View source for Art & Language

[[Art & Language]] is an art group associated with conceptual art and post-modernism.

== With The Red Crayola ==
Main article: [[The Red Crayola with Art & Language]]

<gallery mode="packed" heights="110">
File:Corrected-1982-front.png|link=Corrected Slogans|'''[[Corrected Slogans]]'''<br>1976
File:Nine-Gross-and-Conspicuous-Errors-ad.jpg|link=Nine Gross and Conspicuous Errors|'''<small>[[Nine Gross and Conspicuous Errors]]</small>'''<br>1976
File:Something-Completely-Different-book-photo.jpg|link=And Now for Something Completely Different|'''<small>[[And Now for Something Completely Different]]</small>'''<br>1976

File:Born-in-Flames-front.jpg|link=Born in Flames (single)|'''[[Born in Flames (single)|Born in Flames]]'''<br>1980
File:Kangaroo-front.jpg|link=Kangaroo?|'''[[Kangaroo?]]'''<br>1981
File:Old-Mans-Dream-front.jpg|link=An Old Man's Dream (single)|'''[[An Old Man's Dream (single)|An Old Man's Dream]]'''<br>1981
File:Ratman-front.jpg|link=Rattenmensch/Gewichtswächter (single)|'''[[Rattenmensch/Gewichtswächter (single)|Rattenmensch/Gewichtswächter]]'''<br>1981
File:Black-Snakes-front.png|link=Black Snakes|'''[[Black Snakes]]'''<br>1983
File:Child-Care-front.png|link=Baby and Child Care|'''[[Baby and Child Care]]'''<br>1984

File:Sighs-Trapped-front.jpg|link=Sighs Trapped by Liars (album)|'''[[Sighs Trapped by Liars (album)|Sighs Trapped by Liars]]'''<br>2007
File:Five-American-Portraits-front.jpg|link=Five American Portraits|'''[[Five American Portraits]]'''<br>2010
</gallery>

== History ==

=== 1966-1968: "Early" phase ===
1968: Art & Language was founded by Terry Atkinson, Michael Baldwin, Harold Hurrell, David Bainbridge (UK)

==== Works ====
David Bainbridge

* Crane (1966)

David Bainbridge and Terry Atkinson

* Crane Assertions

David Bainbridge and Harold Hurrell

* Loop (1966)
* Lecher System (1969)
* Ingot (1969)

Michael Baldwin

* Mirror Piece (1965?)<ref>https://fr.wikipedia.org/wiki/Mirror_Piece</ref>
* Abstract Art No. 2 (1968)
* Abstract Art, no. 6 (1967)

Terry Atkinson and Michael Baldwin

* Map to Not Include (1966)
* Air Show (1966) 5pp.
** “A series of assertions concerning a theoretical usage of a column of air comprising a base of one square mile and of unspecified distance in the vertical dimension.”
** Air Show Dimensions (1966) 5pp.
** [The 'Declaration Device' associated with the Air Show...] (1967)
*Hot-Cold (November 1967)
**[Notes towards Hot-Cold and Notes towards French Army] (1967)
* Air Conditioning Show (1967)
** Natural Science: Air-Conditioning Show (1966) 3pp.
** Study for the Air-Conditioning Show (1967)
* Time Show
** Notes on Time Show 1966-67 (1966-67)
** 'Time Show' Fragment (1967)

* Frameworks (1966)
** Frameworks Appendices, no. 01 (1966-67) 3pp.
** Frameworks Study (1967) 11p.
** Frameworks Study A2 (1967) 5pp.
** Frameworks Study I β (1966-67) 5pp.
** Frameworks Exhibit II (1967) 4pp.

* 22 Sentences: The French Army (1967) 20pp.
* French Army (March 1968)
** Notes towards French Army (1967)
* Declaration Series (1967)
* Oxfordshire Show (1966) 16pp.

Ian Burn

* Mirror Piece (1967)

Mel Ramsden

* Guaranteed (1967)
* Secret Painting (1967-68)
** Four Studies for a Secret Painting (1967)
** Eleven Studies for a Secret Painting (1967)
** Secret Painting (Study) (1967)
** Study for a Secret Painting (1967)
* Six Negatives (1968)

Ian Burn and Mel Ramsden

* Notes on Analysis Book

Joseph Kosuth

* Word and Object Series (1966)
* Definition Series (1967)
* Thesaurus Categories Series (1968)
* Matter in General (1968)
?<ref>file:///C:/Users/noahf/OneDrive/Desktop/DIG_A-HIS-01896_033_l.pdf</ref>

* Three Suprematist Squares (1965)
* A Direct Usage of Words... (1967)

?<ref>https://fr.wikipedia.org/wiki/Art_and_Language</ref>

* Aim at Boredom, Kasimir? (1966) 5pp.
* Time Drawings (1965)
* Crane Notes (1965-66) 12pp.
* Text as Performance (1965-66)
* Fragments and Elements (1965)
* Acid Boxes (1966)
* Ontology (1967)
* A Note on the Notion of a 368 Year Old Spectator (1967) 3pp.
* An Introduction to Precinct Publications (1968) 4pp.
* Models + Dictionaries (1968) 4pp.
* Sunnybank. (1967)
* Ontological Fragments (1969)
* Notes Referring to Machine Itself (1969-70) 8pp.
* Asteroid Action Seat (1963)
* I. T. N.: Establish further Connectors. P. & T. (1965)
* Fragments and Elements I (1965)
* An Argument from Illusion (1966)
* Art Out of Sounds (1966)
* H (i) 2 (1966)
* [Language Truth and Logic] (1966)
* Malevich I (1966)
* Notes on Malevich (1966) 2pp.
* [Names] (1966)
* Note Typography for Text Book or Encyclopedia from 1965-66 (1966)
* Paintings I, no.1-20 (1966/2014)
* Performance as Text
** Performance as Text, Appendix, Notes (1966) 5pp.

* Proposition 1966 (1966)
* Robotic Sculpture (1966)
* Sculpture Notes I (1966)
* Sculpture Notes II (1966)
* Temperature Show (1966) 43pp.
** Temperature Show Photographs (1966)
** Temperature Print 1 (1967)
** Temperature Print 2 (1967)
** Temperature Print 3 (1967)
** Temperature Print 4 (1967)
** Temperature Print II (1967)

* The Air-Conditioning as Device (1966)
* The Wildthink Album (1966) 8pp.
* Two Black Rectangles (The Paradoxes of Absolute Zero) (1966)
* Two Black Squares (The Paradoxes of the Absolute Zero) (1966)
* Two Black Squares (The Paradoxes of the Absolute Zero) (1967)
* [Putative Art Practice in Britain] (1966-67) 5pp.
* Acrostic Painting (1967)
* Art Object — Syntax (1967)
* Bibliography (1967)
* City of Coventry College of Art Diploma in Art and Design Fine Art (Sculpture) History of Art and Contemporary Studies (1967)
* Diploma in Art and Design — Fine Art (Sculpture) (1967)
* Facts (1967)
* Complete Bibliography of Articles on 'The Free Will Problem' (1967)
* Continuum of Process (1967)
* Identificatory Fragment (1967)
* Identificatory Fragment 1967 (1967)
* In Place of Painting (1967)
* Life? Show. Frameworks Study (1967) 7p.
* Map of Thirty-Six Square Mile Surface Area of the Pacific Ocean West of Oahu (1967)
* Map to Not Indicate
** Drawing for a Map to Not Indicate... (1967)
* Map of Itself (1967)
* Map of Scottish Lowlands to Include (1967)
* Notes Towards Various Mappings (1967)
* Notes: Harold Hurrell (1967)
* [Photographic documentation of Undeclared Glasses] (1967)
* Potato Print Model 1 (1967)
* Potato Print Model 2 (1967)
* Questions of Fact (1967)
* Readings of Readings of the Tractatus (1967)
* On the Concept of a Non Exhibition (1967) 6pp.
* Part of a Short Lesson (1967)
* Photo-Electric Switchgear (1967)
* Time and News 1967 (1967)
* Title Equals Text (1967)
* Map to Not Indicate... (1967 (1991))
* 100% Abstract (1967-68)
*

==== Essays ====
Michael Baldwin

* Remarks on Air-Conditioning: An Extravaganza of Blandness (November 1967, Arts Magazine)
** Reprinted in Conceptual Art: A Critical Anthology (ed. Alberro and Stimson)

==== Exhibitions ====

* 1967: Hardware Show (Architectural Association, London, UK)
* 1968: Dematerialisation Show (Ikon Gallery, UK)
* 1968: VAT 68 (The Herbert Art Gallery, UK)

=== 1969-1970: "Insular" phase ===
1969: Joined by Joseph Kosuth, Ian Burn, Mel Ramsden (NY)

Art-Language issues 1 - 3

* May 1969: ''[[Art-Language Vol. 1 No. 1]]''
* February 1970: ''[[Art-Language Vol. 1 No. 2]]''
* June 1970: ''[[Art-Language Vol. 1 No. 3]]''

==== Essays ====
Charles Harrison

* Against Precedents (September 1969, Studio International) [https://archive.studiointernational.com/SI1969/september/vol178-no914.html#p=90 Full article]
* On Exhibitions and the World at Large (December 1969, Studio International) [https://archive.studiointernational.com/SI1969/december/vol178-no917.html#p=202 Full article]

Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell

* Status and Priority (January 1970, Studio International) [https://archive.studiointernational.com/SI1970/january/vol179-no918.html#p=28 Full article]
Joseph Kosuth

* Art After Philosophy (1969)
** Michel Claura, “Conceptual Misconceptions,” Studio International, 179:918 (January 1970), pp. 5–6
** Dore Ashton, “Kosuth: The Facts,” Studio International, 179:919 (February 1970), p. 44
** Joseph Kosuth, “Kosuth Replies to Claura,” Studio International, 179:919 (February 1970), p. 44
** Joseph Kosuth, “An Answer to Criticisms,” Studio International, 179:923 (June 1970), p. 245
** Barbara Reise, “Joseph Kosuth,” Studio International, 180:925 (September 1970), p. 71

Exhibitions

* 1969: Art & Language (Pinacotheca Gallery, Melbourne, AU)

=== 1970-1971: "Transitional" phase ===
1971: Joined by Charles Harrison, Philip Pilkington, David Rushton, Lynn Lemaster, Sandra Harrison, Graham Howard, Paul Wood (UK)

1971: Joined by Michael Corris (NY)

Pause in the group's publishing history(?)

