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!pg.
!pg.
!Notes
!Notes
!Reprinted in
|-
|-
|Art for Society?
|''Art for Society?''
|1-25
|1-25
|[https://www.art-language.org/texte/b/TII09h.htm#anglais Full article]<ref>Republished in ''[[Art & Language 1975-78]]'' (1978)</ref>
|[https://www.art-language.org/texte/b/TII09h.htm#anglais '''Full article''']
|
* (?)''Art Monthly'', October 1978
* ''[[Art & Language 1975-78]]'' (1978)
* (?)''Issue'' (1979)
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
* [[Art & Language: Too Dark to Read: Motifs Rétrospectifs 2002-1965|''Art & Language: Too Dark to Read'' CD-ROM]] (2002)
|-
|-
|Portrait of V. I. Lenin
|''Portrait of V. I. Lenin''
|26-61
|26-61
|[https://www.art-language.org/texte/a/TI43h.htm#anglais Excerpt] (26)
|[https://archive.org/details/modernismcritici0000unse/page/145/mode/1up '''Full article''']
|
* ''[[Modernism, Criticism, Realism]]'' (1984)
* ''[[Art & Language: Writings]]'' (2005)
|}
|}


== Background ==
=== Back cover ===
 
* The cover image is a reproduction of Wassily Kandinsky's "Pink Sweet", 1929


<blockquote>
This issue of <u>Art-Language</u> contains two connected articles. The first is concerned with some of the theoretical upshots of the managerial fraud perpetrated by the Art for Society tendency.


The second is concerned with a type of relation between a picture or representation and the world which is often neglected in 'realist' theory. This type of relation is causal and genetic. It is not, however, empiricist. What is suggested is that a neglect of this type of relation - of the <u>how</u> of picture production - contributes to the critical coquetry by which inquiry is stifled in the art world. This stifling of inquiry also serves such tendencies as Art for Society. They could not otherwise explain their crocodile tears.
</blockquote>


== Background ==
The cover image is a reproduction of Wassily Kandinsky's "Pink Sweet", 1929. It also appears in ''[[Index: The Studio at 3 Wesley Place]]'' (1983)''.''<gallery mode="packed">
File:Kandinsky-Pink-Sweet.jpg|Wassily Kandinsky's "Pink Sweet", 1929
</gallery>
== References ==
{{Navbox-Art-Language}}
{{Navbox-Art-Language}}
== References ==
[[Category:Art-Language]]
[[Category:Art-Language]]

Latest revision as of 10:08, 17 January 2025

Art-Language Vol. 4 No. 4
Publication Art-Language
Date June 1980
Volume 4
Number 4
Publisher
Editor Michael Baldwin, Charles Harrison, Mel Ramsden

Contents

Title pg. Notes Reprinted in
Art for Society? 1-25 Full article
Portrait of V. I. Lenin 26-61 Full article

Back cover

This issue of Art-Language contains two connected articles. The first is concerned with some of the theoretical upshots of the managerial fraud perpetrated by the Art for Society tendency.

The second is concerned with a type of relation between a picture or representation and the world which is often neglected in 'realist' theory. This type of relation is causal and genetic. It is not, however, empiricist. What is suggested is that a neglect of this type of relation - of the how of picture production - contributes to the critical coquetry by which inquiry is stifled in the art world. This stifling of inquiry also serves such tendencies as Art for Society. They could not otherwise explain their crocodile tears.

Background

The cover image is a reproduction of Wassily Kandinsky's "Pink Sweet", 1929. It also appears in Index: The Studio at 3 Wesley Place (1983).

  • Wassily Kandinsky's "Pink Sweet", 1929
    Wassily Kandinsky's "Pink Sweet", 1929

References

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