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Paintings by [[Art & Language]].
== Background ==
== Background ==
Claude Monet - ''Poplars on the Epte'' (1891)
'''Further reading:'''
* [[Essays on Art & Language|''Essays on Art & Language'']]
* [[Conceptual Art and Painting: Further Essays on Art & Language|''Conceptual Art and Painting: Further Essays on Art & Language'']].


== Works ==
== Works ==
Line 6: Line 14:
!Year
!Year
!#
!#
!
!Title
!Title
!Notes
!Hostage
! colspan="3" |Notes
|-
|-
|1988
|1988
|1
|1
|Hostage I
|
|
|
| colspan="3" |
|
|-
|-
|1988
|1988
|2
|2
|Hostage II
|
|
|
| colspan="3" |
|
|-
|-
|1988
|1988
|3
|3
|
|Hostage III
|
|[[File:A-L-Hostage-03.jpg|center|frameless|100x100px]]
|
| colspan="3" |
|-
|-
|1988
|1988
|4
|4
|Hostage IV
|[[File:A-L-Hostage-04.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-04.jpg|center|frameless|100x100px]]
|Hostage IV
| colspan="3" |
|
|-
|-
|1988
|1988
|5
|5
|Hostage V
|[[File:A-L-Hostage-05.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-05.jpg|center|frameless|100x100px]]
|Hostage V
| colspan="3" |
|
|-
|-
|1988
|1988
|6
|6
|Hostage VI
|[[File:A-L-Hostage-06.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-06.png|center|frameless|100x100px]]
|Hostage VI
| colspan="3" |
|Essays on Art & Language pg.247
* ''[[Essays on Art & Language]]'' (1991) pg.247
|-
|-
|1988
|1988
|7
|7
|Hostage VII
|
|
|
| colspan="3" |
|
* ''[[Art & Language in Practice Vol. 2]]'' (1999)
|-
|-
|1988
|1988
|8
|8
|Hostage VIII
|[[File:A-L-Hostage-08.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-08.jpg|center|frameless|100x100px]]
|Hostage VIII
| colspan="3" |
|
|-
|-
|1988
|1988
|9
|9
|[[File:A-L-Hostage-09.png|center|frameless|100x100px]]
|Hostage IX
|Hostage IX
|Essays on Art & Language pg.245
|[[File:A-L-Hostage-09.jpg|center|frameless|117x117px]]
| colspan="3" |
* ''[[Essays on Art & Language]]'' (1991) pg.245
|-
|-
|1988
|1988
|10
|10
|[[File:A-L-Hostage-10.webp|center|frameless|100x100px]]
|Hostage X
|Hostage X
|
|[[File:A-L-Hostage-10.png|center|frameless|100x100px]]
| colspan="3" |
|-
|-
|1988
|1988
|11
|11
|Hostage XI
|[[File:A-L-Hostage-11.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-11.jpg|center|frameless|100x100px]]
|Hostage XI
| colspan="3" |
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|1988
|1988
|12
|12
|Hostage XII
|[[File:A-L-Hostage-12.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-12.png|center|frameless|100x100px]]
|Hostage XII
| colspan="3" |
|Essays on Art & Language pg.246
* ''[[Essays on Art & Language]]'' (1991) pg.246
|-
|-
|
|
|13
|13
|[[File:A-L-Hostage-13-1.webp|center|frameless|100x100px]]
|Hostage XIII (1)
|Hostage XIII (1)
|
|[[File:A-L-Hostage-13-1.png|center|frameless|100x100px]]
| colspan="3" |
|-
|-
|
|
|13
|13
|[[File:A-L-Hostage-13-3.webp|center|frameless|100x100px]]
|Hostage XIII (3)
|Hostage XIII (3)
|
|[[File:A-L-Hostage-13-3.png|center|frameless|100x100px]]
| colspan="3" |
|-
|-
|
|
|14
|14
|Hostage XIV
|
|
|
| colspan="3" |
|
|-
|-
|
|
|15
|15
|Hostage XV
|
|
|
| colspan="3" |
|
|-
|-
|
|
|16
|16
|Hostage XVI
|
|
|
| colspan="3" |
|
|-
|-
|
|
|17
|17
|Hostage XVII
|
|
|
| colspan="3" |
|
|-
|-
|
|
|18
|18
|Hostage XVIII
|
|
|
| colspan="3" |
|
|-
|-
|
|
|19
|19
|[[File:A-L-Hostage-19.webp|center|frameless|100x100px]]
|Hostage XIX
|Hostage XIX
|
|[[File:A-L-Hostage-19.png|center|frameless|100x100px]]
| colspan="3" |
* ''[https://archive.org/details/contemporarypain0000unse/page/60/mode/1up Contemporary Painting]'' (1992)
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001)
|-
|-
|
|
|20
|20
|Hostage XX
|
|
|
| colspan="3" |
|
|-
|-
|
|
|21
|21
|Hostage XXI
|[[File:A-L-Hostage-21.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-21.jpg|center|frameless|100x100px]]
|Hostage XXI
| colspan="3" |
|
* Behind the text: "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|
|
|22