Art Theory Course

* Natural Reason [Notes for a seminar at Coventry] (1971) 6pp.
** "These are no more (and no less than notes made in preparation for a seminar at the art school in Coventry. The Art Theory course there was regarded by the authorities as an unwelcome experiment. The seminar itself was concerned with examining a political and social theory which had long been natural to art institutions of all shapes and sizes. The theory, grown in the philosophical tradition of Hobbes and Locke holds that all individuals are their own proprietors — that each person holds his or her own body and capacities as a kind of private property. The theory is, of course, fundamental to the development and continuation of capitalism. It is also fundamental to certain notions of personal autonomy, notions that were often among the unchallengeable motifs of artistic authorship and authenticity. These seminars and many others were, for a short time at least, regarded as the real substance of the artistic work of Art & Language."

Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)

* July 1971: ''[[Analytical Art No. 1]]''
?

* Swift Reference Case (1971)

=== 1972-1973: "Pluralistic" phase ===

* Index 01 (1972)

Art-Language 

* November 1971: ''[[Art-Language Vol. 1 No. 4]]''
* February 1972: ''[[Art-Language Vol. 2 No. 1]]''
* Summer 1972: ''[[Art-Language Vol. 2 No. 2]]''
* September 1973: ''[[Art-Language Vol. 2 No. 3]]''

Analytical Art (Kevin Lole, Philip Pilkington, David Rushton)

* June 1972: ''[[Analytical Art No. 2]]''

=== 1973-1976 ===
?: Joined by Paula Ramsden, Mayo Thompson, Christine Koslov, Preston Heller, Andrew Menard, Kathryn Bigelow

1974: Terry Atkinson leaves

Art & Language (UK) (Michael Baldwin, Philip Pilkington)

* June 1974: ''[[Art-Language Vol. 2 No. 4]]''
* May 1975: ''[[Art-Language Vol. 3 No. 2]]''

Art & Language (New York) (Ian Burn, Mel Ramsden, and Terry Smith)

* September 1974: ''[[Art-Language Vol. 3 No. 1|Art-Language Vol. 3 No. 1: Draft for an Anti-Textbook]]''
* March 1975: ''[[The Fox No. 1|The Fox 1]]''
* Fall 1975: ''[[The Fox No. 2|The Fox 2]]''
* Michael Corris - Inside a New York Art Gang: Selected Documents of Art & Language, New York
** Document I, April 1975
** Document II, 1975
** Document III, 1975
** Document IV, December 1975: on picketing the Whitney
** Document V, 1975-76: questionnaire" for [[Red Faces|''Red Faces'']]
** Document VI, 1975
** Document VII, March 1976
** Document VIII, August 1976: red banner at La Biennale di Venezia
** Document IX, 1976
** Document X, 1976: ''Organization: A Working Paper''

September 1975: ''[[Art & Language 1966-1975]]''

(Provisional) Art & Language

* May 1976: ''[[The Fox No. 3|The Fox 3]]''
* June 1976: ''[[Corrected Slogans|Music Language: Corrected Slogans]]''
* June 1976: ''[[Art-Language Vol. 3 No. 3]]''
* October 1976: ''[[Art-Language Vol. 3 No. 4|Art-Language Vol. 3 No. 4: Fox 4]]''Early 1977

* Ian Burn, Terry Smith, Nigel Lendon moved to Australia
* Mel, Paula and Anne Ramsden, Mayo Thompson and Christine Kozlov moved to the UK

==== Essays ====
Terry Smith

* Art and Art & Language (February 1974, Artforum)
** Republished in ''One and Five Ideas'' (2017)

Ian Burn

* The Art Market: Affluence and Degradation (April 1975, Artforum) [https://www.artforum.com/print/197504/the-art-market-affluence-and-degradation-37325 Full article]
?

* Notes on Duchamp's ''Bottle Rack'' (c. 1975)

=== 1977- ===
Art-Language

* May 1977: ''[[Art-Language Vol. 4 No. 1]]''
* October 1977: ''[[Art-Language Vol. 4 No. 2]]''
* October 1978: ''[[Art-Language Vol. 4 No. 3|Art-Language Vol. 4 No. 3: Ways of Seeing]]''
* June 1980: ''[[Art-Language Vol. 4 No. 4]]''
* October 1982: ''[[Art-Language Vol. 5 No. 1]]''
Essays

* “Remembering Conceptual Art,” delivered by Art & Language to the conference “Who’s Afraid of Conceptual Art” (19 March 1995, Institute of Contemporary Arts, London), pp. 9–10.

== Works/projects ==

=== 1965-1968: Pre-Art & Language ===

*

=== 1969-1976: Art & Language group ===

* {{RLink|A-L}}
* Art Theory Course
* Index 001
* Index 002 (Bxal)
* Index 003
* Shouting Men
* Dialectical Materialism
* {{RLink|Corrected}}
* {{RLink|Nine}}
* School

=== 1977-present: Art & Language duo ===

* Ten Postcards
* [[Ten Posters: Illustrations for Art-Language]]
* Ils donnent leur sang donnez votre travail
* Ten Illustrations for 'Radical Philosophy'
* {{RLink|Portraits}}
* Gustave Courbet’s ‘Burial at Ornans’
* [[Index: The Studio at 3 Wesley Place]]
* {{RLink|Victorine}}
* Study for Impressionism Returning Sometime in the Future
* Index: Incident in a Museum
* Unit Cure, Unit Ground
* {{RLink|Hostage}}

=== 1990s ===

* Hello, How Are You?
* {{RLink|Paints}}
* Exit (Now They Are)
* 3 Maps
* Portrait of an Artist
* Index: Wrongs Healed in Official Hope
* Lovely Slang
* Sighs Trapped by Liars

=== 2000s ===

* Down to the Stone
* Homes from Homes
* Thirty Studies for a Luhmann Memorial
* {{RLink|Karaoke}}
* No Secret Painting
* Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
* Qui Pourra
* French Painting by Mouth
* Portraits and a Dream

=== 2010s ===

* [[Letters to the Jackson Pollock Bar]]
* {{RLink|Letters}}
* {{RLink|LettersRK}}
* Nobody Spoke
* Sea Ghost
* Now They Are
* Not That it is Needed Now
* Lovely Hostage
* Nobody Spoke Again
* Flags for Organisations II
* A Bad Place
* [[10 Posters]]
* A Shadow on the Tongue

=== 2020s ===

* Flag

== Bibliography ==

=== Works ===
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|UK}}
|1967
|
|''Frameworks - Art Conditioning''
|20
|Art & Language Press
|Edition of 200
|-
|{{flagdeco|UK}}
|1967
|
|''Hot-Cold''
|99
|Art & Language Press
|Edition of 200
|-
|
|1967
|
|''Declaration Propositions''
|42
|
|Edition of 50
|-
|{{flagdeco|CH}}
|1967
|
|''Notes on Time Show 1966-67''
|16
|Edition Bischoffberger
|
|-
|{{flagdeco|CH}}
|1967
|
|Notes typography for textbook or encyclopaedia from 1965 -1966
|64
|Edition Bischoffberger
|Edition of 200
|-
|{{flagdeco|CH}}
|1968
|
|''Geology 1967-68''
|8
|Edition Bischoffberger
|Edition of 200
|-
|{{flagdeco|UK}}
|1968
|
|''22 Sentences: The French Army''
|48
|Art & Language Press
|Edition of 200
|-
|{{flagdeco|US}}
|1969
|
|''Six Negatives''
|
|The Society for Theoretical Art
|
|-
|{{flagdeco|CH}}
|1969
|
|''Introduction to Discourse''
|15
|Edition Bischoffberger
|
|-
|{{flagdeco|UK}}
|1970
|
|''Statements January 1970''
|44
|Analytical art
|Edition of 100
|-
|{{flagdeco|US}}
|1971
|
|''Theories of Ethics''
|
|New York Cultural Center
|Edition of 200
|-
|{{flagdeco|UK}}
|1971
|
|''Authorship''
|13
|
|
|-
|{{flagdeco|UK}}
|1971
|
|''Olivet Discourse''
|44
|Art-Language Press
|Edition of 40
|-
|{{flagdeco|US}}
|1971
|
|''First edition limited, one hundred copies; subscription (per annum)''
|97
|
|Edition of 100
|-
|{{flagdeco|US}}
|1971
|
|''Handbook to 'Ingot'''
|42
|New York Cultural Center
|
|-
|{{flagdeco|US}}

{{flagdeco|CA}}
|1973
|
|''Blurting in A & L''
|
|Art & Language Press
The Mezzanine
|
|-
|{{flagdeco|UK}}
|1973
|
|''A 001 transcription - 21.5.73''
|48
|
|
|-
|{{flagdeco|UK}}
|1974
|
|''Threshold Agreement''
|36
|Oriel Gallery
|
|}

=== Essay collections ===
Main article: [[Art-Language]]
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|DE}}
|1972
|[[File:A-L-Texte-zum-Phanomen-front.jpg|center|frameless|50x50px]]
|[[Art & Language: Texte zum Phänomen Kunst und Sprache|''Art & Language: Texte zum Phänomen Kunst und Sprache'']] (1966-72)
|347
|Verlag Dumont-Schauberg
|German/English
|-
|{{flagdeco|FR}}
|1978
|[[File:AL-1975-1978-front.jpg|center|frameless|49x49px]]
|[[Art & Language 1975-78|''Art & Language'']] (1975-78)
|257
|Eric Fabre, Paris
|French/English
|-
|{{flagdeco|NL}}
|1980
|[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|center|frameless|50x50px]]
|''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]'' (1967-80)
|414
|Van Abbemuseum, Eindhoven
|English/Dutch<ref name=":2" />
|-
|{{flagdeco|UK}}
|2005
|[[File:AL-Writings-2005-front.jpg|center|frameless|51x51px]]
|''[[Art & Language: Writings]]'' (1980-2002)
|299
|Lisson Gallery
|English
|-
|{{flagdeco|US}}
|2007
|[[File:AL-Albert-Joan-Sinbad.jpg|center|frameless|50x50px]]
|''[[Albert, Joan and Sinbad]]''
|84
|White Wine Press
|English/Spanish
|}

