Jump to content

Art & Language: Difference between revisions

From Red Krayola Wiki
← Older edit
VisualWikitext
imported>Dotclub
No edit summary
 
(259 intermediate revisions by 2 users not shown)
Line 1: Line 1:
Conceptual art group
[[Art & Language]] is an art group associated with conceptual art and post-modernism.


* ALUK (1969-1977)
== With The Red Crayola ==
** [[Art-Language]] (1969-1985)
Main article: [[The Red Crayola with Art & Language]]
* ALNY (1970/71-1976)
** The Fox (1974-1976)
* [[(Provisional) Art & Language]] (1976?)
** [[Music-Language]]
*** [[Corrected Slogans]] (1973-1976)
*** [[Nine Gross and Conspicuous Errors]] (1976)
*** [[Struggle in New York]] (1976)
* Art & Language (1977-)
** [[Michael Baldwin]]
** [[Mel Ramsden]]
** Charles Harrison (1970-2009)


== Journal ==
<gallery mode="packed" heights="110">
See: [[Art-Language]]
File:Corrected-1982-front.png|link=Corrected Slogans|'''[[Corrected Slogans]]'''<br>1976
File:Nine-Gross-and-Conspicuous-Errors-ad.jpg|link=Nine Gross and Conspicuous Errors|'''<small>[[Nine Gross and Conspicuous Errors]]</small>'''<br>1976
File:Something-Completely-Different-book-photo.jpg|link=And Now for Something Completely Different|'''<small>[[And Now for Something Completely Different]]</small>'''<br>1976


== Exhibitions ==
File:Born-in-Flames-front.jpg|link=Born in Flames (single)|'''[[Born in Flames (single)|Born in Flames]]'''<br>1980
File:Kangaroo-front.jpg|link=Kangaroo?|'''[[Kangaroo?]]'''<br>1981
File:Old-Mans-Dream-front.jpg|link=An Old Man's Dream (single)|'''[[An Old Man's Dream (single)|An Old Man's Dream]]'''<br>1981
File:Ratman-front.jpg|link=Rattenmensch/Gewichtswächter (single)|'''[[Rattenmensch/Gewichtswächter (single)|Rattenmensch/Gewichtswächter]]'''<br>1981
File:Black-Snakes-front.png|link=Black Snakes|'''[[Black Snakes]]'''<br>1983
File:Child-Care-front.png|link=Baby and Child Care|'''[[Baby and Child Care]]'''<br>1984


== Works ==
File:Sighs-Trapped-front.jpg|link=Sighs Trapped by Liars (album)|'''[[Sighs Trapped by Liars (album)|Sighs Trapped by Liars]]'''<br>2007
File:Five-American-Portraits-front.jpg|link=Five American Portraits|'''[[Five American Portraits]]'''<br>2010
</gallery>


=== Pre-Art & Language ===
== History ==
These early pieces are often (retroactively) considered and displayed with works of Art & Language.
{| class="wikitable"
! Year
!Title
!Artist
!Materials
!Dimensions
!Link


|-
=== 1966-1968: "Early" phase ===
| 1965
1968: Art & Language was founded by Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge (UK)
|| Untitled Painting
|[[Michael Baldwin]]
|| Mirror mounted on canvas, two parts
|| 119.3 × 58.3 × 10.9 cm
|| [https://www.art-language.org/page/d/116.htm A-L][https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
==== Works ====
| 1965
David Bainbridge
|| Untitled Painting
|[[Michael Baldwin]]
|| Mirrors mounted on canvas, two parts
|| 101.5 × 61 × 7.5 cm
|| [https://www.art-language.org/page/d/123.htm A-L][https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
* Crane (1966)
| 1965
|| Untitled Painting
|[[Michael Baldwin]]
||
||
|| [https://www.art-language.org/page/f/218.htm A-L][https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
David Bainbridge and Terry Atkinson
| 1965
 
|| Untitled Paintings
* Crane Assertions
|[[Michael Baldwin]]
 
|| 4 mirrors mounted on 4 canvas
David Bainbridge and Harold Hurrell
|| 61 × 30 cm
 
* Loop (1966)
|| [https://www.art-language.org/page/f/246.htm A-L][https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]
* Lecher System (1969)
* Ingot (1969)


|-
Michael Baldwin
| 1965
|| Four Suprematist Squares
|
|| Installation of four 12 inch black squares painted on the wall
|| 30.5 × 167.6 cm
|| [https://www.art-language.org/page/f/207.htm A-L]


|-
* Mirror Piece (1965?)<ref>https://fr.wikipedia.org/wiki/Mirror_Piece</ref>
| 1965
* Abstract Art No. 2 (1968)
|| Black Painting
* Abstract Art, no. 6 (1967)
|
|| Enamel on canvas
|| 8 × 244 cm
|| [https://www.art-language.org/page/d/132.htm A-L]


|-
Terry Atkinson and Michael Baldwin
| 1966
 
|| Painting I, No.2
* Map to Not Include (1966)
|
* Air Show (1966) 5pp.
|| Inkjet on paper mounted on wooden panel
** “A series of assertions concerning a theoretical usage of a column of air comprising a base of one square mile and of unspecified distance in the vertical dimension.”
** Air Show Dimensions (1966) 5pp.
|| 157 × 150 cm
** [The 'Declaration Device' associated with the Air Show...] (1967)
*Hot-Cold (November 1967)
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-2 Artsy]
**[Notes towards Hot-Cold and Notes towards French Army] (1967)
* Air Conditioning Show (1967)
** Natural Science: Air-Conditioning Show (1966) 3pp.
** Study for the Air-Conditioning Show (1967)
* Time Show
** Notes on Time Show 1966-67 (1966-67)
** 'Time Show' Fragment (1967)
 
* Frameworks (1966)
** Frameworks Appendices, no. 01 (1966-67) 3pp.
** Frameworks Study (1967) 11p.
** Frameworks Study A2 (1967) 5pp.
** Frameworks Study I β (1966-67) 5pp.
** Frameworks Exhibit II (1967) 4pp.
 
* 22 Sentences: The French Army (1967) 20pp.
* French Army (March 1968)
** Notes towards French Army (1967)
* Declaration Series (1967)
* Oxfordshire Show (1966) 16pp.


|-
Ian Burn
| 1966
|| Painting I, No.7
|
|| Inkjet on paper mounted on wooden panel
|| 77 × 150 cm
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-dot-7 Artsy]


|-
* Mirror Piece (1967)
| 1966
|| Painting I, No.8
|
|| Inkjet on paper mounted on wooden panel
|| 93 × 150 cm
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-8 Artsy]


|-
Mel Ramsden
| 1966
 
|| Painting I, No.9
* Guaranteed (1967)
|
* Secret Painting (1967-68)
|| Inkjet on paper mounted on wooden panel
** Four Studies for a Secret Painting (1967)
** Eleven Studies for a Secret Painting (1967)
|| 108 × 150 cm
** Secret Painting (Study) (1967)
** Study for a Secret Painting (1967)
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-9 Artsy]
* Six Negatives (1968)
|-
 
|1966
Ian Burn and Mel Ramsden
|Entropy
 
|
* Notes on Analysis Book
|
 
|
Joseph Kosuth
|
 
|-
* Word and Object Series (1966)
|1966-1967
* Definition Series (1967)
|Air Conditioning Show
* Thesaurus Categories Series (1968)
|[[Terry Atkinson]]
* Matter in General (1968)
?<ref>file:///C:/Users/noahf/OneDrive/Desktop/DIG_A-HIS-01896_033_l.pdf</ref>
 
* Three Suprematist Squares (1965)
* A Direct Usage of Words... (1967)


[[Michael Baldwin]]
?<ref>https://fr.wikipedia.org/wiki/Art_and_Language</ref>
|
 
|
* Aim at Boredom, Kasimir? (1966) 5pp.
|[https://fr.wikipedia.org/wiki/Air-Conditioning_Show Wikipedia]
* Time Drawings (1965)
|-
* Crane Notes (1965-66) 12pp.
| 1967
* Text as Performance (1965-66)
|| Potato Print Model 1
* Fragments and Elements (1965)
|
* Acid Boxes (1966)
|| Lithography on paper
* Ontology (1967)
* A Note on the Notion of a 368 Year Old Spectator (1967) 3pp.
|| 52 × 67.5 cm
* An Introduction to Precinct Publications (1968) 4pp.
* Models + Dictionaries (1968) 4pp.
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1-1 Artsy]
* Sunnybank. (1967)
* Ontological Fragments (1969)
* Notes Referring to Machine Itself (1969-70) 8pp.
* Asteroid Action Seat (1963)
* I. T. N.: Establish further Connectors. P. & T. (1965)
* Fragments and Elements I (1965)
* An Argument from Illusion (1966)
* Art Out of Sounds (1966)
* H (i) 2 (1966)
* [Language Truth and Logic] (1966)
* Malevich I (1966)
* Notes on Malevich (1966) 2pp.
* [Names] (1966)
* Note Typography for Text Book or Encyclopedia from 1965-66 (1966)
* Paintings I, no.1-20 (1966/2014)
* Performance as Text
** Performance as Text, Appendix, Notes (1966) 5pp.
 
* Proposition 1966 (1966)
* Robotic Sculpture (1966)
* Sculpture Notes I (1966)
* Sculpture Notes II (1966)
* Temperature Show (1966) 43pp.
** Temperature Show Photographs (1966)
** Temperature Print 1 (1967)
** Temperature Print 2 (1967)
** Temperature Print 3 (1967)
** Temperature Print 4 (1967)
** Temperature Print II (1967)
 
* The Air-Conditioning as Device (1966)
* The Wildthink Album (1966) 8pp.
* Two Black Rectangles (The Paradoxes of Absolute Zero) (1966)
* Two Black Squares (The Paradoxes of the Absolute Zero) (1966)
* Two Black Squares (The Paradoxes of the Absolute Zero) (1967)
* [Putative Art Practice in Britain] (1966-67) 5pp.
* Acrostic Painting (1967)
* Art Object — Syntax (1967)
* Bibliography (1967)
* City of Coventry College of Art Diploma in Art and Design Fine Art (Sculpture) History of Art and Contemporary Studies (1967)
* Diploma in Art and Design — Fine Art (Sculpture) (1967)
* Facts (1967)
* Complete Bibliography of Articles on 'The Free Will Problem' (1967)
* Continuum of Process (1967)
* Identificatory Fragment (1967)
* Identificatory Fragment 1967 (1967)
* In Place of Painting (1967)
* Life? Show. Frameworks Study (1967) 7p.
* Map of Thirty-Six Square Mile Surface Area of the Pacific Ocean West of Oahu (1967)
* Map to Not Indicate
** Drawing for a Map to Not Indicate... (1967)
* Map of Itself (1967)
* Map of Scottish Lowlands to Include (1967)
* Notes Towards Various Mappings (1967)
* Notes: Harold Hurrell (1967)
* [Photographic documentation of Undeclared Glasses] (1967)
* Potato Print Model 1 (1967)
* Potato Print Model 2 (1967)
* Questions of Fact (1967)
* Readings of Readings of the Tractatus (1967)
* On the Concept of a Non Exhibition (1967) 6pp.
* Part of a Short Lesson (1967)
* Photo-Electric Switchgear (1967)
* Time and News 1967 (1967)
* Title Equals Text (1967)
* Map to Not Indicate... (1967 (1991))
* 100% Abstract (1967-68)
*
 
==== Essays ====
Michael Baldwin
 
* Remarks on Air-Conditioning: An Extravaganza of Blandness (November 1967, Arts Magazine)
** Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro and Stimson)
 
==== Exhibitions ====


|-
* 1967: Hardware Show (Architectural Association, London, UK)
| 1967
* 1968: Dematerialisation Show (Ikon Gallery, UK)
|| Potato Print Model 1
* 1968: VAT 68 (The Herbert Art Gallery, UK)
|
|| Lithography on paper
|| 52 × 67.5 cm
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1 Artsy]


|-
=== 1969-1970: "Insular" phase ===
| 1967
1969: Joined by Joseph Kosuth, Ian Burn, Mel Ramsden (NY)
|| Map Not to Indicate
 
|
Art-Language issues 1 - 3
||
 
* May 1969: ''[[Art-Language Vol. 1 No. 1]]''
||
* February 1970: ''[[Art-Language Vol. 1 No. 2]]''
* June 1970: ''[[Art-Language Vol. 1 No. 3]]''
||
 
|-
==== Essays ====
|1967
Charles Harrison
|Studies for a Secret Painting
 
|
* Against Precedents (September 1969, Studio International) [https://archive.studiointernational.com/SI1969/september/vol178-no914.html#p=90 Full article]
|
* On Exhibitions and the World at Large (December 1969, Studio International) [https://archive.studiointernational.com/SI1969/december/vol178-no917.html#p=202 Full article]
|
 
|
Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell
|-
 
| 1967-1968
* Status and Priority (January 1970, Studio International) [https://archive.studiointernational.com/SI1970/january/vol179-no918.html#p=28 Full article]
|| Secret Painting
Joseph Kosuth
|
 
||
* Art After Philosophy (1969)
** Michel Claura, “Conceptual Misconceptions,” Studio International, 179:918 (January 1970), pp. 5–6
||
** Dore Ashton, “Kosuth: The Facts,” Studio International, 179:919 (February 1970), p. 44
** Joseph Kosuth, “Kosuth Replies to Claura,” Studio International, 179:919 (February 1970), p. 44
||
** Joseph Kosuth, “An Answer to Criticisms,” Studio International, 179:923 (June 1970), p. 245
|-
** Barbara Reise, “Joseph Kosuth,” Studio International, 180:925 (September 1970), p. 71
|1967-1968
 
|Geology
Exhibitions
|
 
|
* 1969: Art & Language (Pinacotheca Gallery, Melbourne, AU)
|
 
|
=== 1970-1971: "Transitional" phase ===
|-
1971: Joined by Charles Harrison, Philip Pilkington, David Rushton, Lynn Lemaster, Sandra Harrison, Graham Howard, Paul Wood (UK)
|1967-1968
 
|Guaranteed Painting
1971: Joined by Michael Corris (NY)
|
 
|
Pause in the group's publishing history(?)
|
 
|
Art Theory Course
|-
 
| 1968
* Natural Reason [Notes for a seminar at Coventry] (1971) 6pp.
|| 100% Abstract
** "These are no more (and no less than notes made in preparation for a seminar at the art school in Coventry. The Art Theory course there was regarded by the authorities as an unwelcome experiment. The seminar itself was concerned with examining a political and social theory which had long been natural to art institutions of all shapes and sizes. The theory, grown in the philosophical tradition of Hobbes and Locke holds that all individuals are their own proprietors — that each person holds his or her own body and capacities as a kind of private property. The theory is, of course, fundamental to the development and continuation of capitalism. It is also fundamental to certain notions of personal autonomy, notions that were often among the unchallengeable motifs of artistic authorship and authenticity. These seminars and many others were, for a short time at least, regarded as the real substance of the artistic work of Art & Language."
|
 
||
Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)
||
||


|}
* July 1971: ''[[Analytical Art No. 1]]''
=== Art & Language ===
?


{| class="wikitable"
* Swift Reference Case (1971)
! Year
 
!Title
=== 1972-1973: "Pluralistic" phase ===
!
 
!Materials
* Index 01 (1972)
!Dimensions
!Link


|-
Art-Language
| 1968
|| M 1:2
|
|| Lithography on paper
|| 50.6 × 62.2 cm
|| [https://www.artsy.net/artwork/art-and-language-m-1-2 Artsy]


|-
* November 1971: ''[[Art-Language Vol. 1 No. 4]]''
| 1971-1972
* February 1972: ''[[Art-Language Vol. 2 No. 1]]''
|| Poster for Air-Conditioning Show
* Summer 1972: ''[[Art-Language Vol. 2 No. 2]]''
|
* September 1973: ''[[Art-Language Vol. 2 No. 3]]''
||
||
||


|-
Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)
| 1972
 
|| Alternate Map for Documenta / Documenta Memorandum
* June 1972: ''[[Analytical Art No. 2]]''
|
 
|| Offset lithograph newsprint
=== 1973-1976 ===
?: Joined by Paula Ramsden, Mayo Thompson, Christine Koslov, Preston Heller, Andrew Menard, Kathryn Bigelow
|| 72.2 × 50.6 cm
 
1974: Terry Atkinson leaves
|| [https://www.artsy.net/artwork/art-and-language-alternate-map-for-documenta-slash-documenta-memorandum Artsy]
 
Art & Language (UK) (Michael Baldwin, Philip Pilkington)
 
* June 1974: ''[[Art-Language Vol. 2 No. 4]]''
* May 1975: ''[[Art-Language Vol. 3 No. 2]]''
 
Art & Language (New York) (Ian Burn, Mel Ramsden, and Terry Smith)
 
* September 1974: ''[[Art-Language Vol. 3 No. 1|Art-Language Vol. 3 No. 1: Draft for an Anti-Textbook]]''
* March 1975: ''[[The Fox No. 1|The Fox 1]]''
* Fall 1975: ''[[The Fox No. 2|The Fox 2]]''
* Michael Corris - Inside a New York Art Gang: Selected Documents of Art & Language, New York
** Document I, April 1975
** Document II, 1975
** Document III, 1975
** Document IV, December 1975: on picketing the Whitney
** Document V, 1975-76: questionnaire" for [[Red Faces|''Red Faces'']]
** Document VI, 1975
** Document VII, March 1976
** Document VIII, August 1976: red banner at La Biennale di Venezia
** Document IX, 1976
** Document X, 1976: ''Organization: A Working Paper''


|-
September 1975: ''[[Art & Language 1966-1975]]''
| 1974
|| Index 02 (Bxal): Indexical Fragments 6
|
||
||
||


|-
(Provisional) Art & Language
| 1975
 
|| Shouting Men
* May 1976: ''[[The Fox No. 3|The Fox 3]]''
|
* June 1976: ''[[Corrected Slogans|Music Language: Corrected Slogans]]''
||
* June 1976: ''[[Art-Language Vol. 3 No. 3]]''
* October 1976: ''[[Art-Language Vol. 3 No. 4|Art-Language Vol. 3 No. 4: Fox 4]]''Early 1977
||
 
* Ian Burn, Terry Smith, Nigel Lendon moved to Australia
|| [https://www.artsy.net/artwork/art-and-language-shouting-men-detail Artsy]
* Mel, Paula and Anne Ramsden, Mayo Thompson and Christine Kozlov moved to the UK
|-
 
|1975
==== Essays ====
|Dialectical Materialism (Dark Green)
Terry Smith
|
 
|
* Art and Art & Language (February 1974, Artforum)
|
** Republished in ''One and Five Ideas'' (2017)
|
 
|-
Ian Burn
|1973-1976
 
|Music-Language: [[Corrected Slogans]]
* The Art Market: Affluence and Degradation (April 1975, Artforum) [https://www.artforum.com/print/197504/the-art-market-affluence-and-degradation-37325 Full article]
|(P) A&L
?
|Vinyl record
 
* Notes on Duchamp's ''Bottle Rack'' (c. 1975)
 
=== 1977- ===
Art-Language
 
* May 1977: ''[[Art-Language Vol. 4 No. 1]]''
* October 1977: ''[[Art-Language Vol. 4 No. 2]]''
* October 1978: ''[[Art-Language Vol. 4 No. 3|Art-Language Vol. 4 No. 3: Ways of Seeing]]''
* June 1980: ''[[Art-Language Vol. 4 No. 4]]''
* October 1982: ''[[Art-Language Vol. 5 No. 1]]''
Essays
 
* “Remembering Conceptual Art,” delivered by Art & Language to the conference “Who’s Afraid of Conceptual Art” (19 March 1995, Institute of Contemporary Arts, London), pp. 9–10.
 
