View source for Conceptual Art: A Critical Anthology

1999 anthology edited by Alexander Alberro and Blake Stimson

== Contents ==
{| class="wikitable"
!Author
!Title
!pg.
!Originally published in
|-
|Alexander Alberro
|Reconsidering Conceptual Art, 1966–1977
|xvi
|
|-
|Blake Stimson
|The Promise of Conceptual Art
|xxxviii
|
|-
! colspan="4" |I. 1966-1967
|-
|Eduardo Costa, Raúl Escari, Roberto Jacoby
|A Media Art (Manifesto)
|2
|
* ''Happenings'' (ed. Oscar Masotta, 1967)
|-
|[[Christine Kozlov]]
|Compositions for Audio Structures
|6
|
* ''Nonanthropomorphic Art by Four Young Artists'' (1967)
|-
|Hélio Oiticica
|Position and Program
|8
|
* ''Aspiro ao Grande Labirinto'' (1986)
* ''Hélio Oiticica'' (ed. Guy Brett, 1992)
|-
|Sol LeWitt
|Paragraphs on Conceptual Art
|12
|
* ''Artforum'' (Summer 1967)
|-
|Sigmund Bode
|Excerpt from ''Placement as Language'' (1928)
|18
|
* ''Aspen'', 5–6 (Fall-Winter 1967)
|-
|Mel Bochner
|The Serial Attitude
|22
|
* ''Artforum'' (December 1967)
|-
|Daniel Buren, Olivier Mosset, Michel Parmentier, Niele Toroni
|Statement
|28
|
* ''Six Years: The Dematerialization of the Art Object from 1966 to 1972'' (1973)
|-
|Michel Claura
|Buren, Mosset, Toroni or Anybody
|30
|
|-
|[[Michael Baldwin]]
|Remarks on Air-Conditioning: An Extravaganza of Blandness
|32
|
* ''Arts Magazine'' (November 1967)
|-
|Adrian Piper
|A Defense of the "Conceptual" Process in Art
|36
|
* ''Out of Order, Out of Sight. Volume II: Selected Writings in Art Criticism 1967–1992'' (Adrian Piper, 1996)
|-
|Hélio Oiticica
|General Scheme of the New Objectivity
|40
|
* ''Nova Objetividade Brasileira'' (1967)
* ''Hélio Oiticica'' (ed. Guy Brett, 1992)
|-
! colspan="4" |II. 1968
|-
|Lucy R. Lippard and John Chandler
|The Dematerialization of Art
|46
|
* ''Art International'' (February 1968)
|-
|Terry Atkinson
|Concerning the Article "The Dematerialization of Art"
|52
|
* ''Six Years: The Dematerialization of the Art Object from 1966 to 1972'' (1973)
|-
|Yvonne Rainer
|Statement
|60
|
* ''The Mind Is a Muscle''
* ''Yvonne Rainer: Work 1961–73'' (1974)
|-
|Hanne Darboven
|Statement to Lucy Lippard
|62
|
|-
|Georges Boudaille
|Interview with Daniel Buren: Art Is No Longer Justifiable or Setting the Record Straight
|66
|
* ''Les Lettres Francaises'' (1968)
|-
|María Teresa Gramuglio and Nicolás Rosa
|Tucumán Burns
|76
|
|-
! colspan="4" |III. 1969
|-
|Michel Claura
|Paris Commentary
|82
|
* ''Studio International'' (January 1969)
|-
|Gregory Battcock
|Painting Is Obsolete
|88
|
* ''New York Free Press'' (January 23, 1969)
|-
|Dan Graham
|Art Workers’ Coalition Open Hearing Presentation
|92
|
* ''An Open Hearing on the Subject: What Should Be the Program of the Art Workers Regarding Museum Reform and to Establish the Program of an Open Art Workers’ Coalition'' (1969)
|-
|Editors of ''[[Art-Language]]''
|Introduction
|98
|
* ''[[Art-Language Vol. 1 No. 1]]'' (May 1969)
|-
|Sol LeWitt
|Sentences on Conceptual Art
|106
|
* ''0–9'', no. 5 (January 1969)
* ''[[Art-Language Vol. 1 No. 1]]'' (May 1969)
|-
|Ian Burn
|Dialogue
|110
|
* ''Art Press'' (The Society for Theoretical Art & Analysis, July 1969)
|-
|Lee Lozano
|Dialogue Piece
|112
|
|-
|Mierle Laderman Ukeles
|Maintenance Art Manifesto, Proposal for an Exhibition, "CARE"
|122
|
|-
|John Murphy
|Patron’s Statement for "When Attitudes Become Form"
|126
|
|-
|Piero Gilardi
|Politics and the Avant-Garde
|128
|
* ''Op Losse Schroeven: situaties en cryptostructuren'' (1969)
|-
|Jean Clay
|Art Tamed and Wild
|136
|
* ''Studio International'' (June 1969)
|-
|Rolf Wedewer
|Introduction to ''Konzeption/Conception''
|142
|
* ''Konzeption/Conception'' (1969)
|-
|Daniel Buren
|Beware
|144
|
* ''Konzeption/Conception'' (1969)
* ''VH101'', no. 1 (Spring 1970)
* ''Studio International'' (March 1970)
|-
|Joseph Kosuth
|Art After Philosophy
|158
|
* ''Studio International'' (October, November 1969)
|-
|Lucy R. Lippard
|Introduction to ''557,087''
|178
|
* ''557,087'' (1969)
* ''955,000'' (1970)
|-
! colspan="4" |IV. 1970
|-
|Ian Burn
|Conceptual Art as Art
|188
|