=== Charles Harrison on Art & Language ===
{| class="wikitable"
!Year
!
!Title
!pp.
!Notes
|-
|1982
|[[File:AL-Provisional-History-front.jpg|center|frameless|41x41px]]
|[[A Provisional History of Art & Language|''A Provisional History of Art & Language'']] (with Fred Orton)
|89
|<ref>https://unoriginalsins.co.uk/product/a-provisional-history-of-art-language-charles-harrisons-own-copy/</ref>
|-
|1991
|[[File:Essays-on-AL-front.jpg|center|frameless|55x55px]]
|[[Essays on Art & Language|''Essays on Art & Language'']]
|302
|<ref>https://archive.org/details/essaysonartlangu0000harr</ref>
|-
|2001
|
|[[Conceptual Art and Painting: Further Essays on Art & Language|''Conceptual Art and Painting: Further Essays on Art & Language'']]
|234
|<ref>https://archive.org/details/conceptualartpai0000char/</ref>
|}

=== Exhibition catalogs ===
{| class="wikitable"
!
!Year
!
!Title
!pg.
!Publisher
!Notes
|-
|{{flagdeco|CH}}
|1969
|
|''Art & Language: Catalogue Raisonné. November 1965 - February 1969''
|38
|Galerie Bischofberger, Zurich
|<ref>https://web.archive.org/web/20010512095317/http://members.tripod.de/ThomasDreher/3_Konzeptkunst_Art_Lang.html</ref>
|-
|{{flagdeco|CH}}
|1974
|[[File:AL-catalog-1974-Luzern-front.jpg|center|frameless|49x49px]]
|''Art & Language''
|42
|Kunstmuseum, Luzern
|German/English<ref>https://www.printedmatter.org/catalog/tables/13/12925</ref><ref>https://specificobject.com/objects/info.cfm?inventory_id=5933&object_id=5871</ref>
|-
|{{flagdeco|UK}}
|1975
|[[File:AL-1966-1975-front.png|center|frameless|50x50px]]
|''[[Art & Language 1966-1975]]''
|51
|Museum of Modern Art, Oxford
|
|-
|
|1975
|[[File:AL-Australia-1975-front.png|center|frameless|56x56px]]
|''Art & Language: Australia 1975''
|229
|National Gallery of Victoria
|<ref>https://espace.library.uq.edu.au/view/UQ:379140</ref>
|-
|{{flagdeco|NL}}
|1980
|[[File:A-L-catalog-1980-Van-Abbemuseum-front.jpg|center|frameless|50x50px]]
|''[[Art & Language (Van Abbemuseum, 1980)|Art & Language]]''
|414
|Van Abbemuseum, Eindhoven
|English/Dutch<ref name=":2">https://specificobject.com/objects/info.cfm?object_id=15741</ref>
|-
|{{flagdeco|FR}}
|1981
|
|''Portrait de V.I. Lenine''
|
|Editions Eric Fabre, Paris
|
|-
|{{flagdeco|NL}}
|1982
|
|''Art & Language: Index: Studio at 3 Wesley Place Painted by Mouth''
|24
|De Vleeshal, Middelburg
|English/Dutch
|-
|{{flagdeco|FR}}
|1982
|
|''Art & Language''
|
|Musée d'Arte Moderne, Toulon
|French/English
|-
|{{flagdeco|UK}}
|1983
|[[File:A-L-catalog-1983-Ikon-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|
|Ikon Gallery, Birmingham
|
|-
|{{flagdeco|US}}
|1983
|[[File:A-L-catalog-1983-ICA-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|48
|Los Angeles Institute of Contemporary Arts
|
|-
|{{flagdeco|UK}}
|1986
|
|''Art & Language: Confessions: Incidents in a Museum''
|
|Lisson Gallery, London
|
|-
|{{flagdeco|UK}}
|1987
|
|''Art & Language: The Paintings''
|
|
|
|-
|{{flagdeco|UK}}
|1988
|
|''Art & Language: Hostages''
|
|Lisson Gallery, London
|''[[Hostage]]''
|-
|
|1991
|[[File:A-L-catalog-1991-Hostages-XXV-LXXVI.jpg|center|frameless|50x50px]]
|''Hostages XXIV - XXXV''
|
|
|''[[Hostage]]''
|-
|{{flagdeco|BE}}
|1992
|[[File:AL-catalog-1992-Now-They-Are-front.png|center|frameless|46x46px]]
|''Art & Language: Now They Are''
|104
|Isy Brachot Gallery, Brussels
|French/English
|-
|{{flagdeco|FR}}
|1993
|[[File:A-L-catalog-1993-Galerie-Nationale-front.jpg|center|frameless|50x50px]]
|''Art & Language''
|162
|Galerie Nationale Du Jeu De Paume, Paris
|French/English
|-
|{{flagdeco|DE}}
|1997
|
|''[[Art & Language & Luhmann]]''
|232
|Passagen Kunst
|German/English
|-
|{{flagdeco|ES}}
|1999
|[[File:AL-in-Practice-Vol-1-front.jpg|center|frameless|50x50px]]
|''[[Art & Language in Practice Vol. 1]]''
|299
|Fundació Antoni Tapiès, Barcelona
|
|-
|{{flagdeco|ES}}
|1999
|[[File:AL-in-Practice-Vol-2-front.jpg|center|frameless|50x50px]]
|''[[Art & Language in Practice Vol. 2]]''
|276
|Fundació Antoni Tapiès, Barcelona
|Catalan/English
|-
|{{flagdeco|FR}}
|2002
|[[File:A-L-catalog-2002-Too-Dark-to-Read-front.jpg|center|frameless|47x47px]]
|''[[Art & Language: Too Dark to Read: Motifs Rétrospectifs 2002-1965]]''
|276
|Musée d'art moderne Lille Métropole, Villeneuve-d'Ascq
|French/English
|-
|{{flagdeco|ES}}
|2004
|
|''Art & Language''
|123
|CAC Málaga
|Spanish
|-
|{{flagdeco|CH}}
|2006
|
|''Homes for Homes II''
|272
|Migros Museum für Gegenwartskunst, Zurich
|English/German
|-
|{{flagdeco|NL}}
|2008
|
|''A&L''
|245
|Mulier Mulier
|
|-
|
|2008
|
|''Art & Language: Brouillages / Blurrings. Dessins/Works on paper 1965-2008''
|
|Galerie Thaddaeus Ropac
|
|-
|
|2011
|
|''Art & Language: Badges''
|
|
|
|-
|{{flagdeco|NL}}
|2013
|
|''Art & Language: Portraits of President Barack Obama in the Style of Jackson Pollock''
|88
|Mulier Mulier
|Dutch/English
|-
|{{flagdeco|ES}}
|2014
|[[File:AL-Uncompleted-Philippe-Meaille-Collection-front.jpg|center|frameless|48x48px]]
|''[[Art & Language Uncompleted: The Philippe Méaille Collection]]''
|264
|MACBA
|
|-
|{{flagdeco|ES}}
|2014
|
|''<nowiki/>'Landscape with St George Delivered at Night'''
|46
|MACBA
|<ref>https://www.macba.cat/en/learn-explore/publications/landscape-st-george-delivered-night</ref>
|-
|
|2014
|
|''Nobody Spoke''
|
|
|
|-
|{{flagdeco|CH}}
|2015
|[[File:AL-catalog-2015-Made-in-Zurich-front.jpg|center|frameless|43x43px]]
|''Art and Language: Made in Zurich – Selected Editions 1965-1972''
|109
|Editions Bernard Jordan
|English/German/French
|-
|{{flagdeco|NL}}
|2016
|
|''A&L: Not That It Is Needed Now''
|
|Mulier Mulier
|
|-
|{{flagdeco|FR}}
|2016
|[[File:A-L-Entretien-avec-Victorine-Meurend-front.jpg|center|frameless|50x50px]]
|''[[Art & Language: Interview with Victorine Meurend|Art & Language: entretien avec Victorine Meurend]]''
|30
|Château de Montsoreau-Musée d’art contemporain
|French/English<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-entretien-avec-victorine-meurend/</ref>
|-
|{{flagdeco|FR}}
|2018
|[[File:A-L-book-Reality-Dark-Fragments-Light-front.jpg|center|frameless|50x50px]]
|''[[Reality (Dark) Fragments (Light)]]''
|176
|Château de Montsoreau-Musée d’art contemporain
|French/English<ref>https://www.chateau-montsoreau.com/wordpress/portfolio-item/art-language-reality-dark-fragments-light-2/</ref><ref>https://www.lespressesdureel.com/ouvrage.php?id=6911&menu=</ref>
|}

=== On Art & Language ===
{| class="wikitable"
!Year
!Type
!Author
!Title
!pp.
!Notes
|-
|1976
|thesis
|David Brian Mitchell
|''The Art & Language Group: 1966 to 1973''
|138
|<ref>https://open.library.ubc.ca/media/download/pdf/831/1.0107092/1</ref>
|-
|1992
|thesis
|William Wood
|''We are a Cell Aren't We?: Art & Language and the Documenta Index''
|
|<ref>https://open.library.ubc.ca/soa/cIRcle/collections/ubctheses/831/items/1.0086655</ref>
|-
|2010
|book
|Nika Radić
|''Art und Language und die konzeptuelle Kunst''
|176
|
|-
|2011
|thesis
|Miguel Carneiro Nogueira Ferrão
|''A Conversa e o Relato Enquanto Possibilidades do Comum, a Partir De We Aim to Be Amateurs (Art & Language, 1997)''
|
|
|-
|2012
|thesis
|Robert Bailey
|''Art & Language and the Politics of Art Worlds, 1969-1977''
|
|<ref>http://d-scholarship.pitt.edu/11494/1/ETD_Template_Robert__Bailey.pdf</ref>
|-
|2012
|thesis
|Raoul Noortmann
|''Art-Language: A Reaction to the Dematerialization of Art''
|73
|<ref>https://studenttheses.uu.nl/bitstream/handle/20.500.12932/10181/Thesis_Raoul_Noortmann.pdf</ref>
|-
|2012
|book
|Christian Matthiessen
|''OTMA & LUNL (On Tour mit Art & Language und Niklas Luhmann): Ein Theorie Roman in the Style of the Jackson Pollock Bar''
|160
|<ref>https://www.macba.cat/en/aprendre-investigar/arxiu/tour-mit-art-language-und-niklas-luhmann-ein-theorie-roman-style-jackson</ref><ref>https://www.kulturverlag-kadmos.de/programm/details/otma-lunl</ref>
|-
|2016
|book
|Robert Bailey
|''Art & Language International: Conceptual Art Between Art Worlds''
|
|
|-
|2016
|thesis
|Mark Dennis
|''Strategic Anomalies: Art & Language in the Art School 1969-1979''
|
|<ref>https://pureportal.coventry.ac.uk/en/studentTheses/strategic-anomalies-art-language-in-the-art-school-1969-1979</ref>
|-
|2018
|thesis
|Louisa Lee
|''Discursive Sites: Text-Based Conceptual Art Practice in Britain''
|
|<ref>https://etheses.whiterose.ac.uk/23145/1/LOUISA%20LEE%20PHD%20FINAL%20MARCH%204%202019.pdf</ref>
|}