== Works/projects ==
 
=== 1965-1968: Pre-Art & Language ===
 
*
 
=== 1969-1976: Art & Language group ===
 
* {{RLink|A-L}}
* Art Theory Course
* Index 001
* Index 002 (Bxal)
* Index 003
* Shouting Men
* Dialectical Materialism
* {{RLink|Corrected}}
* {{RLink|Nine}}
* School
 
=== 1977-present: Art & Language duo ===
 
* Ten Postcards
* [[Ten Posters: Illustrations for Art-Language]]
* Ils donnent leur sang donnez votre travail
* Ten Illustrations for 'Radical Philosophy'
* {{RLink|Portraits}}
* Gustave Courbet’s ‘Burial at Ornans’
* [[Index: The Studio at 3 Wesley Place]]
* {{RLink|Victorine}}
* Study for Impressionism Returning Sometime in the Future
* Index: Incident in a Museum
* Unit Cure, Unit Ground
* {{RLink|Hostage}}
 
=== 1990s ===
 
* Hello, How Are You?
* {{RLink|Paints}}
* Exit (Now They Are)
* 3 Maps
* Portrait of an Artist
* Index: Wrongs Healed in Official Hope
* Lovely Slang
* Sighs Trapped by Liars
 
=== 2000s ===
 
* Down to the Stone
* Homes from Homes
* Thirty Studies for a Luhmann Memorial
* {{RLink|Karaoke}}
* No Secret Painting
* Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
* Qui Pourra
* French Painting by Mouth
* Portraits and a Dream
 
=== 2010s ===
 
* [[Letters to the Jackson Pollock Bar]]
* {{RLink|Letters}}
* {{RLink|LettersRK}}
* Nobody Spoke
* Sea Ghost
* Now They Are
* Not That it is Needed Now
* Lovely Hostage
* Nobody Spoke Again
* Flags for Organisations II
* A Bad Place
* [[10 Posters]]
* A Shadow on the Tongue
 
=== 2020s ===
 
* Flag
 
== Bibliography ==
 
=== Works ===
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|UK}}
|1967
|
|
|''Frameworks - Art Conditioning''
|20
|Art & Language Press
|Edition of 200
|-
|{{flagdeco|UK}}
|1967
|
|
|''Hot-Cold''
|99
|Art & Language Press
|Edition of 200
|-
|-
|1976
|Music-Language: [[Nine Gross and Conspicuous Errors]]
|(P) A&L
|Video. 23min
|
|
|1967
|
|''Declaration Propositions''
|42
|
|
|Edition of 50
|-
|-
| 1977
|{{flagdeco|CH}}
|| Ten Postcards
|1967
|
|
|| Lithograph on paper
|''Notes on Time Show 1966-67''
|16
|| 20.3 × 76.5 cm
|Edition Bischoffberger
|
|| [https://www.tate.org.uk/art/artworks/art-language-ten-postcards-p08005 Tate]
|-
 
|{{flagdeco|CH}}
|1967
|
|Notes typography for textbook or encyclopaedia from 1965 -1966
|64
|Edition Bischoffberger
|Edition of 200
|-
|{{flagdeco|CH}}
|1968
|
|''Geology 1967-68''
|8
|Edition Bischoffberger
|Edition of 200
|-
|-
| 1977
|{{flagdeco|UK}}
|| Ten Posters: Illustrations for Art-Language
|1968
|
|
||
|''22 Sentences: The French Army''
|48
||
|Art & Language Press
|Edition of 200
||
 
|-
|-
| 1977
|{{flagdeco|US}}
|| Study for 'Ils donnent leur sang donnez votre travail'
|1969
|
|
|| Gouache and pencil on paper
|''Six Negatives''
|
|| 53.4 × 106.5 cm
|The Society for Theoretical Art
|
|| [https://www.artsy.net/artwork/art-and-language-study-for-ils-donnent-leur-sang-donnez-votre-travail Artsy]
 
|}
=== Art & Language as a duo ===
[[Michael Baldwin]] & [[Mel Ramsden]]
{| class="wikitable"
! Year
!Title
!Materials
!Dimensions
!Link
 
|-
|-
| 1978
|{{flagdeco|CH}}
|| The Key of Dreams
|1969
|| Acrylic on paper
|
|| 140 × 100 cm
|''Introduction to Discourse''
|15
|| [https://www.art-language.org/page/f/225.htm A-L]
|Edition Bischoffberger
|
|-
|-
|1978
|{{flagdeco|UK}}
|Ten Illustrations for 'Radical Philosophy'
|1970
|
|
|''Statements January 1970''
|44
|Analytical art
|Edition of 100
|-
|{{flagdeco|US}}
|1971
|
|
|''Theories of Ethics''
|
|
|New York Cultural Center
|Edition of 200
|-
|-
| 1980
|{{flagdeco|UK}}
|| Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III
|1971
||  
|
|''Authorship''
|| 242.4 × 213.4 cm
|13
|
|| [https://www.tate.org.uk/art/artworks/art-language-portrait-of-v-i-lenin-with-cap-in-the-style-of-jackson-pollock-iii-t12406 Tate]
|
 
|-
|{{flagdeco|UK}}
|1971
|
|''Olivet Discourse''
|44
|Art-Language Press
|Edition of 40
|-
|{{flagdeco|US}}
|1971
|
|''First edition limited, one hundred copies; subscription (per annum)''
|97
|
|Edition of 100
|-
|{{flagdeco|US}}
|1971
|
|''Handbook to 'Ingot'''
|42
|New York Cultural Center
|
|-
|-
| 1980
|{{flagdeco|US}}
|| Portrait of V.I. Lenin in the Style of Jackson Pollock V
|| Enamel on canvas
|| 239 × 210 cm
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-v Artsy]


{{flagdeco|CA}}
|1973
|
|''Blurting in A & L''
|
|Art & Language Press
The Mezzanine
|
|-
|-
| 1980
|{{flagdeco|UK}}
|| Portrait of V.I. Lenin in the Style of Jackson Pollock VII
|1973
|| Enamel on canvas mounted on board
|
|''A 001 transcription - 21.5.73''
|| 105 × 100 cm
|48
|
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-vii Artsy]
|
|-
|{{flagdeco|UK}}
|1974
|
|''Threshold Agreement''
|36
|Oriel Gallery
|
|}


=== Essay collections ===
Main article: [[Art-Language]]
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|DE}}
|1972
|[[File:A-L-Texte-zum-Phanomen-front.jpg|center|frameless|50x50px]]
|[[Art & Language: Texte zum Phänomen Kunst und Sprache|''Art & Language: Texte zum Phänomen Kunst und Sprache'']] (1966-72)
|347
|Verlag Dumont-Schauberg
|German/English
|-
|{{flagdeco|FR}}
|1978
|[[File:AL-1975-1978-front.jpg|center|frameless|49x49px]]
|[[Art & Language 1975-78|''Art & Language'']] (1975-78)
|257
|Eric Fabre, Paris
|French/English
|-
|-
| 1980
|{{flagdeco|NL}}
|| Portrait of V.I Lenin in the Style of Jackson Pollock VIII
|1980
|| Ink on paper
|[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|center|frameless|50x50px]]
|''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1967-80)
||  
|414
|Van Abbemuseum, Eindhoven
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-viii Artsy]
|English/Dutch<ref name=":2" />
|-
|{{flagdeco|UK}}
|2005
|[[File:AL-Writings-2005-front.jpg|center|frameless|51x51px]]
|''[[Art & Language: Writings]]'' (1980-2002)
|299
|Lisson Gallery
|English
|-
|{{flagdeco|US}}
|2007
|[[File:AL-Albert-Joan-Sinbad.jpg|center|frameless|50x50px]]
|''[[Albert, Joan and Sinbad]]''
|84
|White Wine Press
|English/Spanish
|}


=== Charles Harrison on Art & Language ===
{| class="wikitable"
!Year
!
!Title
!pp.
!Notes
|-
|-
| 1980
|1982
|| Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III
|[[File:AL-Provisional-History-front.jpg|center|frameless|41x41px]]
|| Enamel paint on canvas mounted on wooden panel
|[[A Provisional History of Art & Language|''A Provisional History of Art & Language'']] (with Fred Orton)
|89
|| 105 × 100 cm
|<ref>https://unoriginalsins.co.uk/product/a-provisional-history-of-art-language-charles-harrisons-own-copy/</ref>
|-
|| [https://www.phillips.com/detail/art-language/UK010311/175 Philips]
|1991
|[[File:Essays-on-AL-front.jpg|center|frameless|55x55px]]
|[[Essays on Art & Language|''Essays on Art & Language'']]
|302
|<ref>https://archive.org/details/essaysonartlangu0000harr</ref>
|-
|2001
|
|[[Conceptual Art and Painting: Further Essays on Art & Language|''Conceptual Art and Painting: Further Essays on Art & Language'']]
|234
|<ref>https://archive.org/details/conceptualartpai0000char/</ref>
|}


=== Exhibition catalogs ===
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|-
| 1981
|{{flagdeco|CH}}
|| Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling
|1969
|| Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric
|
|''Art & Language: Catalogue Raisonné. November 1965 - February 1969''
|| 324 × 699 × 5 cm
|38
|Galerie Bischofberger, Zurich
|| [https://www.tate.org.uk/art/artworks/art-language-gustave-courbets-burial-at-ornans-expressing-a-sensuous-affection-expressing-t03453 Tate]
|<ref>https://web.archive.org/web/20010512095317/http://members.tripod.de/ThomasDreher/3_Konzeptkunst_Art_Lang.html</ref>
 
|-
|-
| 1981-1982
|{{flagdeco|CH}}
|| Index: The Studio at 3 Wesley Place
|1974
|| Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam
|[[File:AL-catalog-1974-Luzern-front.jpg|center|frameless|49x49px]]
|''Art & Language''
|| 76.2 × 162.3 cm
|42
|Kunstmuseum, Luzern
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-t03804 Tate]
|German/English<ref>https://www.printedmatter.org/catalog/tables/13/12925</ref><ref>https://specificobject.com/objects/info.cfm?inventory_id=5933&object_id=5871</ref>
 
|-
|-
| 1982
|{{flagdeco|UK}}
|| Index: The Studio at 3 Wesley Place, Executed by Mouth (II)
|1975
|| Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam
|[[File:AL-1966-1975-front.png|center|frameless|50x50px]]
|''[[Art & Language 1966-1975]]''
|| 97.5 × 210 cm
|51
|Museum of Modern Art, Oxford
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-executed-by-mouth-ii-t03802 Tate]
|
 
|-
|-
| 1982
|
|| Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI)
|1975
|| Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam
|[[File:AL-Australia-1975-front.png|center|frameless|56x56px]]
|''Art & Language: Australia 1975''
|| 78.4 × 162.7 cm
|229
|National Gallery of Victoria
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-iv-and-illuminated-by-an-t03801 Tate]
|<ref>https://espace.library.uq.edu.au/view/UQ:379140</ref>
 
|-
|-
| 1982
|{{flagdeco|NL}}
|| Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby
|1980
|| Photograph mounted on sandwich of paper and plastic foam
|[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|center|frameless|50x50px]]
|''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]''
|| 106.7 × 160.3 cm
|414
|Van Abbemuseum, Eindhoven
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-vi-illuminated-by-an-explosion-nearby-t03803 Tate]
|English/Dutch<ref name=":2">https://specificobject.com/objects/info.cfm?object_id=15741</ref>
 
|-
|-
| 1982
|{{flagdeco|FR}}
|| Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV)
|1981
|| Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam
|
|''Portrait de V.I. Lenine''
|| 79.7 × 168 cm
|
|Editions Eric Fabre, Paris
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-vi-showing-the-position-of-t03800 Tate]
|
 
|-
|{{flagdeco|NL}}
|1982
|
|''Art & Language: Index: Studio at 3 Wesley Place Painted by Mouth''
|24
|De Vleeshal, Middelburg
|English/Dutch
|-
|-
| 1984
|{{flagdeco|FR}}
|| Study for Impressionism Returning Sometime in the Future
|1982
|| Pencil and acrylic on paper
|
|| 107 × 168 cm
|''Art & Language''
|
|| [https://www.art-language.org/page/f/222.htm A-L]
|Musée d'Arte Moderne, Toulon
 
|French/English
|-
|-
| 1983
|{{flagdeco|UK}}
|| Study for Impressionism Returning Sometime in the Future III
|1983
|| Pencil and acrylic on paper
|[[File:A-L-catalog-1983-Ikon-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|| 99.1 × 139.7 cm
|
|Ikon Gallery, Birmingham
|| [https://www.artsy.net/artwork/art-and-language-study-for-impressionism-returning-sometime-in-the-future-iii Artsy]
|
 
|-
|-
| 1985-1986
|{{flagdeco|US}}
|| Index: Incident in a Museum II
|1983
|| Oil and acrylic painting on canvas
|[[File:A-L-catalog-1983-ICA-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|| 174 × 271 cm
|48
|Los Angeles Institute of Contemporary Arts
||
|
 
|-
|-
| 1985
|{{flagdeco|UK}}
|| Index: Incident in a Museum III
|1986
|| Alogram and oil on canvas on plywood
|
|''Art & Language: Confessions: Incidents in a Museum''
|| 174 × 271 cm
|
|Lisson Gallery, London
||
|
 
|-
|-
| 1985
|{{flagdeco|UK}}
|| Index: Incident in a Museum IV
|1987
|| Alogram and oil on canvas
|
|''Art & Language: The Paintings''
|| 174 × 271 cm
|
|
||
|
 
|-
|-
| 1985
|{{flagdeco|UK}}
|| Index: Incident in a Museum V
|1988
|| Alogram and oil on canvas
|
|''Art & Language: Hostages''
|| 174 × 271 cm
|
|Lisson Gallery, London
||  
|''[[Hostage]]''
 
|-
|
|1991
|[[File:A-L-catalog-1991-Hostages-XXV-LXXVI.jpg|center|frameless|50x50px]]
|''Hostages XXIV - XXXV''
|
|
|''[[Hostage]]''
|-
|{{flagdeco|BE}}
|1992
|[[File:AL-catalog-1992-Now-They-Are-front.png|center|frameless|46x46px]]
|''Art & Language: Now They Are''
|104
|Isy Brachot Gallery, Brussels
|French/English
|-
|-
| 1986
|{{flagdeco|FR}}
|| Index: Incident in a Museum VI
|1993
|| Oil on canvas on plywood
|[[File:A-L-catalog-1993-Galerie-Nationale-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|| 174 × 271 cm
|162
|Galerie Nationale Du Jeu De Paume, Paris
||
|French/English
 
|-
|-
| 1986
|{{flagdeco|DE}}
|| Index: Incident in a Museum VII
|1997
|| Alogram and oil on canvas
|
|''[[Art & Language & Luhmann]]''
|| 174 × 271 cm
|232
|Passagen Kunst
||
|German/English
 
|-
|-
| 1986
|{{flagdeco|ES}}
|| Index: Incident in a Museum VIII
|1999
|| Alogram and oil on canvas
|[[File:AL-in-Practice-Vol-1-front.jpg|center|frameless|50x50px]]
|''[[Art & Language in Practice Vol. 1]]''
|| 174 × 271 cm
|299
|Fundació Antoni Tapiès, Barcelona
||
|
 
|-
|-
| 1986
|{{flagdeco|ES}}
|| Index: Incident in a Museum IX
|1999
|| Alogram and oil on canvas
|[[File:AL-in-Practice-Vol-2-front.jpg|center|frameless|50x50px]]
|''[[Art & Language in Practice Vol. 2]]''
|| 174 × 271 cm
|276
|Fundació Antoni Tapiès, Barcelona
||
|Catalan/English
 
|-
|-
| 1986
|{{flagdeco|FR}}
|| Index: Incident in a Museum X
|2002
|| Alogram and oil on canvas
|[[File:A-L-catalog-2002-Too-Dark-to-Read-front.jpg|center|frameless|47x47px]]
|''[[Art & Language: Too Dark to Read: Motifs Rétrospectifs 2002-1965]]''
|| 174 × 271 cm
|276
|Musée d'art moderne Lille Métropole, Villeneuve-d'Ascq
||
|French/English
 
|-
|-
| 1986
|{{flagdeco|ES}}
|| Index: Incident in a Museum XI
|2004
|| Alogram and oil on canvas
|
|''Art & Language''
|| 174 × 271 cm
|123
|CAC Málaga
||
|Spanish
 
|-
|-
| 1986
|{{flagdeco|CH}}
|| Index: Incident in a Museum XII
|2006
|| Alogram and oil on canvas
|
|''Homes for Homes II''
|| 243 × 379 cm
|272
|Migros Museum für Gegenwartskunst, Zurich
||
|English/German
 
|-
|-
| 1986
|{{flagdeco|NL}}
|| Index: Incident in a Museum XIII
|2008
|| Alogram and oil on canvas on plywood
|
|''A&L''
|| 174 × 271 cm
|245
|Mulier Mulier
||
|
 
|-
|-
| 1986
|
|| Index: Incident in a Museum (Madison Avenue) XIV
|2008
|| Alogram and oil on canvas on plywood
|
|''Art & Language: Brouillages / Blurrings. Dessins/Works on paper 1965-2008''
|| 174 × 271 cm
|
|Galerie Thaddaeus Ropac
||  
|
 
|-
|
|2011
|
|''Art & Language: Badges''
|
|
|
|-
|-
| 1986
|{{flagdeco|NL}}
|| Index: Incident in a Museum XV
|2013
|| Alogram and oil on canvas
|
|''Art & Language: Portraits of President Barack Obama in the Style of Jackson Pollock''
|| 243 × 379 cm
|88
|Mulier Mulier
||
|Dutch/English
 
|-
|-
| 1986
|{{flagdeco|ES}}
|| Index: Incident in a Museum XVI
|2014
|| Alogram and oil on canvas on plywood
|[[File:AL-Uncompleted-Philippe-Meaille-Collection-front.jpg|center|frameless|48x48px]]
|''[[Art & Language Uncompleted: The Philippe Méaille Collection]]''
|| 243 × 379 cm
|264
|MACBA
||  
|
 
|-
|{{flagdeco|ES}}
|2014
|
|''<nowiki/>'Landscape with St George Delivered at Night'''
|46
|MACBA
|<ref>https://www.macba.cat/en/learn-explore/publications/landscape-st-george-delivered-night</ref>
|-
|-
| 1987
|
|| Index: Incident in a Museum XVII
|2014
|| Alogram and oil on canvas
|
|''Nobody Spoke''
|| 271 × 379 cm
|
|
||
|
 
|-
|-
| 1987
|{{flagdeco|CH}}
|| Index: Incident in a Museum XVIII
|2015
|| Oil on canvas
|[[File:AL-catalog-2015-Made-in-Zurich-front.jpg|center|frameless|43x43px]]
|''Art and Language: Made in Zurich – Selected Editions 1965-1972''
|| 174 × 271 cm
|109
|Editions Bernard Jordan
||
|English/German/French
 
|-
|-
| 1987
|{{flagdeco|NL}}
|| Index: Incident in a Museum XIX
|2016
|| Alogram and oil on canvas on plywood
|
|''A&L: Not That It Is Needed Now''
|| 174 × 271 cm
|
|Mulier Mulier
|| [https://www.tate.org.uk/art/artworks/art-language-index-incident-in-a-museum-xix-t13894 Tate]
|
 
|-
|-
| 1987
|{{flagdeco|FR}}
|| Index: Incident in a Museum XX
|2016
|| Alogram and oil on canvas
|[[File:A-L-Entretien-avec-Victorine-Meurend-front.jpg|center|frameless|50x50px]]
|''[[Art & Language: Interview with Victorine Meurend|Art & Language: entretien avec Victorine Meurend]]''
|| 174 × 271 cm
|30
|Château de Montsoreau-Musée d’art contemporain
||  
|French/English<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-entretien-avec-victorine-meurend/</ref>
 
|-
|-
| 1987
|{{flagdeco|FR}}
|| Index: Incident in a Museum XXI
|2018
|| Photography and oil on canvas on plywood
|[[File:A-L-book-Reality-Dark-Fragments-Light-front.jpg|center|frameless|50x50px]]
|''[[Reality (Dark) Fragments (Light)]]''
|| 234 × 379 cm
|176
|Château de Montsoreau-Musée d’art contemporain
||
|French/English<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-reality-dark-fragments-light-2/</ref><ref>https://www.lespressesdureel.com/ouvrage.php?id=6911&menu=</ref>
|}


