Rough Trade - Revision history

Dotclub at 20:19, 3 August 2023

2023-08-03T20:19:31Z

← Older revision		Revision as of 13:19, 3 August 2023
Line 12:		Line 12:
	!Notes		!Notes
	\|-		\|-
	\|1979~~-10-05~~		\|October 5, 1979
	\|{{RLink\|Micro}}		\|{{RLink\|Micro}}
	\|12" single		\|12" single
	\|Originally recorded for [[Radar]]		\|Originally recorded for [[Radar]]
	\|-		\|-
	\|1980~~-07-25~~		\|July 25, 1980
	\|{{RLink\|Born}}		\|{{RLink\|Born}}
	\|7" single		\|7" single
	\|		\|
	\|-		\|-
	\|1981~~-05~~		\|May 1981
	\|{{RLink\|Kangaroo}}		\|{{RLink\|Kangaroo}}
	\|LP album		\|LP album
Line 35:		Line 35:
	=== Cancelled releases ===		=== Cancelled releases ===
	{\| class="wikitable"		{\| class="wikitable"
			!
	!Release		!Release
	!		!
	!Notes		!Notes
	\|-		\|-
			\|1980?
	\|Portrait of V. I. Lenin in the Style of Jackson Pollock		\|Portrait of V. I. Lenin in the Style of Jackson Pollock
	\|7" single		\|7" single
	\|Never released		\|Never released
	\|-		\|-
			\|1980?
	\|Red Crayola retrospective		\|Red Crayola retrospective
	\|LP album		\|LP album
	\|Never released		\|Never released
	\|-		\|-
			\|1981?
	\|{{RLink\|Ratman}}		\|{{RLink\|Ratman}}
	\|7" single		\|7" single
	\|Released by		\|Released by
	\|-		\|-
			\|1983?
	\|{{RLink\|Black}}		\|{{RLink\|Black}}
	\|LP album		\|LP album

Dotclub at 20:18, 3 August 2023

2023-08-03T20:18:36Z

← Older revision		Revision as of 13:18, 3 August 2023
Line 4:		Line 4:

	=== Released ===		=== Released ===
			See also: [[Records produced by Mayo Thompson]]
	[[Category:Record labels]]		[[Category:Record labels]]
	{\| class="wikitable"		{\| class="wikitable"

imported>Dotclub at 01:50, 21 March 2023

2023-03-21T01:50:04Z

← Older revision		Revision as of 18:50, 20 March 2023
Line 2:		Line 2:

	== The Red Crayola ==		== The Red Crayola ==

			=== Released ===
	[[Category:Record labels]]		[[Category:Record labels]]
	{\| class="wikitable"		{\| class="wikitable"
Line 7:		Line 9:
	!Release		!Release
	!		!
			!Notes
	\|-		\|-
	\|1979-10-05		\|1979-10-05
	\|{{RLink\|Micro}}		\|{{RLink\|Micro}}
	\|~~Recorded~~ for [[Radar]]~~, released on Rough Trade~~		\|12" single
			\|Originally recorded for [[Radar]]
	\|-		\|-
	\|1980-07-25		\|1980-07-25
	\|{{RLink\|Born}}		\|{{RLink\|Born}}
			\|7" single
	\|		\|
	\|-
	\|
	~~\|Portrait of V. I. Lenin in the Style of Jackson Pollock~~
	~~\|Recorded for Rough Trade, unreleased~~
	\|-		\|-
	\|1981-05		\|1981-05
	\|{{RLink\|Kangaroo}}		\|{{RLink\|Kangaroo}}
			\|LP album
	\|		\|
	\|-		\|-
	\|1981		\|1981
	\|{{RLink\|Man}}		\|{{RLink\|Man}}
			\|7" single
	\|		\|
			\|}

			=== Cancelled releases ===
			{\| class="wikitable"
			!Release
			!
			!Notes
			\|-
			\|Portrait of V. I. Lenin in the Style of Jackson Pollock
			\|7" single
			\|Never released
			\|-
			\|Red Crayola retrospective
			\|LP album
			\|Never released
	\|-		\|-
	~~\|1981~~
	\|{{RLink\|Ratman}}		\|{{RLink\|Ratman}}
	\|~~Recorded for Rough Trade, released on~~		\|7" single
			\|Released by
	\|-		\|-
	\|		\|{{RLink\|Black}}
	\|~~[[Black Snakes]]~~		\|LP album
	\|~~Recorded for Rough Trade, released on~~ RecRec		\|Released by RecRec
	\|}		\|}

imported>Dotclub at 23:24, 20 March 2023

2023-03-20T23:24:29Z

← Older revision		Revision as of 16:24, 20 March 2023
Line 1:		Line 1:
	[[File:Rough-Trade-logo.svg\|thumb\|upright\|\|]]		[[File:Rough-Trade-logo.svg\|thumb\|upright\|\|]]