=== Articles ===
{| class="wikitable"
!
!Year
!
!Title
!Publication
!Notes
|-
|
|November 1967
|
|Remarks on Art-Conditioning
|Arts Magazine
|
|-
|{{flagdeco|UK}}
|September 1969
|[[Charles Harrison]]
|Against Precedents
|Studio International
|[https://archive.studiointernational.com/SI1969/september/vol178-no914.html#p=90 Full article]
|-
|{{flagdeco|UK}}
|December 1969
|[[Charles Harrison]]
|On Exhibitions and the World at Large
|Studio International
|[https://archive.studiointernational.com/SI1969/december/vol178-no917.html#p=202 Full article]
|-
|{{flagdeco|UK}}
|January 1970
|Terry Atkinson

[[Michael Baldwin]]

David Bainbridge

Harold Hurrell
|Status and Priority
|Studio International
|[https://archive.studiointernational.com/SI1970/january/vol179-no918.html#p=28 Full article]
|-
|{{flagdeco|UK}}
|February 1970
|[[Charles Harrison]]
|Notes towards Art Work
|Studio International
|[https://archive.studiointernational.com/SI1970/february/vol179-no919.html#p=42 Full article]
|-
|{{flagdeco|UK}}
|July-August 1970
|Terry Atkinson

David Bainbridge

[[Michael Baldwin]]

Harold Hurrell
|Lecher System
|Studio International
|[https://archive.studiointernational.com/SI1970/july-august/vol180-no924.html#p=26 Full article]
|-
|{{flagdeco|UK}}
|November 1970
|[[Charles Harrison]]
|A Very Abstract Context
|Studio International
|[https://archive.studiointernational.com/SI1970/november/vol180-no927.html#p=194 Full article]
|-
|{{flagdeco|UK}}
|May 1971
|[[Charles Harrison]]
|Virgin Soils and Old Land (Introduction to 'The British Avant-Garde'
|Studio International
|[https://archive.studiointernational.com/SI1971/may/vol181-no933.html#p=201 Full article]
|-
|{{flagdeco|UK}}
|May 1971
|Terry Atkinson

[[Michael Baldwin]]
|De Legibus Naturae
|Studio International
|[https://archive.studiointernational.com/SI1971/may/vol181-no933.html#p=226 Full article]
|-
|{{flagdeco|UK}}
|October 1971
|Ian Burn

[[Mel Ramsden]]
|A Question of Epistemic Adequacy
|Studio International
|[https://archive.studiointernational.com/SI1971/october/vol183-no937.html#p=132 Full article]
|-
|{{flagdeco|UK}}
|October 1971
|Philip Pilkington

Kevin Lole

David Rushton

[[Charles Harrison]]
|Some Concerns in Fine Art Education
|Studio International
|[https://archive.studiointernational.com/SI1971/october/vol183-no937.html#p=120 Full article]
|-
|{{flagdeco|UK}}
|November 1971
|Linda Morris

Digby Jacks

[[Charles Harrison]]
|Some Concerns in Fine Art Education II
|Studio International
|[https://archive.studiointernational.com/SI1971/november/vol182-no938.html#p=168 Full article]
|-
|{{flagdeco|UK}}
|April 1972
|Terry Atkinson

[[Michael Baldwin]]
|Some Post-War American Work and Art & Language: Ideological Responsiveness
|Studio International
|[https://archive.studiointernational.com/SI1972/april/vol183-no943.html#p=164 Full article]
|-
|{{flagdeco|UK}}
|May 1972
|[[Charles Harrison]]
|Educating Artists
|Studio International
|[https://archive.studiointernational.com/SI1972/may/vol183-no944.html#p=222 Full article]
|-
|{{flagdeco|UK}}
|June 1972
|[[Charles Harrison]]
|Art & Language Press
|Studio International
|[https://archive.studiointernational.com/SI1972/june/vol183-no945.html#p=234 Full article]
|-
|{{flagdeco|UK}}
|June 1972
|
|Forget the Paintings
|Studio International
|
|-
|{{flagdeco|UK}}
|November 1972
|Harold Hurrell
|Art and Terminology
|Studio International
|[https://archive.studiointernational.com/SI1972/november/vol184-no949.html#p=160 Full article]
|-
|{{flagdeco|DE}}
|1972
|
|Selected essays by Art & Language
|über Kunst
|
|-
|{{flagdeco|UK}}
|January 1973
|Kevin Lole

Philip Pilkington

David Rushton
|Possible Models for Propositional Attitudes
|Studio International
|[https://archive.studiointernational.com/SI1973/january/vol185-no951.html#p=29 Full article]
|-
|
|1973
|
|Proceedings
|Audio Arts, no.1
|audio
|-
|{{flagdeco|US}}
|September 1973
|
|Letter to Artforum
|Artforum
|[https://www.artforum.com/print/197307/letters-70105 Full article]
|-
|{{flagdeco|BE}}
|1973
|
|Art and its Cultural Context
|Deurle 11/7/'73
|
|-
|{{flagdeco|UK}}
|June 1973
|
|The Problem of Context
|Frameworks Journal
|
|-
|{{flagdeco|DE}}
|1973
|
|Artworks and Explications
|Joseph Kosuth: Investigations über Kunst und Problemkreise
|
|-
|{{flagdeco|US}}
|February 1974
|Terry Smith
|Art and Art and Language
|Artforum
|[https://www.artforum.com/print/197402/art-and-art-and-language-37381 Full article]
|-
|{{flagdeco|DE}}
|October 1974
|
|Dialectical Materialism
|Extra, no. 2
|
|-
|
|February-March 1977
|
|Us, Us and Away
|Data
|
|-
|{{flagdeco|UK}}
|1977
|
|Nous ne donnons pas notre Travail
|Newcastle Writings
|
|-
|
|November 1977
|
|British Painting '52-'77
|Art Monthly
|
|-
|{{flagdeco|DE}}
|1977
|
|
|What do you Expect: A Question put to Seven Politically Orientated Artists
|
|-
|
|October 1978
|
|Art for Society?
|Art Monthly
|
|-
|
|May 1979
|
|Artists and Philosophers (reply to Willis Domingo)
|Art Monthly
|
|-
|{{flagdeco|US}}
|February 1980
|
|Portrait of V. I. Lenin in the Style of Jackson Pollock
|Artforum
|[https://www.artforum.com/print/198002/art-language-38929 Full article]
|-
|{{flagdeco|UK}}
|1980
|
|The Ratification of Abstract Art
|Towards a New Art: essays on the background to abstract painting 1910-20
|
|-
|
|1980
|[[Charles Harrison]]
|Modern Art and the Concept of Risk
|U201: Risk
|
|-
|
|1980
|
|Joseph Stalin Gazing Enigmatically at the Body of V. I. Lenin as it Lies in Statue in Moscow in the Style of Jackson Pollock
|File, vol. 4, no. 4
|
|-
|
|September 1981
|
|Manet's Olympia and Contradiction
|Block 5
|
|-
|
|1981
|
|Art History, Art Criticism and Explaination
|Art History, vol. 4, no. 4

Reprinted in ''[https://archive.org/details/pollockaftercrit0000unse_q9f5 Pollock and After: The Critical Debate]'' (1985, ed. Francis Frascina)

Reprinted in ''[https://archive.org/details/arthistoryitsmet00fern/ Art History and Its Methods: A Critical Anthology]'' (1995, ed. Eric Femie)
|
|-
|{{flagdeco|US}}
|Summer 1982
|
|Kangaroo? (Some songs by Art & Language and The Red Crayola)
|Art Journal
|
|-
|
|December 1982
|
|Painting by Mouth
|Artery (National Forum for College Art)
|
|-
|{{flagdeco|BE}}
|March 1983
|
|[[Art & Language Paints a Picture]]
|Gewad Informatief
|
|-
|{{flagdeco|US}}
|September 1983
|
|A Cultural Drama: The Artist's Studio [seminar transcript]
|Art & Language [exhibition catalog]
|
|-
|{{flagdeco|UK}}
|April 1985
|
|Julian Opie's Sculptures
|Julian Opie [exhibition catalog]
|
|-
|
|July-August 1985
|
|Francis Bacon
|Artscribe, no. 53
|
|-
|
|June-July 1985
|
|T. Setch [review]
|Artscribe
|
|-
|
|June-July 1985
|
|K. Vaughn [review]
|Artscribe
|
|-
|
|June-July 1985
|
|Ronald Alley Hangs a Picture
|Artscribe
|
|-
|
|November 1986
|
|Andy Warhol [review]
|Artscribe, no. 60
|
|}

== Pre-Art & Language ==
These early pieces are often (retroactively) considered and displayed with works of Art & Language.
{| class="wikitable"
! Year
 !Title
 !Artist
!Materials
 !Dimensions
 !Link

|-
| 1965
 || Untitled Painting
 |[[Michael Baldwin]]
|| Mirror mounted on canvas, two parts
 || 119.3 × 58.3 × 10.9 cm
 
||[https://www.art-language.org/page/d/116.htm A-L]

[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]

|-
| 1965
 || Untitled Painting
 |[[Michael Baldwin]]
|| Mirrors mounted on canvas, two parts
 || 101.5 × 61 × 7.5 cm
 
||[https://www.art-language.org/page/d/123.htm A-L]

[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]

|-
| 1965
 || Untitled Painting
 |[[Michael Baldwin]]
||
 ||
 
||[https://www.art-language.org/page/f/218.htm A-L]

[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]

|-
| 1965
 || Untitled Paintings
 |[[Michael Baldwin]]
|| 4 mirrors mounted on 4 canvas
 || 61 × 30 cm
 
||[https://www.art-language.org/page/f/246.htm A-L]