=== On Art & Language ===
{| class="wikitable"
!Year
!Type
!Author
!Title
!pp.
!Notes
|-
|-
| 1986
|1976
|| Index: Incident in a Museum XXII (The decade, 2003 -2013)
|thesis
|| Alogram and oil on canvas on plywood
|David Brian Mitchell
|''The Art & Language Group: 1966 to 1973''
||
|138
|<ref>https://open.library.ubc.ca/media/download/pdf/831/1.0107092/1</ref>
||
 
|-
|-
| 1987
|1992
|| Index: Incident in a Museum XXV
|thesis
||
|William Wood
|''We are a Cell Aren't We?: Art & Language and the Documenta Index''
|| 174 × 271 cm
|
|<ref>https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0086655</ref>
||
 
|-
|-
| 1987
|2010
|| Unit Cure, Unit Ground X
|book
|| Acrylic on paper
|Nika Radić
|''Art und Language und die konzeptuelle Kunst''
|| 101.3 × 137 cm
|176
|
|| [https://www.artsy.net/artwork/art-and-language-unit-cure-unit-ground-x Artsy]
 
|-
|-
| 1989
|2011
|| Hostage XIII (3)
|thesis
|| Oil on canvas
|Miguel Carneiro Nogueira Ferrão
|''A Conversa e o Relato Enquanto Possibilidades do Comum, a Partir De We Aim to Be Amateurs (Art & Language, 1997)''
|| 147 × 152.3 cm
|
|
|| [https://www.artsy.net/artwork/art-and-language-hostage-xiii-3 Artsy]
|-
|2012
|thesis
|Robert Bailey
|''Art & Language and the Politics of Art Worlds, 1969-1977''
|
|<ref>http://d-scholarship.pitt.edu/11494/1/ETD_Template_Robert__Bailey.pdf</ref>
|-
|2012
|thesis
|Raoul Noortmann
|''Art-Language: A Reaction to the Dematerialization of Art''
|73
|<ref>https://studenttheses.uu.nl/bitstream/handle/20.500.12932/10181/Thesis_Raoul_Noortmann.pdf</ref>
|-
|2012
|book
|Christian Matthiessen
|''OTMA & LUNL (On Tour mit Art & Language und Niklas Luhmann): Ein Theorie Roman in the Style of the Jackson Pollock Bar''
|160
|<ref>https://www.macba.cat/en/aprendre-investigar/arxiu/tour-mit-art-language-und-niklas-luhmann-ein-theorie-roman-style-jackson</ref><ref>https://www.kulturverlag-kadmos.de/programm/details/otma-lunl</ref>
|-
|-
|1990
|2016
|Surf 76
|book
|Robert Bailey
|''Art & Language International: Conceptual Art Between Art Worlds''
|
|
|
|
|-
|2016
|thesis
|Mark Dennis
|''Strategic Anomalies: Art & Language in the Art School 1969-1979''
|
|
|<ref>https://pureportal.coventry.ac.uk/en/studentTheses/strategic-anomalies-art-language-in-the-art-school-1969-1979</ref>
|-
|-
| 1990
|2018
|| Hostage LXXIII
|thesis
|| Glass, oil on canvas on wood
|Louisa Lee
|''Discursive Sites: Text-Based Conceptual Art Practice in Britain''
|| 214 × 142.5 cm
|
|<ref>https://etheses.whiterose.ac.uk/23145/1/LOUISA%20LEE%20PHD%20FINAL%20MARCH%204%202019.pdf</ref>
|| Artsy
|}


=== Articles ===
{| class="wikitable"
!
!Year
!
!Title
!Publication
!Notes
|-
|-
| 1990
|
|| Study for Hostage 48
|November 1967
|| Acrylic, ink and pencil on paper
|
|Remarks on Art-Conditioning
|| 127 × 88.9 cm
|Arts Magazine
|
|| Artsy
|-
|{{flagdeco|UK}}
|September 1969
|[[Charles Harrison]]
|Against Precedents
|Studio International
|[https://archive.studiointernational.com/SI1969/september/vol178-no914.html#p=90 Full article]
|-
|{{flagdeco|UK}}
|December 1969
|[[Charles Harrison]]
|On Exhibitions and the World at Large
|Studio International
|[https://archive.studiointernational.com/SI1969/december/vol178-no917.html#p=202 Full article]
|-
|{{flagdeco|UK}}
|January 1970
|Terry Atkinson
 
[[Michael Baldwin]]
 
David Bainbridge


Harold Hurrell
|Status and Priority
|Studio International
|[https://archive.studiointernational.com/SI1970/january/vol179-no918.html#p=28 Full article]
|-
|-
| 1990
|{{flagdeco|UK}}
|| Study for Hostage 60
|February 1970
|| Acrylic, ink and pencil on paper
|[[Charles Harrison]]
|Notes towards Art Work
|| 130 × 90 cm
|Studio International
|[https://archive.studiointernational.com/SI1970/february/vol179-no919.html#p=42 Full article]
|| Artsy
|-
|{{flagdeco|UK}}
|July-August 1970
|Terry Atkinson
 
David Bainbridge


|-
[[Michael Baldwin]]
| 1990
|| Hostage LX
|| Oil on canvas on wood with glass
|| 214 × 142.5
|| Lisson Gallery


Harold Hurrell
|Lecher System
|Studio International
|[https://archive.studiointernational.com/SI1970/july-august/vol180-no924.html#p=26 Full article]
|-
|-
| 1990
|{{flagdeco|UK}}
|| Study for Hostage 65
|November 1970
|| Acrylic, ink and pencil on paper
|[[Charles Harrison]]
|A Very Abstract Context
|| 127.5 × 88 cm
|Studio International
|[https://archive.studiointernational.com/SI1970/november/vol180-no927.html#p=194 Full article]
|| Artsy
|-
|{{flagdeco|UK}}
|May 1971
|[[Charles Harrison]]
|Virgin Soils and Old Land (Introduction to 'The British Avant-Garde'
|Studio International
|[https://archive.studiointernational.com/SI1971/may/vol181-no933.html#p=201 Full article]
|-
|{{flagdeco|UK}}
|May 1971
|Terry Atkinson


[[Michael Baldwin]]
|De Legibus Naturae
|Studio International
|[https://archive.studiointernational.com/SI1971/may/vol181-no933.html#p=226 Full article]
|-
|-
| 1991
|{{flagdeco|UK}}
|| Study for Hostage 79
|October 1971
|| Acrylic, ink and pencil on paper
|Ian Burn
|| 130 × 90 cm
|| Artsy


[[Mel Ramsden]]
|A Question of Epistemic Adequacy
|Studio International
|[https://archive.studiointernational.com/SI1971/october/vol183-no937.html#p=132 Full article]
|-
|-
| 1991
|{{flagdeco|UK}}
|| Hostage LXXIX
|October 1971
|| Glass, oil on canvas on wood
|Philip Pilkington
 
|| 214 × 142.5
Kevin Lole
 
|| Lisson Gallery
David Rushton
 
[[Charles Harrison]]
|Some Concerns in Fine Art Education
|Studio International
|[https://archive.studiointernational.com/SI1971/october/vol183-no937.html#p=120 Full article]
|-
|-
|1992
|{{flagdeco|UK}}
|Hello, How Are You?
|November 1971
|Linda Morris
 
Digby Jacks
 
[[Charles Harrison]]
|Some Concerns in Fine Art Education II
|Studio International
|[https://archive.studiointernational.com/SI1971/november/vol182-no938.html#p=168 Full article]
|-
|{{flagdeco|UK}}
|April 1972
|Terry Atkinson
 
[[Michael Baldwin]]
|Some Post-War American Work and Art & Language: Ideological Responsiveness
|Studio International
|[https://archive.studiointernational.com/SI1972/april/vol183-no943.html#p=164 Full article]
|-
|{{flagdeco|UK}}
|May 1972
|[[Charles Harrison]]
|Educating Artists
|Studio International
|[https://archive.studiointernational.com/SI1972/may/vol183-no944.html#p=222 Full article]
|-
|{{flagdeco|UK}}
|June 1972
|[[Charles Harrison]]
|Art & Language Press
|Studio International
|[https://archive.studiointernational.com/SI1972/june/vol183-no945.html#p=234 Full article]
|-
|{{flagdeco|UK}}
|June 1972
|
|Forget the Paintings
|Studio International
|
|
|-
|{{flagdeco|UK}}
|November 1972
|Harold Hurrell
|Art and Terminology
|Studio International
|[https://archive.studiointernational.com/SI1972/november/vol184-no949.html#p=160 Full article]
|-
|{{flagdeco|DE}}
|1972
|
|
|Selected essays by Art & Language
|über Kunst
|
|
|-
|-
| 1992
|{{flagdeco|UK}}
|| [[Art Language Paints a Picture|Art &amp; Language Paints a Picture]]
|January 1973
|| text
|Kevin Lole
||
||


|-
Philip Pilkington
| 1992
|| Exit (Now They Are) 2
|| Oil pastel on tracing paper and paper
|| 136 × 100.5 cm
|| Phillips


David Rushton
|Possible Models for Propositional Attitudes
|Studio International
|[https://archive.studiointernational.com/SI1973/january/vol185-no951.html#p=29 Full article]
|-
|-
| 1992
|
|| 3 Maps
|1973
|| Set of 3 boxed jigsaws
|
|Proceedings
|| 5 × 24.5 × 32.5 cm
|Audio Arts, no.1
|audio
|| Artsy
|-
|-
|1995
|{{flagdeco|US}}
|Portrait of an Artist
|September 1973
|
|
|Letter to Artforum
|Artforum
|[https://www.artforum.com/print/197307/letters-70105 Full article]
|-
|{{flagdeco|BE}}
|1973
|
|
|Art and its Cultural Context
|Deurle 11/7/'73
|
|
|-
|-
| 1995
|{{flagdeco|UK}}
|| Study for Background, Incident, Foreground II
|June 1973
|| Acrylic on paper
|
|The Problem of Context
|| 128 × 92 cm
|Frameworks Journal
|
|| Phillips
|-
|-
|1998-1999
|{{flagdeco|DE}}
|Index: Wrongs Healed in Official Hope
|1973
|
|Artworks and Explications
|Joseph Kosuth: Investigations über Kunst und Problemkreise
|
|
|-
|{{flagdeco|US}}
|February 1974
|Terry Smith
|Art and Art and Language
|Artforum
|[https://www.artforum.com/print/197402/art-and-art-and-language-37381 Full article]
|-
|{{flagdeco|DE}}
|October 1974
|
|
|Dialectical Materialism
|Extra, no. 2
|
|
|-
|-
| 1999
|
|| Lovely Slang V
|February-March 1977
|| Glass over oil and mixed media on canvas laid on wood
|
|Us, Us and Away
|| 59.5 × 42.5 cm
|Data
|
|| Phillips
 
|-
|-
| 1999
|{{flagdeco|UK}}
|| Art &amp; Language Paints a Picture: A Picture Painted by Actors
|1977
|| Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media
|
|Nous ne donnons pas notre Travail
||
|Newcastle Writings
|
|| Tate
 
|-
|-
|  
|
|| There were sighs trapped by liars (XXIV)
|November 1977
|| Acrylic on color photograph
|
|British Painting '52-'77
|| 87 × 119 cm
|Art Monthly
|
|| Artsy
|-
|-
|2000
|{{flagdeco|DE}}
|Down to the Stone
|1977
|
|
|
|
|What do you Expect: A Question put to Seven Politically Orientated Artists
|
|
|-
|-
|2001
|Framed unit No. # of Index (Landscape with St. George)
|
|
|October 1978
|
|
|Art for Society?
|Art Monthly
|
|
|-
|-
| 2002
|
|| Homes from Homes, Virus I
|May 1979
|| Oil and enamel on canvas and mixed media
|
|Artists and Philosophers (reply to Willis Domingo)
|| 98 × 175 cm
|Art Monthly
|
|| Lisson Gallery
|-
 
|{{flagdeco|US}}
|February 1980
|
|Portrait of V. I. Lenin in the Style of Jackson Pollock
|Artforum
|[https://www.artforum.com/print/198002/art-language-38929 Full article]
|-
|-
| 2004
|{{flagdeco|UK}}
|| Thirty Studies for a Luhmann Memorial
|1980
|| 30 works: collage, gouache on paper, passe-partout
|
|The Ratification of Abstract Art
|| 30 × 26 cm
|Towards a New Art: essays on the background to abstract painting 1910-20
|
|| Phillips
 
|-
|-
| 2004
|
|| Lovely Slang XXI
|1980
|| Glass over oil and mixed media on canvas on wood
|[[Charles Harrison]]
|Modern Art and the Concept of Risk
|| 82.9 × 70 cm
|U201: Risk
|
|| Lisson Gallery
|-
|
|1980
|
|Joseph Stalin Gazing Enigmatically at the Body of V. I. Lenin as it Lies in Statue in Moscow in the Style of Jackson Pollock
|File, vol. 4, no. 4
|
|-
|
|September 1981
|
|Manet's Olympia and Contradiction
|Block 5
|
|-
|
|1981
|
|Art History, Art Criticism and Explaination
|Art History, vol. 4, no. 4


|-
Reprinted in ''[https://archive.org/details/pollockaftercrit0000unse_q9f5 Pollock and After: The Critical Debate]'' (1985, ed. Francis Frascina)
| 2004
|| Lovely Slang XXII
|| Glass over oil and mixed media on canvas on wood
|| 69 × 60.8 cm
|| Lisson Gallery


Reprinted in ''[https://archive.org/details/arthistoryitsmet00fern/ Art History and Its Methods: A Critical Anthology]'' (1995, ed. Eric Femie)
|
|-
|-
| 2004
|{{flagdeco|US}}
|| Lovely Slang XXVIII
|Summer 1982
|| Glass over oil and mixed media on canvas on wood
|
|Kangaroo? (Some songs by Art & Language and The Red Crayola)
|| 72 × 65 cm
|Art Journal
|
|| Artsy
 
|-
|-
| 2005
|
|| Karaoke
|December 1982
|| Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets
|
|Painting by Mouth
|| 41 min. 10 sec
|Artery (National Forum for College Art)
|
|| Tate
 
|-
|-
| 2007
|{{flagdeco|BE}}
|| No Secret Painting XI
|March 1983
|| Painting and text
|
|[[Art & Language Paints a Picture]]
||
|Gewad Informatief
|
|| Lisson Gallery
 
|-
|-
| 2007
|{{flagdeco|US}}
|| Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
|September 1983
|| Acrylic, crayon and mixed media, 4 parts
|
|A Cultural Drama: The Artist's Studio [seminar transcript]
|| 90.3 × 39.7 × 38.5 cm
|Art & Language [exhibition catalog]
|
|| Artsy
 
|-
|-
| 2007
|{{flagdeco|UK}}
|| Studies and Conversations: Qui Pourra
|April 1985
|| Collage and mixed media on photograph
|
|Julian Opie's Sculptures
|| 45 × 80 cm
|Julian Opie [exhibition catalog]
|
|| Artsy
 
|-
|-
| 2008
|
|| Qui Pourra
|July-August 1985
|| HD Video
|
|Francis Bacon
|| 15 min. 36 sec.
|Artscribe, no. 53
|
|| Lisson Gallery
 
|-
|-
| 2009
|
|| French Painting by Mouth
|June-July 1985
|| Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes
|
|T. Setch [review]
|| 88 × 76 × 70 cm
|Artscribe
|
|| Artsy
|-
 
|
|June-July 1985
|
|K. Vaughn [review]
|Artscribe
|
|-
|-
| 2009
|
|| The Impression of Liars' Voices
|June-July 1985
|| Acrylic on canvas and mixed media, framed picture
|
||  
|Ronald Alley Hangs a Picture
|Artscribe
|| Lisson Gallery
|
Phillips
|-
|-
| 2009
|
|| The Background of a Hostage Incident
|November 1986
|| Acrylic on canvas and mixed media
|
   
|Andy Warhol [review]
|| 89.6 × 42.3 × 35 cm
|Artscribe, no. 60
   
|
|| Artsy
|}
 
== Pre-Art & Language ==
These early pieces are often (retroactively) considered and displayed with works of Art & Language.
{| class="wikitable"
! Year
  !Title
!Artist
!Materials
  !Dimensions
!Link


|-
|-
| 2009
| 1965
  || An Interview with Mayo Thompson
  || Untitled Painting
  || Acrylics on canvas and mixed media
  |[[Michael Baldwin]]
|| Mirror mounted on canvas, two parts
|| 119.3 × 58.3 × 10.9 cm
   
   
|| 101.3 × 47.5 cm
||[https://www.art-language.org/page/d/116.htm A-L]
 
|| Artsy
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 2009
| 1965
  || Now They Are Again No Secret
  || Untitled Painting
  || Acrylic on canvas and mixed media, framed picture
  |[[Michael Baldwin]]
|| Mirrors mounted on canvas, two parts
|| 101.5 × 61 × 7.5 cm
   
   
||  
||[https://www.art-language.org/page/d/123.htm A-L]
 
|| Lisson Gallery
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 2009
| 1965
  || Who Can Return?
  || Untitled Painting
  || Acrylic on canvas, photograph and mixed media
|[[Michael Baldwin]]
||
  ||
   
   
|| 98 × 48.5 × 36 cm
||[https://www.art-language.org/page/f/218.htm A-L]
 
|| Artsy
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 2009
| 1965
  || Portraits and a Dream
  || Untitled Paintings
  || 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls
  |[[Michael Baldwin]]
|| 4 mirrors mounted on 4 canvas
|| 61 × 30 cm
   
   
||  
||[https://www.art-language.org/page/f/246.htm A-L]
 
|| Lisson Gallery
[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]


|-
|-
| 2009
| 1965
  || Portrait of Vladimir Putin in the Style of Jackson Pollock
  || Four Suprematist Squares
  || Oil and enamel on canvas; pencil on paper
|
|| Installation of four 12 inch black squares painted on the wall
  || 30.5 × 167.6 cm
   
   
||  
|| [https://www.art-language.org/page/f/207.htm A-L]
|| Lisson Gallery


|-
|-
| 2009-2010
| 1965
  || Five American Background Songs
  || Black Painting
  || Acrylic on canvas and mixed media, plexiglas top
  |
|| Enamel on canvas
|| 8 × 244 cm
   
   
|| 105.2 × 58.5 × 41 cm
|| [https://www.art-language.org/page/d/132.htm A-L]
|| Artsy


|-
|-
| 2011
| 1966
  || Portrait and a Dream VII (1981)
  || Painting I, No.2
  || Ink and crayon on paper and mixed media
  |
|| Inkjet on paper mounted on wooden panel
   
   
||  
|| 157 × 150 cm
   
   
|| Lisson Gallery
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-2 Artsy]


|-
|-
| 2011
| 1966
  || Portrait and a Dream IX (1966)
  || Painting I, No.7
  || Ink and acrylic on paper and mixed media
  |
|| Inkjet on paper mounted on wooden panel
   
   
||  
|| 77 × 150 cm
   
   
|| Lisson Gallery
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-dot-7 Artsy]


|-
|-
| 2011
| 1966
  || Portrait and a Dream XI (1968)
  || Painting I, No.8
  || Ink on photostat and mixed media, 2 parts
  |
|| Inkjet on paper mounted on wooden panel
   
   
||  
|| 93 × 150 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-8 Artsy]


|-
|-
| 2012
| 1966
  || Art &amp; Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art &amp; Language Paints a Picture (Directions for the Actors)
  || Painting I, No.9
  || Oil on canvas trimmed in chains, mixed media, framed
  |
|| Inkjet on paper mounted on wooden panel
   
   
|| 200 × 350 cm
|| 108 × 150 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-9 Artsy]
 
|-
|-
| 2012
|1966
|| Letters to The Red Crayola I (1968)
|Entropy
|| Ink, acrylic, collage and mixed media on paper
|
|
|| 35 × 75.6 cm
|
|
|| Artsy
 
|-
|-
| 2012
|1966-1967
  || Letters to The Red Crayola II (1972)
|Air Conditioning Show
  || Ink, acrylic, collage and mixed media on paper
|[[Terry Atkinson]]
 