|22
|Hostage XXII
|[[File:A-L-Hostage-22.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-22.jpg|center|frameless|100x100px]]
|Hostage XXII
| colspan="3" |
|
|-
|-
|
|
|23
|23
|Hostage XXIII
|
|
|
| colspan="3" |
|
|-
|-
|
|
|24
|24
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage XXIV
|Hostage XXIV
|Conceptual Art and Painting pg.87
|[[File:A-L-Hostage-24.jpg|center|frameless|100x100px]]
| colspan="3" |
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.87
|-
|-
|
|
|25
|25
|[[File:A-L-Hostage-25.jpg|center|frameless|100x100px]]
|Hostage XXV
|Hostage XXV
|Conceptual Art and Painting pg.100
|[[File:A-L-Hostage-25.png|center|frameless|100x100px]]
| colspan="3" |
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.100
|-
!Year
!#
!Title
!Hostage
!Study
!Surf
!Notes
|-
|-
|
|
|26
|26
|Hostage XVI
|
|
|
|
|
|
|
|-
|-
|
|1989
|27
|27
|
|Hostage XXVII
|[[File:A-L-Hostage-27.jpg|center|frameless|99x99px]]
|[[File:A-L-Study-for-Hostage-27.jpg|center|frameless|100x100px]]
|
|
|
|
|-
|-
|
|1989
|28
|28
|[[File:A-L-Hostage-28.png|center|frameless|100x100px]]
|Hostage XXVIII
|Hostage XXVIII
|Art & Language Paints a Landscape
|[[File:A-L-Hostage-28.jpg|center|frameless|100x100px]]
|
|
|
* Art & Language Paints a Landscape
* ''[https://archive.org/details/contemporarypain0000unse/page/66/mode/1up Contemporary Painting]'' (1992)
|-
|-
|1989
|1989
|29
|29
|Hostage XXIX
|
|[[File:A-L-Hostage-29.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-29.jpg|center|frameless|100x100px]]
|Hostage XXIX
|
|Conceptual Art and Painting pg.83
|
* ''[https://archive.org/details/contemporarypain0000unse/page/68/mode/1up Contemporary Painting]'' (1992)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.83
|-
|-
|
|1989
|30
|30
|Hostage XXX
|
|
|[[File:A-L-Study-for-Hostage-30.jpg|center|frameless|100x100px]]
|
|
|
|
|-
|-
|
|1989
|31
|31
|Hostage XXXI
|[[File:A-L-Hostage-31.jpg|center|frameless|99x99px]]
|
|
|
|
|
|
|-
|-
|
|1989
|32
|32
|Hostage XXXII
|[[File:A-L-Hostage-32.jpg|center|frameless|99x99px]]
|
|
|
|
Line 210: Line 255:
|
|
|33
|33
|Hostage XXXIII
|
|
|
|
|
Line 216: Line 263:
|
|
|34
|34
|Hostage XXXIV
|
|
|
|
|
Line 222: Line 271:
|
|
|35
|35
|Hostage XXXV
|
|
|
|
|
|
|
|-
|-
|
|1990
|36
|36
|Hostage XXXVI
|[[File:A-L-Hostage-36.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-36.jpg|center|frameless|100x100px]]
|Hostage XXXVI
|[[File:A-L-Study-for-Hostage-36.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-36.png|center|frameless|100x100px]]
|
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|
|1990
|37
|37
|Hostage XXXVII
|[[File:A-L-Hostage-37.png|center|frameless|100x100px]]
|[[File:A-L-Hostage-37.png|center|frameless|100x100px]]
|Hostage XXXVII
|[[File:A-L-Study-for-Hostage-37.jpg|center|frameless|100x100px]]
|Art & Language Paints a Landscape
|
|"Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|1990
|38
|Hostage XXXVIII
|
|
|38
|
|
|
|
|
|
|-
|-
|1990
|39
|Hostage XXXIX
|
|
|39
|
|
|
|
Line 252: Line 312:
|1990
|1990
|40
|40
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage XL
|Hostage XL
|Conceptual Art and Painting pg.105
|[[File:A-L-Hostage-40.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-40.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-40.jpg|center|frameless|100x100px]]
|
* ''Contemporary Painting'' (1992): [https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Surf 40], [https://archive.org/details/contemporarypain0000unse/page/71/mode/1up Study 40]
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.105
|-
|-
|1990
|41
|Hostage XLI
|
|
|41
|
|
|
|
|
|
* ''[https://archive.org/details/contemporarypain0000unse/page/70/mode/1up Contemporary Painting]'' (1992)
|-
|-
|1990
|42
|Hostage XLII
|
|
|42
|
|
|
|
|
|
|-
|-
|
|1990
|43
|43
|Hostage XLIII
|
|
|[[File:A-L-Study-for-Hostage-43.png|center|frameless|100x100px]]
||
|
|
|-
|1990
|44
|
|