[https://en.wikipedia.org/wiki/Mirror_Piece Wikipedia]

|-
| 1965
 || Four Suprematist Squares
 |
|| Installation of four 12 inch black squares painted on the wall
 || 30.5 × 167.6 cm
 
|| [https://www.art-language.org/page/f/207.htm A-L]

|-
| 1965
 || Black Painting
 |
|| Enamel on canvas
 || 8 × 244 cm
 
|| [https://www.art-language.org/page/d/132.htm A-L]

|-
| 1966
 || Painting I, No.2
 |
|| Inkjet on paper mounted on wooden panel
 
|| 157 × 150 cm
 
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-2 Artsy]

|-
| 1966
 || Painting I, No.7
 |
|| Inkjet on paper mounted on wooden panel
 
|| 77 × 150 cm
 
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-dot-7 Artsy]

|-
| 1966
 || Painting I, No.8
 |
|| Inkjet on paper mounted on wooden panel
 
|| 93 × 150 cm
 
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-8 Artsy]

|-
| 1966
 || Painting I, No.9
 |
|| Inkjet on paper mounted on wooden panel
 
|| 108 × 150 cm
 
|| [https://www.artsy.net/artwork/art-and-language-painting-i-no-9 Artsy]
|-
|1966
|Entropy
|
|
|
|
|-
|1966-1967
|Air Conditioning Show
|[[Terry Atkinson]]

[[Michael Baldwin]]
|
|
|[https://fr.wikipedia.org/wiki/Air-Conditioning_Show Wikipedia]
|-
| 1967
 || Potato Print Model 1
 |
|| Lithography on paper
 
|| 52 × 67.5 cm
 
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1-1 Artsy]

|-
| 1967
 || Potato Print Model 1
 |
|| Lithography on paper
 
|| 52 × 67.5 cm
 
|| [https://www.artsy.net/artwork/art-and-language-potato-print-model-1 Artsy]

|-
| 1967
 || Map Not to Indicate
 |
||
 
||
 
||
|-
|1967
|Studies for a Secret Painting
|
|
|
|
|-
| 1967-1968
 || Secret Painting
 |
||
 
||
 
||
|-
|1967-1968
|Geology
|
|
|
|
|-
|1967-1968
|Guaranteed Painting
|
|
|
|
|-
| 1968
 || 100% Abstract
 |
||
 
||
 
||

|}

== Art & Language ==

=== Journal ===
Main article: [[Art-Language]]

=== Exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!
!Gallery
!Notes
|-
|1967
|
|{{flagdeco|UK}}
|London
|Hardware Show
|
|Architectural Association
|
|-
|1968
|
|{{flagdeco|UK}}
|London
|Dematerialisation Show
|
|Ikon Gallery
|
|-
|1968
|
|{{flagdeco|UK}}
|Coventry
|VAT 68
|
|The Herbert Art Gallery
|
|-
|1969
|
|AU
|Melbourne
|Art & Language
|
|Pinacotheca Gallery
|
|-
|1971
|
|{{flagdeco|USA}}
|New York
|The Air-Conditioning Show
|
|Visual Arts Gallery
|
|-
|1971
|
|{{flagdeco|NL}}
|Paris
|Art & Language
|
|Galerie Daniel Templon
|
|-
|1971
|
|{{flagdeco|IT}}
|Turin
|Art & Language
|
|Galleria Sperone
|
|-
|1971
|
|{{flagdeco|USA}}
|New York
|Tape Show: Exhibition of Lectures
|
|Dain Gallery
|
|-
|1971
|
|{{flagdeco|IT}}
|Milan
|Questionnaire
|
|Galleria Daniel Templon
|
|-
|1972
|
|{{flagdeco|NL}}
|Paris
|The Art & Language Institute
|
|Galerie Daniel Templon
|
|-
|1972
|
|{{flagdeco|DE}}
|Köln
|Documenta Memorandum
|
|Galerie Paul Maenz
|
|-
|1972
|
|{{flagdeco|NL}}
|Paris
|Analytical Art
|
|Galerie Daniel Templon
|
|-
|1973
|
|{{flagdeco|USA}}
|New York
|Index 002 Bxal
|
|John Weber Gallery
|
|-
|1973
|
|{{flagdeco|DE}}
|Köln
|Art & Language
|
|Galerie Paul Maenz
|
|-
|1973
|
|{{flagdeco|UK}}
|London
|Art & Language
|
|Lisson Gallery
|
|-
|1973
|
|{{flagdeco|NL}}
|Paris
|Annotations
|
|Galerie Daniel Templon
|
|-
|1974
|
|{{flagdeco|IT}}
|Turin
|Art & Language
|
|Galleria Sperone
|
|-
|1974
|
|{{flagdeco|CH}}
|Zürich
|Art & Language
|
|Galerie Bischofberger
|
|-
|1974
|
|{{flagdeco|IT}}
|Florence
|Art & Language
|
|Galleria Schema
|
|-
|1974
|
|{{flagdeco|UK}}
|London
|Art & Language
|
|Lisson Gallery
|
|-
|1974
|
|{{flagdeco|BE}}
|Brussels
|Art & Language
|
|Galerie MTL
|
|-
|1974
|
|RS
|Belgrade
|Art & Language
|
|Studentski Kulturni Centar
|
|-
|1975
|
|AU
|Sydney
|Art & Language New York ↔ Australia
|
|Art Gallery of New South Wales
|
|-
|1975
|
|AU
|Melbourne
|Art & Language New York ↔ Australia
|
|National Gallery of Victoria
|
|-
|1975
|
|PO
|Warsaw
|Art & Language
|
|Foksal Gallery
|
|-
|1975
|
|{{flagdeco|IT}}
|Florence
|Dialectical Materialism
|
|Galleria Schema
|
|-
|1975
|
|{{flagdeco|NL}}
|Paris
|Art & Language
|
|Galerie Ghislain Mollet-Viéville
|
|-
|1975
|
|{{flagdeco|BE}}
|Brussels
|Art & Language
|
|Galerie MTL
|
|-
|1975
|
|NZ
|Auckland
|Piggy-Cur-Perfect
|
|Auckland City Art Gallery
|
|-
|1976
|
|{{flagdeco|USA}}
|New York
|Music-Language
|
|John Weber Gallery
|
|-
|1976
|
|{{flagdeco|NL}}
|Paris
|Music-Language
|
|Galerie Eric Fabre
|
|-
|1976
|
|{{flagdeco|UK}}
|Oxford
|Art & Language
|
|Modern Art Oxford
|
|-
|1977
|
|{{flagdeco|UK}}
|London
|10 Posters: Illustrations for Art-Language
|
|Robert Self Gallery
|
|-
|1978
|
|{{flagdeco|BE}}
|Ghent
|Flags for Organisations
|
|Cultureel Informatief Centrum
|
|-
|1978
|
|{{flagdeco|UK}}
|London
|Flags for Organisations
|
|Lisson Gallery
|
|-
|1979
|
|{{flagdeco|NL}}
|Paris
|Ils donnent leur sang ; donnez votre travail
|
|Galerie Eric Fabre
|
|}

=== Works ===
{| class="wikitable"
! Year
 !Title
 !
!Materials
 !Dimensions
 !Link

|-
| 1968
 || M 1:2
 |
|| Lithography on paper
 
|| 50.6 × 62.2 cm
 
|| [https://www.artsy.net/artwork/art-and-language-m-1-2 Artsy]

|-
| 1971-1972
 || Poster for Air-Conditioning Show
 |
||
 
||
 
||

|-
| 1972
 || Alternate Map for Documenta / Documenta Memorandum
 |
|| Offset lithograph newsprint
 
|| 72.2 × 50.6 cm
 
|| [https://www.artsy.net/artwork/art-and-language-alternate-map-for-documenta-slash-documenta-memorandum Artsy]

|-
| 1974
 || Index 02 (Bxal): Indexical Fragments 6
 |
||
 
||
 
||

|-
| 1975
 || Shouting Men
 |
||
 
||
 
|| [https://www.artsy.net/artwork/art-and-language-shouting-men-detail Artsy]
|-
|1975
|Dialectical Materialism (Dark Green)
|
|
|
|
|-
|1973-1976
|Music-Language: [[Corrected Slogans]]
|(P) A&L
|Vinyl record
|
|
|-
|1976
|Music-Language: [[Nine Gross and Conspicuous Errors]]
|(P) A&L
|Video, 26min
|
|
|-
| 1977
 || Ten Postcards
 |
|| Lithograph on paper
 
|| 20.3 × 76.5 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-ten-postcards-p08005 Tate]

|-
| 1977
 || Ten Posters: Illustrations for Art-Language
 |
||
 
||
 
||

|-
| 1977
 || Study for 'Ils donnent leur sang donnez votre travail'
 |
|| Gouache and pencil on paper
 
|| 53.4 × 106.5 cm
 
|| [https://www.artsy.net/artwork/art-and-language-study-for-ils-donnent-leur-sang-donnez-votre-travail Artsy]

|}

== Art & Language as a duo ==
[[Michael Baldwin]] and [[Mel Ramsden]]