[[Michael Baldwin]]
|
|
|[https://fr.wikipedia.org/wiki/Air-Conditioning_Show Wikipedia]
|-
| 1967
  || Potato Print Model 1
  |
|| Lithography on paper
   
   
|| 41.4 × 61.2 cm
|| 52 × 67.5 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1-1 Artsy]


|-
|-
| 2012
| 1967
  || Letters to The Red Crayola III (1990)
  || Potato Print Model 1
  || Ink, acrylic, collage and mixed media on paper
  |
|| Lithography on paper
   
   
|| 41.4 × 41.4 cm
|| 52 × 67.5 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1 Artsy]


|-
|-
| 2012
| 1967
  || Letters to The Red Crayola IV (1976)
  || Map Not to Indicate
  || Ink, acrylic, collage and mixed media on paper
  |
||
   
   
|| 41.4 × 41.4 cm
||
   
   
|| Artsy
||
 
|-
|1967
|Studies for a Secret Painting
|
|
|
|
|-
|-
| 2012
| 1967-1968
  || Letters to The Red Crayola V (2000)
  || Secret Painting
  || Ink, acrylic, collage and mixed media on paper
  |
||
   
   
|| 79.2 × 83.5 cm
||
   
   
|| Artsy
||
 
|-
|-
| 2012
|1967-1968
  || Letters to The Red Crayola VI (1997)
|Geology
  || Ink, acrylic, collage and mixed media on paper
|
|
|
|
|-
|1967-1968
|Guaranteed Painting
|
|
|
|
|-
| 1968
  || 100% Abstract
  |
||
   
   
|| 42.5 × 62.7 cm
||
   
   
|| Artsy
||
 
|}
 
== Art & Language ==
 
=== Journal ===
Main article: [[Art-Language]]


=== Exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!
!Gallery
!Notes
|-
|-
| 2012
|1967
|| Letters to The Red Crayola VII (1973)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|UK}}
|London
|| 51.8 × 71 cm
|Hardware Show
|
|| Artsy
|Architectural Association
 
|
|-
|1968
|
|{{flagdeco|UK}}
|London
|Dematerialisation Show
|
|Ikon Gallery
|
|-
|-
| 2012
|1968
|| Letters to The Red Crayola VIII (1973)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|UK}}
|Coventry
|| 51.8 × 71 cm
|VAT 68
|
|| Artsy
|The Herbert Art Gallery
 
|
|-
|-
| 2012
|1969
|| Letters to The Red Crayola IX (2009)
|
|| Ink, acrylic, collage and mixed media on paper
|AU
|Melbourne
||
|Art & Language
|
|| Artsy
|Pinacotheca Gallery
 
|
|-
|-
| 2012
|1971
|| Letters to The Red Crayola X
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|USA}}
|New York
|| 73.4 × 75.2 cm
|The Air-Conditioning Show
|
|| Artsy
|Visual Arts Gallery
 
|
|-
|-
| 2012
|1971
|| Letters to The Red Crayola XI (1982)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|NL}}
|Paris
|| 52.3 × 102.8 cm
|Art & Language
|
|| Artsy
|Galerie Daniel Templon
 
|
|-
|-
| 2012
|1971
|| Letters to The Red Crayola XII
|
||  
|{{flagdeco|IT}}
|Turin
||  
|Art & Language
|
|| Artsy
|Galleria Sperone
 
|
|-
|-
| 2012
|1971
|| Letters to The Red Crayola XIII (1968)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|USA}}
|New York
|| 71.2 × 71.4 cm
|Tape Show: Exhibition of Lectures
|
|| Artsy
|Dain Gallery
 
|
|-
|-
| 2012
|1971
|| Letters to The Red Crayola XIV (1976)
|
|| Ink, acrylic, collage and mixed media on paper
|{{flagdeco|IT}}
|Milan
|| 78.4 × 64.3 cm
|Questionnaire
|
|| Artsy
|Galleria Daniel Templon
|
|-
|-
|2012-2013
|1972
|Drawings from the Winter
|
|
|{{flagdeco|NL}}
|Paris
|The Art & Language Institute
|
|
|Galerie Daniel Templon
|
|
|-
|-
| 2013
|1972
|| Part of an American Portrait
|
|| Perforated offset print
|{{flagdeco|DE}}
|Köln
|| 19.1 × 19.1 cm
|Documenta Memorandum
|
|| Artsy
|Galerie Paul Maenz
 
|
|-
|1972
|
|{{flagdeco|NL}}
|Paris
|Analytical Art
|
|Galerie Daniel Templon
|
|-
|-
| 2013
|1973
|| Portraits and a Dream III
|
|| Paper and canvas
|{{flagdeco|USA}}
|New York
||  
|Index 002 Bxal
|
|| Artsy
|John Weber Gallery
 
|
|-
|-
| 2013
|1973
|| Portrait of President Barack Obama in the Style of Jackson Pollock
|
||  
|{{flagdeco|DE}}
|Köln
||  
|Art & Language
|
|| Phillips
|Galerie Paul Maenz
 
|
|-
|-
| 2013-2014
|1973
|| Nobody Spoke
|
|| Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media
|{{flagdeco|UK}}
|London
||  
|Art & Language
|
|| Lisson Gallery
|Lisson Gallery
 
|
|-
|-
| 2014
|1973
|| Sea Ghost III
|
|| Acrylic with ink and mixed media on canvas
|{{flagdeco|NL}}
|Paris
|| 176 × 149.5 cm
|Annotations
|
|| Artsy
|Galerie Daniel Templon
 
|
|-
|-
| 2014
|1974
|| Sea Ghost IV
|
|| Acrylic with ink and mixed media on canvas
|{{flagdeco|IT}}
|Turin
|| 176 × 149.5 cm
|Art & Language
|
|| Artsy
|Galleria Sperone
 
|
|-
|1974
|
|{{flagdeco|CH}}
|Zürich
|Art & Language
|
|Galerie Bischofberger
|
|-
|-
| 2014
|1974
|| Sea Ghost V
|
|| Acrylic with ink and mixed media on canvas
|{{flagdeco|IT}}
|Florence
|| 176 × 149.5 × 4 cm
|Art & Language
|
|| Lisson Gallery
|Galleria Schema
 
|
|-
|-
| 2014
|1974
|| Tell Me, Have You Ever Seen Me? II, Xi Jinping
|
|| Printed text on paper, ink, pencil and mixed media on paper, vitrine
|{{flagdeco|UK}}
|London
|| 120 × 50 × 50 cm
|Art & Language
|
|| Lisson Gallery
|Lisson Gallery
 
|
|-
|-
| 2015
|1974
|| Now They Are I
|
|| 144 parts, ink and paint on paper
|{{flagdeco|BE}}
|Brussels
|| 42 × 29.7 cm
|Art & Language
|
|| Artsy
|Galerie MTL
 
|
|-
|-
| 2015
|1974
|| Not That it is Needed Now (Oak) VIII
|
|| Oil on paper mounted on aluminum
|RS
|Belgrade
|| 34 × 34 cm
|Art & Language
|
|| Lisson Gallery
|Studentski Kulturni Centar
 
|
|-
|-
| 2015
|1975
|| Not That it is Needed Now (Archive) XX
|
|| Oil and mixed medium on canvas
|AU
|Sydney
|| 61 × 61 cm
|Art & Language New York ↔ Australia
|
|| Lisson Gallery
|Art Gallery of New South Wales
 
|
|-
|-
| 2016
|1975
|| Now They Are II
|
|| Indian Ink on laser printed text on Teslin 144 SRA3 sheets
|AU
|Melbourne
|| 45 × 31.7 cm
|Art & Language New York ↔ Australia
|
|| Lisson Gallery
|National Gallery of Victoria
 
|
|-
|-
| 2016
|1975
|| Lovely Hostage IV
|
|| Glass, oil on canvas
|PO
|Warsaw
|| 73 × 65 cm
|Art & Language
|
|| Artsy
|Foksal Gallery
 
|
|-
|1975
|
|{{flagdeco|IT}}
|Florence
|Dialectical Materialism
|
|Galleria Schema
|
|-
|-
| 2016
|1975
|| Lovely Hostage V
|
|| Glass, oil on canvas
|{{flagdeco|NL}}
|Paris
|| 73 × 65 cm
|Art & Language
|
|| Artsy
|Galerie Ghislain Mollet-Viéville
 
|
|-
|-
| 2016
|1975
|| Lovely Hostage VI
|
|| Glass, oil on canvas
|{{flagdeco|BE}}
|Brussels
|| 73 × 65 cm
|Art & Language
|
|| Artsy
|Galerie MTL
 
|
|-
|1975
|
|NZ
|Auckland
|Piggy-Cur-Perfect
|
|Auckland City Art Gallery
|
|-
|-
| 2016
|1976
|| These Scenes
|
|| 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper
|{{flagdeco|USA}}
|New York
|| 80 × 120 cm
|Music-Language
|
|| Artsy
|John Weber Gallery
 
|
|-
|-
| 2016
|1976
|| Have You Ever Seen Me? I
|
|| Acrylic, collage and mixed media on paper
|{{flagdeco|NL}}
|Paris
|| 76 × 76 cm
|Music-Language
|
|| Lisson Gallery
|Galerie Eric Fabre
 
|
|-
|1976
|
|{{flagdeco|UK}}
|Oxford
|Art & Language
|
|Modern Art Oxford
|
|-
|-
| 2014-2017
|1977
|| Nobody Spoke Again
|
|| Alogram with acrylic on canvas and mixed media
|{{flagdeco|UK}}
|London
|| 110 × 200 × 200 cm
|10 Posters: Illustrations for Art-Language
|
|| Artsy
|Robert Self Gallery
 
|
|-
|-
| 2017
|1978
|| not to be seen
|
|| Wood, electric wire, bulbs
|{{flagdeco|BE}}
|Ghent
|| 160 × 60 × 60 cm
|Flags for Organisations
|
|| Artsy
|Cultureel Informatief Centrum
 
|
|-
|-
| 2017
|1978
|| Almost a Home for Homeless Stuff
|
|| Screenprint
|{{flagdeco|UK}}
|London
|| 64 × 45 cm
|Flags for Organisations
|
|| Artsy
|Lisson Gallery
 
|
|-
|-
| 2017-2018
|1979
|| Flags for Organisations II
|
|| Gouache on Teslin with laser printed text
|{{flagdeco|NL}}
|Paris
|| 29.7 × 42 cm
|Ils donnent leur sang ; donnez votre travail
   
|
|| Artsy
|Galerie Eric Fabre
|
|}
 
=== Works ===
{| class="wikitable"
! Year
!Title
  !
!Materials
!Dimensions
!Link


|-
|-
| 2018
| 1968
  || Studies and Conversations: Qui Pourra
  || M 1:2
  || Ink and pencil on paper
  |
|| Lithography on paper
   
   
|| 40.1 × 94.7 cm
|| 50.6 × 62.2 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-m-1-2 Artsy]


|-
|-
| 2018
| 1971-1972
  || Studies and Conversations: Qui Pourra
  || Poster for Air-Conditioning Show
  || Ink and acrylic on paper
  |
||
   
   
|| 40.1 × 94.7 cm
||
   
   
|| Artsy
||


|-
|-
| 2018
| 1972
  || Platons Hölle
  || Alternate Map for Documenta / Documenta Memorandum
  || Oil on canvas
  |
|| Offset lithograph newsprint
   
   
|| 160 × 120 cm
|| 72.2 × 50.6 cm
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-alternate-map-for-documenta-slash-documenta-memorandum Artsy]


|-
|-
| 2018
| 1974
  || A Bad Place
  || Index 02 (Bxal): Indexical Fragments 6
  || Indian ink on laser printed text on Teslin
  |
||
   
   
|| 252 × 710 cm
||
   
   
|| Artsy
||


|-
|-
| 2019
| 1975
  || Drawing from the Winter of 2013-2014 (107.4% Abstract)
  || Shouting Men
  || HP Indigo Print, Metapaper extrarough white 270g/qm
  |
||
   
   
|| 42 × 29.7 cm
||
   
   
|| Artsy
|| [https://www.artsy.net/artwork/art-and-language-shouting-men-detail Artsy]
 
|-
|-
| 2019
|1975
|| 10 Posters
|Dialectical Materialism (Dark Green)
|| Hand Silkscreen
|
|
|| 120 × 80 cm
|
|
|| Artsy
 
|-
|-
| 2019
|1973-1976
  || A Shadow on the Tongue IV
|Music-Language: [[Corrected Slogans]]
  || Indian ink over text on Teslin
|(P) A&L
   
|Vinyl record
|| 168 × 148 cm
|
|
|-
|1976
|Music-Language: [[Nine Gross and Conspicuous Errors]]
|(P) A&L
|Video, 26min
|
|
|-
| 1977
  || Ten Postcards
  |
|| Lithograph on paper
   
|| 20.3 × 76.5 cm
|| [https://www.tate.org.uk/art/artworks/art-language-ten-postcards-p08005 Tate]
 
|-
| 1977
|| Ten Posters: Illustrations for Art-Language
|
||
||
   
   
|| Lisson Gallery
||


|-
|-
| 2019
| 1977
  || A Shadow on the Tongue XIII
|| Study for 'Ils donnent leur sang donnez votre travail'
  || Acrylic over text on Teslin
|
   
|| Gouache and pencil on paper
|| 168 × 148 cm
   
|| 53.4 × 106.5 cm
|| Lisson Gallery
|| [https://www.artsy.net/artwork/art-and-language-study-for-ils-donnent-leur-sang-donnez-votre-travail Artsy]
 
|}
 
== Art & Language as a duo ==
[[Michael Baldwin]] and [[Mel Ramsden]]
 