	~~== Background ==~~
	[[Mayo Thompson]], 1980<ref>[https://www.facebook.com/Roch.Parisiens.Rocon.Communications/videos/1174946843210918/ Mayo Thompson interviewed by Roch Parisien, July 26, 1980]</ref><blockquote>I read about [Rough Trade] little bit, heard about it. Went down there and saw what kind of records that they had. And the first time I went into the shop I was standing there and [[Geoff Travis]] — and I didn't know Geoff at the time — came in and he was talking to some people from San Francisco and they were talking about a band called "Crime" or somebody like that. And at the time there was a strike in the United States or there had been a strike. And this band had refused to play a benefit for the miners or something like that. Had refused to become involved in the politics of this strike. I overheard Geoff say he thought that was impossible for those people to refuse to do it, y'know, given the state of the world and the place of this music — and the possible place of this music. I'm not suggesting that Geoff was saying that he thought, y'know, like the workers and the musicians should unite. Because nobody should be surprised if they go down to a picket line and the workers tell them to fuck off. But I think he was just saying that it's not possible to remain, y'know, politically ignorant, or naïve, if you like, in the world today. If you're making music particularly because you gotta see how that strike and everything else relates to the posited conditions in which we all work. So I thought that was pretty good.

	So I started talking to Geoff bit by bit, and just started going there and getting a few records and talking to him and so on. And just became really friendly with everyone there and then met some people who, because I was involved and when I was involved, wanted me to produce a record for them. That was The Monochrome Set. In the evening, it was proposed to me — I stand there listening to the tapes and Geoff was there — and I said, 'well, Geoff and I can do it together'. 'Cause I was confident that I could handle the technical side of it but Geoff is one of the people who had been there — as they say, 'he had been there since the beginning'. He just had a real grip on what was going on [...]. So we agreed that we would do this thing with him. And then Stiff Little Fingers, who was on Rough Trade, wanted Geoff to produce their album and he said, 'well, Mayo and I can do it'. So we've been a production team ever since. And we've done lots of things: we've done The Monochrome Set's first single, we did Stiff Little Fingers' album and their third single, and did The Raincoats' single and part of their album with them. We've done a lot of stuff, y'know.

	[...] I like the projects I've been involved in. And Rough Trade is a very sort of realistic place. It's not — well I suppose it could be — but at the moment it's not really a breeding ground for careers. Some people come and go; some bands use it as a stepping stone. Stiff Little Fingers ultimately went to Chrysalis. But I think there's something else going on there which supervenes a lot of that sort of stuff.</blockquote>

	== The Red Crayola ==		== The Red Crayola ==
Line 37:		Line 30:
	\|1981		\|1981
	\|{{RLink\|Ratman}}		\|{{RLink\|Ratman}}
	\|		\|Recorded for Rough Trade, released on
	\|-		\|-
	\|		\|
Line 44:		Line 37:
	\|}		\|}

			== Background ==
			[[Mayo Thompson]], 1980<ref>[https://www.facebook.com/Roch.Parisiens.Rocon.Communications/videos/1174946843210918/ Mayo Thompson interviewed by Roch Parisien, July 26, 1980]</ref><blockquote>I read about [Rough Trade] little bit, heard about it. Went down there and saw what kind of records that they had. And the first time I went into the shop I was standing there and [[Geoff Travis]] — and I didn't know Geoff at the time — came in and he was talking to some people from San Francisco and they were talking about a band called "Crime" or somebody like that. And at the time there was a strike in the United States or there had been a strike. And this band had refused to play a benefit for the miners or something like that. Had refused to become involved in the politics of this strike. I overheard Geoff say he thought that was impossible for those people to refuse to do it, y'know, given the state of the world and the place of this music — and the possible place of this music. I'm not suggesting that Geoff was saying that he thought, y'know, like the workers and the musicians should unite. Because nobody should be surprised if they go down to a picket line and the workers tell them to fuck off. But I think he was just saying that it's not possible to remain, y'know, politically ignorant, or naïve, if you like, in the world today. If you're making music particularly because you gotta see how that strike and everything else relates to the posited conditions in which we all work. So I thought that was pretty good.

