Art-Language Vol. 1 No. 2: Difference between revisions
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!Notes | !Notes | ||
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|Joseph Kosuth | |Joseph Kosuth | ||
|''Introductory note by the American Editor'' | |''Introductory note by the American Editor'' | ||
|1-4 | |1-4 | ||
|[https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/ Full article] | |[https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/ '''Full article'''] | ||
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* ''[[Art & Language: Texte zum Phänomen Kunst und Sprache]]'' (1972) | |||
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|David Bainbridge | |David Bainbridge | ||
|''‘The Sculpture...’ (untitled)'' | |''‘The Sculpture...’ (untitled)'' | ||
|5-7 | |5-7 | ||
|[https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/#:~:text=with%20increasing%20abundance.-,DAVID%20BAINBRIDGE,-The%20Sculpture1%20is Full article] | |[https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/#:~:text=with%20increasing%20abundance.-,DAVID%20BAINBRIDGE,-The%20Sculpture1%20is '''Full article'''] | ||
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|[[Frederick Barthelme|Frederic Barthelme]] | |[[Frederick Barthelme|Frederic Barthelme]] | ||
|''Three from May 23rd, 1969'' | |''Three from May 23rd, 1969'' | ||
|8-10 | |8-10 | ||
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|''Notes on Marat'' | |''Notes on Marat'' | ||
|11-13 | |11-13 | ||
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|''Plans and Procedures'' | |''Plans and Procedures'' | ||
|14-21 | |14-21 | ||
|[https://www.art-language.org/texte/a/TI59h.htm#anglais Excerpt] (17) | |[https://www.art-language.org/texte/a/TI59h.htm#anglais '''Excerpt'''] (17) | ||
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* ''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1980) | |||
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|Ian Burn | |Ian Burn | ||
|''Dialogue'' | |''Dialogue'' | ||
|22 | |22 | ||
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|''Moto-Spiritale'' | |''Moto-Spiritale'' | ||
|23-24 | |23-24 | ||
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|''From an Art & Language Point of View'' | |''From an Art & Language Point of View'' | ||
|25-60 | |25-60 | ||
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* ''[[Art & Language: Texte zum Phänomen Kunst und Sprache]]'' (1972) | |||
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|Terry Atkinson | |Terry Atkinson | ||
|''Concerning Interpretation of the Bainbridge/Hurrell Models'' | |''Concerning Interpretation of the Bainbridge/Hurrell Models'' | ||
|61-71 | |61-71 | ||
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|''Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’'' | |''Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’'' | ||
|72-73 | |72-73 | ||
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|''Sculptures and Devices'' | |''Sculptures and Devices'' | ||
|74-76 | |74-76 | ||
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* ''[[Art & Language: Texte zum Phänomen Kunst und Sprache]]'' (1972) | |||
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|Michael Thompson | |Michael Thompson | ||
|''Conceptual Art: Category & Action'' | |''Conceptual Art: Category & Action'' | ||
|77-83 | |77-83 | ||
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|''Notes on Genealogies'' | |''Notes on Genealogies'' | ||
|84-88 | |84-88 | ||
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|} | |} | ||
== Ephemera == | == Ephemera == | ||
<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/ | <gallery mode="packed"> | ||
File:AL-1-2-poster1.jpg|Poster<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/</ref> | |||
File:AL-1-2-poster2.jpg|Poster<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/</ref> | |||
File:AL-1-2-poster3.jpg|Poster<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/volume-1-numero-2/</ref> | |||
</gallery> | |||
== References == | == References == | ||
{{Navbox-Art-Language}} | {{Navbox-Art-Language}} | ||
[[Category:Art-Language]] | [[Category:Art-Language]] |
Latest revision as of 05:07, 9 December 2023
Art-Language Vol. 1 No. 2 | |
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Publication | Art-Language |
Date | February 1970 |
Volume | 1 |
Number | 2 |
Publisher | |
Editor |
Contents
Author | Title | pg. | Notes | Reprinted in |
---|---|---|---|---|
Joseph Kosuth | Introductory note by the American Editor | 1-4 | Full article | |
David Bainbridge | ‘The Sculpture...’ (untitled) | 5-7 | Full article | |
Frederic Barthelme | Three from May 23rd, 1969 | 8-10 | ||
Stephen McKenna | Notes on Marat | 11-13 | ||
Michael Baldwin | Plans and Procedures | 14-21 | Excerpt (17) |
|
Ian Burn | Dialogue | 22 | ||
Robert Brown-David Hirons | Moto-Spiritale | 23-24 | ||
Terry Atkinson | From an Art & Language Point of View | 25-60 | ||
Terry Atkinson | Concerning Interpretation of the Bainbridge/Hurrell Models | 61-71 | ||
Harold Hurrell | Notes on Atkinson’s ‘Concerning Interpretation of the Bainbridge/Hurrell Models’ | 72-73 | ||
Harold Hurrell | Sculptures and Devices | 74-76 | ||
Michael Thompson | Conceptual Art: Category & Action | 77-83 | ||
Mel Ramsden | Notes on Genealogies | 84-88 |