=== Solo exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!Gallery
!Notes
|-
|1980
|
|{{flagdeco|UK}}
|Leeds
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|University Gallery
|
|-
|1980
|
|{{flagdeco|UK}}
|London
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Lisson Gallery
|
|-
|1980
|
|{{flagdeco|NL}}
|Eindhoven
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Van Abbemuseum
|
|-
|1981
|
|{{flagdeco|BE}}
|Antwerp
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Jan Sack
|
|-
|1981
|
|{{flagdeco|CH}}
|Geneva
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Centre d’Art Contemporain
|<ref name=":0" />
|-
|1981
|
|{{flagdeco|FR}}
|Paris
|Gustave Courbet’s “Burial at Ornans” Expressing...
|Galerie Eric Fabre
|<ref name=":0" />
|-
|1982
|
|{{flagdeco|FR}}
|Toulon
|Index: Studio at 3 Wesley Place Painted by Mouth
|Musée d’Art de Toulon
|<ref name=":0" />
|-
|1982
|
|{{flagdeco|NL}}
|Middelburg
|Index: Studio at 3 Wesley Place Painted by Mouth
|De Vleeshal
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|USA}}
|Los Angeles
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Los Angeles Institute of Contemporary Art
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|UK}}
|London
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Lisson Gallery
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|AT}}
|Vienna
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Galerie Grita Insam
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|UK}}
|Birmingham
|Index: Studio at 3 Wesley Place
|Ikon Gallery
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|BE}}
|Ghent
|Index: Studio at 3 Wesley Place I, II, III, IV
|Gewad
|<ref name=":0" />
|-
|1985
|
|{{flagdeco|UK}}
|London
|Studies for the Studio at 3 Wesley Place
|Tate Gallery
|<ref name=":0" />
|-
|1986
|
|{{flagdeco|FR}}
|Paris
|Index: An Incident in a Museum
|Galerie de Paris
|<ref name=":0" />
|-
|1986
|
|{{flagdeco|UK}}
|London
|Confessions: Incidents in a Museum
|Lisson Gallery
|<ref name=":0" />
|-
|1987
|
|{{flagdeco|USA}}
|New York
|The Paintings
|Marian Goodman Gallery
|<ref name=":0" />
|-
|1987
|
|{{flagdeco|BE}}
|Brussels
|The Paintings
|Palais des Beaux-Arts
|<ref name=":0" />
|-
|1987
|
|{{flagdeco|UK}}
|London
|Index: Incidents in a Museum
|Lisson Gallery
|<ref name=":0" />
|-
|1988
|
|{{flagdeco|UK}}
|London
|Hostages
|Lisson Gallery
|<ref name=":0" />
|-
|1989
|
|{{flagdeco|FR}}
|Paris
|Early Works 1966–1974
|Galerie Sylvana Lorenz
|<ref name=":0" />
|-
|1989
|
|{{flagdeco|DE}}
|Köln
|Hostages: Incidents and People’s Flags
|Galerie Max Hetzler
|<ref name=":0" />
|-
|1989
|
|{{flagdeco|IT}}
|Florence
|Hostages
|Galleria Schema
|<ref name=":0" />
|-
|1990
|
|{{flagdeco|USA}}
|New York
|Hostages XXIV–XXXV
|Marian Goodman Gallery
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|IT}}
|Rome
|Hostages
|The British School at Rome
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|FR}}
|Paris
|Hostages
|Galerie de Paris
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|Bristol
|Hostage Paintings 1987–1991
|Arnolfini Gallery
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|Southampton
|Hostage Paintings 1987–1991
|John Hansard Gallery
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|London
|Hostage Paintings 1987–1991
|Institute of Contemporary Arts
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|London
|Hostage Paintings: The Dark Series
|Lisson Gallery
|<ref name=":0" />
|-
|1992
|
|{{flagdeco|AT}}
|Vienna
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Grita Insam
|<ref name=":0" />
|-
|1992
|
|{{flagdeco|BE}}
|Brussels
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Isy Brachot
|<ref name=":0" />
|-
|1993
|
|{{flagdeco|FR}}
|Paris
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie nationale du Jeu de Paume
|<ref name=":0" />
|-
|1994
|
|{{flagdeco|ES}}
|Madrid
|Early Work 1965–1976; Recent Work 1991–1994
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1994
|
|{{flagdeco|UK}}
|London
|Early Work 1965–1976; Recent Work 1991–1994
|Lisson Gallery
|<ref name=":0" />
|-
|1995
|
|{{flagdeco|AT}}
|Vienna
|Art & Language and Luhmann
|Kunstraum
|<ref name=":0" />
|-
|1996
|
|{{flagdeco|FR}}
|Paris
|Sighs Trapped by Liars
|Galerie de Paris
|<ref name=":0" />
|-
|1996
|
|{{flagdeco|ES}}
|Seville
|Conceptual Art from 1966 to 1996
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1996
|
|{{flagdeco|CH}}
|St Gallen
|Conceptual Art from 1966 to 1996
|Kunsthalle St Gallen
|<ref name=":0" />
|-
|1997
|
|{{flagdeco|BE}}
|Knokke
|Conceptual Art from 1966 to 1996
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|1998
|
|{{flagdeco|UK}}
|London
|Sighs Trapped by Liars
|Galerie Poo Poo
|<ref name=":0" />
|-
|1998
|
|{{flagdeco|BE}}
|Knokke
|Sighs Trapped by Liars
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|DE}}
|Karlsruhe
|Art & Language & Luhmann Nr. 2
|Zentrum für Kunst und Medientechnologie
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|AT}}
|Vienna
|Three Essays
|Galerie Grita Insam
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|USA}}
|New York
|The Artist Out of Work: Art & Language 1972–1981
|P.S.1 Contemporary Art Center
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|ES}}
|Madrid
|Cinco Ensayos
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|ES}}
|Barcelona
|Art & Language in Practice
|Fundació Antoni Tàpies
|<ref name=":0" />
|-
|2001
|
|{{flagdeco|BE}}
|Knokke
|15 Essays
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2002
|
|{{flagdeco|UK}}
|London
|Mother, Father, Monday
|Lisson Gallery
|<ref name=":0" />
|-
|2002
|
|{{flagdeco|FR}}
|Villeneuve-d’ascq
|Too Dark to Read: Motifs Rétrospectifs
|Lille Métropole Musée d’art modern d’art contemporain et d’art brut
|<ref name=":0" />
|-
|2003
|
|{{flagdeco|UK}}
|London
|What Work Does the Artwork Do?
|London Metropolitan University
|<ref name=":0" />
|-
|2003
|
|{{flagdeco|CH}}
|Zürich
|Now They Are Surrounded
|Migros Museum
|<ref name=":0" />
|-
|2004
|
|{{flagdeco|ES}}
|Malaga
|Now They Are Surrounded
|Centro de Arte Contemporáneo
|<ref name=":0" />
|-
|2004
|
|{{flagdeco|BE}}
|Knokke
|Now They Are Surrounded
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2004
|
|PT
|Lisbon
|Now They Are Surrounded
|Galeria Filomena Soares
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|AT}}
|Vienna
|Now They Are Surrounded
|Galerie Grita Insam
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded
|Guildhall Art Gallery
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|DE}}
|Karlsruhe
|Now They Are Surrounded
|Zentrum für Kunst und Medientechnologie
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|UK}}
|London
|Hard to Say When
|Lisson Gallery
|<ref name=":0" />
|-
|2006
|
|{{flagdeco|FR}}
|Tiercé
|Il ne reste qu’à chanter
|Château de la Bainerie
|<ref name=":0" />
|-
|2006
|
|{{flagdeco|FR}}
|Nantes
|Il ne reste qu’à chanter
|Galerie de l’Erban
|<ref name=":0" />
|-
|2007
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded: Reconfigured
|London Metropolitan University
|<ref name=":0" />
|-
|2007
|
|{{flagdeco|ES}}
|Madrid
|Works 1965–1978, 2007–2008
|Distrito Cu4tro, Galeria de Arte
|<ref name=":0" />
|-
|2008
|
|{{flagdeco|BE}}
|Knokke
|Works 1965–1978, 2007–2008
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2008
|
|{{flagdeco|FR}}
|Paris
|Brouillages/Blurrings: Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|AT}}
|Salzburg
|Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|ES}}
|Madrid
|Recent Works
|Espacio Distrito Cu4tro
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|FI}}
|Espoo
|Portraits and a Dream
|Espoo Museum of Modern Art
|<ref name=":0" />
|-
|2010
|
|{{flagdeco|USA}}
|Chicago
|Portraits and a Dream
|Rhona Hoffman Gallery
|<ref name=":0">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf</ref>
|-
|
|2010-02-27
|{{flagdeco|UK}}
|London
|Portraits and a Dream
|Lisson Gallery
|<ref name=":1">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf</ref>
|-
|2011
|
|{{flagdeco|BE}}
|Knokke
|Badges
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2011
|
|{{flagdeco|UK}}
|Canterbury
|Portraits and a Dream
|University of Kent
|<ref name=":0" />
|-
|2011
|
|{{flagdeco|AT}}
|Vienna
|Official Squares Again
|Galerie Grita Insam
|<ref name=":0" />
|-
|2012
|
|{{flagdeco|CH}}
|Zürich
|The Hut Project Painting with Art & Language
|Migros Museum für Gegenwartskunst
|<ref name=":0" />
|-
|2013
|
|{{flagdeco|UK}}
|Leeds
|The Hut Project Painting with Art & Language
|blip blip blip
|<ref name=":0" />
|-
|2013-04-12
|2013-05-18
|{{flagdeco|DE}}
|Düsseldorf
|Letters to the Red Krayola
|Galerie Kadel Willborn
|<ref>https://www.kadel-willborn.de/en/data/exhibitions/64/letters-to-the-red-krayola.html</ref>
|-
|2013
|
|{{flagdeco|BE}}
|Deurle
|Letters to the Red Krayola
|Museum Dhondt-Dhaenens
|<ref name=":0" />
|-
|2013
|
|{{flagdeco|BE}}
|Brussels
|Letters to the Red Krayola
|Garage Cosmos
|<ref name=":0" />
|-
|2014
|
|{{flagdeco|CH}}
|Zürich
|Made in Zurich: Art & Language Editions 1966–71
|Bernard Jordan Gallery
|<ref name=":0" />
|-
|2014
|
|{{flagdeco|ES}}
|Barcelona
|Uncompleted
|Museu d'Art Contemporani de Barcelona
|<ref name=":0" />
|-
|2014-11-14
|2015-01-17
|{{flagdeco|UK}}
|London
|Nobody Spoke
|Lisson Gallery
|<ref name=":1" /><ref name=":0" />
|-
|2016
|
|{{flagdeco|BE}}
|Knokke
|Not that is is needed now
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2016
|
|{{flagdeco|FR}}
|Montsoreau
|
|Château de Montsoreau-Musée d'art contemporain
|
|-
|2017
|
|{{flagdeco|DE}}
|Düsseldorf
|Nobody Spoke
|Kadel Willborn
|<ref name=":0" />
|-
|2017
|
|{{flagdeco|DE}}
|Berlin
|Nobody Spoke
|Kunstsaele
|<ref name=":0" />
|-
|2017-09-16
|2018-02-24
|{{flagdeco|FR}}
|Tours
|Ten Posters: Illustrations for Art & Language
|Centre de Création contemporaine Olivier Debré
|<ref>https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf</ref>
|-
|2018
|
|{{flagdeco|FR}}
|Montsoreau
|Art & Language Reality (Dark) Fragments (Light)
|Château de Montsoreau-Musée d'art contemporain
|
|-
|2019
|
|{{flagdeco|DE}}
|Berlin
|Devinera qui pourra (Figure it out who can)
|Galerie Michael Janssen
|<ref name=":0" />
|-
|2021
|
|{{flagdeco|UK}}
|Cambridge
|Now They Are
|Jesus College
|<ref name=":0" />
|-
|2022-03-03
|2022-04-16
|{{flagdeco|USA}}
|New York
|Hostage
|Lisson Gallery
|<ref>https://www.galleriesnow.net/shows/art-language/</ref>
|}
 
=== Works ===
{| class="wikitable"
! Year
!Title
!Materials
!Dimensions
!Link
 
|-
| 1978
|| The Key of Dreams
|| Acrylic on paper
|| 140 × 100 cm
|| [https://www.art-language.org/page/f/225.htm A-L]
|-
|1978
|Ten Illustrations for 'Radical Philosophy'
|
|
|
|-
| 1980
|| Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III
||
|| 242.4 × 213.4 cm
|| [https://www.tate.org.uk/art/artworks/art-language-portrait-of-v-i-lenin-with-cap-in-the-style-of-jackson-pollock-iii-t12406 Tate]
 
|-
| 1980
|| Portrait of V.I. Lenin in the Style of Jackson Pollock V
|| Enamel on canvas
|| 239 × 210 cm
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-v Artsy]
 
|-
| 1980
|| Portrait of V.I. Lenin in the Style of Jackson Pollock VII
|| Enamel on canvas mounted on board
|| 105 × 100 cm
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-vii Artsy]
 
|-
| 1980
|| Portrait of V.I Lenin in the Style of Jackson Pollock VIII
|| Ink on paper
||
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-viii Artsy]
 
|-
| 1980
|| Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III
|| Enamel paint on canvas mounted on wooden panel
|| 105 × 100 cm
|| [https://www.phillips.com/detail/art-language/UK010311/175 Philips]
 
|-
| 1981
|| Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling
|| Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric
|| 324 × 699 × 5 cm
|| [https://www.tate.org.uk/art/artworks/art-language-gustave-courbets-burial-at-ornans-expressing-a-sensuous-affection-expressing-t03453 Tate]
 
|-
| 1981-1982
|| Index: The Studio at 3 Wesley Place
|| Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam
|| 76.2 × 162.3 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-t03804 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place, Executed by Mouth (II)
|| Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam
|| 97.5 × 210 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-executed-by-mouth-ii-t03802 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI)
|| Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam
|| 78.4 × 162.7 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-iv-and-illuminated-by-an-t03801 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby
|| Photograph mounted on sandwich of paper and plastic foam
|| 106.7 × 160.3 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-vi-illuminated-by-an-explosion-nearby-t03803 Tate]
 
|-
| 1982
|| Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV)
|| Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam
|| 79.7 × 168 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-vi-showing-the-position-of-t03800 Tate]
 
|-
| 1984
|| Study for Impressionism Returning Sometime in the Future
|| Pencil and acrylic on paper
|| 107 × 168 cm
|| [https://www.art-language.org/page/f/222.htm A-L]
 
|-
| 1983
|| Study for Impressionism Returning Sometime in the Future III
|| Pencil and acrylic on paper
|| 99.1 × 139.7 cm
|| [https://www.artsy.net/artwork/art-and-language-study-for-impressionism-returning-sometime-in-the-future-iii Artsy]
 
|-
| 1985-1986
|| Index: Incident in a Museum II
|| Oil and acrylic painting on canvas
|| 174 × 271 cm
||
 
|-
| 1985
|| Index: Incident in a Museum III
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1985
|| Index: Incident in a Museum IV
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1985
|| Index: Incident in a Museum V
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum VI
|| Oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum VII
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum VIII
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum IX
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum X
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XI
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XII
|| Alogram and oil on canvas
|| 243 × 379 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XIII
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum (Madison Avenue) XIV
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XV
|| Alogram and oil on canvas
|| 243 × 379 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XVI
|| Alogram and oil on canvas on plywood
|| 243 × 379 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XVII
|| Alogram and oil on canvas
|| 271 × 379 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XVIII
|| Oil on canvas
|| 174 × 271 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XIX
|| Alogram and oil on canvas on plywood
|| 174 × 271 cm
|| [https://www.tate.org.uk/art/artworks/art-language-index-incident-in-a-museum-xix-t13894 Tate]
 
|-
| 1987
|| Index: Incident in a Museum XX
|| Alogram and oil on canvas
|| 174 × 271 cm
||
 
|-
| 1987
|| Index: Incident in a Museum XXI
|| Photography and oil on canvas on plywood
|| 234 × 379 cm
||
 
|-
| 1986
|| Index: Incident in a Museum XXII (The decade, 2003 -2013)
|| Alogram and oil on canvas on plywood
||
||
 
|-
| 1987
|| Index: Incident in a Museum XXV
||
|| 174 × 271 cm
||
 
|-
| 1987
|| Unit Cure, Unit Ground X
|| Acrylic on paper
|| 101.3 × 137 cm
|| [https://www.artsy.net/artwork/art-and-language-unit-cure-unit-ground-x Artsy]
 
|-
| 1989
|| Hostage XIII (3)
|| Oil on canvas
|| 147 × 152.3 cm
|| [https://www.artsy.net/artwork/art-and-language-hostage-xiii-3 Artsy]
|-
|1990
|Surf 76
|
|
|
|-
| 1990
|| Hostage LXXIII
|| Glass, oil on canvas on wood
|| 214 × 142.5 cm
|| Artsy
 
|-
| 1990
|| Study for Hostage 48
|| Acrylic, ink and pencil on paper
|| 127 × 88.9 cm
|| Artsy
 
|-
| 1990
|| Study for Hostage 60
|| Acrylic, ink and pencil on paper
|| 130 × 90 cm
|| Artsy
 
|-
| 1990
|| Hostage LX
|| Oil on canvas on wood with glass
|| 214 × 142.5
|| Lisson Gallery
 
|-
| 1990
|| Study for Hostage 65
|| Acrylic, ink and pencil on paper
|| 127.5 × 88 cm
|| Artsy
 
|-
| 1991
|| Study for Hostage 79
|| Acrylic, ink and pencil on paper
|| 130 × 90 cm
|| Artsy
 
|-
| 1991
|| Hostage LXXIX
|| Glass, oil on canvas on wood
|| 214 × 142.5
|| Lisson Gallery
|-
|1992
|Hello, How Are You?
|
|
|
|-
| 1992
|| [[Art Language Paints a Picture|Art &amp; Language Paints a Picture]]
|| text
||
||
 
|-
| 1992
|| Exit (Now They Are) 2
|| Oil pastel on tracing paper and paper
|| 136 × 100.5 cm
|| Phillips
 
|-
| 1992
|| 3 Maps
|| Set of 3 boxed jigsaws
|| 5 × 24.5 × 32.5 cm
|| Artsy
|-
|1995
|Portrait of an Artist
|
|
|
|-
| 1995
|| Study for Background, Incident, Foreground II
|| Acrylic on paper
|| 128 × 92 cm
|| Phillips
|-
|1998-1999
|Index: Wrongs Healed in Official Hope
|
|
|
|-
| 1999
|| Lovely Slang V
|| Glass over oil and mixed media on canvas laid on wood
|| 59.5 × 42.5 cm
|| Phillips
 
|-
| 1999
|| Art &amp; Language Paints a Picture: A Picture Painted by Actors
|| Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media
||
|| Tate
 
|-
|
|| There were sighs trapped by liars (XXIV)
|| Acrylic on color photograph
|| 87 × 119 cm
|| Artsy
|-
|2000
|Down to the Stone
|
|
|
|-
|2001
|Framed unit No. # of Index (Landscape with St. George)
|
|
|
|-
| 2002
|| Homes from Homes, Virus I
|| Oil and enamel on canvas and mixed media
|| 98 × 175 cm
|| Lisson Gallery
 
|-
| 2004
|| Thirty Studies for a Luhmann Memorial
|| 30 works: collage, gouache on paper, passe-partout
|| 30 × 26 cm
|| Phillips
 
|-
| 2004
|| Lovely Slang XXI
|| Glass over oil and mixed media on canvas on wood
|| 82.9 × 70 cm
|| Lisson Gallery
 
|-
| 2004
|| Lovely Slang XXII
|| Glass over oil and mixed media on canvas on wood
|| 69 × 60.8 cm
|| Lisson Gallery
 
|-
| 2004
|| Lovely Slang XXVIII
|| Glass over oil and mixed media on canvas on wood
|| 72 × 65 cm
|| Artsy
 
|-
| 2005
|| Karaoke
|| Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets
|| 41 min. 10 sec
|| Tate
 
|-
| 2007
|| No Secret Painting XI
|| Painting and text
||
|| Lisson Gallery
 
|-
| 2007
|| Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
|| Acrylic, crayon and mixed media, 4 parts
|| 90.3 × 39.7 × 38.5 cm
|| Artsy
 
|-
| 2007
|| Studies and Conversations: Qui Pourra
|| Collage and mixed media on photograph
|| 45 × 80 cm
|| Artsy
 
|-
| 2008
|| Qui Pourra
|| HD Video
|| 15 min. 36 sec.
|| Lisson Gallery
 
|-
| 2009
|| French Painting by Mouth
|| Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes
|| 88 × 76 × 70 cm
|| Artsy
 
|-
| 2009
|| The Impression of Liars' Voices
|| Acrylic on canvas and mixed media, framed picture
||
|| Lisson Gallery
Phillips
|-
| 2009
|| The Background of a Hostage Incident
|| Acrylic on canvas and mixed media
|| 89.6 × 42.3 × 35 cm
|| Artsy
 
|-
| 2009
|| An Interview with Mayo Thompson
|| Acrylics on canvas and mixed media
|| 101.3 × 47.5 cm
|| Artsy
 
|-
| 2009
|| Now They Are Again No Secret
|| Acrylic on canvas and mixed media, framed picture
||
|| Lisson Gallery
 
|-
| 2009
|| Who Can Return?
|| Acrylic on canvas, photograph and mixed media
|| 98 × 48.5 × 36 cm
|| Artsy
 
|-
| 2009
|| Portraits and a Dream
|| 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls
||
|| Lisson Gallery
 
|-
| 2009
|| Portrait of Vladimir Putin in the Style of Jackson Pollock
|| Oil and enamel on canvas; pencil on paper
||
|| Lisson Gallery
 
|-
| 2009-2010
|| Five American Background Songs
|| Acrylic on canvas and mixed media, plexiglas top
|| 105.2 × 58.5 × 41 cm
|| Artsy
 
|-
| 2011
|| Portrait and a Dream VII (1981)
|| Ink and crayon on paper and mixed media
||
|| Lisson Gallery
 
