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== Contents ==
== Contents ==
{| class="wikitable"
{| class="wikitable"
!
!Title
!Title
!pg.
!pg.
!Notes
!Notes
!Reprinted in
|-
|-
|1
|''‘...The Timeless Lumpenness of a Radical Cultural Life...’''
|‘...The Timeless Lumpenness of a Radical Cultural Life...’
|cover-1
|cover-1
|
|
|
* ''[[Conceptual Art: A Critical Anthology]]'' (ed. Alberro & Stimson, 1999)
|-
|-
|2
|''Transcript 3.1.76 Plus and Minus''
|Transcript 3.1.76 Plus and Minus
|5-11
|5-11
|
|
|
|-
|-
|3
|''Bourgeois Revisionism, What?''
|Bourgeois Revisionism, What?
|12-23
|12-23
|
|
|
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
|-
|-
|4
|''Conversation: Opacity?''
|Conversation: Opacity?
|24-26
|24-26
|
|
|
|-
|-
|5
|''Ideology does not penetrate class barriers as a transparent substance''
|Ideology does not penetrate class barriers as a transparent substance
|27-28
|27-28
|
|
|
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980)
|-
|-
|6
|''Now, naughty revisionism or no''
|Now, naughty revisionism or no
|29-33
|29-33
|
|
|
|-
|-
|7
|''Denizens of class struggle''
|Denizens of class struggle
|34-38
|34-38
|
|
|
|-
|-
|8
|''How to avoid assumptions that your good heart gets you there''
|How to avoid assumptions that your good heart gets you there
|39-42
|39-42
|
|
|
|-
|-
|9
|''Jobless and Gaga''
|Jobless and Gaga
|43-47
|43-47
|
|
|
|-
|-
|10
|''Community Arts''
|Community Arts
|48-52
|48-52
|
|
|
|-
|-
|11
|''Abstract Art''
|Abstract Art
|53-65
|53-65
|[https://www.art-language.org/texte/a/TI17h.htm#anglais '''Excerpt'''] (35-36)
[https://www.art-language.org/texte/b/TII17h.htm#francais French translation]
|
|
* ''[[Art & Language 1975-78]]'' (1978)
|-
|-
|12
|''International: England 1 (o.g.) USA 1 (o.g.)''
|International: England 1 (o.g.) USA 1 (o.g.)
|66-72
|66-72
|
|
|
|-
|-
|13
|''Pastels in Prose – if not a Vignette in Verse...''
|Pastels in Prose – if not a Vignette in Verse...
|73-75
|73-75
|
|
|
* ''[[Art & Language 1975-78]]'' (1978)
|-
|-
|14
|''The problems of displaying base explicit directive ‘assumptions’''
|The problems of displaying base explicit directive ‘assumptions’
|76-84
|76-84
|
|
|
|-
|-
|15
|''Shoot the Sodding Ref.''
|Shoot the Sodding Ref.
|85-92
|85-92
|
|
|
|-
|-
|16
|''Provisions and Rules Again''
|Provisions and Rules Again
|93-98
|93-98
|
|-
|17.
|
|
|
|-
|18.
|
|
|
|-
|19.
|
|
|
|
|
|-
|-
|20.
|''More Unsightly Speculations''
|
|99-102
|
|
|
|
|-
|-
|21.
|''Diagrammata or...In making Friends We Make Our Life (Arthur Mee)''
|
|103-104
|
|
|
|
|-
|-
|22.
|''Don’t Speak of Man’s Potentialities and their being made Actual in Society''
|
|105-106
|
|
|
|
|-
|-
|23.
|''(Education is not putting sight into blind eyes, so...) Back to the Sandbank''
|
|107-109
|
|
|
|
|-
|-
|24.
|''What’s an ideological boundary then?''
|
|110-114
|
|
|
|
|-
|-
|25.
|''Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’?''
|
|115-119
|
|
|
|
|-
|-
|26.
|''Who’s a little Max Stirner then?''
|
|120-121
|
|
|
|
|-
|-
|27.
|''A tale in the sump oil: notes from under the car; you can’t help them breaking down''
|
|122-125
|
|
|
|
|}
|}


== Background ==
== Ephemera ==
 
<gallery mode="packed">
 
File:AL-3-3-Fox-ad.png|Ad in ''[[The Fox No. 3|The Fox 3]]''
File:Corrected-postcard-order.jpg|Postcard ad
</gallery>
== References ==
{{Navbox-Art-Language}}
{{Navbox-Art-Language}}
== References ==
[[Category:Art-Language]]
[[Category:Art-Language]]

Latest revision as of 05:21, 25 January 2024

Art-Language Vol. 3 No. 3
Publication Art-Language
Date June 1976
Volume 3
Number 3
Publisher
Editor Michael Baldwin, Charles Harrison, Harold Hurrell

Contents

Title pg. Notes Reprinted in
‘...The Timeless Lumpenness of a Radical Cultural Life...’ cover-1
Transcript 3.1.76 Plus and Minus 5-11
Bourgeois Revisionism, What? 12-23
Conversation: Opacity? 24-26
Ideology does not penetrate class barriers as a transparent substance 27-28
Now, naughty revisionism or no 29-33
Denizens of class struggle 34-38
How to avoid assumptions that your good heart gets you there 39-42
Jobless and Gaga 43-47
Community Arts 48-52
Abstract Art 53-65 Excerpt (35-36)

French translation

International: England 1 (o.g.) USA 1 (o.g.) 66-72
Pastels in Prose – if not a Vignette in Verse... 73-75
The problems of displaying base explicit directive ‘assumptions’ 76-84
Shoot the Sodding Ref. 85-92
Provisions and Rules Again 93-98
More Unsightly Speculations 99-102
Diagrammata or...In making Friends We Make Our Life (Arthur Mee) 103-104
Don’t Speak of Man’s Potentialities and their being made Actual in Society 105-106
(Education is not putting sight into blind eyes, so...) Back to the Sandbank 107-109
What’s an ideological boundary then? 110-114
Who said, ‘It is, on the contrary, the bureaucracy which brings the new mode of production into existence’? 115-119
Who’s a little Max Stirner then? 120-121
A tale in the sump oil: notes from under the car; you can’t help them breaking down 122-125

Ephemera

References

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