Art-Language Vol. 2 No. 4: Difference between revisions
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== Contents == | == Contents == | ||
Subtitled "Handbook(s) to Going-On" | |||
{| class="wikitable" | {| class="wikitable" | ||
!Title | !Title | ||
!pg. | !pg. | ||
!Notes | !Notes | ||
!Reprinted in | |||
|- | |- | ||
|Violins and Cows | |''Violins and Cows'' | ||
|1-6 | |1-6 | ||
|[https://www.art-language.org/texte/b/TII05h.htm#anglais Full | |[https://www.art-language.org/texte/b/TII05h.htm#anglais '''Full article'''] | ||
| | |||
|- | |- | ||
|Redemption not Adaptation | |''Redemption not Adaptation'' | ||
|7-14 | |7-14 | ||
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| | | | ||
|- | |- | ||
|Data Blank, December 1973 | |''Data Blank, December 1973'' | ||
|15 | |15 | ||
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|- | |- | ||
|Brainstorm Proposal | |''Brainstorm Proposal'' | ||
|16-25 | |16-25 | ||
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|- | |- | ||
|A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation... | |''A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation...'' | ||
|26-33 | |26-33 | ||
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|- | |- | ||
|Vector and Magnitude | |''Vector and Magnitude'' | ||
|34 | |34 | ||
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|- | |- | ||
|Uplifting Public Utterance | |''Uplifting Public Utterance'' | ||
|35 | |35 | ||
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|- | |- | ||
|Whether there exists, or has existed an 'ideological' person... | |''Whether there exists, or has existed an 'ideological' person...'' | ||
|36 | |36 | ||
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|- | |- | ||
|Fragment from Contemporanea Index | |''Fragment from Contemporanea Index'' | ||
|37 | |37 | ||
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|- | |- | ||
|Dear... | |''Dear...'' | ||
|38-39 | |38-39 | ||
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|- | |- | ||
|Points of Reference, the Hope of Ideology | |''Points of Reference, the Hope of Ideology'' | ||
|40-44 | |40-44 | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
|- | |- | ||
|Art and Language | |''Art and Language'' | ||
|45-50 | |45-50 | ||
| | |||
| | | | ||
|- | |- | ||
|Why J. Kosuth Won't Work for Us & Other Trivia | |''Why J. Kosuth Won't Work for Us & Other Trivia'' | ||
|51-61 | |51-61 | ||
| | |||
| | | | ||
|- | |- | ||
|The Old Gourmet (Transcript) | |''The Old Gourmet (Transcript)'' | ||
|62-70 | |62-70 | ||
|[https://www.art-language.org/texte/a/TI09h.htm#anglais Excerpt] (62-63) | |[https://www.art-language.org/texte/a/TI09h.htm#anglais '''Excerpt'''] (62-63) | ||
[https://www.art-language.org/texte/a/TI55h.htm#anglais Excerpt] (68) | [https://www.art-language.org/texte/a/TI55h.htm#anglais '''Excerpt'''] (68) | ||
| | |||
* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
|- | |- | ||
|Proceedings M2 | |''Proceedings M2'' | ||
|71-72 | |71-72 | ||
| | |||
| | | | ||
|- | |- | ||
|Instruction Index a x | |''Instruction Index a x'' | ||
|73-99 | |73-99 | ||
| rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais Excerpt] (87-125) | | rowspan="3" |[https://www.art-language.org/texte/b/TII64h.htm#anglais '''Excerpt'''] (87-125) | ||
| | |||
|- | |- | ||
|Instruction Index b x | |''Instruction Index b x'' | ||
|100-123 | |100-123 | ||
| | |||
|- | |- | ||
|'The statement that there is a body of dialectical discourse...' | |''<nowiki/>'The statement that there is a body of dialectical discourse...''' | ||
|124 | |124 | ||
| | |||
|- | |- | ||
|Further Points of Reference | |''Further Points of Reference'' | ||
|126-130 | |126-130 | ||
| | |||
| | | | ||
|} | |} | ||
== | == References == | ||
{{Navbox-Art-Language}} | {{Navbox-Art-Language}} | ||
[[Category:Art-Language]] | [[Category:Art-Language]] | ||
Latest revision as of 04:20, 25 January 2024
| Art-Language Vol. 2 No. 4 | |
|---|---|
| Publication | Art-Language |
| Date | June 1974 |
| Volume | 2 |
| Number | 4 |
| Publisher | |
| Editor | Michael Baldwin, Philip Pilkington |
Contents
Subtitled "Handbook(s) to Going-On"
| Title | pg. | Notes | Reprinted in |
|---|---|---|---|
| Violins and Cows | 1-6 | Full article | |
| Redemption not Adaptation | 7-14 | ||
| Data Blank, December 1973 | 15 | ||
| Brainstorm Proposal | 16-25 | ||
| A-L and me... What I know, care about... Going-on as Grammar. No money, no prospects... Fear... Starvation... | 26-33 | ||
| Vector and Magnitude | 34 | ||
| Uplifting Public Utterance | 35 | ||
| Whether there exists, or has existed an 'ideological' person... | 36 | ||
| Fragment from Contemporanea Index | 37 | ||
| Dear... | 38-39 | ||
| Points of Reference, the Hope of Ideology | 40-44 |
| |
| Art and Language | 45-50 | ||
| Why J. Kosuth Won't Work for Us & Other Trivia | 51-61 | ||
| The Old Gourmet (Transcript) | 62-70 | Excerpt (62-63)
Excerpt (68) |
|
| Proceedings M2 | 71-72 | ||
| Instruction Index a x | 73-99 | Excerpt (87-125) | |
| Instruction Index b x | 100-123 | ||
| 'The statement that there is a body of dialectical discourse...' | 124 | ||
| Further Points of Reference | 126-130 |