|-
| 2011
|| Portrait and a Dream IX (1966)
|| Ink and acrylic on paper and mixed media
||
|| Lisson Gallery
 
|-
| 2011
|| Portrait and a Dream XI (1968)
|| Ink on photostat and mixed media, 2 parts
||
|| Artsy
 
|-
| 2012
|| Art &amp; Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art &amp; Language Paints a Picture (Directions for the Actors)
|| Oil on canvas trimmed in chains, mixed media, framed
|| 200 × 350 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola I (1968)]]
|| Ink, acrylic, collage and mixed media on paper
|| 35 × 75.6 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola II (1972)]]
|| Ink, acrylic, collage and mixed media on paper
|| 41.4 × 61.2 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola III (1990)]]
|| Ink, acrylic, collage and mixed media on paper
|| 41.4 × 41.4 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola IV (1976)]]
|| Ink, acrylic, collage and mixed media on paper
|| 41.4 × 41.4 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola V (2000)]]
|| Ink, acrylic, collage and mixed media on paper
|| 79.2 × 83.5 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola VI (1997)]]
|| Ink, acrylic, collage and mixed media on paper
|| 42.5 × 62.7 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola VII (1973)]]
|| Ink, acrylic, collage and mixed media on paper
|| 51.8 × 71 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola VIII (1973)]]
|| Ink, acrylic, collage and mixed media on paper
|| 51.8 × 71 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola IX (2009)]]
|| Ink, acrylic, collage and mixed media on paper
||
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola X]]
|| Ink, acrylic, collage and mixed media on paper
|| 73.4 × 75.2 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XI (1982)]]
|| Ink, acrylic, collage and mixed media on paper
|| 52.3 × 102.8 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XII]]
||
||
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XIII (1968)]]
|| Ink, acrylic, collage and mixed media on paper
|| 71.2 × 71.4 cm
|| Artsy
 
|-
| 2012
|| [[Letters to The Red Crayola|Letters to The Red Crayola XIV (1976)]]
|| Ink, acrylic, collage and mixed media on paper
|| 78.4 × 64.3 cm
|| Artsy
|-
|2012-2013
|Drawings from the Winter
|
|
|
|-
| 2013
|| Part of an American Portrait
|| Perforated offset print
|| 19.1 × 19.1 cm
|| Artsy
 
|-
| 2013
|| Portraits and a Dream III
|| Paper and canvas
||
|| Artsy
 
|-
| 2013
|| Portrait of President Barack Obama in the Style of Jackson Pollock
||
||
|| Phillips
 
|-
| 2013-2014
|| Nobody Spoke
|| Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media
||
|| Lisson Gallery
 
|-
| 2014
|| Sea Ghost III
|| Acrylic with ink and mixed media on canvas
|| 176 × 149.5 cm
|| Artsy
 
|-
| 2014
|| Sea Ghost IV
|| Acrylic with ink and mixed media on canvas
|| 176 × 149.5 cm
|| Artsy
 
|-
| 2014
|| Sea Ghost V
|| Acrylic with ink and mixed media on canvas
|| 176 × 149.5 × 4 cm
|| Lisson Gallery
 
|-
| 2014
|| Tell Me, Have You Ever Seen Me? II, Xi Jinping
|| Printed text on paper, ink, pencil and mixed media on paper, vitrine
|| 120 × 50 × 50 cm
|| Lisson Gallery
 
|-
| 2015
|| Now They Are I
|| 144 parts, ink and paint on paper
|| 42 × 29.7 cm
|| Artsy
 
|-
| 2015
|| Not That it is Needed Now (Oak) VIII
|| Oil on paper mounted on aluminum
|| 34 × 34 cm
|| Lisson Gallery
 
|-
| 2015
|| Not That it is Needed Now (Archive) XX
|| Oil and mixed medium on canvas
|| 61 × 61 cm
|| Lisson Gallery
 
|-
| 2016
|| Now They Are II
|| Indian Ink on laser printed text on Teslin 144 SRA3 sheets
|| 45 × 31.7 cm
|| Lisson Gallery
 
|-
| 2016
|| Lovely Hostage IV
|| Glass, oil on canvas
|| 73 × 65 cm
|| Artsy
 
|-
| 2016
|| Lovely Hostage V
|| Glass, oil on canvas
|| 73 × 65 cm
|| Artsy
 
|-
| 2016
|| Lovely Hostage VI
|| Glass, oil on canvas
|| 73 × 65 cm
|| Artsy
 
|-
| 2016
|| These Scenes
|| 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper
|| 80 × 120 cm
|| Artsy
 
|-
| 2016
|| Have You Ever Seen Me? I
|| Acrylic, collage and mixed media on paper
|| 76 × 76 cm
|| Lisson Gallery
 
|-
| 2014-2017
|| Nobody Spoke Again
|| Alogram with acrylic on canvas and mixed media
|| 110 × 200 × 200 cm
|| Artsy
 
|-
| 2017
|| not to be seen
|| Wood, electric wire, bulbs
|| 160 × 60 × 60 cm
|| Artsy
 
|-
| 2017
|| Almost a Home for Homeless Stuff
|| Screenprint
|| 64 × 45 cm
|| Artsy
 
|-
| 2017-2018
|| Flags for Organisations II
|| Gouache on Teslin with laser printed text
|| 29.7 × 42 cm
|| Artsy
 
|-
| 2018
|| Studies and Conversations: Qui Pourra
|| Ink and pencil on paper
|| 40.1 × 94.7 cm
|| Artsy
 
|-
| 2018
|| Studies and Conversations: Qui Pourra
|| Ink and acrylic on paper
|| 40.1 × 94.7 cm
|| Artsy
 
|-
| 2018
|| Platons Hölle
|| Oil on canvas
|| 160 × 120 cm
|| Artsy
 
|-
| 2018
|| A Bad Place
|| Indian ink on laser printed text on Teslin
|| 252 × 710 cm
|| Artsy
 
|-
| 2019
|| Drawing from the Winter of 2013-2014 (107.4% Abstract)
|| HP Indigo Print, Metapaper extrarough white 270g/qm
|| 42 × 29.7 cm
|| Artsy
 
|-
| 2019
|| 10 Posters
|| Hand Silkscreen
|| 120 × 80 cm
|| Artsy
 
|-
| 2019
|| A Shadow on the Tongue IV
|| Indian ink over text on Teslin
|| 168 × 148 cm
|| Lisson Gallery
 
|-
| 2019
  || A Shadow on the Tongue XIII
  || Acrylic over text on Teslin
   
|| 168 × 148 cm
   
|| Lisson Gallery
 
|-
| 2019
|| French Painting by Mouth (Chair in Bright Colours)
|| Lasertran, acrylic and mixed media with 36 pages of bound text
|| 88 × 38.4 × 35.5 cm
|| Artsy
 
|-
| 2021
|| FLAG
|| Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth
|| 200 × 120 cm
|| Artsy
 
|}
 
== References ==


|-
[[Category:Groups]]
| 2019
|| French Painting by Mouth (Chair in Bright Colours)
|| Lasertran, acrylic and mixed media with 36 pages of bound text
|| 88 × 38.4 × 35.5 cm
|| Artsy
 
|-
| 2021
|| FLAG
|| Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth
|| 200 × 120 cm
|| Artsy
 
|}
 
== References ==

Latest revision as of 17:34, 24 November 2023

Art & Language is an art group associated with conceptual art and post-modernism.

With The Red Crayola

Main article: The Red Crayola with Art & Language

History

1966-1968: "Early" phase

1968: Art & Language was founded by Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge (UK)

Works

David Bainbridge

  • Crane (1966)

David Bainbridge and Terry Atkinson

  • Crane Assertions

David Bainbridge and Harold Hurrell

  • Loop (1966)
  • Lecher System (1969)
  • Ingot (1969)

Michael Baldwin

  • Mirror Piece (1965?)[1]
  • Abstract Art No. 2 (1968)
  • Abstract Art, no. 6 (1967)

Terry Atkinson and Michael Baldwin

  • Map to Not Include (1966)
  • Air Show (1966) 5pp.
    • “A series of assertions concerning a theoretical usage of a column of air comprising a base of one square mile and of unspecified distance in the vertical dimension.”
    • Air Show Dimensions (1966) 5pp.
    • [The 'Declaration Device' associated with the Air Show...] (1967)
  • Hot-Cold (November 1967)
    • [Notes towards Hot-Cold and Notes towards French Army] (1967)
  • Air Conditioning Show (1967)
    • Natural Science: Air-Conditioning Show (1966) 3pp.
    • Study for the Air-Conditioning Show (1967)
  • Time Show
    • Notes on Time Show 1966-67 (1966-67)
    • 'Time Show' Fragment (1967)
  • Frameworks (1966)
    • Frameworks Appendices, no. 01 (1966-67) 3pp.
    • Frameworks Study (1967) 11p.
    • Frameworks Study A2 (1967) 5pp.
    • Frameworks Study I β (1966-67) 5pp.
    • Frameworks Exhibit II (1967) 4pp.
  • 22 Sentences: The French Army (1967) 20pp.
  • French Army (March 1968)
    • Notes towards French Army (1967)
  • Declaration Series (1967)
  • Oxfordshire Show (1966) 16pp.

Ian Burn

  • Mirror Piece (1967)

Mel Ramsden

  • Guaranteed (1967)
  • Secret Painting (1967-68)
    • Four Studies for a Secret Painting (1967)
    • Eleven Studies for a Secret Painting (1967)
    • Secret Painting (Study) (1967)
    • Study for a Secret Painting (1967)
  • Six Negatives (1968)

Ian Burn and Mel Ramsden

  • Notes on Analysis Book

Joseph Kosuth

  • Word and Object Series (1966)
  • Definition Series (1967)
  • Thesaurus Categories Series (1968)
  • Matter in General (1968)

?[2]

  • Three Suprematist Squares (1965)
  • A Direct Usage of Words... (1967)

?[3]

  • Aim at Boredom, Kasimir? (1966) 5pp.
  • Time Drawings (1965)
  • Crane Notes (1965-66) 12pp.
  • Text as Performance (1965-66)
  • Fragments and Elements (1965)
  • Acid Boxes (1966)
  • Ontology (1967)
  • A Note on the Notion of a 368 Year Old Spectator (1967) 3pp.
  • An Introduction to Precinct Publications (1968) 4pp.
  • Models + Dictionaries (1968) 4pp.
  • Sunnybank. (1967)
  • Ontological Fragments (1969)
  • Notes Referring to Machine Itself (1969-70) 8pp.
  • Asteroid Action Seat (1963)
  • I. T. N.: Establish further Connectors. P. & T. (1965)
  • Fragments and Elements I (1965)
  • An Argument from Illusion (1966)
  • Art Out of Sounds (1966)
  • H (i) 2 (1966)
  • [Language Truth and Logic] (1966)
  • Malevich I (1966)
  • Notes on Malevich (1966) 2pp.
  • [Names] (1966)
  • Note Typography for Text Book or Encyclopedia from 1965-66 (1966)
  • Paintings I, no.1-20 (1966/2014)
  • Performance as Text
    • Performance as Text, Appendix, Notes (1966) 5pp.
  • Proposition 1966 (1966)
  • Robotic Sculpture (1966)
  • Sculpture Notes I (1966)
  • Sculpture Notes II (1966)
  • Temperature Show (1966) 43pp.
    • Temperature Show Photographs (1966)
    • Temperature Print 1 (1967)
    • Temperature Print 2 (1967)
    • Temperature Print 3 (1967)
    • Temperature Print 4 (1967)
    • Temperature Print II (1967)
  • The Air-Conditioning as Device (1966)
  • The Wildthink Album (1966) 8pp.
  • Two Black Rectangles (The Paradoxes of Absolute Zero) (1966)
  • Two Black Squares (The Paradoxes of the Absolute Zero) (1966)
  • Two Black Squares (The Paradoxes of the Absolute Zero) (1967)
  • [Putative Art Practice in Britain] (1966-67) 5pp.
  • Acrostic Painting (1967)
  • Art Object — Syntax (1967)
  • Bibliography (1967)
  • City of Coventry College of Art Diploma in Art and Design Fine Art (Sculpture) History of Art and Contemporary Studies (1967)
  • Diploma in Art and Design — Fine Art (Sculpture) (1967)
  • Facts (1967)
  • Complete Bibliography of Articles on 'The Free Will Problem' (1967)
  • Continuum of Process (1967)
  • Identificatory Fragment (1967)
  • Identificatory Fragment 1967 (1967)
  • In Place of Painting (1967)
  • Life? Show. Frameworks Study (1967) 7p.
  • Map of Thirty-Six Square Mile Surface Area of the Pacific Ocean West of Oahu (1967)
  • Map to Not Indicate
    • Drawing for a Map to Not Indicate... (1967)
  • Map of Itself (1967)
  • Map of Scottish Lowlands to Include (1967)
  • Notes Towards Various Mappings (1967)
  • Notes: Harold Hurrell (1967)
  • [Photographic documentation of Undeclared Glasses] (1967)
  • Potato Print Model 1 (1967)
  • Potato Print Model 2 (1967)
  • Questions of Fact (1967)
  • Readings of Readings of the Tractatus (1967)
  • On the Concept of a Non Exhibition (1967) 6pp.
  • Part of a Short Lesson (1967)
  • Photo-Electric Switchgear (1967)
  • Time and News 1967 (1967)
  • Title Equals Text (1967)
  • Map to Not Indicate... (1967 (1991))
  • 100% Abstract (1967-68)

Essays

Michael Baldwin

  • Remarks on Air-Conditioning: An Extravaganza of Blandness (November 1967, Arts Magazine)
    • Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro and Stimson)

Exhibitions

  • 1967: Hardware Show (Architectural Association, London, UK)
  • 1968: Dematerialisation Show (Ikon Gallery, UK)
  • 1968: VAT 68 (The Herbert Art Gallery, UK)

1969-1970: "Insular" phase

1969: Joined by Joseph Kosuth, Ian Burn, Mel Ramsden (NY)

Art-Language issues 1 - 3

Essays

Charles Harrison

  • Against Precedents (September 1969, Studio International) Full article
  • On Exhibitions and the World at Large (December 1969, Studio International) Full article

Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell

  • Status and Priority (January 1970, Studio International) Full article

Joseph Kosuth

  • Art After Philosophy (1969)
    • Michel Claura, “Conceptual Misconceptions,” Studio International, 179:918 (January 1970), pp. 5–6
    • Dore Ashton, “Kosuth: The Facts,” Studio International, 179:919 (February 1970), p. 44
    • Joseph Kosuth, “Kosuth Replies to Claura,” Studio International, 179:919 (February 1970), p. 44
    • Joseph Kosuth, “An Answer to Criticisms,” Studio International, 179:923 (June 1970), p. 245
    • Barbara Reise, “Joseph Kosuth,” Studio International, 180:925 (September 1970), p. 71

Exhibitions

  • 1969: Art & Language (Pinacotheca Gallery, Melbourne, AU)

1970-1971: "Transitional" phase

1971: Joined by Charles Harrison, Philip Pilkington, David Rushton, Lynn Lemaster, Sandra Harrison, Graham Howard, Paul Wood (UK)

1971: Joined by Michael Corris (NY)

Pause in the group's publishing history(?)

Art Theory Course

  • Natural Reason [Notes for a seminar at Coventry] (1971) 6pp.
    • "These are no more (and no less than notes made in preparation for a seminar at the art school in Coventry. The Art Theory course there was regarded by the authorities as an unwelcome experiment. The seminar itself was concerned with examining a political and social theory which had long been natural to art institutions of all shapes and sizes. The theory, grown in the philosophical tradition of Hobbes and Locke holds that all individuals are their own proprietors — that each person holds his or her own body and capacities as a kind of private property. The theory is, of course, fundamental to the development and continuation of capitalism. It is also fundamental to certain notions of personal autonomy, notions that were often among the unchallengeable motifs of artistic authorship and authenticity. These seminars and many others were, for a short time at least, regarded as the real substance of the artistic work of Art & Language."

Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)

?

  • Swift Reference Case (1971)

1972-1973: "Pluralistic" phase

  • Index 01 (1972)

Art-Language

Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)

1973-1976

?: Joined by Paula Ramsden, Mayo Thompson, Christine Koslov, Preston Heller, Andrew Menard, Kathryn Bigelow

1974: Terry Atkinson leaves

Art & Language (UK) (Michael Baldwin, Philip Pilkington)

Art & Language (New York) (Ian Burn, Mel Ramsden, and Terry Smith)

  • September 1974: Art-Language Vol. 3 No. 1: Draft for an Anti-Textbook
  • March 1975: The Fox 1
  • Fall 1975: The Fox 2
  • Michael Corris - Inside a New York Art Gang: Selected Documents of Art & Language, New York
    • Document I, April 1975
    • Document II, 1975
    • Document III, 1975
    • Document IV, December 1975: on picketing the Whitney
    • Document V, 1975-76: questionnaire" for Red Faces
    • Document VI, 1975
    • Document VII, March 1976
    • Document VIII, August 1976: red banner at La Biennale di Venezia
    • Document IX, 1976
    • Document X, 1976: Organization: A Working Paper

September 1975: Art & Language 1966-1975

(Provisional) Art & Language

  • Ian Burn, Terry Smith, Nigel Lendon moved to Australia
  • Mel, Paula and Anne Ramsden, Mayo Thompson and Christine Kozlov moved to the UK

Essays

Terry Smith

  • Art and Art & Language (February 1974, Artforum)
    • Republished in One and Five Ideas (2017)

Ian Burn

  • The Art Market: Affluence and Degradation (April 1975, Artforum) Full article

?

  • Notes on Duchamp's Bottle Rack (c. 1975)

1977-

Art-Language

Essays

  • “Remembering Conceptual Art,” delivered by Art & Language to the conference “Who’s Afraid of Conceptual Art” (19 March 1995, Institute of Contemporary Arts, London), pp. 9–10.