			So I started talking to Geoff bit by bit, and just started going there and getting a few records and talking to him and so on. And just became really friendly with everyone there and then met some people who, because I was involved and when I was involved, wanted me to produce a record for them. That was The Monochrome Set. In the evening, it was proposed to me — I stand there listening to the tapes and Geoff was there — and I said, 'well, Geoff and I can do it together'. 'Cause I was confident that I could handle the technical side of it but Geoff is one of the people who had been there — as they say, 'he had been there since the beginning'. He just had a real grip on what was going on [...]. So we agreed that we would do this thing with him. And then Stiff Little Fingers, who was on Rough Trade, wanted Geoff to produce their album and he said, 'well, Mayo and I can do it'. So we've been a production team ever since. And we've done lots of things: we've done The Monochrome Set's first single, we did Stiff Little Fingers' album and their third single, and did The Raincoats' single and part of their album with them. We've done a lot of stuff, y'know.

			[...] I like the projects I've been involved in. And Rough Trade is a very sort of realistic place. It's not — well I suppose it could be — but at the moment it's not really a breeding ground for careers. Some people come and go; some bands use it as a stepping stone. Stiff Little Fingers ultimately went to Chrysalis. But I think there's something else going on there which supervenes a lot of that sort of stuff.</blockquote>
			[[Category:Record labels]]
	== References ==		== References ==

imported>Dotclub at 23:23, 20 March 2023

2023-03-20T23:23:28Z

← Older revision		Revision as of 16:23, 20 March 2023
Line 1:		Line 1:
			[[File:Rough-Trade-logo.svg\|thumb\|upright\|\|]]

	== Background ==		== Background ==
	[[Mayo Thompson]], 1980<ref>[https://www.facebook.com/Roch.Parisiens.Rocon.Communications/videos/1174946843210918/ Mayo Thompson interviewed by Roch Parisien, July 26, 1980]</ref><blockquote>I read about [Rough Trade] little bit, heard about it. Went down there and saw what kind of records that they had. And the first time I went into the shop I was standing there and [[Geoff Travis]] — and I didn't know Geoff at the time — came in and he was talking to some people from San Francisco and they were talking about a band called "Crime" or somebody like that. And at the time there was a strike in the United States or there had been a strike. And this band had refused to play a benefit for the miners or something like that. Had refused to become involved in the politics of this strike. I overheard Geoff say he thought that was impossible for those people to refuse to do it, y'know, given the state of the world and the place of this music — and the possible place of this music. I'm not suggesting that Geoff was saying that he thought, y'know, like the workers and the musicians should unite. Because nobody should be surprised if they go down to a picket line and the workers tell them to fuck off. But I think he was just saying that it's not possible to remain, y'know, politically ignorant, or naïve, if you like, in the world today. If you're making music particularly because you gotta see how that strike and everything else relates to the posited conditions in which we all work. So I thought that was pretty good.		[[Mayo Thompson]], 1980<ref>[https://www.facebook.com/Roch.Parisiens.Rocon.Communications/videos/1174946843210918/ Mayo Thompson interviewed by Roch Parisien, July 26, 1980]</ref><blockquote>I read about [Rough Trade] little bit, heard about it. Went down there and saw what kind of records that they had. And the first time I went into the shop I was standing there and [[Geoff Travis]] — and I didn't know Geoff at the time — came in and he was talking to some people from San Francisco and they were talking about a band called "Crime" or somebody like that. And at the time there was a strike in the United States or there had been a strike. And this band had refused to play a benefit for the miners or something like that. Had refused to become involved in the politics of this strike. I overheard Geoff say he thought that was impossible for those people to refuse to do it, y'know, given the state of the world and the place of this music — and the possible place of this music. I'm not suggesting that Geoff was saying that he thought, y'know, like the workers and the musicians should unite. Because nobody should be surprised if they go down to a picket line and the workers tell them to fuck off. But I think he was just saying that it's not possible to remain, y'know, politically ignorant, or naïve, if you like, in the world today. If you're making music particularly because you gotta see how that strike and everything else relates to the posited conditions in which we all work. So I thought that was pretty good.

imported>Dotclub at 11:22, 12 March 2023

2023-03-12T11:22:56Z

← Older revision		Revision as of 04:22, 12 March 2023
Line 1:		Line 1:
			== Background ==
			[[Mayo Thompson]], 1980<ref>[https://www.facebook.com/Roch.Parisiens.Rocon.Communications/videos/1174946843210918/ Mayo Thompson interviewed by Roch Parisien, July 26, 1980]</ref><blockquote>I read about [Rough Trade] little bit, heard about it. Went down there and saw what kind of records that they had. And the first time I went into the shop I was standing there and [[Geoff Travis]] — and I didn't know Geoff at the time — came in and he was talking to some people from San Francisco and they were talking about a band called "Crime" or somebody like that. And at the time there was a strike in the United States or there had been a strike. And this band had refused to play a benefit for the miners or something like that. Had refused to become involved in the politics of this strike. I overheard Geoff say he thought that was impossible for those people to refuse to do it, y'know, given the state of the world and the place of this music — and the possible place of this music. I'm not suggesting that Geoff was saying that he thought, y'know, like the workers and the musicians should unite. Because nobody should be surprised if they go down to a picket line and the workers tell them to fuck off. But I think he was just saying that it's not possible to remain, y'know, politically ignorant, or naïve, if you like, in the world today. If you're making music particularly because you gotta see how that strike and everything else relates to the posited conditions in which we all work. So I thought that was pretty good.