|-
|
|
|44
|
|
|
|
|
|
|-
|-
|1990
|45
|
|
|
|45
|
|
|
|
|
|
|-
|-
|1990
|46
|
|
|
|46
|
|
|
|
|
|
|-
|-
|1990
|47
|
|
|
|47
|
|
|
|
|
|
|-
|-
|
|1990
|48
|48
|Hostage XLVIII
|
|
|
|[[File:A-L-Study-for-Hostage-48.png|center|frameless|100x100px]]
||
|
|
|-
|-
|1990
|1990
|49
|49
|Hostage XLIX
|[[File:A-L-Hostage-49.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-49.jpg|center|frameless|100x100px]]
|Hostage XLIX
|
|
|
|
|-
|-
|1990
|1990
|50
|50
|[[File:A-L-Hostage-50.jpg|center|frameless|100x100px]]
|Hostage L
|Hostage L
|[[File:A-L-Hostage-50.jpg|center|frameless|100x100px]][[File:A-L-Hostage-50-text.jpg|center|frameless|100x100px]]
|
|
|
|
|-
|-
|1990
|51
|
|
|
|51
|
|
|
|
|
|
|-
|-
|
|1990
|52
|52
|Hostage LII
|
|
|
|[[File:A-L-Study-for-Hostage-52.png|center|frameless|100x100px]]
||
|
|
|-
|-
|
|1990
|53
|53
|
|Hostage LIII
|[[File:A-L-Hostage-53.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-53.png|center|frameless|100x100px]]
|
|
|
|
Line 336: Line 427:
|1990
|1990
|54
|54
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LIV
|Hostage LIV
|Conceptual Art and Painting pg.114
|[[File:A-L-Hostage-54.png|center|frameless|100x100px]]
|
|
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.114
|-
|-
|
|1990
|55
|55
|Hostage LV
|[[File:A-L-Hostage-55.jpg|center|frameless|100x100px]]
|
|
|
|
|
|
* ''[[Art & Language in Practice Vol. 2]]'' (1999)
|-
|-
|
|1990
|56
|56
|Hostage LVI
|[[File:A-L-Hostage-56.jpg|center|frameless|100x100px]]
|
|
|
|
|
|
|-
|-
|1990
|57
|
|
|
|57
|
|
|
|
|
|
|-
|-
|
|1990
|58
|58
|Hostage LVIII
|[[File:A-L-Hostage-58.jpg|center|frameless|100x100px]]
|
|
|
|
|
|
* ''[https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Contemporary Painting]'' (1992)
|-
|-
|1990
|59
|
|
|
|59
|
|
|
|
Line 372: Line 478:
|1990
|1990
|60
|60
|Hostage LX
|[[File:A-L-Hostage-60.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-60.jpg|center|frameless|100x100px]]
|Hostage LX
|[[File:A-L-Study-for-Hostage-60.png|center|frameless|100x100px]]
||
|
|
|-
|-
|
|1990
|61
|61
|
|Hostage LXI
|
|[[File:A-L-Hostage-61.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-61.jpg|center|frameless|100x100px]]
||
|
|
|-
|-
|
|1990
|62
|62
|Hostage LXII
|
|
|[[File:A-L-Study-for-Hostage-62.jpg|center|frameless|100x100px]]
||
|
|
|-
|1990
|63
|
|
|-
|
|
|63
|
|
|
|
|
|
|-
|-
|1990
|64
|
|
|
|64
|
|
|
|
|
|
|-
|-
|
|1990
|65
|65
|Hostage LXV
|
|
|
|[[File:A-L-Study-for-Hostage-65.jpg|center|frameless|100x100px]]
||
|
|
|-
|-
|
|1990
|66
|66
|[[File:A-L-Hostage-66.png|center|frameless|100x100px]]
|Hostage LXVI
|Hostage LXVI
|Art & Language Paints a Landscape
|[[File:A-L-Hostage-66.jpg|center|frameless|100x100px]]
|
|
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.120
* "[[Hostage (song)|Hostage]]" song
|-
|-
|
|1990
|67
|67
|Hostage LXVII
|[[File:A-L-Hostage-67.jpg|center|frameless|98x98px]]
|
|
|
|
|
|
|-
|-
|1990
|68
|
|
|
|68
|
|
|
|
|
|
* ''[https://archive.org/details/contemporarypain0000unse/page/71/mode/1up Contemporary Painting]'' (1992)
|-
|-
|
|1990
|69
|69
|Hostage LXIX
|[[File:A-L-Hostage-69.jpg|center|frameless|100x100px]]
|[[File:A-L-Hostage-69.jpg|center|frameless|100x100px]]
|Hostage LXIX
|
|
|
|
* ''[[Art & Language in Practice Vol. 2]]'' (1999)
* <ref>https://www.art-language.org/page/h/R100.htm</ref>
|-
|-
|1990
|1990
|70
|70
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LXX
|Hostage LXX
|[[File:A-L-Hostage-70.jpg|center|frameless|100x100px]]
|
|
|
|
|-
|-
|1990
|71
|
|
|
|71
|
|
|
|
|
|
|-
|-
|1990
|72
|
|
|
|72
|
|
|
|
Line 450: Line 588:
|1990
|1990
|73
|73
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LXXIII
|Hostage LXXIII
|Conceptual Art and Painting pg.121 - Hostage song
|[[File:A-L-Hostage-73.jpg|center|frameless|100x100px]][[File:A-L-Hostage-73-text.jpg|center|frameless|100x100px]]
|
|
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.121
 
