip-Hop

hippies

hit song

hoax; —the very idea; see failure

Hoet, Jan

holism

hootenanny

Horowitz, Ira

House

Hunter, Fredericka

Hurley, George

Hurricane Fighter Plane

I

ICA London

idealism

ideas, —million-dollar; —dime a dozen; —hybrids

identity; —personation; —role playing

Iggy: —Stooge; —Pop

improvisation

industries; —The Culture Industry; —the music industry

innovation; —novelty; see also novelty songs

insurgency

Intelligent Life in the Universe

International Artists

interpretation; —open texts;

—asymmetry; —privilege;

—transcendence

Introduction

Iraq, the war in

irony

Irwin, Robert

J

Jackson Pollock Bar, The

Japan in Paris in LA

Japan Records

Jazz

Jefferson Airplane; —Jefferson Starship

Johnson, Sue

Johnston, Lynn

K

Kangaroo?

karaoke

Kelley, Mike

Kidron, Adam

Kinks, The

Kippenberger, Martin

kitsch

Knoebel, Carmen and Imi

KNUZ “Battle of the Bands”

König, Kasper; see Portikus

Kozlov, Christine

Krauss, Scott

Krebber, Michael

Kunsthalle Graz

Kunstverein Graz

Kupersmith, Noel

L

Lauder, Andrew

laws, rules, standards, norms, conventions

Libertarianism

lightshow

Little Richard

Live 1967

Live in Paris 1978

logic

Logic, Lora

Louisiana Gallery, The

love

Love Street Light Circus and Feel Good Machine, The

M

Maimone, Tony

Malefactor, Ade

Mathieu, Konrad

Mayr, Matthias

MC5

McEntire, John

media

mediation; —the very idea

medium

memory

von Meier, Kurt

Metyko, Mike and Barbara

“Microchips & Fish”/“The Story So Far”

Minimalism

misrepresentation; see representation

model

modern, the

monophonic recording

MOR Radio

Mother

Mother

Mozart, W. A.; —instrumental and vocal music; —opera; —Lorenzo da Ponte; Five American Portraits—Ad Reinhardt

Mulier Mulier Gallery

Music; —as organized sound; —in itself; —in and as chaos; —the culture and sociality of; —meaning, use and exchange; —authorship and ownership; —History of; —politics of; —production and distribution of; —functional types: academic, popular; —commercial music; —genre; —professional, amateur; —Theory of; —ontology; —Physics/Chemistry/Biology; —instrumentality, intension and extension; —systems and approaches; —style; —objectification: instruments and devices, materials; —potential and possibility given phenomenal effect and affect; —the mind-body distinction and other philosophical puzzles; —states of being; performance: scores, improvisation

Music-Language (BMI)

music-minus-one

Mutesong

Muzak®

N

Nakahara, Masaya

Napalm Death

necessity

New Age

New Orleans House

“New Stream”

New Wave; —“no wave”

Nine Gross & Conspicuous Errors


Nono, Luigi

O

Oban, George

Oehlen, Albert

“Oh-bla-di”

Ohio

“Old Man’s Dream”/“The Milkmaid”

Ono, Yoko

O’Rourke, Jim

Otomo, Yoshihide

overlap; —overlay

P

P-Vine Records

Panama, the invasion of

Parable of Arable Land, The

Parsons, Tony

perfect; —perfection

performance

Penmann, Ian

Pharmacology

Philip Glass Ensemble, The

Piering, Scott

Plank, Conny

Portikus

Post-modernism

pre-modern

pretense

Prina, Stephen

Prinzhorn, Martin

Pritchett, Holly, Joe and Pat

Pryde, Josephine

Psychedelic Music

Psychology

punk

Pure Freude Records

Q

quality

quantity

“querelle”

quiddity

Quiet Album, The

R

Ra, Sun

Radar Records

radio; —Top 40; —Pacifica; —radio play; —“payola”

Randazzo, Elisa

Rap

Rauschenberg, Robert

rave

Ravenstine, Allen

“Rebellation Generation”

recidivism

Rec Rec Records

record

Red Gold

Red Krayola, The

reference; —referentiality; —types of; —modal aspect in

repetition

representation

Reynolds, Simon

Rhythm & Blues

Richter, Tommy

Rivers, Bea and Sam

“roadie”

Rock ’n’ Boll

Rogers, Lelan; —Kenny

Rogerson, Tom

Rollet, Quentin “Q”

Rolling Stone

Rolling Stones, The

Rough Trade; —Music/Records

Rush, Ray

S

S-A Johannsson Quintet

Savage, Jon

Schact, Danny

Schlick, Jörg

Schöneberger, Jürgen

Scott, Richard and family

Semiotics

Sharp, Claude and F. Cavett

Shawyer, Ivor

Shotgun Wedding

Sighs Trapped By Liars

singer/song

Singles

Slayer

Slezak, Rudi

Smiley High School

Smith, Mike; —Portal Excursion

Smith, Tommy

Socialism

Soldier Talk

solidarity; —individual, family, community, neighborhood, national, international

Sordide Sentimental

Sound: —The Physics of; —psychoacoustics; —presence, absence; —hearing and listening; —organization; —as music; —atmosphere, realism, naturalism; —recognition: familiarity, similarity, reference

Sound Art

soundtrack music for screen/stage

Soundtracks, Epic

sponsorship; —‘this burning man indicates…’

state, the; —anarchy; —utopia

Steffek, Keith

Steirischer Herbst (Graz)

Stockhausen, Karlheinz

Struggle in New York: “…and now for something completely different

substitutes: —stand-ins; —specters

Sunshine Records (Hamburg)

T

Tapier Music (BMI)

Techno

technology

teeny bopper

teleology

television

theatre

Thomas, David

Thompson, Hazel Muhl

Thompson, Marilyn

Thompson, Mayo; —Mayo J., Sr.

Three Songs on a Trip to the United States/Bismarckstr. 50

Top of the Pops

total recall

Trance

transformation

Transparent Radiation

Travis, Geoff

trend

turntablism

U

United States of America, The

V

Varèse, Edgard

Victorine

Victory Garden

Vietnam War, The

van Vliet, Don

Vogelauer, Maria

W

Walmsley, Pete

“War Pigs”

War Sucks

Warhol, Andy; —The Exploding Plastic Inevitable; —The Velvet Underground

Watson, Tom

“We Built This City”

Weltanschauung

White, Chris

Whitney Museum of American Art, —Whitney Biennial; —in the work of Art & Language

Who, The

Williams, Christopher

Williams, Rachel

Wire, The

“Wives in Orbit”/“Yik-Yak”

Wood, Rosemary

Woronov, Mary

Y

Yang, Sandy

Yonemoto; —Bruce; —Norman

Yoshimoto, Sachiyo

Young, Neil

“Your Body is Hot”/”Crayolas on 45”

Z

Zappa, Frank; see also van Vliet

References