Works/projects

1965-1968: Pre-Art & Language

1969-1976: Art & Language group

1977-present: Art & Language duo

1990s

  • Hello, How Are You?
  • Art & Language Paints a Picture
  • Exit (Now They Are)
  • 3 Maps
  • Portrait of an Artist
  • Index: Wrongs Healed in Official Hope
  • Lovely Slang
  • Sighs Trapped by Liars

2000s

  • Down to the Stone
  • Homes from Homes
  • Thirty Studies for a Luhmann Memorial
  • Karaoke Bar
  • No Secret Painting
  • Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
  • Qui Pourra
  • French Painting by Mouth
  • Portraits and a Dream

2010s

2020s

  • Flag

Bibliography

Works

Year Title pg. Publisher Notes
1967 Frameworks - Art Conditioning 20 Art & Language Press Edition of 200
1967 Hot-Cold 99 Art & Language Press Edition of 200
1967 Declaration Propositions 42 Edition of 50
1967 Notes on Time Show 1966-67 16 Edition Bischoffberger
1967 Notes typography for textbook or encyclopaedia from 1965 -1966 64 Edition Bischoffberger Edition of 200
1968 Geology 1967-68 8 Edition Bischoffberger Edition of 200
1968 22 Sentences: The French Army 48 Art & Language Press Edition of 200
1969 Six Negatives The Society for Theoretical Art
1969 Introduction to Discourse 15 Edition Bischoffberger
1970 Statements January 1970 44 Analytical art Edition of 100
1971 Theories of Ethics New York Cultural Center Edition of 200
1971 Authorship 13
1971 Olivet Discourse 44 Art-Language Press Edition of 40
1971 First edition limited, one hundred copies; subscription (per annum) 97 Edition of 100
1971 Handbook to 'Ingot' 42 New York Cultural Center

1973 Blurting in A & L Art & Language Press

The Mezzanine

1973 A 001 transcription - 21.5.73 48
1974 Threshold Agreement 36 Oriel Gallery

Essay collections

Main article: Art-Language

Year Title pg. Publisher Notes
1972
Art & Language: Texte zum Phänomen Kunst und Sprache (1966-72) 347 Verlag Dumont-Schauberg German/English
1978
Art & Language (1975-78) 257 Eric Fabre, Paris French/English
1980
Art & Language (1967-80) 414 Van Abbemuseum, Eindhoven English/Dutch[4]
2005
Art & Language: Writings (1980-2002) 299 Lisson Gallery English
2007
Albert, Joan and Sinbad 84 White Wine Press English/Spanish

Charles Harrison on Art & Language

Year Title pp. Notes
1982
A Provisional History of Art & Language (with Fred Orton) 89 [5]
1991
Essays on Art & Language 302 [6]
2001 Conceptual Art and Painting: Further Essays on Art & Language 234 [7]

Exhibition catalogs

Year Title pg. Publisher Notes
1969 Art & Language: Catalogue Raisonné. November 1965 - February 1969 38 Galerie Bischofberger, Zurich [8]
1974
Art & Language 42 Kunstmuseum, Luzern German/English[9][10]
1975
Art & Language 1966-1975 51 Museum of Modern Art, Oxford
1975
Art & Language: Australia 1975 229 National Gallery of Victoria [11]
1980
Art & Language 414 Van Abbemuseum, Eindhoven English/Dutch[4]
1981 Portrait de V.I. Lenine Editions Eric Fabre, Paris
1982 Art & Language: Index: Studio at 3 Wesley Place Painted by Mouth 24 De Vleeshal, Middelburg English/Dutch
1982 Art & Language Musée d'Arte Moderne, Toulon French/English
1983
Art & Language Ikon Gallery, Birmingham
1983
Art & Language 48 Los Angeles Institute of Contemporary Arts
1986 Art & Language: Confessions: Incidents in a Museum Lisson Gallery, London
1987 Art & Language: The Paintings
1988 Art & Language: Hostages Lisson Gallery, London Hostage
1991
Hostages XXIV - XXXV Hostage
1992
Art & Language: Now They Are 104 Isy Brachot Gallery, Brussels French/English
1993
Art & Language 162 Galerie Nationale Du Jeu De Paume, Paris French/English
1997 Art & Language & Luhmann 232 Passagen Kunst German/English
1999
Art & Language in Practice Vol. 1 299 Fundació Antoni Tapiès, Barcelona
1999
Art & Language in Practice Vol. 2 276 Fundació Antoni Tapiès, Barcelona Catalan/English
2002
Art & Language: Too Dark to Read: Motifs Rétrospectifs 2002-1965 276 Musée d'art moderne Lille Métropole, Villeneuve-d'Ascq French/English
2004 Art & Language 123 CAC Málaga Spanish
2006 Homes for Homes II 272 Migros Museum für Gegenwartskunst, Zurich English/German
2008 A&L 245 Mulier Mulier
2008 Art & Language: Brouillages / Blurrings. Dessins/Works on paper 1965-2008 Galerie Thaddaeus Ropac
2011 Art & Language: Badges
2013 Art & Language: Portraits of President Barack Obama in the Style of Jackson Pollock 88 Mulier Mulier Dutch/English
2014
Art & Language Uncompleted: The Philippe Méaille Collection 264 MACBA
2014 'Landscape with St George Delivered at Night' 46 MACBA [12]
2014 Nobody Spoke
2015
Art and Language: Made in Zurich – Selected Editions 1965-1972 109 Editions Bernard Jordan English/German/French
2016 A&L: Not That It Is Needed Now Mulier Mulier
2016
Art & Language: entretien avec Victorine Meurend 30 Château de Montsoreau-Musée d’art contemporain French/English[13]
2018
Reality (Dark) Fragments (Light) 176 Château de Montsoreau-Musée d’art contemporain French/English[14][15]

On Art & Language

Year Type Author Title pp. Notes
1976 thesis David Brian Mitchell The Art & Language Group: 1966 to 1973 138 [16]
1992 thesis William Wood We are a Cell Aren't We?: Art & Language and the Documenta Index [17]
2010 book Nika Radić Art und Language und die konzeptuelle Kunst 176
2011 thesis Miguel Carneiro Nogueira Ferrão A Conversa e o Relato Enquanto Possibilidades do Comum, a Partir De We Aim to Be Amateurs (Art & Language, 1997)
2012 thesis Robert Bailey Art & Language and the Politics of Art Worlds, 1969-1977 [18]
2012 thesis Raoul Noortmann Art-Language: A Reaction to the Dematerialization of Art 73 [19]
2012 book Christian Matthiessen OTMA & LUNL (On Tour mit Art & Language und Niklas Luhmann): Ein Theorie Roman in the Style of the Jackson Pollock Bar 160 [20][21]
2016 book Robert Bailey Art & Language International: Conceptual Art Between Art Worlds
2016 thesis Mark Dennis Strategic Anomalies: Art & Language in the Art School 1969-1979 [22]
2018 thesis Louisa Lee Discursive Sites: Text-Based Conceptual Art Practice in Britain [23]

Articles

Year Title Publication Notes
November 1967 Remarks on Art-Conditioning Arts Magazine
September 1969 Charles Harrison Against Precedents Studio International Full article
December 1969 Charles Harrison On Exhibitions and the World at Large Studio International Full article
January 1970 Terry Atkinson

Michael Baldwin

David Bainbridge

Harold Hurrell

Status and Priority Studio International Full article
February 1970 Charles Harrison Notes towards Art Work Studio International Full article
July-August 1970 Terry Atkinson

David Bainbridge

Michael Baldwin

Harold Hurrell

Lecher System Studio International Full article
November 1970 Charles Harrison A Very Abstract Context Studio International Full article
May 1971 Charles Harrison Virgin Soils and Old Land (Introduction to 'The British Avant-Garde' Studio International Full article
May 1971 Terry Atkinson

Michael Baldwin

De Legibus Naturae Studio International Full article
October 1971 Ian Burn

Mel Ramsden

A Question of Epistemic Adequacy Studio International Full article
October 1971 Philip Pilkington

Kevin Lole

David Rushton

Charles Harrison

Some Concerns in Fine Art Education Studio International Full article
November 1971 Linda Morris

Digby Jacks

Charles Harrison

Some Concerns in Fine Art Education II Studio International Full article
April 1972 Terry Atkinson

Michael Baldwin

Some Post-War American Work and Art & Language: Ideological Responsiveness Studio International Full article
May 1972 Charles Harrison Educating Artists Studio International Full article
June 1972 Charles Harrison Art & Language Press Studio International Full article
June 1972 Forget the Paintings Studio International
November 1972 Harold Hurrell Art and Terminology Studio International Full article
1972 Selected essays by Art & Language über Kunst
January 1973 Kevin Lole

Philip Pilkington

David Rushton

Possible Models for Propositional Attitudes Studio International Full article
1973 Proceedings Audio Arts, no.1 audio
September 1973 Letter to Artforum Artforum Full article
1973 Art and its Cultural Context Deurle 11/7/'73
June 1973 The Problem of Context Frameworks Journal
1973 Artworks and Explications Joseph Kosuth: Investigations über Kunst und Problemkreise
February 1974 Terry Smith Art and Art and Language Artforum Full article
October 1974 Dialectical Materialism Extra, no. 2
February-March 1977 Us, Us and Away Data
1977 Nous ne donnons pas notre Travail Newcastle Writings
November 1977 British Painting '52-'77 Art Monthly
1977 What do you Expect: A Question put to Seven Politically Orientated Artists
October 1978 Art for Society? Art Monthly
May 1979 Artists and Philosophers (reply to Willis Domingo) Art Monthly
February 1980 Portrait of V. I. Lenin in the Style of Jackson Pollock Artforum Full article
1980 The Ratification of Abstract Art Towards a New Art: essays on the background to abstract painting 1910-20
1980 Charles Harrison Modern Art and the Concept of Risk U201: Risk
1980 Joseph Stalin Gazing Enigmatically at the Body of V. I. Lenin as it Lies in Statue in Moscow in the Style of Jackson Pollock File, vol. 4, no. 4
September 1981 Manet's Olympia and Contradiction Block 5
1981 Art History, Art Criticism and Explaination Art History, vol. 4, no. 4

Reprinted in Pollock and After: The Critical Debate (1985, ed. Francis Frascina)

Reprinted in Art History and Its Methods: A Critical Anthology (1995, ed. Eric Femie)

Summer 1982 Kangaroo? (Some songs by Art & Language and The Red Crayola) Art Journal
December 1982 Painting by Mouth Artery (National Forum for College Art)
March 1983 Art & Language Paints a Picture Gewad Informatief
September 1983 A Cultural Drama: The Artist's Studio [seminar transcript] Art & Language [exhibition catalog]
April 1985 Julian Opie's Sculptures Julian Opie [exhibition catalog]
July-August 1985 Francis Bacon Artscribe, no. 53
June-July 1985 T. Setch [review] Artscribe
June-July 1985 K. Vaughn [review] Artscribe
June-July 1985 Ronald Alley Hangs a Picture Artscribe
November 1986 Andy Warhol [review] Artscribe, no. 60

Pre-Art & Language

These early pieces are often (retroactively) considered and displayed with works of Art & Language.

Year Title Artist Materials Dimensions Link
1965 Untitled Painting Michael Baldwin Mirror mounted on canvas, two parts 119.3 × 58.3 × 10.9 cm A-L

Wikipedia

1965 Untitled Painting Michael Baldwin Mirrors mounted on canvas, two parts 101.5 × 61 × 7.5 cm A-L

Wikipedia

1965 Untitled Painting Michael Baldwin A-L

Wikipedia

1965 Untitled Paintings Michael Baldwin 4 mirrors mounted on 4 canvas 61 × 30 cm A-L

Wikipedia

1965 Four Suprematist Squares Installation of four 12 inch black squares painted on the wall 30.5 × 167.6 cm A-L
1965 Black Painting Enamel on canvas 8 × 244 cm A-L
1966 Painting I, No.2 Inkjet on paper mounted on wooden panel 157 × 150 cm Artsy
1966 Painting I, No.7 Inkjet on paper mounted on wooden panel 77 × 150 cm Artsy
1966 Painting I, No.8 Inkjet on paper mounted on wooden panel 93 × 150 cm Artsy
1966 Painting I, No.9 Inkjet on paper mounted on wooden panel 108 × 150 cm Artsy
1966 Entropy
1966-1967 Air Conditioning Show Terry Atkinson

Michael Baldwin

Wikipedia
1967 Potato Print Model 1 Lithography on paper 52 × 67.5 cm Artsy
1967 Potato Print Model 1 Lithography on paper 52 × 67.5 cm Artsy
1967 Map Not to Indicate
1967 Studies for a Secret Painting
1967-1968 Secret Painting
1967-1968 Geology
1967-1968 Guaranteed Painting
1968 100% Abstract

Art & Language

Journal

Main article: Art-Language

Exhibitions

Start date End date Title Gallery Notes
1967 London Hardware Show Architectural Association
1968 London Dematerialisation Show Ikon Gallery
1968 Coventry VAT 68 The Herbert Art Gallery
1969 AU Melbourne Art & Language Pinacotheca Gallery
1971 New York The Air-Conditioning Show Visual Arts Gallery
1971 Paris Art & Language Galerie Daniel Templon
1971 Turin Art & Language Galleria Sperone
1971 New York Tape Show: Exhibition of Lectures Dain Gallery
1971 Milan Questionnaire Galleria Daniel Templon
1972 Paris The Art & Language Institute Galerie Daniel Templon
1972 Köln Documenta Memorandum Galerie Paul Maenz
1972 Paris Analytical Art Galerie Daniel Templon
1973 New York Index 002 Bxal John Weber Gallery
1973 Köln Art & Language Galerie Paul Maenz
1973 London Art & Language Lisson Gallery
1973 Paris Annotations Galerie Daniel Templon
1974 Turin Art & Language Galleria Sperone
1974 Zürich Art & Language Galerie Bischofberger
1974 Florence Art & Language Galleria Schema
1974 London Art & Language Lisson Gallery
1974 Brussels Art & Language Galerie MTL
1974 RS Belgrade Art & Language Studentski Kulturni Centar
1975 AU Sydney Art & Language New York ↔ Australia Art Gallery of New South Wales
1975 AU Melbourne Art & Language New York ↔ Australia National Gallery of Victoria
1975 PO Warsaw Art & Language Foksal Gallery
1975 Florence Dialectical Materialism Galleria Schema
1975 Paris Art & Language Galerie Ghislain Mollet-Viéville
1975 Brussels Art & Language Galerie MTL
1975 NZ Auckland Piggy-Cur-Perfect Auckland City Art Gallery
1976 New York Music-Language John Weber Gallery
1976 Paris Music-Language Galerie Eric Fabre
1976 Oxford Art & Language Modern Art Oxford
1977 London 10 Posters: Illustrations for Art-Language Robert Self Gallery
1978 Ghent Flags for Organisations Cultureel Informatief Centrum
1978 London Flags for Organisations Lisson Gallery
1979 Paris Ils donnent leur sang ; donnez votre travail Galerie Eric Fabre

Works

Year Title Materials Dimensions Link
1968 M 1:2 Lithography on paper 50.6 × 62.2 cm Artsy
1971-1972 Poster for Air-Conditioning Show
1972 Alternate Map for Documenta / Documenta Memorandum Offset lithograph newsprint 72.2 × 50.6 cm Artsy
1974 Index 02 (Bxal): Indexical Fragments 6
1975 Shouting Men Artsy
1975 Dialectical Materialism (Dark Green)
1973-1976 Music-Language: Corrected Slogans (P) A&L Vinyl record
1976 Music-Language: Nine Gross and Conspicuous Errors (P) A&L Video, 26min
1977 Ten Postcards Lithograph on paper 20.3 × 76.5 cm Tate
1977 Ten Posters: Illustrations for Art-Language
1977 Study for 'Ils donnent leur sang donnez votre travail' Gouache and pencil on paper 53.4 × 106.5 cm Artsy

Art & Language as a duo

Michael Baldwin and Mel Ramsden

Solo exhibitions

Start date End date Title Gallery Notes
1980 Leeds Portraits of V.I. Lenin in the Style of Jackson Pollock University Gallery
1980 London Portraits of V.I. Lenin in the Style of Jackson Pollock Lisson Gallery
1980 Eindhoven Portraits of V.I. Lenin in the Style of Jackson Pollock Van Abbemuseum
1981 Antwerp Portraits of V.I. Lenin in the Style of Jackson Pollock Jan Sack
1981 Geneva Portraits of V.I. Lenin in the Style of Jackson Pollock Centre d’Art Contemporain [24]
1981 Paris Gustave Courbet’s “Burial at Ornans” Expressing... Galerie Eric Fabre [24]
1982 Toulon Index: Studio at 3 Wesley Place Painted by Mouth Musée d’Art de Toulon [24]
1982 Middelburg Index: Studio at 3 Wesley Place Painted by Mouth De Vleeshal [24]
1983 Los Angeles Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII Los Angeles Institute of Contemporary Art [24]
1983 London Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII Lisson Gallery [24]
1983 Vienna Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII Galerie Grita Insam [24]
1983 Birmingham Index: Studio at 3 Wesley Place Ikon Gallery [24]
1983 Ghent Index: Studio at 3 Wesley Place I, II, III, IV Gewad [24]
1985 London Studies for the Studio at 3 Wesley Place Tate Gallery [24]
1986 Paris Index: An Incident in a Museum Galerie de Paris [24]
1986 London Confessions: Incidents in a Museum Lisson Gallery [24]
1987 New York The Paintings Marian Goodman Gallery [24]
1987 Brussels The Paintings Palais des Beaux-Arts [24]
1987 London Index: Incidents in a Museum Lisson Gallery [24]
1988 London Hostages Lisson Gallery [24]
1989 Paris Early Works 1966–1974 Galerie Sylvana Lorenz [24]
1989 Köln Hostages: Incidents and People’s Flags Galerie Max Hetzler [24]
1989 Florence Hostages Galleria Schema [24]
1990 New York Hostages XXIV–XXXV Marian Goodman Gallery [24]
1991 Rome Hostages The British School at Rome [24]
1991 Paris Hostages Galerie de Paris [24]
1991 Bristol Hostage Paintings 1987–1991 Arnolfini Gallery [24]
1991 Southampton Hostage Paintings 1987–1991 John Hansard Gallery [24]
1991 London Hostage Paintings 1987–1991 Institute of Contemporary Arts [24]
1991 London Hostage Paintings: The Dark Series Lisson Gallery [24]
1992 Vienna Early Work 1965–1976; Recent Work 1991–1994 Galerie Grita Insam [24]
1992 Brussels Early Work 1965–1976; Recent Work 1991–1994 Galerie Isy Brachot [24]
1993 Paris Early Work 1965–1976; Recent Work 1991–1994 Galerie nationale du Jeu de Paume [24]
1994 Madrid Early Work 1965–1976; Recent Work 1991–1994 Galería Juana de Aizpuru [24]
1994 London Early Work 1965–1976; Recent Work 1991–1994 Lisson Gallery [24]
1995 Vienna Art & Language and Luhmann Kunstraum [24]
1996 Paris Sighs Trapped by Liars Galerie de Paris [24]
1996 Seville Conceptual Art from 1966 to 1996 Galería Juana de Aizpuru [24]
1996 St Gallen Conceptual Art from 1966 to 1996 Kunsthalle St Gallen [24]
1997 Knokke Conceptual Art from 1966 to 1996 Mulier Mulier Gallery [24]
1998 London Sighs Trapped by Liars Galerie Poo Poo [24]
1998 Knokke Sighs Trapped by Liars Mulier Mulier Gallery [24]
1999 Karlsruhe Art & Language & Luhmann Nr. 2 Zentrum für Kunst und Medientechnologie [24]
1999 Vienna Three Essays Galerie Grita Insam [24]
1999 New York The Artist Out of Work: Art & Language 1972–1981 P.S.1 Contemporary Art Center [24]
1999 Madrid Cinco Ensayos Galería Juana de Aizpuru [24]
1999 Barcelona Art & Language in Practice Fundació Antoni Tàpies [24]
2001 Knokke 15 Essays Mulier Mulier Gallery [24]
2002 London Mother, Father, Monday Lisson Gallery [24]
2002 Villeneuve-d’ascq Too Dark to Read: Motifs Rétrospectifs Lille Métropole Musée d’art modern d’art contemporain et d’art brut [24]
2003 London What Work Does the Artwork Do? London Metropolitan University [24]
2003 Zürich Now They Are Surrounded Migros Museum [24]
2004 Malaga Now They Are Surrounded Centro de Arte Contemporáneo [24]
2004 Knokke Now They Are Surrounded Mulier Mulier Gallery [24]
2004 PT Lisbon Now They Are Surrounded Galeria Filomena Soares [24]
2005 Vienna Now They Are Surrounded Galerie Grita Insam [24]
2005 London Now They Are Surrounded Guildhall Art Gallery [24]
2005 Karlsruhe Now They Are Surrounded Zentrum für Kunst und Medientechnologie [24]
2005 London Hard to Say When Lisson Gallery [24]
2006 Tiercé Il ne reste qu’à chanter Château de la Bainerie [24]
2006 Nantes Il ne reste qu’à chanter Galerie de l’Erban [24]
2007 London Now They Are Surrounded: Reconfigured London Metropolitan University [24]
2007 Madrid Works 1965–1978, 2007–2008 Distrito Cu4tro, Galeria de Arte [24]
2008 Knokke Works 1965–1978, 2007–2008 Mulier Mulier Gallery [24]
2008 Paris Brouillages/Blurrings: Works on Paper Galerie Thaddaeus Ropac [24]
2009 Salzburg Works on Paper Galerie Thaddaeus Ropac [24]
2009 Madrid Recent Works Espacio Distrito Cu4tro [24]
2009 Espoo Portraits and a Dream Espoo Museum of Modern Art [24]
2010 Chicago Portraits and a Dream Rhona Hoffman Gallery [24]
2010-02-27 London Portraits and a Dream Lisson Gallery [25]
2011 Knokke Badges Mulier Mulier Gallery [24]
2011 Canterbury Portraits and a Dream University of Kent [24]
2011 Vienna Official Squares Again Galerie Grita Insam [24]
2012 Zürich The Hut Project Painting with Art & Language Migros Museum für Gegenwartskunst [24]
2013 Leeds The Hut Project Painting with Art & Language blip blip blip [24]
2013-04-12 2013-05-18 Düsseldorf Letters to the Red Krayola Galerie Kadel Willborn [26]
2013 Deurle Letters to the Red Krayola Museum Dhondt-Dhaenens [24]
2013 Brussels Letters to the Red Krayola Garage Cosmos [24]
2014 Zürich Made in Zurich: Art & Language Editions 1966–71 Bernard Jordan Gallery [24]
2014 Barcelona Uncompleted Museu d'Art Contemporani de Barcelona [24]
2014-11-14 2015-01-17 London Nobody Spoke Lisson Gallery [25][24]
2016 Knokke Not that is is needed now Mulier Mulier Gallery [24]
2016 Montsoreau Château de Montsoreau-Musée d'art contemporain
2017 Düsseldorf Nobody Spoke Kadel Willborn [24]
2017 Berlin Nobody Spoke Kunstsaele [24]
2017-09-16 2018-02-24 Tours Ten Posters: Illustrations for Art & Language Centre de Création contemporaine Olivier Debré [27]
2018 Montsoreau Art & Language Reality (Dark) Fragments (Light) Château de Montsoreau-Musée d'art contemporain
2019 Berlin Devinera qui pourra (Figure it out who can) Galerie Michael Janssen [24]
2021 Cambridge Now They Are Jesus College [24]
2022-03-03 2022-04-16 New York Hostage Lisson Gallery [28]