=== Solo exhibitions ===
{| class="wikitable"
!Start date
!End date
!
!
!Title
!Gallery
!Notes
|-
|1980
|
|{{flagdeco|UK}}
|Leeds
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|University Gallery
|
|-
|1980
|
|{{flagdeco|UK}}
|London
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Lisson Gallery
|
|-
|1980
|
|{{flagdeco|NL}}
|Eindhoven
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Van Abbemuseum
|
|-
|1981
|
|{{flagdeco|BE}}
|Antwerp
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Jan Sack
|
|-
|1981
|
|{{flagdeco|CH}}
|Geneva
|Portraits of V.I. Lenin in the Style of Jackson Pollock
|Centre d’Art Contemporain
|<ref name=":0" />
|-
|1981
|
|{{flagdeco|FR}}
|Paris
|Gustave Courbet’s “Burial at Ornans” Expressing...
|Galerie Eric Fabre
|<ref name=":0" />
|-
|1982
|
|{{flagdeco|FR}}
|Toulon
|Index: Studio at 3 Wesley Place Painted by Mouth
|Musée d’Art de Toulon
|<ref name=":0" />
|-
|1982
|
|{{flagdeco|NL}}
|Middelburg
|Index: Studio at 3 Wesley Place Painted by Mouth
|De Vleeshal
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|USA}}
|Los Angeles
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Los Angeles Institute of Contemporary Art
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|UK}}
|London
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Lisson Gallery
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|AT}}
|Vienna
|Index: Studio at 3 Wesley Place (Illuminated by an Explosion nearby), VII, VIII
|Galerie Grita Insam
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|UK}}
|Birmingham
|Index: Studio at 3 Wesley Place
|Ikon Gallery
|<ref name=":0" />
|-
|1983
|
|{{flagdeco|BE}}
|Ghent
|Index: Studio at 3 Wesley Place I, II, III, IV
|Gewad
|<ref name=":0" />
|-
|1985
|
|{{flagdeco|UK}}
|London
|Studies for the Studio at 3 Wesley Place
|Tate Gallery
|<ref name=":0" />
|-
|1986
|
|{{flagdeco|FR}}
|Paris
|Index: An Incident in a Museum
|Galerie de Paris
|<ref name=":0" />
|-
|1986
|
|{{flagdeco|UK}}
|London
|Confessions: Incidents in a Museum
|Lisson Gallery
|<ref name=":0" />
|-
|1987
|
|{{flagdeco|USA}}
|New York
|The Paintings
|Marian Goodman Gallery
|<ref name=":0" />
|-
|1987
|
|{{flagdeco|BE}}
|Brussels
|The Paintings
|Palais des Beaux-Arts
|<ref name=":0" />
|-
|1987
|
|{{flagdeco|UK}}
|London
|Index: Incidents in a Museum
|Lisson Gallery
|<ref name=":0" />
|-
|1988
|
|{{flagdeco|UK}}
|London
|Hostages
|Lisson Gallery
|<ref name=":0" />
|-
|1989
|
|{{flagdeco|FR}}
|Paris
|Early Works 1966–1974
|Galerie Sylvana Lorenz
|<ref name=":0" />
|-
|1989
|
|{{flagdeco|DE}}
|Köln
|Hostages: Incidents and People’s Flags
|Galerie Max Hetzler
|<ref name=":0" />
|-
|1989
|
|{{flagdeco|IT}}
|Florence
|Hostages
|Galleria Schema
|<ref name=":0" />
|-
|1990
|
|{{flagdeco|USA}}
|New York
|Hostages XXIV–XXXV
|Marian Goodman Gallery
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|IT}}
|Rome
|Hostages
|The British School at Rome
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|FR}}
|Paris
|Hostages
|Galerie de Paris
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|Bristol
|Hostage Paintings 1987–1991
|Arnolfini Gallery
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|Southampton
|Hostage Paintings 1987–1991
|John Hansard Gallery
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|London
|Hostage Paintings 1987–1991
|Institute of Contemporary Arts
|<ref name=":0" />
|-
|1991
|
|{{flagdeco|UK}}
|London
|Hostage Paintings: The Dark Series
|Lisson Gallery
|<ref name=":0" />
|-
|1992
|
|{{flagdeco|AT}}
|Vienna
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Grita Insam
|<ref name=":0" />
|-
|1992
|
|{{flagdeco|BE}}
|Brussels
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie Isy Brachot
|<ref name=":0" />
|-
|1993
|
|{{flagdeco|FR}}
|Paris
|Early Work 1965–1976; Recent Work 1991–1994
|Galerie nationale du Jeu de Paume
|<ref name=":0" />
|-
|1994
|
|{{flagdeco|ES}}
|Madrid
|Early Work 1965–1976; Recent Work 1991–1994
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1994
|
|{{flagdeco|UK}}
|London
|Early Work 1965–1976; Recent Work 1991–1994
|Lisson Gallery
|<ref name=":0" />
|-
|1995
|
|{{flagdeco|AT}}
|Vienna
|Art & Language and Luhmann
|Kunstraum
|<ref name=":0" />
|-
|1996
|
|{{flagdeco|FR}}
|Paris
|Sighs Trapped by Liars
|Galerie de Paris
|<ref name=":0" />
|-
|1996
|
|{{flagdeco|ES}}
|Seville
|Conceptual Art from 1966 to 1996
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1996
|
|{{flagdeco|CH}}
|St Gallen
|Conceptual Art from 1966 to 1996
|Kunsthalle St Gallen
|<ref name=":0" />
|-
|1997
|
|{{flagdeco|BE}}
|Knokke
|Conceptual Art from 1966 to 1996
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|1998
|
|{{flagdeco|UK}}
|London
|Sighs Trapped by Liars
|Galerie Poo Poo
|<ref name=":0" />
|-
|1998
|
|{{flagdeco|BE}}
|Knokke
|Sighs Trapped by Liars
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|DE}}
|Karlsruhe
|Art & Language & Luhmann Nr. 2
|Zentrum für Kunst und Medientechnologie
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|AT}}
|Vienna
|Three Essays
|Galerie Grita Insam
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|USA}}
|New York
|The Artist Out of Work: Art & Language 1972–1981
|P.S.1 Contemporary Art Center
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|ES}}
|Madrid
|Cinco Ensayos
|Galería Juana de Aizpuru
|<ref name=":0" />
|-
|1999
|
|{{flagdeco|ES}}
|Barcelona
|Art & Language in Practice
|Fundació Antoni Tàpies
|<ref name=":0" />
|-
|2001
|
|{{flagdeco|BE}}
|Knokke
|15 Essays
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2002
|
|{{flagdeco|UK}}
|London
|Mother, Father, Monday
|Lisson Gallery
|<ref name=":0" />
|-
|2002
|
|{{flagdeco|FR}}
|Villeneuve-d’ascq
|Too Dark to Read: Motifs Rétrospectifs
|Lille Métropole Musée d’art modern d’art contemporain et d’art brut
|<ref name=":0" />
|-
|2003
|
|{{flagdeco|UK}}
|London
|What Work Does the Artwork Do?
|London Metropolitan University
|<ref name=":0" />
|-
|2003
|
|{{flagdeco|CH}}
|Zürich
|Now They Are Surrounded
|Migros Museum
|<ref name=":0" />
|-
|2004
|
|{{flagdeco|ES}}
|Malaga
|Now They Are Surrounded
|Centro de Arte Contemporáneo
|<ref name=":0" />
|-
|2004
|
|{{flagdeco|BE}}
|Knokke
|Now They Are Surrounded
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2004
|
|PT
|Lisbon
|Now They Are Surrounded
|Galeria Filomena Soares
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|AT}}
|Vienna
|Now They Are Surrounded
|Galerie Grita Insam
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded
|Guildhall Art Gallery
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|DE}}
|Karlsruhe
|Now They Are Surrounded
|Zentrum für Kunst und Medientechnologie
|<ref name=":0" />
|-
|2005
|
|{{flagdeco|UK}}
|London
|Hard to Say When
|Lisson Gallery
|<ref name=":0" />
|-
|2006
|
|{{flagdeco|FR}}
|Tiercé
|Il ne reste qu’à chanter
|Château de la Bainerie
|<ref name=":0" />
|-
|2006
|
|{{flagdeco|FR}}
|Nantes
|Il ne reste qu’à chanter
|Galerie de l’Erban
|<ref name=":0" />
|-
|2007
|
|{{flagdeco|UK}}
|London
|Now They Are Surrounded: Reconfigured
|London Metropolitan University
|<ref name=":0" />
|-
|2007
|
|{{flagdeco|ES}}
|Madrid
|Works 1965–1978, 2007–2008
|Distrito Cu4tro, Galeria de Arte
|<ref name=":0" />
|-
|2008
|
|{{flagdeco|BE}}
|Knokke
|Works 1965–1978, 2007–2008
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2008
|
|{{flagdeco|FR}}
|Paris
|Brouillages/Blurrings: Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|AT}}
|Salzburg
|Works on Paper
|Galerie Thaddaeus Ropac
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|ES}}
|Madrid
|Recent Works
|Espacio Distrito Cu4tro
|<ref name=":0" />
|-
|2009
|
|{{flagdeco|FI}}
|Espoo
|Portraits and a Dream
|Espoo Museum of Modern Art
|<ref name=":0" />
|-
|2010
|
|{{flagdeco|USA}}
|Chicago
|Portraits and a Dream
|Rhona Hoffman Gallery
|<ref name=":0">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/21103/Art_Language_CV.pdf</ref>
|-
|
|2010-02-27
|{{flagdeco|UK}}
|London
|Portraits and a Dream
|Lisson Gallery
|<ref name=":1">https://lisson-art.s3.amazonaws.com/uploads/attachment/file/body/15812/Art_Language_Press_Pack.pdf</ref>
|-
|2011
|
|{{flagdeco|BE}}
|Knokke
|Badges
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2011
|
|{{flagdeco|UK}}
|Canterbury
|Portraits and a Dream
|University of Kent
|<ref name=":0" />
|-
|2011
|
|{{flagdeco|AT}}
|Vienna
|Official Squares Again
|Galerie Grita Insam
|<ref name=":0" />
|-
|2012
|
|{{flagdeco|CH}}
|Zürich
|The Hut Project Painting with Art & Language
|Migros Museum für Gegenwartskunst
|<ref name=":0" />
|-
|2013
|
|{{flagdeco|UK}}
|Leeds
|The Hut Project Painting with Art & Language
|blip blip blip
|<ref name=":0" />
|-
|2013-04-12
|2013-05-18
|{{flagdeco|DE}}
|Düsseldorf
|Letters to the Red Krayola
|Galerie Kadel Willborn
|<ref>https://www.kadel-willborn.de/en/data/exhibitions/64/letters-to-the-red-krayola.html</ref>
|-
|2013
|
|{{flagdeco|BE}}
|Deurle
|Letters to the Red Krayola
|Museum Dhondt-Dhaenens
|<ref name=":0" />
|-
|2013
|
|{{flagdeco|BE}}
|Brussels
|Letters to the Red Krayola
|Garage Cosmos
|<ref name=":0" />
|-
|2014
|
|{{flagdeco|CH}}
|Zürich
|Made in Zurich: Art & Language Editions 1966–71
|Bernard Jordan Gallery
|<ref name=":0" />
|-
|2014
|
|{{flagdeco|ES}}
|Barcelona
|Uncompleted
|Museu d'Art Contemporani de Barcelona
|<ref name=":0" />
|-
|2014-11-14
|2015-01-17
|{{flagdeco|UK}}
|London
|Nobody Spoke
|Lisson Gallery
|<ref name=":1" /><ref name=":0" />
|-
|2016
|
|{{flagdeco|BE}}
|Knokke
|Not that is is needed now
|Mulier Mulier Gallery
|<ref name=":0" />
|-
|2016
|
|{{flagdeco|FR}}
|Montsoreau
|
|Château de Montsoreau-Musée d'art contemporain
|
|-
|2017
|
|{{flagdeco|DE}}
|Düsseldorf
|Nobody Spoke
|Kadel Willborn
|<ref name=":0" />
|-
|2017
|
|{{flagdeco|DE}}
|Berlin
|Nobody Spoke
|Kunstsaele
|<ref name=":0" />
|-
|2017-09-16
|2018-02-24
|{{flagdeco|FR}}
|Tours
|Ten Posters: Illustrations for Art & Language
|Centre de Création contemporaine Olivier Debré
|<ref>https://www.cccod.fr/wp-content/uploads/2017/08/dp-al-cccod-en-06122017.pdf</ref>
|-
|2018
|
|{{flagdeco|FR}}
|Montsoreau
|Art & Language Reality (Dark) Fragments (Light)
|Château de Montsoreau-Musée d'art contemporain
|
|-
|2019
|
|{{flagdeco|DE}}
|Berlin
|Devinera qui pourra (Figure it out who can)
|Galerie Michael Janssen
|<ref name=":0" />
|-
|2021
|
|{{flagdeco|UK}}
|Cambridge
|Now They Are
|Jesus College
|<ref name=":0" />
|-
|2022-03-03
|2022-04-16
|{{flagdeco|USA}}
|New York
|Hostage
|Lisson Gallery
|<ref>https://www.galleriesnow.net/shows/art-language/</ref>
|}