* "[[Hostage (song)|Hostage]]" song
|-
|-
|1990
|1990
|74
|74
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LXXIV
|Hostage LXXIV
|Conceptual Art and Painting pg.106
|[[File:A-L-Hostage-74.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-74.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-74.jpg|center|frameless|100x100px]]
|
* ''[https://archive.org/details/contemporarypain0000unse/page/62/mode/1up Contemporary Painting]'' (1992)
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.106
|-
|-
|1990
|1990
|75
|75
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LXXV
|Hostage LXXV
|Conceptual Art and Painting pg.116
|[[File:A-L-Hostage-75.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-75.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-75.jpg|center|frameless|100x100px]]
|
* ''[[Conceptual Art and Painting: Further Essays on Art & Language]]'' (2001) pg.116<ref>https://archive.org/details/lesensfigureacqu0000fond/page/35/mode/1up</ref>
|-
|-
|1990
|1990
|76
|76
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LXXVI
|Hostage LXVI
|[[File:A-L-Hostage-76.jpg|center|frameless|100x100px]]
|Conceptual Art and Painting pg.120 - Hostage song
|[[File:A-L-Study-for-Hostage-76.jpg|center|frameless|100x100px]]
|[[File:A-L-Surf-76.jpg|center|frameless|100x100px]]
|
* "Art & Language Paints a Landscape" ''Critical Inquiry'' (1995)
|-
|-
|
|
|77
|77
|
|
|
|
|
|
Line 480: Line 636:
|
|
|78
|78
|
|
|
|
|
|
Line 486: Line 644:
|1991
|1991
|79
|79
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Hostage LXXIX
|Hostage LXXIX
|[[File:A-L-Hostage-79.jpg|center|frameless|100x100px]]
|[[File:A-L-Study-for-Hostage-79.jpg|center|frameless|100x100px]]
|
|
|
|}
=== Studies for Hostage ===
{| class="wikitable"
!Year
!
!Title
!Notes
|-
|-
|1990
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|80
|Study for Hostage 37
|
|Art & Language Paints a Landscape
|
|
|
|
|-
|-
|1990
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|81
|Study for Hostage 40
|
|Conceptual Art and Painting pg.104
|
|
|
|
|-
|-
|1990
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|82
|Study for Hostage 43
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 52
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 53
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 61
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 65
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 74
|Conceptual Art and Painting pg.106
|-
|-
|1991
|1991
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|83
|Study for Hostage 79
|Hostage LXXXIII
|
|[[File:A-L-Study-for-Hostage-83.png|center|frameless|100x100px]]
|
|
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Study for Hostage 83
|
|
|}
=== Surf ===
{| class="wikitable"
!Year
!
!Title
!Notes
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Surf 36
|Art & Language Paints a Landscape
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Surf 40
|Conceptual Art and Painting pg.104
|-
|1990
|[[File:A-L-Letters-to-the-Red-Crayola-13.jpg|center|frameless|100x100px]]
|Surf 74
|Conceptual Art and Painting pg.106
|}
|}