* ''Art and Australia'' (September 1970)
|-
|Mel Bochner
|Excerpts from Speculation (1967–1970)
|192
|
* ''Artforum'' (May 1970)
|-
|[[Charles Harrison]] and Seth Siegelaub
|On Exhibitions and the World at Large
|198
|
* ''Studio International'' (December 1969)
|-
|[[Charles Harrison]]
|Notes Towards Art Work
|204
|
* ''Studio International'' (February 1970)
|-
|Athena Tacha Spear
|Introduction to ''Art in the Mind''
|210
|
|-
|Kynaston McShine
|Introduction to ''Information''
|212
|
* ''Information'' (1970)
|-
|Jack Burnham
|Alice’s Head: Reflections on Conceptual Art
|216
|
* ''Artforum'' (February 1970)
|-
|Harold Rosenberg
|De-aestheticization
|220
|
* ''The New Yorker'' (January 24, 1970)
|-
|Luis Camnitzer
|Contemporary Colonial Art
|224
|
* ''Marcha'' (1970)
|-
|Cildo Meireles
|Insertions in Ideological Circuits
|232
|
* ''Malasartes'', no. 1 (September-November 1975)
* ''Cildo Meireles: IVAM Centre del Carme, 2 Febrero/23 abril 1995'' (1995)
|-
! colspan="4" |V. 1971-1974
|-
|Michel Claura
|Interview with Lawrence Weiner
|236
|
|-
|Jeanne Siegel
|An Interview with Hans Haacke
|242
|
|-
|Victor Burgin
|Rules of Thumb
|248
|
|-
|Terry Smith
|Propositions
|258
|
|-
|Catherine Millet
|Interview with ''[[Art-Language]]''
|262
|
|-
|Max Kozloff
|The Trouble with Art-as-Idea
|268
|
|-
|Robert Smithson
|Cultural Confinement
|280
|
|-
|Robert Smithson
|Production for Production’s Sake
|284
|
|-
|Michel Claura and Seth Siegelaub
|L’art conceptuel
|286
|
|-
|Lucy R. Lippard
|Postface, in ''Six Years: The Dematerialization of the Art Object, 1966 to 1972''
|294
|
|-
|Adrian Piper
|In Support of Meta-Art
|298
|
|-
|Hans Haacke
|All the "Art" That’s Fit to Show
|302
|
|-
! colspan="4" |VI. 1975-1977
|-
|Sarah Charlesworth
|A Declaration of Dependence
|308
|
|-
|Ian Burn
|The Art Market: Affluence and Degradation
|320
|
|-
|Joseph Kosuth
|1975 
|334
|
|-
|[[Art & Language|Art & Language, UK]]
|Having-Your-Heart-in-the-Right-Place-Is-Not-Making-History
|350
|
|-
|[[Art & Language|Art & Language, UK]]
|The Timeless Lumpenness of Radical Cultural Life
|354
|
|-
|Marcel Broodthaers
|To Be ''bien pensant...'' or Not to Be. To Be Blind
|358
|
|-
|Allan Sekula
|Documentary and Corporate Violence
|360
|
|-
|Martha Rosler
|To Argue for a Video of Representation. To Argue for a Video Against the Mythology of Everyday Life
|366
|
|-
|Mary Kelly
|Notes on Reading the ''Post-Partum Document''
|370
|
|-
|Benjamin H. D. Buchloh
|Moments of History in the Work of Dan Graham
|376
|
|-
! colspan="4" |VII. Memoirs of Conceptual Art
|-
|Ian Burn
|The ’Sixties: Crisis and Aftermath (or the Memoirs of an Ex-Conceptual Artist)
|392
|
|-
|Cildo Meireles
|Statements
|410
|
|-
|Ian Wilson
|Conceptual Art
|414
|
|-
|Dan Graham
|My Works for Magazine Pages: "A History of Conceptual Art"
|418
|
|-
|Adrian Piper
|On Conceptual Art
|424
|
|-
|Robert Barry
|Statement
|426
|
|-
|Victor Burgin
|Yes, Difference Again: What History Plays the First Time Around as Tragedy, It Repeats as Farce
|428
|
|-
|Deke Dusinberre, Seth Siegelaub, Daniel Buren, and Michel Claura
|Working with Shadows, Working with Words
|432
|
|-
|[[Art & Language]]
|We Aimed to Be Amateurs
|442
|
|-
|Mary Kelly and Terry Smith
|A Conversation About Conceptual Art, Subjectivity and the ''Post-Partum Document''
|450
|
|-
|Joseph Kosuth
|Intention(s)
|460
|
|-
|Michael Corris
|Inside a New York Art Gang: Selected Documents of Art & Language, New York
|470
|
|-
|Martha Rosler
|Statement
|486
|
|-
|Blake Stimson
|"Dada—Situationism/Tupamaros—Conceptualism": An Interview with Luis Camnitzer
|492
|
|-
! colspan="4" |VIII. Critical Histories of Conceptual Art
|-
|Jeff Wall
|Dan Graham’s Kammerspiel
|504
|
|-
|Benjamin H. D. Buchloh
|Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions
|514
|
|-
|[[Charles Harrison]]
|Conceptual Art and Critical Judgement
|538
|
|-
|Adrian Piper
|The Logic of Modernism
|546
|
|-
|Mari Carmen Ramírez
|Blueprint Circuits: Conceptual Art and Politics in Latin America
|550
|
|-
|Thomas Crow
|Unwritten Histories of Conceptual Art
|564
|
|}

== References ==