=== Works ===
{| class="wikitable"
! Year
 !Title
 !Materials
 !Dimensions
 !Link

|-
| 1978
 || The Key of Dreams
 || Acrylic on paper
 || 140 × 100 cm
 
|| [https://www.art-language.org/page/f/225.htm A-L]
|-
|1978
|Ten Illustrations for 'Radical Philosophy'
|
|
|
|-
| 1980
 || Portrait of V.I. Lenin with Cap, in the Style of Jackson Pollock III
 || 
 
|| 242.4 × 213.4 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-portrait-of-v-i-lenin-with-cap-in-the-style-of-jackson-pollock-iii-t12406 Tate]

|-
| 1980
 || Portrait of V.I. Lenin in the Style of Jackson Pollock V
 || Enamel on canvas
 
|| 239 × 210 cm
 
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-v Artsy]

|-
| 1980
 || Portrait of V.I. Lenin in the Style of Jackson Pollock VII
 || Enamel on canvas mounted on board
 
|| 105 × 100 cm
 
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-vii Artsy]

|-
| 1980
 || Portrait of V.I Lenin in the Style of Jackson Pollock VIII
 || Ink on paper
 
|| 
 
|| [https://www.artsy.net/artwork/art-and-language-portrait-of-vi-lenin-in-the-style-of-jackson-pollock-viii Artsy]

|-
| 1980
 || Portrait of V.I Lenin by V. Charangovitch (1970) in the style of Jackson Pollock III
 || Enamel paint on canvas mounted on wooden panel
 
|| 105 × 100 cm
 
|| [https://www.phillips.com/detail/art-language/UK010311/175 Philips]

|-
| 1981
 || Gustave Courbet’s ‘Burial at Ornans’; Expressing a Sensuous Affection .../Expressing a Vibrant Erotic Vision .../Expressing States of Mind that are Vivid and Compelling
 || Black ink, wash, gouache and wax crayon on cartridge paper, mounted on synthetic fabric
 
|| 324 × 699 × 5 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-gustave-courbets-burial-at-ornans-expressing-a-sensuous-affection-expressing-t03453 Tate]

|-
| 1981-1982
 || Index: The Studio at 3 Wesley Place
 || Photograph, pencil, pen and ink, watercolour, black washes and collage on paper mounted on sandwich of paper and plastic foam
 
|| 76.2 × 162.3 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-t03804 Tate]

|-
| 1982
 || Index: The Studio at 3 Wesley Place, Executed by Mouth (II)
 || Pencil and carbon paper tracings on paper mounted on sandwich of paper and plastic foam
 
|| 97.5 × 210 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-executed-by-mouth-ii-t03802 Tate]

|-
| 1982
 || Index: The Studio at 3 Wesley Place, in the Dark (IV), and Illuminated by an Explosion nearby (VI)
 || Photograph, pencil, watercolour and acrylic on tracing paper mounted on paper mounted on sandwich of paper and plastic foam
 
|| 78.4 × 162.7 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-iv-and-illuminated-by-an-t03801 Tate]

|-
| 1982
 || Index: The Studio at 3 Wesley Place (VI), Illuminated by an Explosion nearby
 || Photograph mounted on sandwich of paper and plastic foam
 
|| 106.7 × 160.3 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-vi-illuminated-by-an-explosion-nearby-t03803 Tate]

|-
| 1982
 || Index: The Studio at 3 Wesley Place, in the Dark (VI), Showing the Position of ‘Embarrassments’ in (IV)
 || Photograph, black ink, wax crayon and metallic pencil on sandwich of paper and plastic foam
 
|| 79.7 × 168 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-the-studio-at-3-wesley-place-in-the-dark-vi-showing-the-position-of-t03800 Tate]

|-
| 1984
 || Study for Impressionism Returning Sometime in the Future
 || Pencil and acrylic on paper
 || 107 × 168 cm
 
|| [https://www.art-language.org/page/f/222.htm A-L]

|-
| 1983
 || Study for Impressionism Returning Sometime in the Future III
 || Pencil and acrylic on paper
 
|| 99.1 × 139.7 cm
 
|| [https://www.artsy.net/artwork/art-and-language-study-for-impressionism-returning-sometime-in-the-future-iii Artsy]

|-
| 1985-1986
 || Index: Incident in a Museum II
 || Oil and acrylic painting on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1985
 || Index: Incident in a Museum III
 || Alogram and oil on canvas on plywood
 
|| 174 × 271 cm
 
|| 

|-
| 1985
 || Index: Incident in a Museum IV
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1985
 || Index: Incident in a Museum V
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum VI
 || Oil on canvas on plywood
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum VII
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum VIII
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum IX
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum X
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum XI
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum XII
 || Alogram and oil on canvas
 
|| 243 × 379 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum XIII
 || Alogram and oil on canvas on plywood
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum (Madison Avenue) XIV
 || Alogram and oil on canvas on plywood
 
|| 174 × 271 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum XV
 || Alogram and oil on canvas
 
|| 243 × 379 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum XVI
 || Alogram and oil on canvas on plywood
 
|| 243 × 379 cm
 
|| 

|-
| 1987
 || Index: Incident in a Museum XVII
 || Alogram and oil on canvas
 
|| 271 × 379 cm
 
|| 

|-
| 1987
 || Index: Incident in a Museum XVIII
 || Oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1987
 || Index: Incident in a Museum XIX
 || Alogram and oil on canvas on plywood
 
|| 174 × 271 cm
 
|| [https://www.tate.org.uk/art/artworks/art-language-index-incident-in-a-museum-xix-t13894 Tate]

|-
| 1987
 || Index: Incident in a Museum XX
 || Alogram and oil on canvas
 
|| 174 × 271 cm
 
|| 

|-
| 1987
 || Index: Incident in a Museum XXI
 || Photography and oil on canvas on plywood
 
|| 234 × 379 cm
 
|| 

|-
| 1986
 || Index: Incident in a Museum XXII (The decade, 2003 -2013)
 || Alogram and oil on canvas on plywood
 
|| 
 
|| 

|-
| 1987
 || Index: Incident in a Museum XXV
 || 
 
|| 174 × 271 cm
 
|| 

|-
| 1987
 || Unit Cure, Unit Ground X
 || Acrylic on paper
 
|| 101.3 × 137 cm
 
|| [https://www.artsy.net/artwork/art-and-language-unit-cure-unit-ground-x Artsy]

|-
| 1989
 || Hostage XIII (3)
 || Oil on canvas
 
|| 147 × 152.3 cm
 
|| [https://www.artsy.net/artwork/art-and-language-hostage-xiii-3 Artsy]
|-
|1990
|Surf 76
|
|
|
|-
| 1990
 || Hostage LXXIII
 || Glass, oil on canvas on wood
 
|| 214 × 142.5 cm
 
|| Artsy

|-
| 1990
 || Study for Hostage 48
 || Acrylic, ink and pencil on paper
 
|| 127 × 88.9 cm
 
|| Artsy

|-
| 1990
 || Study for Hostage 60
 || Acrylic, ink and pencil on paper
 
|| 130 × 90 cm
 
|| Artsy

|-
| 1990
 || Hostage LX
 || Oil on canvas on wood with glass
 
|| 214 × 142.5
 
|| Lisson Gallery

|-
| 1990
 || Study for Hostage 65
 || Acrylic, ink and pencil on paper
 
|| 127.5 × 88 cm
 
|| Artsy

|-
| 1991
 || Study for Hostage 79
 || Acrylic, ink and pencil on paper
 
|| 130 × 90 cm
 
|| Artsy

|-
| 1991
 || Hostage LXXIX
 || Glass, oil on canvas on wood
 
|| 214 × 142.5
 
|| Lisson Gallery
|-
|1992
|Hello, How Are You?
|
|
|
|-
| 1992
 || [[Art Language Paints a Picture|Art &amp; Language Paints a Picture]]
 || text
 
||
 
||

|-
| 1992
 || Exit (Now They Are) 2
 || Oil pastel on tracing paper and paper
 
|| 136 × 100.5 cm
 
|| Phillips

|-
| 1992
 || 3 Maps
 || Set of 3 boxed jigsaws
 
|| 5 × 24.5 × 32.5 cm
 
|| Artsy
|-
|1995
|Portrait of an Artist
|
|
|
|-
| 1995
 || Study for Background, Incident, Foreground II
 || Acrylic on paper
 
|| 128 × 92 cm
 
|| Phillips
|-
|1998-1999
|Index: Wrongs Healed in Official Hope
|
|
|
|-
| 1999
 || Lovely Slang V
 || Glass over oil and mixed media on canvas laid on wood
 
|| 59.5 × 42.5 cm
 
|| Phillips

|-
| 1999
 || Art &amp; Language Paints a Picture: A Picture Painted by Actors
 || Graphite and acrylic paint on canvas and alogram on canvas over plywood and mixed media
 
|| 
 
|| Tate

|-
| 
 || There were sighs trapped by liars (XXIV)
 || Acrylic on color photograph
 