Works

Year Title Materials Dimensions Link
1978 The Key of Dreams Acrylic on paper 140 × 100 cm A-L
1978 Ten Illustrations for 'Radical Philosophy'
1980 Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III 242.4 × 213.4 cm Tate
1980 Portrait of V.I. Lenin in the Style of Jackson Pollock V Enamel on canvas 239 × 210 cm Artsy
1980 Portrait of V.I. Lenin in the Style of Jackson Pollock VII Enamel on canvas mounted on board 105 × 100 cm Artsy
1980 Portrait of V.I Lenin in the Style of Jackson Pollock VIII Ink on paper Artsy
1980 Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III Enamel paint on canvas mounted on wooden panel 105 × 100 cm Philips
1981 Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric 324 × 699 × 5 cm Tate
1981-1982 Index: The Studio at 3 Wesley Place Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam 76.2 × 162.3 cm Tate
1982 Index: The Studio at 3 Wesley Place, Executed by Mouth (II) Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam 97.5 × 210 cm Tate
1982 Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI) Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam 78.4 × 162.7 cm Tate
1982 Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby Photograph mounted on sandwich of paper and plastic foam 106.7 × 160.3 cm Tate
1982 Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV) Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam 79.7 × 168 cm Tate
1984 Study for Impressionism Returning Sometime in the Future Pencil and acrylic on paper 107 × 168 cm A-L
1983 Study for Impressionism Returning Sometime in the Future III Pencil and acrylic on paper 99.1 × 139.7 cm Artsy
1985-1986 Index: Incident in a Museum II Oil and acrylic painting on canvas 174 × 271 cm
1985 Index: Incident in a Museum III Alogram and oil on canvas on plywood 174 × 271 cm
1985 Index: Incident in a Museum IV Alogram and oil on canvas 174 × 271 cm
1985 Index: Incident in a Museum V Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum VI Oil on canvas on plywood 174 × 271 cm
1986 Index: Incident in a Museum VII Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum VIII Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum IX Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum X Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum XI Alogram and oil on canvas 174 × 271 cm
1986 Index: Incident in a Museum XII Alogram and oil on canvas 243 × 379 cm
1986 Index: Incident in a Museum XIII Alogram and oil on canvas on plywood 174 × 271 cm
1986 Index: Incident in a Museum (Madison Avenue) XIV Alogram and oil on canvas on plywood 174 × 271 cm
1986 Index: Incident in a Museum XV Alogram and oil on canvas 243 × 379 cm
1986 Index: Incident in a Museum XVI Alogram and oil on canvas on plywood 243 × 379 cm
1987 Index: Incident in a Museum XVII Alogram and oil on canvas 271 × 379 cm
1987 Index: Incident in a Museum XVIII Oil on canvas 174 × 271 cm
1987 Index: Incident in a Museum XIX Alogram and oil on canvas on plywood 174 × 271 cm Tate
1987 Index: Incident in a Museum XX Alogram and oil on canvas 174 × 271 cm
1987 Index: Incident in a Museum XXI Photography and oil on canvas on plywood 234 × 379 cm
1986 Index: Incident in a Museum XXII (The decade, 2003 -2013) Alogram and oil on canvas on plywood
1987 Index: Incident in a Museum XXV 174 × 271 cm
1987 Unit Cure, Unit Ground X Acrylic on paper 101.3 × 137 cm Artsy
1989 Hostage XIII (3) Oil on canvas 147 × 152.3 cm Artsy
1990 Surf 76
1990 Hostage LXXIII Glass, oil on canvas on wood 214 × 142.5 cm Artsy
1990 Study for Hostage 48 Acrylic, ink and pencil on paper 127 × 88.9 cm Artsy
1990 Study for Hostage 60 Acrylic, ink and pencil on paper 130 × 90 cm Artsy
1990 Hostage LX Oil on canvas on wood with glass 214 × 142.5 Lisson Gallery
1990 Study for Hostage 65 Acrylic, ink and pencil on paper 127.5 × 88 cm Artsy
1991 Study for Hostage 79 Acrylic, ink and pencil on paper 130 × 90 cm Artsy
1991 Hostage LXXIX Glass, oil on canvas on wood 214 × 142.5 Lisson Gallery
1992 Hello, How Are You?
1992 Art & Language Paints a Picture text
1992 Exit (Now They Are) 2 Oil pastel on tracing paper and paper 136 × 100.5 cm Phillips
1992 3 Maps Set of 3 boxed jigsaws 5 × 24.5 × 32.5 cm Artsy
1995 Portrait of an Artist
1995 Study for Background, Incident, Foreground II Acrylic on paper 128 × 92 cm Phillips
1998-1999 Index: Wrongs Healed in Official Hope
1999 Lovely Slang V Glass over oil and mixed media on canvas laid on wood 59.5 × 42.5 cm Phillips
1999 Art & Language Paints a Picture: A Picture Painted by Actors Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media Tate
There were sighs trapped by liars (XXIV) Acrylic on color photograph 87 × 119 cm Artsy
2000 Down to the Stone
2001 Framed unit No. # of Index (Landscape with St. George)
2002 Homes from Homes, Virus I Oil and enamel on canvas and mixed media 98 × 175 cm Lisson Gallery
2004 Thirty Studies for a Luhmann Memorial 30 works: collage, gouache on paper, passe-partout 30 × 26 cm Phillips
2004 Lovely Slang XXI Glass over oil and mixed media on canvas on wood 82.9 × 70 cm Lisson Gallery
2004 Lovely Slang XXII Glass over oil and mixed media on canvas on wood 69 × 60.8 cm Lisson Gallery
2004 Lovely Slang XXVIII Glass over oil and mixed media on canvas on wood 72 × 65 cm Artsy
2005 Karaoke Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets 41 min. 10 sec Tate
2007 No Secret Painting XI Painting and text Lisson Gallery
2007 Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote Acrylic, crayon and mixed media, 4 parts 90.3 × 39.7 × 38.5 cm Artsy
2007 Studies and Conversations: Qui Pourra Collage and mixed media on photograph 45 × 80 cm Artsy
2008 Qui Pourra HD Video 15 min. 36 sec. Lisson Gallery
2009 French Painting by Mouth Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes 88 × 76 × 70 cm Artsy
2009 The Impression of Liars' Voices Acrylic on canvas and mixed media, framed picture Lisson Gallery

Phillips

2009 The Background of a Hostage Incident Acrylic on canvas and mixed media 89.6 × 42.3 × 35 cm Artsy
2009 An Interview with Mayo Thompson Acrylics on canvas and mixed media 101.3 × 47.5 cm Artsy
2009 Now They Are Again No Secret Acrylic on canvas and mixed media, framed picture Lisson Gallery
2009 Who Can Return? Acrylic on canvas, photograph and mixed media 98 × 48.5 × 36 cm Artsy
2009 Portraits and a Dream 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls Lisson Gallery
2009 Portrait of Vladimir Putin in the Style of Jackson Pollock Oil and enamel on canvas; pencil on paper Lisson Gallery
2009-2010 Five American Background Songs Acrylic on canvas and mixed media, plexiglas top 105.2 × 58.5 × 41 cm Artsy
2011 Portrait and a Dream VII (1981) Ink and crayon on paper and mixed media Lisson Gallery
2011 Portrait and a Dream IX (1966) Ink and acrylic on paper and mixed media Lisson Gallery
2011 Portrait and a Dream XI (1968) Ink on photostat and mixed media, 2 parts Artsy
2012 Art & Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art & Language Paints a Picture (Directions for the Actors) Oil on canvas trimmed in chains, mixed media, framed 200 × 350 cm Artsy
2012 Letters to The Red Crayola I (1968) Ink, acrylic, collage and mixed media on paper 35 × 75.6 cm Artsy
2012 Letters to The Red Crayola II (1972) Ink, acrylic, collage and mixed media on paper 41.4 × 61.2 cm Artsy
2012 Letters to The Red Crayola III (1990) Ink, acrylic, collage and mixed media on paper 41.4 × 41.4 cm Artsy
2012 Letters to The Red Crayola IV (1976) Ink, acrylic, collage and mixed media on paper 41.4 × 41.4 cm Artsy
2012 Letters to The Red Crayola V (2000) Ink, acrylic, collage and mixed media on paper 79.2 × 83.5 cm Artsy
2012 Letters to The Red Crayola VI (1997) Ink, acrylic, collage and mixed media on paper 42.5 × 62.7 cm Artsy
2012 Letters to The Red Crayola VII (1973) Ink, acrylic, collage and mixed media on paper 51.8 × 71 cm Artsy
2012 Letters to The Red Crayola VIII (1973) Ink, acrylic, collage and mixed media on paper 51.8 × 71 cm Artsy
2012 Letters to The Red Crayola IX (2009) Ink, acrylic, collage and mixed media on paper Artsy
2012 Letters to The Red Crayola X Ink, acrylic, collage and mixed media on paper 73.4 × 75.2 cm Artsy
2012 Letters to The Red Crayola XI (1982) Ink, acrylic, collage and mixed media on paper 52.3 × 102.8 cm Artsy
2012 Letters to The Red Crayola XII Artsy
2012 Letters to The Red Crayola XIII (1968) Ink, acrylic, collage and mixed media on paper 71.2 × 71.4 cm Artsy
2012 Letters to The Red Crayola XIV (1976) Ink, acrylic, collage and mixed media on paper 78.4 × 64.3 cm Artsy
2012-2013 Drawings from the Winter
2013 Part of an American Portrait Perforated offset print 19.1 × 19.1 cm Artsy
2013 Portraits and a Dream III Paper and canvas Artsy
2013 Portrait of President Barack Obama in the Style of Jackson Pollock Phillips
2013-2014 Nobody Spoke Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media Lisson Gallery
2014 Sea Ghost III Acrylic with ink and mixed media on canvas 176 × 149.5 cm Artsy
2014 Sea Ghost IV Acrylic with ink and mixed media on canvas 176 × 149.5 cm Artsy
2014 Sea Ghost V Acrylic with ink and mixed media on canvas 176 × 149.5 × 4 cm Lisson Gallery
2014 Tell Me, Have You Ever Seen Me? II, Xi Jinping Printed text on paper, ink, pencil and mixed media on paper, vitrine 120 × 50 × 50 cm Lisson Gallery
2015 Now They Are I 144 parts, ink and paint on paper 42 × 29.7 cm Artsy
2015 Not That it is Needed Now (Oak) VIII Oil on paper mounted on aluminum 34 × 34 cm Lisson Gallery
2015 Not That it is Needed Now (Archive) XX Oil and mixed medium on canvas 61 × 61 cm Lisson Gallery
2016 Now They Are II Indian Ink on laser printed text on Teslin 144 SRA3 sheets 45 × 31.7 cm Lisson Gallery
2016 Lovely Hostage IV Glass, oil on canvas 73 × 65 cm Artsy
2016 Lovely Hostage V Glass, oil on canvas 73 × 65 cm Artsy
2016 Lovely Hostage VI Glass, oil on canvas 73 × 65 cm Artsy
2016 These Scenes 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper 80 × 120 cm Artsy
2016 Have You Ever Seen Me? I Acrylic, collage and mixed media on paper 76 × 76 cm Lisson Gallery
2014-2017 Nobody Spoke Again Alogram with acrylic on canvas and mixed media 110 × 200 × 200 cm Artsy
2017 not to be seen Wood, electric wire, bulbs 160 × 60 × 60 cm Artsy
2017 Almost a Home for Homeless Stuff Screenprint 64 × 45 cm Artsy
2017-2018 Flags for Organisations II Gouache on Teslin with laser printed text 29.7 × 42 cm Artsy
2018 Studies and Conversations: Qui Pourra Ink and pencil on paper 40.1 × 94.7 cm Artsy
2018 Studies and Conversations: Qui Pourra Ink and acrylic on paper 40.1 × 94.7 cm Artsy
2018 Platons Hölle Oil on canvas 160 × 120 cm Artsy
2018 A Bad Place Indian ink on laser printed text on Teslin 252 × 710 cm Artsy
2019 Drawing from the Winter of 2013-2014 (107.4% Abstract) HP Indigo Print, Metapaper extrarough white 270g/qm 42 × 29.7 cm Artsy
2019 10 Posters Hand Silkscreen 120 × 80 cm Artsy
2019 A Shadow on the Tongue IV Indian ink over text on Teslin 168 × 148 cm Lisson Gallery
2019 A Shadow on the Tongue XIII Acrylic over text on Teslin 168 × 148 cm Lisson Gallery
2019 French Painting by Mouth (Chair in Bright Colours) Lasertran, acrylic and mixed media with 36 pages of bound text 88 × 38.4 × 35.5 cm Artsy
2021 FLAG Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth 200 × 120 cm Artsy

References

  1. ↑ https://fr.wikipedia.org/wiki/Mirror_Piece
  2. ↑ file:///C:/Users/noahf/OneDrive/Desktop/DIG_A-HIS-01896_033_l.pdf
  3. ↑ https://fr.wikipedia.org/wiki/Art_and_Language
  4. ↑ 4.0 4.1 https://specificobject.com/objects/info.cfm?object_id=15741
  5. ↑ https://unoriginalsins.co.uk/product/a-provisional-history-of-art-language-charles-harrisons-own-copy/
  6. ↑ https://archive.org/details/essaysonartlangu0000harr
  7. ↑ https://archive.org/details/conceptualartpai0000char/
  8. ↑ https://web.archive.org/web/20010512095317/http://members.tripod.de/ThomasDreher/3_Konzeptkunst_Art_Lang.html
  9. ↑ https://www.printedmatter.org/catalog/tables/13/12925
  10. ↑ https://specificobject.com/objects/info.cfm?inventory_id=5933&object_id=5871
  11. ↑ https://espace.library.uq.edu.au/view/UQ:379140
  12. ↑ https://www.macba.cat/en/learn-explore/publications/landscape-st-george-delivered-night
  13. ↑ https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-entretien-avec-victorine-meurend/
  14. ↑ https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-reality-dark-fragments-light-2/
  15. ↑ https://www.lespressesdureel.com/ouvrage.php?id=6911&menu=
  16. ↑ https://open.library.ubc.ca/media/download/pdf/831/1.0107092/1
  17. ↑ https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0086655
  18. ↑ http://d-scholarship.pitt.edu/11494/1/ETD_Template_Robert__Bailey.pdf
  19. ↑ https://studenttheses.uu.nl/bitstream/handle/20.500.12932/10181/Thesis_Raoul_Noortmann.pdf
  20. ↑ https://www.macba.cat/en/aprendre-investigar/arxiu/tour-mit-art-language-und-niklas-luhmann-ein-theorie-roman-style-jackson
  21. ↑ https://www.kulturverlag-kadmos.de/programm/details/otma-lunl
  22. ↑ https://pureportal.coventry.ac.uk/en/studentTheses/strategic-anomalies-art-language-in-the-art-school-1969-1979
  23. ↑ https://etheses.whiterose.ac.uk/23145/1/LOUISA%20LEE%20PHD%20FINAL%20MARCH%204%202019.pdf
  24. ↑ 24.00 24.01 24.02 24.03 24.04 24.05 24.06 24.07 24.08 24.09 24.10 24.11 24.12 24.13 24.14 24.15 24.16 24.17 24.18 24.19 24.20 24.21 24.22 24.23 24.24 24.25 24.26 24.27 24.28 24.29 24.30 24.31 24.32 24.33 24.34 24.35 24.36 24.37 24.38 24.39 24.40 24.41 24.42 24.43 24.44 24.45 24.46 24.47 24.48 24.49 24.50 24.51 24.52 24.53 24.54 24.55 24.56 24.57 24.58 24.59 24.60 24.61 24.62 24.63 24.64 24.65 24.66 24.67 24.68 24.69 24.70 24.71 24.72 24.73 24.74 24.75 24.76 24.77 24.78 24.79 https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf
  25. ↑ 25.0 25.1 https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf
  26. ↑ https://www.kadel-willborn.de/en/data/exhibitions/64/letters-to-the-red-krayola.html
  27. ↑ https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf
  28. ↑ https://www.galleriesnow.net/shows/art-language/
Retrieved from "https://redkrayolawiki.org/w/index.php?title=Art_%26_Language&oldid=3150"