			So I started talking to Geoff bit by bit, and just started going there and getting a few records and talking to him and so on. And just became really friendly with everyone there and then met some people who, because I was involved and when I was involved, wanted me to produce a record for them. That was The Monochrome Set. In the evening, it was proposed to me — I stand there listening to the tapes and Geoff was there — and I said, 'well, Geoff and I can do it together'. 'Cause I was confident that I could handle the technical side of it but Geoff is one of the people who had been there — as they say, 'he had been there since the beginning'. He just had a real grip on what was going on [...]. So we agreed that we would do this thing with him. And then Stiff Little Fingers, who was on Rough Trade, wanted Geoff to produce their album and he said, 'well, Mayo and I can do it'. So we've been a production team ever since. And we've done lots of things: we've done The Monochrome Set's first single, we did Stiff Little Fingers' album and their third single, and did The Raincoats' single and part of their album with them. We've done a lot of stuff, y'know.

			[...] I like the projects I've been involved in. And Rough Trade is a very sort of realistic place. It's not — well I suppose it could be — but at the moment it's not really a breeding ground for careers. Some people come and go; some bands use it as a stepping stone. Stiff Little Fingers ultimately went to Chrysalis. But I think there's something else going on there which supervenes a lot of that sort of stuff.</blockquote>

	== The Red Crayola ==		== The Red Crayola ==
	[[Category:Record labels]]		[[Category:Record labels]]
	{\| class="wikitable"		{\| class="wikitable"
	\|+
	!Date		!Date
	!Release		!Release
			!
	\|-		\|-
	\|1979-10-05		\|1979-10-05
	\|{{RLink\|Micro}}		\|{{RLink\|Micro}}
			\|Recorded for [[Radar]], released on Rough Trade
	\|-		\|-
	\|1980-07-25		\|1980-07-25
	\|{{RLink\|Born}}		\|{{RLink\|Born}}
			\|
			\|-
			\|
			\|Portrait of V. I. Lenin in the Style of Jackson Pollock
			\|Recorded for Rough Trade, unreleased
	\|-		\|-
	\|1981-05		\|1981-05
	\|{{RLink\|Kangaroo}}		\|{{RLink\|Kangaroo}}
			\|
	\|-		\|-
	\|1981		\|1981
	\|{{RLink\|Man}}		\|{{RLink\|Man}}
			\|
	\|-		\|-
	\|1981		\|1981
	\|{{RLink\|Ratman}}		\|{{RLink\|Ratman}}
			\|
			\|-
			\|
			\|[[Black Snakes]]
			\|Recorded for Rough Trade, released on RecRec
	\|}		\|}

			== References ==

imported>Dotclub at 11:36, 1 March 2023

2023-03-01T11:36:10Z

← Older revision		Revision as of 04:36, 1 March 2023
Line 1:		Line 1:
			== The Red Crayola ==
	[[Category:Record labels]]		[[Category:Record labels]]
	{\| class="wikitable"		{\| class="wikitable"
Line 11:		Line 12:
	\|{{RLink\|Born}}		\|{{RLink\|Born}}
	\|-		\|-
	\|~~1980~~-05		\|1981-05
	\|{{RLink\|Kangaroo}}		\|{{RLink\|Kangaroo}}
	\|-		\|-
	\|~~1980~~		\|1981
	\|{{RLink\|Man}}		\|{{RLink\|Man}}
	\|-		\|-
	\|~~1980~~		\|1981
	\|{{RLink\|Ratman}}		\|{{RLink\|Ratman}}
	\|}		\|}

imported>Dotclub at 08:25, 9 January 2023

2023-01-09T08:25:22Z

← Older revision		Revision as of 01:25, 9 January 2023
Line 1:		Line 1:
	[[Category:Record labels]]		[[Category:Record labels]]
			{\| class="wikitable"
			\|+
			!Date
			!Release
			\|-
			\|1979-10-05
			\|{{RLink\|Micro}}
			\|-
			\|1980-07-25
			\|{{RLink\|Born}}
			\|-
			\|1980-05
			\|{{RLink\|Kangaroo}}
			\|-
			\|1980
			\|{{RLink\|Man}}
			\|-
			\|1980
			\|{{RLink\|Ratman}}
			\|}

imported>Dotclub: Created page with "Category:Record labels"

2022-11-12T11:17:31Z

Created page with "Category:Record labels"

New page

[[Category:Record labels]]