View source for Art & Language (Van Abbemuseum, 1980)

'''''Art & Language''''' is a catalog for [[Art & Language]]'s 1980 exhibition at the Van Abbemuseum in Eindhoven, Netherlands.[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|thumb|upright|Front]][https://www.worldcat.org/title/art-language/oclc/13607132 '''WorldCat''']

== Contents ==
"Texts largely in English, with a few in Dutch. 133 illustrations"<ref>https://www.detritus.com/catalog/catalog.cgi?action=search&keyword=Art</ref>
{| class="wikitable"
!
!Author
!Title
!pg.
!Notes
!Originally published in
|-
|1.
|[[Art & Language]]
|''Frameworks''
|1-14
|
|''Frameworks'' (1967)
|-
|2.
|[[Michael Baldwin]]
|''Remarks on Air-Conditioning''
|15-16
|
|''Art News Vol. 4 No. 2'' (1967)
|-
|3.
|[[Art & Language]]
|''Soft-Tape''
|17-18
|
|''Soft-Tape'' (1966)
|-
|4.
|Terry Atkinson
|''Introduction to Art-Language Vol. 1 No. 1''
|19-26
|[https://archive.org/details/conceptualartcri0000unse_a9b3/page/98/mode/1up '''Full article''']
|''[[Art-Language Vol. 1 No. 1]]'' (May 1969)
|-
|5.
|[[Michael Baldwin]]
|''Plans and Procedures''
|27-33
|
|''[[Art-Language Vol. 1 No. 2]]'' (February 1970)
|-
|6.
|David Bainbridge

Harold Hurrell
|''Lecher System''
|34-43
|
|''[[Lecher System]]'' (1969)
|-
|7.
|Philip Pilkington

Dave Rushton
|''Don Judd’s Dictim and Its Emptiness''
|44-47
|
|[[Analytical Art No. 1|''Analytical Art No. 1'']] (July 1971)
|-
|8.
|Kevin Lole
|''Progress in Art and in Science''
|48-50
|
|[[Analytical Art No. 1|''Analytical Art No. 1'']] (July 1971)
|-
|9.
|[[Art & Language]]
|''Comparative Models''
|51-62
|
|''Comparative Models'' (1972)
|-
|10.
|[[Charles Harrison]]
|''Mapping and Filing''
|63-65
|[https://www.art-language.org/texte/a/TI62h.htm#anglais Excerpt] (14)
|''The New Art''<ref>Charles Harrison “Mapping and Filing”, from ''The New Art'', Hayward Gallery, London, 1972, pp. 14-16</ref> (1972)
|-
|11.
|Terry Atkinson