|| 87 × 119 cm
 
|| Artsy
|-
|2000
|Down to the Stone
|
|
|
|-
|2001
|Framed unit No. # of Index (Landscape with St. George)
|
|
|
|-
| 2002
 || Homes from Homes, Virus I
 || Oil and enamel on canvas and mixed media
 
|| 98 × 175 cm
 
|| Lisson Gallery

|-
| 2004
 || Thirty Studies for a Luhmann Memorial
 || 30 works: collage, gouache on paper, passe-partout
 
|| 30 × 26 cm
 
|| Phillips

|-
| 2004
 || Lovely Slang XXI
 || Glass over oil and mixed media on canvas on wood
 
|| 82.9 × 70 cm
 
|| Lisson Gallery

|-
| 2004
 || Lovely Slang XXII
 || Glass over oil and mixed media on canvas on wood
 
|| 69 × 60.8 cm
 
|| Lisson Gallery

|-
| 2004
 || Lovely Slang XXVIII
 || Glass over oil and mixed media on canvas on wood
 
|| 72 × 65 cm
 
|| Artsy

|-
| 2005
 || Karaoke
 || Video, projection, colour and sound (stereo), 10 screenprints on paper and 13 ringbound booklets
 
|| 41 min. 10 sec
 
|| Tate

|-
| 2007
 || No Secret Painting XI
 || Painting and text
 
|| 
 
|| Lisson Gallery

|-
| 2007
 || Portraits of John Wayne, Jimmy Carter, Ad Reinhardt and Wile E. Coyote
 || Acrylic, crayon and mixed media, 4 parts
 
|| 90.3 × 39.7 × 38.5 cm
 
|| Artsy

|-
| 2007
 || Studies and Conversations: Qui Pourra
 || Collage and mixed media on photograph
 
|| 45 × 80 cm
 
|| Artsy

|-
| 2008
 || Qui Pourra
 || HD Video
 
|| 15 min. 36 sec.
 
|| Lisson Gallery

|-
| 2009
 || French Painting by Mouth
 || Lasertran, acrylic and mixed media with 144 pages of text bound in four volumes
 
|| 88 × 76 × 70 cm
 
|| Artsy

|-
| 2009
 || The Impression of Liars' Voices
 || Acrylic on canvas and mixed media, framed picture
 || 
 
|| Lisson Gallery
Phillips
|-
| 2009
 || The Background of a Hostage Incident
 || Acrylic on canvas and mixed media
 
|| 89.6 × 42.3 × 35 cm
 
|| Artsy

|-
| 2009
 || An Interview with Mayo Thompson
 || Acrylics on canvas and mixed media
 
|| 101.3 × 47.5 cm
 
|| Artsy

|-
| 2009
 || Now They Are Again No Secret
 || Acrylic on canvas and mixed media, framed picture
 
|| 
 
|| Lisson Gallery

|-
| 2009
 || Who Can Return?
 || Acrylic on canvas, photograph and mixed media
 
|| 98 × 48.5 × 36 cm
 
|| Artsy

|-
| 2009
 || Portraits and a Dream
 || 144 pages of 32 lines of text each printed on grey A3 paper plus one blank page, arranged in a grid and pasted onto one wall, 144 sets of 'paperchains' consisting of 16 links, suspended in rows on cables stretched between two walls
 
|| 
 
|| Lisson Gallery

|-
| 2009
 || Portrait of Vladimir Putin in the Style of Jackson Pollock
 || Oil and enamel on canvas; pencil on paper
 
|| 
 
|| Lisson Gallery

|-
| 2009-2010
 || Five American Background Songs
 || Acrylic on canvas and mixed media, plexiglas top
 
|| 105.2 × 58.5 × 41 cm
 
|| Artsy

|-
| 2011
 || Portrait and a Dream VII (1981)
 || Ink and crayon on paper and mixed media
 
|| 
 
|| Lisson Gallery

|-
| 2011
 || Portrait and a Dream IX (1966)
 || Ink and acrylic on paper and mixed media
 
|| 
 
|| Lisson Gallery

|-
| 2011
 || Portrait and a Dream XI (1968)
 || Ink on photostat and mixed media, 2 parts
 
|| 
 
|| Artsy

|-
| 2012
 || Art &amp; Language Paints a Picture (The performance of the Actors of the Jackson Pollock Bar); Art &amp; Language Paints a Picture (Directions for the Actors)
 || Oil on canvas trimmed in chains, mixed media, framed
 
|| 200 × 350 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola I (1968)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 35 × 75.6 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola II (1972)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 41.4 × 61.2 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola III (1990)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 41.4 × 41.4 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola IV (1976)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 41.4 × 41.4 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola V (2000)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 79.2 × 83.5 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola VI (1997)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 42.5 × 62.7 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola VII (1973)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 51.8 × 71 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola VIII (1973)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 51.8 × 71 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola IX (2009)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola X]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 73.4 × 75.2 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola XI (1982)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 52.3 × 102.8 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola XII]]
 || 
 
|| 
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola XIII (1968)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 71.2 × 71.4 cm
 
|| Artsy

|-
| 2012
 || [[Letters to The Red Crayola|Letters to The Red Crayola XIV (1976)]]
 || Ink, acrylic, collage and mixed media on paper
 
|| 78.4 × 64.3 cm
 
|| Artsy
|-
|2012-2013
|Drawings from the Winter
|
|
|
|-
| 2013
 || Part of an American Portrait
 || Perforated offset print
 
|| 19.1 × 19.1 cm
 
|| Artsy

|-
| 2013
 || Portraits and a Dream III
 || Paper and canvas
 
|| 
 
|| Artsy

|-
| 2013
 || Portrait of President Barack Obama in the Style of Jackson Pollock
 || 
 
|| 
 
|| Phillips

|-
| 2013-2014
 || Nobody Spoke
 || Installation comprising 17 'chairs', alogram on canvas over plywood with acrylic and mixed media
 
|| 
 
|| Lisson Gallery

|-
| 2014
 || Sea Ghost III
 || Acrylic with ink and mixed media on canvas
 
|| 176 × 149.5 cm
 
|| Artsy

|-
| 2014
 || Sea Ghost IV
 || Acrylic with ink and mixed media on canvas
 
|| 176 × 149.5 cm
 
|| Artsy

|-
| 2014
 || Sea Ghost V
 || Acrylic with ink and mixed media on canvas
 
|| 176 × 149.5 × 4 cm
 
|| Lisson Gallery

|-
| 2014
 || Tell Me, Have You Ever Seen Me? II, Xi Jinping
 || Printed text on paper, ink, pencil and mixed media on paper, vitrine
 
|| 120 × 50 × 50 cm
 
|| Lisson Gallery

|-
| 2015
 || Now They Are I
 || 144 parts, ink and paint on paper
 
|| 42 × 29.7 cm
 
|| Artsy

|-
| 2015
 || Not That it is Needed Now (Oak) VIII
 || Oil on paper mounted on aluminum
 
|| 34 × 34 cm
 
|| Lisson Gallery

|-
| 2015
 || Not That it is Needed Now (Archive) XX
 || Oil and mixed medium on canvas
 
|| 61 × 61 cm
 
|| Lisson Gallery

|-
| 2016
 || Now They Are II
 || Indian Ink on laser printed text on Teslin 144 SRA3 sheets
 
|| 45 × 31.7 cm
 
|| Lisson Gallery

|-
| 2016
 || Lovely Hostage IV
 || Glass, oil on canvas
 
|| 73 × 65 cm
 
|| Artsy

|-
| 2016
 || Lovely Hostage V
 || Glass, oil on canvas
 
|| 73 × 65 cm
 
|| Artsy

|-
| 2016
 || Lovely Hostage VI
 || Glass, oil on canvas
 
|| 73 × 65 cm
 
|| Artsy

|-
| 2016
 || These Scenes
 || 5 mixed media works containing woodblock print, monotype, aquatint etching, etching, Xerox print, pencil drawing, crayon writing and collage on 300 gram laid paper
 
|| 80 × 120 cm
 
|| Artsy

|-
| 2016
 || Have You Ever Seen Me? I
 || Acrylic, collage and mixed media on paper
 
|| 76 × 76 cm
 
|| Lisson Gallery

|-
| 2014-2017
 || Nobody Spoke Again
 || Alogram with acrylic on canvas and mixed media
 
|| 110 × 200 × 200 cm
 
|| Artsy

|-
| 2017
 || not to be seen
 || Wood, electric wire, bulbs
 
|| 160 × 60 × 60 cm
 
|| Artsy

|-
| 2017
 || Almost a Home for Homeless Stuff
 || Screenprint
 
|| 64 × 45 cm
 
|| Artsy

|-
| 2017-2018
 || Flags for Organisations II
 || Gouache on Teslin with laser printed text
 
|| 29.7 × 42 cm
 
|| Artsy

|-
| 2018
 || Studies and Conversations: Qui Pourra
 || Ink and pencil on paper
 
|| 40.1 × 94.7 cm
 
|| Artsy

|-
| 2018
 || Studies and Conversations: Qui Pourra
 || Ink and acrylic on paper
 
|| 40.1 × 94.7 cm
 
|| Artsy

|-
| 2018
 || Platons Hölle
 || Oil on canvas
 
|| 160 × 120 cm
 
|| Artsy

|-
| 2018
 || A Bad Place
 || Indian ink on laser printed text on Teslin
 
|| 252 × 710 cm
 
|| Artsy

|-
| 2019
 || Drawing from the Winter of 2013-2014 (107.4% Abstract)
 || HP Indigo Print, Metapaper extrarough white 270g/qm
 
|| 42 × 29.7 cm
 
|| Artsy

|-
| 2019
 || 10 Posters
 || Hand Silkscreen
 
|| 120 × 80 cm
 
|| Artsy

|-
| 2019
 || A Shadow on the Tongue IV
 || Indian ink over text on Teslin
 
|| 168 × 148 cm
 
|| Lisson Gallery

|-
| 2019
 || A Shadow on the Tongue XIII
 || Acrylic over text on Teslin
 
|| 168 × 148 cm
 
|| Lisson Gallery

|-
| 2019
 || French Painting by Mouth (Chair in Bright Colours)
 || Lasertran, acrylic and mixed media with 36 pages of bound text
 
|| 88 × 38.4 × 35.5 cm
 
|| Artsy

|-
| 2021
 || FLAG
 || Hand silkscreen on double 250 gram Poly-Opti-Premium-Cloth
 
|| 200 × 120 cm
 
|| Artsy

|}

== References ==

[[Category:Groups]]