Latest revision as of 05:57, 9 October 2023

Paintings by Art & Language.

Background

Claude Monet - Poplars on the Epte (1891)

Further reading:

Works

Year # Title Hostage Notes
1988 1 Hostage I
1988 2 Hostage II
1988 3 Hostage III
1988 4 Hostage IV
1988 5 Hostage V
1988 6 Hostage VI
1988 7 Hostage VII
1988 8 Hostage VIII
1988 9 Hostage IX
1988 10 Hostage X
1988 11 Hostage XI
  • "Art & Language Paints a Landscape" Critical Inquiry (1995)
1988 12 Hostage XII
13 Hostage XIII (1)
13 Hostage XIII (3)
14 Hostage XIV
15 Hostage XV
16 Hostage XVI
17 Hostage XVII
18 Hostage XVIII
19 Hostage XIX
20 Hostage XX
21 Hostage XXI
  • Behind the text: "Art & Language Paints a Landscape" Critical Inquiry (1995)
22 Hostage XXII
23 Hostage XXIII
24 Hostage XXIV
25 Hostage XXV
Year # Title Hostage Study Surf Notes
26 Hostage XVI
1989 27 Hostage XXVII
1989 28 Hostage XXVIII
1989 29 Hostage XXIX
1989 30 Hostage XXX
1989 31 Hostage XXXI
1989 32 Hostage XXXII
33 Hostage XXXIII
34 Hostage XXXIV
35 Hostage XXXV
1990 36 Hostage XXXVI
  • "Art & Language Paints a Landscape" Critical Inquiry (1995)
1990 37 Hostage XXXVII
"Art & Language Paints a Landscape" Critical Inquiry (1995)
1990 38 Hostage XXXVIII
1990 39 Hostage XXXIX
1990 40 Hostage XL
1990 41 Hostage XLI
1990 42 Hostage XLII
1990 43 Hostage XLIII
1990 44
1990 45
1990 46
1990 47
1990 48 Hostage XLVIII
1990 49 Hostage XLIX
1990 50 Hostage L
1990 51
1990 52 Hostage LII
1990 53 Hostage LIII
1990 54 Hostage LIV
1990 55 Hostage LV
1990 56 Hostage LVI
1990 57
1990 58 Hostage LVIII
1990 59
1990 60 Hostage LX
1990 61 Hostage LXI
1990 62 Hostage LXII
1990 63
1990 64
1990 65 Hostage LXV
1990 66 Hostage LXVI
1990 67 Hostage LXVII
1990 68
1990 69 Hostage LXIX
1990 70 Hostage LXX
1990 71
1990 72
1990 73 Hostage LXXIII
1990 74 Hostage LXXIV
1990 75 Hostage LXXV
1990 76 Hostage LXXVI
  • "Art & Language Paints a Landscape" Critical Inquiry (1995)
77
78
1991 79 Hostage LXXIX
1991 80
1991 81
1991 82
1991 83 Hostage LXXXIII

Interpretations

References

  1. ↑ https://www.art-language.org/page/h/R100.htm
  2. ↑ https://archive.org/details/lesensfigureacqu0000fond/page/35/mode/1up
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