[[Michael Baldwin]]
|''The Index''
|66-71
|
|''The New Art''<ref>Terry Atkinson, Michael Baldwin, “The Index“, from ''The New Art'', Hayward Gallery, London, 1972, p. 17-</ref> (1972)
|-
|12.
|[[Art & Language]]
|''Points of Reference, the Hope of Ideology''
|72-75
|
|''[[Art-Language Vol. 2 No. 4]]'' (June 1974)
|-
|13.
|[[Art & Language]]
|''The Old Gourmet''
|76-83
|
|''[[Art-Language Vol. 2 No. 4]]'' (June 1974)
|-
|14.
|[[Art & Language]]
|''<nowiki/>'Sometimes I feel like an Artist...'''
|84-87
|
|''[[Art-Language Vol. 3 No. 1]]'' (September 1974)
|-
|15.
|[[Art & Language]]
|''<nowiki/>'Consistency' is an Ideological Postulate''
|88-90
|
|''[[Art-Language Vol. 3 No. 1]]'' (September 1974)
|-
|16.
|[[Art & Language]]
|''Pedagogical Sketchbook (AL)''
|91-101
|
|''[[Art-Language Vol. 3 No. 2]]'' (May 1975)
|-
|17.
|[[Art & Language]]
|''A Review of Styles''
|102-108
|
|''[[Art-Language Vol. 3 No. 2]]'' (May 1975)
|-
|18.
|
|''There are those People who only succeed in Remaining Revolutionaries by Keeping their Eyes Shut: A Conversation between Professor Norman Trotsky and Petrichenko''
|109-115
|
|
|-
|19.
|[[Mel Ramsden]]
|''Jeremy Gilbert-Rolfe's As-Silly-As-You-Can-Get 'Brice Marden's Painting'''
|116-123
|[https://ubu.com/media/text/fox/Fox2.pdf#page=12 '''Full article''']
|[[The Fox No. 2|''The Fox 2'']] (Fall 1975)
|-
|20.
|[[Art & Language]]
|''Retrospective Exhibitions and Current Practice (A Recommendation for Optimistic Amnesia)''
|124-127
|[https://monoskop.org/images/d/d1/Art_and_Language_1966-1975.pdf#page=2 '''Full article''']
|''[[Art & Language 1966-1975]]'' (1975)
|-
|21.
|[[Art & Language]]
|''Dear Stefan...''
|128-130
|[https://monoskop.org/images/d/d1/Art_and_Language_1966-1975.pdf#page=50 '''Full article''']
|''[[Art & Language 1966-1975]]'' (1975)
|-
|22.
|[[Art & Language]]
|''Bourgeois Revisionism, What?''
|131-139
|
|''[[Art-Language Vol. 3 No. 3]]'' (June 1976)
|-
|23.
|[[Art & Language]]
|''Ideology Does Not Penetrate Class Barriers as a Transparent Substance''
|140-141
|
|''[[Art-Language Vol. 3 No. 3]]'' (June 1976)
|-
|24.
|
|''It's Your Line to Dumb'' ''Christopher Isherwood and Those Who Think They're Cameras''
|142-143
|
|
|-
|25.
|[[Art & Language]]
|''Simplicissimus''
|144-147
|
|''[[Art-Language Vol. 4 No. 1]]'' (May 1977)
|-
|26.
|[[Art & Language]]
|''The Long March from 23rd Street to Highgate Cemetery and Back''
|148-151
|
|''[[Art-Language Vol. 4 No. 1]]'' (May 1977)
|-
|27.
|[[Art & Language]]
|''Method 3.0''
|152-168
|
|''[[Art-Language Vol. 4 No. 2]]'' (October 1977)
|-
|28.
|[[Art & Language]]
|''Method 4.3''
|169-172
|
|''[[Art-Language Vol. 4 No. 2]]'' (October 1977)
|-
|29.
|[[Art & Language]]
|''AMCC and AICU''
|173-184
|
|''[[Art-Language Vol. 4 No. 2]]'' (October 1977)
|-
|30.
|
|''The Sinking of the Good Ship Liberalism''
|185-191
|
|''Issue'' (September 1977)
|-
|31.
|[[Art & Language]]
|''Art for Society?''
|192-200
|
|''[[Art-Language Vol. 4 No. 4]]'' (June 1980)
|-
|32.
|[[Art & Language]]
|''Ways of Seeing''
|201-237
|
|''[[Art-Language Vol. 4 No. 3]]'' (October 1978)
|-
|33.
|[[Art & Language]]
|''Leeds University, February 1979''
|238-241
|
|
|-
|34.
|[[Charles Harrison]]
|''The Ratification of Abstract Art''
|242-250
|[https://archive.org/details/towardsnewartess0000unse/page/146/mode/1up '''Full article''']
|''Towards a New Art: Essays on the Background to Abstract Painting 1910-20'' (1980)
|-
|35.
|[[Art & Language]]
|''Portrait of V. I. Lenin in the Style of Jackson Pollock''
|251-264
|[https://www.artforum.com/features/art-language-2-215409/ '''Full article''']
|''Artforum February 1980''
|-
! colspan="6" |Dutch translations
|-
|
|
|''Kaders''
|265-
|
|
|-
|
|
|''Inleiding tot Art-Language Volume 1 Number 1''
|281-
|
|
|-
|
|
|''Lecher System''
|290-
|
|
|-
|
|
|''In Kaart Brengen en Rangschikken''
|301-
|
|
|-
|
|
|''De Index''
|305-
|
|
|-
|
|
|''Jeremy Gilbert-Rolfe's zo-onnozel-als-maar-kan Brice Marden's Schilderkunst''
|310-
|
|
|-
|
|
|''Retrospektieve Tentoonstellingen en Aktuele Praktijk''
|319-
|
|
|-
|
|
|''Kunst voor de Maatschappij?''
|323-
|
|
|-
|
|
|Leeds University, Februari 1979
|334-
|
|
|-
|
|
|De Bekrachtiging Van Abstrakte Kunst
|339-
|
|
|-
! colspan="6" |
|-
|
|
|Illustrations
|349-
|
|
|-
|
|
|List of Illustrations
|405-
|
|
|-
|
|
|Biography and Bibliography
|409-
|
|
|}

== References ==