Art-Language Vol. 3 No. 3: Difference between revisions
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!Notes | !Notes | ||
!Reprinted in | |||
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|‘...The Timeless Lumpenness of a Radical Cultural Life...’ | |''‘...The Timeless Lumpenness of a Radical Cultural Life...’'' | ||
|cover-1 | |cover-1 | ||
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* ''[[Conceptual Art: A Critical Anthology]]'' (ed. Alberro & Stimson, 1999) | |||
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|Transcript 3.1.76 Plus and Minus | |''Transcript 3.1.76 Plus and Minus'' | ||
|5-11 | |5-11 | ||
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|Bourgeois Revisionism, What? | |''Bourgeois Revisionism, What?'' | ||
|12-23 | |12-23 | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
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|Conversation: Opacity? | |''Conversation: Opacity?'' | ||
|24-26 | |24-26 | ||
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|Ideology does not penetrate class barriers as a transparent substance | |''Ideology does not penetrate class barriers as a transparent substance'' | ||
|27-28 | |27-28 | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
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|Now, naughty revisionism or no | |''Now, naughty revisionism or no'' | ||
|29-33 | |29-33 | ||
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|Denizens of class struggle | |''Denizens of class struggle'' | ||
|34-38 | |34-38 | ||
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|How to avoid assumptions that your good heart gets you there | |''How to avoid assumptions that your good heart gets you there'' | ||
|39-42 | |39-42 | ||
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|Jobless and Gaga | |''Jobless and Gaga'' | ||
|43-47 | |43-47 | ||
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|Community Arts | |''Community Arts'' | ||
|48-52 | |48-52 | ||
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|Abstract Art | |''Abstract Art'' | ||
|53-65 | |53-65 | ||
| | |[https://www.art-language.org/texte/a/TI17h.htm#anglais '''Excerpt'''] (35-36) | ||
[https://www.art-language.org/texte/b/TII17h.htm#francais French translation] | |||
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* ''[[Art & Language 1975-78]]'' (1978) | |||
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|International: England 1 (o.g.) USA 1 (o.g.) | |''International: England 1 (o.g.) USA 1 (o.g.)'' | ||
|66-72 | |66-72 | ||
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|Pastels in Prose – if not a Vignette in Verse... | |''Pastels in Prose – if not a Vignette in Verse...'' | ||
|73-75 | |73-75 | ||
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* ''[[Art & Language 1975-78]]'' (1978) | |||
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|The problems of displaying base explicit directive ‘assumptions’ | |''The problems of displaying base explicit directive ‘assumptions’'' | ||
|76-84 | |76-84 | ||
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|Shoot the Sodding Ref. | |''Shoot the Sodding Ref.'' | ||
|85-92 | |85-92 | ||
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|Provisions and Rules Again | |''Provisions and Rules Again'' | ||
|93-98 | |93-98 | ||
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|More Unsightly Speculations | |''More Unsightly Speculations'' | ||
|99-102 | |99-102 | ||
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|Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | |''Diagrammata or...In making Friends We Make Our Life (Arthur Mee)'' | ||
|103-104 | |103-104 | ||
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|Don’t Speak of Man’s Potentialities and their being made Actual in Society | |''Don’t Speak of Man’s Potentialities and their being made Actual in Society'' | ||
|105-106 | |105-106 | ||
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|(Education is not putting sight into blind eyes, so...) Back to the Sandbank | |''(Education is not putting sight into blind eyes, so...) Back to the Sandbank'' | ||
|107-109 | |107-109 | ||
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|What’s an ideological boundary then? | |''What’s an ideological boundary then?'' | ||
|110-114 | |110-114 | ||
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|Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | |''Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’?'' | ||
|115-119 | |115-119 | ||
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|Who’s a little Max Stirner then? | |''Who’s a little Max Stirner then?'' | ||
|120-121 | |120-121 | ||
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|A tale in the sump oil: notes from under the car; you can’t help them breaking down | |''A tale in the sump oil: notes from under the car; you can’t help them breaking down'' | ||
|122-125 | |122-125 | ||
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|} | |} | ||
== Ephemera == | == Ephemera == | ||
<gallery mode="packed"> | |||
File:AL-3-3-Fox-ad.png|Ad in ''[[The Fox No. 3|The Fox 3]]'' | |||
File:Corrected-postcard-order.jpg|Postcard ad | |||
</gallery> | |||
== References == | == References == | ||
{{Navbox-Art-Language}} | {{Navbox-Art-Language}} | ||
[[Category:Art-Language]] | [[Category:Art-Language]] |
Latest revision as of 05:21, 25 January 2024
Art-Language Vol. 3 No. 3 | |
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![]() | |
Publication | Art-Language |
Date | June 1976 |
Volume | 3 |
Number | 3 |
Publisher | |
Editor | Michael Baldwin, Charles Harrison, Harold Hurrell |
Contents
Title | pg. | Notes | Reprinted in |
---|---|---|---|
‘...The Timeless Lumpenness of a Radical Cultural Life...’ | cover-1 |
| |
Transcript 3.1.76 Plus and Minus | 5-11 | ||
Bourgeois Revisionism, What? | 12-23 |
| |
Conversation: Opacity? | 24-26 | ||
Ideology does not penetrate class barriers as a transparent substance | 27-28 |
| |
Now, naughty revisionism or no | 29-33 | ||
Denizens of class struggle | 34-38 | ||
How to avoid assumptions that your good heart gets you there | 39-42 | ||
Jobless and Gaga | 43-47 | ||
Community Arts | 48-52 | ||
Abstract Art | 53-65 | Excerpt (35-36) |
|
International: England 1 (o.g.) USA 1 (o.g.) | 66-72 | ||
Pastels in Prose – if not a Vignette in Verse... | 73-75 |
| |
The problems of displaying base explicit directive ‘assumptions’ | 76-84 | ||
Shoot the Sodding Ref. | 85-92 | ||
Provisions and Rules Again | 93-98 | ||
More Unsightly Speculations | 99-102 | ||
Diagrammata or...In making Friends We Make Our Life (Arthur Mee) | 103-104 | ||
Don’t Speak of Man’s Potentialities and their being made Actual in Society | 105-106 | ||
(Education is not putting sight into blind eyes, so...) Back to the Sandbank | 107-109 | ||
What’s an ideological boundary then? | 110-114 | ||
Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? | 115-119 | ||
Who’s a little Max Stirner then? | 120-121 | ||
A tale in the sump oil: notes from under the car; you can’t help them breaking down | 122-125 |
Ephemera
-
Ad in The Fox 3
-
Postcard ad